DOCSLIB.ORG

A BOOKLET BECAME a BOOK Most Songs Were Recorded Live Between 2004 and 2010 at Various Places During the a to Z Shows. These

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A BOOKLET BECAME a BOOK Most Songs Were Recorded Live Between 2004 and 2010 at Various Places During the a to Z Shows. These A BOOKLET BECAME A BOOK Most songs were recorded live between 2004 and 2010 at various places during the A to Z shows. These usually ran over four nights – each night a different song list as I worked my way alphabetically through around a hundred songs. The idea was to present the songs undressed, in many cases close to how they sounded when they were first written, before being arranged with a band. I imagined a nice chunky booklet to accompany the recordings – some storytelling, notes on the songs and influences, and so on. I started writing a few things down and didn’t stop. Two years later I had a book. To replace the booklet that became a book, I decided to assemble pictures that would tell stories another way. I hope you enjoy them. The text on the following pages comes from How to Make Gravy, published by Penguin. PK, May 2010 I spilled my wine at the bottom of the statue of Colonel Light After Don Dunstan you could drink wine at tables on the pavement, just like they did in Europe Michael, Pedro, Paul, Jon and Steve with Exile on Main Street, 1987 ‘Beautiful Dreamer’, the last song Stephen Foster completed, was published the year of his death. It’s still going strong Steve Connolly came from a line of vaudevillians, writers and communists Behind the bowler’s arm Catherine Kelly, big fine girl. No-one on a mobile phone ever snapped her with her head thrown back and laughing The minor key and falsetto were borrowed from Skip James They always came for Bradman ’cause fortune used to hide in the palm of his hand Fads and fashions came and went but Slim stayed Slim for sixty years I saw Died Pretty a number of times after I moved to Sydney…. They were a dangerous band. Some nights they fell in a heap. Other nights they were incandescent In 1996 the WOMADelaide festival gathered a group of artists from around the world to journey across the great Nullarbor Plain by non-metaphorical train from west to east…. Along the way we made music I melted wax to fix my wings Everybody wants to touch me Rembrandt paints age and beauty, health and decay…. I just stood there and wept – for her, for him, for you, for us all One Saturday, after rehearsing with Professor Ratbaggy in Prahran, I headed across the river to sit in with Uncle Bill at a Fitzroy pub. I needed to change my way of thinking… Vika and Linda’s voices have that elusive twinned quality you only get when siblings sing together – two swallows swooping and spiralling in the air as if joined by an invisible gird In each and every monk’s cell was a Fra Angelico mural I thought I’d died and gone to heaven And Thomas the Dominican? If he walked among us today and listened to classic French pop, what would he make of ‘Je T’Aime’? ‘Me no more’ sounds like something he could have uttered during one of his famous late-life ecstasies Dragon were huge at the time, all over the radio, the notorious bad boys of Australian pop. When they came to town they laid everything to waste And through Vincent’s fingers he poured a handful of sand Hobbema’s lonely avenue, darkly remembered, hovered above me for a few days God told me to Ercole was born for the part – he had the build, the voice and the gusto. There was never a dry eye in the house Jo never stopped loving her one true love, John. She talked to him every day for thirty-two years after his death…. She used to say, ‘If I get to heaven, it’s John first, God second’ Nonna gave me a great piece of advice. She told me to breathe in and out slowly and deeply if I was nervous before going on stage. I use this all the time Mavis was always gonna have the last word: ‘Mmmnph! . oaa . uhhh . mnh . oaahh . uuunnhh!’ So here comes Etta one more time, happier now, luxuriating in the pleasure of ‘At Last’ ‘I sing the body electric’ I toted my twenty-pound treasure back home on the bus, along Punt Road…. I leaned my head out the window to breathe in the smell of burning leaves in the parks, then pulled it back in to plunge deep into the fresh, sweet-smelling pages of Volume III: Tragedies and Romances Melbourne was jumping in the late seventies. There were a lot of small venues in the inner city – pubs mainly – which put on live music most nights of the week The High Rise Bombers only lasted nine months but, strangely, seemed to get more famous once we’d broken up. My main memory of being in the band was people in the crowd yelling, ‘Play faster!’ This is a rainy land I carry Grant McLennan’s voice in my head every time I speak the words to the third verse of ‘Don’t Harm The Messenger’ Ways and Means All heaven breaks loose ‘I am a widows son outlawed and my orders must be obeyed!’ He’s got another name, it’s spreading all across the valleys – Jandamarra! – like a burning flame Shine on, immortal ones She’s a volcano under snow Step right up, step right up, one and all! Shane Warne, bowler of mystery ‘Goodbye, Street Of Early Sorrows and may I never set eyes on you again!’ Henry Miller says goodbye to Brooklyn ‘The older I get, the surer I am I’m not running the show’ Up the front at Angels gigs, scary-looking young men with shaved heads and missing teeth would needle you relentlessly during each song, intoning in low voices, just audible, ‘Fuck off, fuck off, fuck off . ’ Hey, Ad, take a look at these, won’t you try some? It seemed to me that Mandawuy and I were songwriters with completely Nukkanya, Roger. Nukkanya, opposed methods. Lily. Nukkanyas, both, sweet Could we meet brother and sister somewhere in the middle? Frank came back from that dark night down at the crossroads like Robert Johnson, needy and dangerous, armed with a whole new power IMAGE SOURCES & PERMISSIONS Front and centre-spread photos in the Spiegeltent Andy Doherty (stills from video by Evolving Communications); Statue of Colonel Light State Library of South Australia; Don Dunstan Newspix/ News Limited; Michael, Pedro, Paul, Jon and Steve, 1987 Mushroom Music; Steve Connolly Francine McDougall; Behind the bowler’s arm Mark Ray; Skip James Dick Waterman; he’s out! newspaper headline State Library of South Australia; Died Pretty poster John Foy/Skull Printworks; Paul and Slim Dusty Tony Mott; WoMaDelaide train journey Bill Bachman (clockwise from top left: Paul and Lucky Oceans, The Bauls of Bengal, Archie Roach with Ruby Hunter and band, Shu-De, the train); Lily Brayton as Desdemona National Library of Australia/an22942294; Renée Geyer poster Tony Mahony; Bathing Woman painting Rembrandt; ‘I melted wax to fix my wings’ drawing Spencer Jones; Bluegrass jeans ad courtesy of Deborah Conway; Vika and Linda Bull Tania Jovanovic; Paul with Uncle Bill Russell Shakespeare; Professor Ratbaggy Tony Mahony; The Annunciation painting Fra Angelico; Thomas aquinas painting attributed to Botticelli; Serge Gainsbourg and Jane Birkin Snap Photo/Austral Press; Dragon record cover courtesy of Chris Pepperell at Red Eye Records; The Avenue at Middleharnis painting Meindert Hobbema; Gough Whitlam and Vincent Lingiari Mervyn Bishop/Licensed by Viscopy, 2010; Sacrifice of Isaac painting Caravaggio; Paul in Suddenly we had an Elvis/Lefty Frizzell kinda thing going on ropes Narelle Sheean, still photo from the filming of God Told Me To, directed by Natasha Pincus; with Spanish country piano and we knew we were in the clear, How to Make Gravy record cover design by Jason Griffiths, tomato sauce painting by Spencer out of the enormous shadows of Tex, Don and Charlie Jones; M photo Anthony Tran; One Night the Moon poster photography by Kim Batterham; The Staple Singers Stax Museum of American Soul Music; The Tell-Tale Heart poster courtesy of Kerry Ratcliffe at Koru; Walt Whitman National Library of Congress; The Boys Next Door poster The Arts Centre, Performing Arts Collection, Melbourne; Bleeding Hearts at Martinis poster The Arts Centre, Performing Arts Collection, Melbourne; Grant McLennan Bleddyn Butcher; Ways and Means drawing Chris Dyson; Roy orbison Snap Photo/Austral Press; Ned Kelly drawing – A Strange Apparition State Library of Victoria; Dharma Bums book cover Penguin Books/John Arne Saeteroy; Ned Kelly photo Public Record Office Victoria; Jandamarra poster Gary Marsh/Black Swan Theatre Company; aboriginal men in chains, circa 1890 State Library of Western Australia/Battye Library; The graves of Queenie McKenzie and Rover Thomas Bill Cullen; Balangur Hills painting Queenie McKenzie; Jimmy Sharman’s touring stadium Jeff Carter/National Library of Australia vn3104828; Grace Kelly Snap Photo/Austral Press; Leonard Cohen Dirk Lindner; Shane Warne Mark Ray; Henry Miller National Library of Congress; Adam and Eve painting Lucas Cranach the Elder; Poster of The angels, Sports, and PK Nick Vukovic; nickrockposters.com; To Her Door drawing by Reg Mombassa; Yothu Yindi Tony Mott; Roger Bennett with Paul Mark Ray; Frank Sinatra, young and middle-aged Snap Photo/Austral Press; Fingerprints poster Robert Pokorny; Tex, Don and Charlie Daniel Guerra; Dancing Skeletons print (overleaf) Jose Guadalupe Posada. ‘Okay, do you know about the Gary Puckett song cycle?’ says the bass player. ‘Forget Schumann or Schubert. Gazzer says it all in less than twenty minutes’ You can’t take it with you Recording, mixing and front-of-house engineers: Simon Polinski, Adam Rhodes, Greg Weaver, Aaron Cupples, Chris Thompson, Rob Miles, Tim Millikan, Michael O’Connell, Tony David Cray, Tim Matthew Stage and lighting crew: Craig Bird, Andrew Lawson, Simon Blanch, Joe Yammouni, Marc Royal, Benjamin Lyons, Shannon Ward Letter holders: Gabi Barton, Declan Kelly Musicians: Dan Kelly – guitar and harmony vocals.
Load more

Recommended publications
  • Echoes of Pacific War
    ECHOES of Pacific War Edited by Deryck Scarr, Niel Gunson, Jennifer Terrell Echoes of Pacific War Edited by Deryck Scarr, Niel Gunson, Jennifer Terrell Papers from the 7th Tongan History Conference held in Canberra in January 1997 TARGET OCEANIA CANBERRA 1998 © Deryck Scarr, Niel Gunson, Jennifer Terrell 1998 This work is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Book and cover design by Jennifer Terrell Printed by ANU Printing and Publishing Service ISBN 0-646-36000-0 Published by TARGET OCEANIA c/ o Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra, ACT 0200, Australia Contents Maps and Figures v Fo reword ix Introduction xiii 1 Behind the battle lines: Tonga in World War II EUZABETHWOOD-EILEM 1 2 Changing values and changed psychology of Tongans during and since World War II 'I. F. HELU 26 3 Airplanes and saxaphones: post-war images in the visual and peiforming arts ADRIENNE L. KAEPPIER 38 4 Tonga and Australia since Wo rld War II GARETH GRAINGER 64 5 New behaviours and migration since Wo rld War II SIOSIUA F. POUVALU LAFITANI 76 6 The churches in Tonga since World War II JOHN GARRE'IT 87 7 Introduction and development of fa mily planning in Tonga 1958-1990 HENRY IVARATURE 99 8 Analysing the emergent mi ddle class - the 1990s KERRY JAMES 110 9 Changing interpretations of the kava ritual MEREDITH FILIHIA 127 10 How To ngan is a Tongan? Cultural authenticity revisited HELEN MORTON 149 Bibliograp hy 167 Index 173 Contributors 182 Maps Map 1: TheTonga Islands vii Map 2: Tongatapu 5 Map 3: Nuku'alofa 10 Figures Figure 1.
    [Show full text]
  • Concert and Music Performances Ps48
    J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player).
    [Show full text]
  • Mick Evans Song List 1
    MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31.
    [Show full text]
  • Biography 2002
    THE BLACK SORROWS Biography 2002 Joe Camilleri is an Australian legend who has given his life to music. In the mid 80s following the success of his first band, Jo Jo Zep and The Falcons, Joe Camilleri gathered together a group of musician friends and dubbed them The Black Sorrows. The band began playing for the fun of it, recording independent albums and selling them out of the boot of his car. When radio picked up the classic track, 'Mystified',The Black Sorrows really took flight. They signed to CBS and proceeded to release some of Australia's most successful albums including the multi-platinum sellers Hold On To Me, Harley & Rose and The Chosen Ones. Over the past fifteen years, The Black Sorrows have toured Australia more times than anyone can remember, played sell out shows across Europe, won the ARIA for 'Best Band' and sold more than a million albums world-wide. Joe Camilleri's songs have become part of our lives. The Sorrows' string of hits is seemingly endless: Dear Children, Country Girls, Snake Skin Shoes, Harley & Rose, The Chosen Ones, Mystified, Ain't Love The Strangest Thing, Better Times, Never Let Me Go, Chained To The Wheel, Daughters of Glory, Stir It Up, New Craze... and he's certainly not done yet. Look around the world and you have to put Joe in the same company as people like Eric Clapton and Van Morrison - legends, performers whose careers span decades, transcending all styles and fads, performers who are loved for the fact that they're obviously in it for the music.
    [Show full text]
  • S a L L Y S E T L I
    S A L L Y S E T L I S T Popular ❖ Dancing Queen - ABBA ❖ Long Way To The Top - AC/DC ❖ Make you feel my love - Adele ❖ rolling in the deep - adele ❖ When We Were Young - Adele ❖ One and Only - Adele ❖ Let’s Stay Together - Al Green ❖ If Trouble Was Money - Albert Collins ❖ Empire State of mind - Alicia Keys ❖ If I Ain’t Got You - Alicia Keys ❖ I’ll Fly Away - Alison Krauss ❖ Oh Atlanta - Alison Krauss ❖ One Way Out - Allman Brothers Band ❖ Wake Me Up - Aloe Blacc ❖ I Need A Dollar - Aloe Blacc ❖ Rehab - Amy Winehouse ❖ Valerie - Amy Winehouse ❖ Bella - Angus and Julia Stone ❖ Big Jet Plane - Angus and Julia Stone ❖ The Girl From Ipanema - Antonio Carlos Jobim ❖ I Bet that You Look Good On the Dancefloor - Arctic Monkeys ❖ Chain of Fools - Aretha Franklin ❖ I Say A Little Prayer - Aretha Franklin ❖ R-E-S-P-E-C-T - Aretha Franklin ❖ One Crowded Hour - Augie March ❖ Wake Me Up - Avicii ❖ Let The Good Times Roll - B B King ❖ Three O’clock Blues - B B King ❖ Fight For Your Right - Beastie Boys ❖ How Deep Is Your Love - Bee Gees ❖ Stand by me - Ben E. King ❖ The Luckiest - Ben Folds ❖ Steal My Kisses - Ben Harper ❖ Wish You Well - Bernard Fanning ❖ XO - Beyonce ❖ Ain’t No Sunshine - Bill Withers ❖ Use Me - Bill Withers ❖ Everything I Wanted - Billie Eilish ❖ Just The Way You Are - Billy Joel ❖ Achy Breaky Heart - Billy Ray Cyrus ❖ I Gotta Feeling - Black Eyed Peas ❖ No Diggity - Blackstreet ❖ All The Small Things - Blink 182 ❖ Dammit - Blink 182 ❖ Make You Feel My Love - Bob Dylan ❖ Mr Tambourine Man - Bob Dylan ❖ I Shot The Sherrif - Bob Marley
    [Show full text]
  • The Use of Short-Term Group Music Therapy for Female College Students with Depression and Anxiety by Barbara Ashton a Thesis P
    The Use of Short-Term Group Music Therapy for Female College Students with Depression and Anxiety by Barbara Ashton A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Music Approved April 2013 by the Graduate Supervisory Committee: Barbara Crowe, Chair Robin Rio Mary Davis ARIZONA STATE UNIVERSITY May 2013 ABSTRACT There is a lack of music therapy services for college students who have problems with depression and/or anxiety. Even among universities and colleges that offer music therapy degrees, there are no known programs offering music therapy to the institution's students. Female college students are particularly vulnerable to depression and anxiety symptoms compared to their male counterparts. Many students who experience mental health problems do not receive treatment, because of lack of knowledge, lack of services, or refusal of treatment. Music therapy is proposed as a reliable and valid complement or even an alternative to traditional counseling and pharmacotherapy because of the appeal of music to young women and the potential for a music therapy group to help isolated students form supportive networks. The present study recruited 14 female university students to participate in a randomized controlled trial of short-term group music therapy to address symptoms of depression and anxiety. The students were randomly divided into either the treatment group or the control group. Over 4 weeks, each group completed surveys related to depression and anxiety. Results indicate that the treatment group's depression and anxiety scores gradually decreased over the span of the treatment protocol. The control group showed either maintenance or slight worsening of depression and anxiety scores.
    [Show full text]
  • Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL Mcgrath & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011
    Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL McGRATH & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011 Based on the non-mailing comments section of *brg* 67 and 68, a fanzine for ANZAPA (Australia and New Zealand Amateur Publishing Association) written and published by Bruce Gillespie, 5 Howard St, Greensborough VIC 3088. Phone: (03) 9435 7786. Email: [email protected]. Member fwa. Website: GillespieCochrane.com.au Contents 3 Unsolved mysteries of the hereafter — by Taral Wayne 6 The brand new Scratch Pad poetry spot — by Niall McGrath and Tim Train 9 Ditmar’s best and favourite films of 2010 — by Ditmar (Dick Jenssen) 15 Shining shores: Bruce Gillespie’s favourites 2010 — by Bruce Gillespie 36 ABC Classic 100 ten years on: 2010 — introduced by Bruce Gillespie Cover graphic — ‘Evening Phenomenon’ by Ditmar (Dick Jenssen) Cartoon p. 3: ‘Unsolved mysteries’ — by Taral Wayne 2 Unsolved mysteries of the hereafter by Taral Wayne I think some scholar, or someone who wanted to be mistaken for one, claimed that the translation from the Koran was wrong, and it wasn’t ‘seventy virgins’, but something like ‘seventy figs’, that a good Muslim could expect in Paradise, and that it only meant the blessed would be in the midst of plenty. I’m not sure I buy that. It was only 1500 years ago, and I don’t think Arabic then was so different from modern Arabic that millions of Arab Muslims make such an elementary mistake. But who knows ... maybe Allah really only did mean that the nearly arrived would be greeted with a plate of figs ..
    [Show full text]
  • Exploring the Mental Health Experiences of African, Caribbean, and Black Youth in London, Ontario
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-3-2021 2:00 PM Exploring the Mental Health Experiences of African, Caribbean, and Black Youth in London, Ontario Lily Yosieph, The University of Western Ontario Supervisor: Orchard, Treena, The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Master of Science degree in Health and Rehabilitation Sciences © Lily Yosieph 2021 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Community Health Commons, Health Services Research Commons, Other Psychiatry and Psychology Commons, Other Public Health Commons, Other Rehabilitation and Therapy Commons, and the Public Health Education and Promotion Commons Recommended Citation Yosieph, Lily, "Exploring the Mental Health Experiences of African, Caribbean, and Black Youth in London, Ontario" (2021). Electronic Thesis and Dissertation Repository. 7682. https://ir.lib.uwo.ca/etd/7682 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This qualitative study explores the mental health experiences of African, Caribbean, and Black (ACB) youth in London, Ontario, investigating how the factors of race, gender, culture, and place have shaped their perceptions and experiences of mental health. The data collection and analysis were conducted using a phenomenological approach and a critical lens informed by feminist, intersectionality, and critical race theories. These data illuminate the ways in which these young people’s attitudes toward mental health and help-seeking strategies are impacted by broader social constructs and community expectations, which they navigate and often resist in their everyday lives.
    [Show full text]
  • I Have a Dream: Martin Luther King, Jr. Handbook of Activities
    DOCUMENT RESUME ED 299 190 SO 019 326 AUTHOR Duff, Ogle Burks, Ed.; Bowman, Suzanne H., Ed. TITLE I Have a Dream. Martin Luther King, Jr. Handbook of Activities. INSTITUTION Pittsburgh Univ., Pa. Race Desegregation Assistance Center. SPONS AGENCY Department of Education, Washington, DC. PUB DATE Sep 87 CONTRACT 600840 NOTE 485p. PUB TYPE Guides Classroom Use Materials (For Learner) (051) Guides - Classroom Use Guides (For Teachers) (052) EDRS PRICE MF02/PC20 Plus Postage. DESCRIPTORS *Art Activities; Black Achievement; Black Leadership; Class Activities; Curriculum Guides; Elementary Secondary Education; *English Curriculum; Instructional Materials; *Language Arts; Learning Modules; Lesson Plans; Library Skills; *Music Activities; Resource Units; *Social Studies; Songs; Speeches; *Teacher Developed Materials; Teaching Guides IDENTIFIERS *Kind (Martin Luther Jr) ABSTRACT This handbook is designed by teachers for teachers to share ideas and activities for celebrating the Martin Luther King holiday, as well as to teach students about other famous black leaders throughout the school year. The lesson plans and activities are presented for use in K-12 classrooms. Each lesson plan has a designated subject area, goals, behavioral objectives, materials and resources, suggested activities, and an evaluation. Many plans include student-related materials such as puzzles, songs, supplementary readings, program suggestions, and tests items. There is a separate section of general suggestions and projects for additional activities. The appendices include related materials drawn from other sources, a list of contributing school districts, and a list of contributors by grade level. (DJC) *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *******************************************************************x*** [ MARTIN LUTHER KING, JR.
    [Show full text]
  • 12 December January 2014 GSG Newsletter
    Gecko St udio Gallery Newsletter –December 2014 / January 2015 Our next exhibition is …… David Frazer - Curriculum Vitae born 1966, Foster, Victoria, Australia ☎ +61 3 5472385 0431 162 434 www.dfrazer.com [email protected] David Frazer Qualifications 1998-2000 - Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, Monash University 1996 - Honours Degree, Fine Art (Printmaking), Monash University 1991 - Diploma of Education (Secondary-Art/Craft), Latrobe University 1984-1986 - B.A. Fine Arts (Painting), Phillip Institute of Technology Solo Exhibitions 2013 - “Home Sweet Home” Guanlan Original Print Base, Shenzen, China 2013 - Hillsmith Gallery Adelaide 2012 - “Homesick” James Makin Gallery Melbourne 2012 - Port Jackson Press Print Room, Melbourne 2012 - “Homesick” Beaver Galleries Canberra 2011 - “Half way Home” Falkner Gallery Castlemaine Victoria 2011 - “Last Blossom” Rebecca Hossack Gallery London UK 1 2011 - “Works on paper” Post Office Gallery Ballarat Uni. 2010 - “Broken Home” James Makin Gallery, Melbourne 2010 - La Trobe University Visual Arts Centre, Bendigo, Victoria 2009 - Beaver Galleries, Canberra, ACT 2009 - The Art Vault Mildura VIC 2009 - Falkner gallery Castlemaine Victoria 2008 - “Lost” Dickerson Gallery Sydney 2007 - Adele Boag Gallery, Adelaide 2007 - “Passing through the old world” Dickerson Gallery, Melbourne 2006 - “On the Edge of Town” Dickerson Gallery, Melbourne. 2006 - “Mr Vertigo” ICON gallery, Deakin Museum of Art. Melbourne 2005 - “Somewhere over the hill” Dickerson Gallery Sydney 2005 - “The
    [Show full text]
  • Personal Histories in Conflict Resolution
    Mitchell Hamline School of Law Mitchell Hamline Open Access DRI Press DRI Projects 12-1-2020 Evolution of a Field: Personal Histories in Conflict Resolution Howard Gadlin Nancy A. Welsh Follow this and additional works at: https://open.mitchellhamline.edu/dri_press Part of the Dispute Resolution and Arbitration Commons Recommended Citation Gadlin, Howard and Welsh, Nancy A., "Evolution of a Field: Personal Histories in Conflict Resolution" (2020). DRI Press. 12. https://open.mitchellhamline.edu/dri_press/12 This Book is brought to you for free and open access by the DRI Projects at Mitchell Hamline Open Access. It has been accepted for inclusion in DRI Press by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. Evolution of a Field: Personal Histories in Conflict Resolution Published by DRI Press, an imprint of the Dispute Resolution Institute at Mitchell Hamline School of Law Dispute Resolution Institute Mitchell Hamline School of Law 875 Summit Ave, St Paul, MN 55015 Tel. (651) 695-7676 © 2020 DRI Press. All rights reserved. Printed in the United States of America. Library of Congress Control Number: 2020918154 ISBN: 978-1-7349562-0-7 Mitchell Hamline School of Law in Saint Paul, Minnesota has been educating lawyers for more than 100 years and remains committed to innovation in responding to the changing legal market. Mitchell Hamline offers a rich curriculum in advocacy and problem solving. The law school’s Dispute Resolution Insti- tute, consistently ranked in the top dispute resolution programs by U.S. News & World Report, is committed to advancing the theory and practice of conflict resolution, nationally and inter- nationally, through scholarship and applied practice projects.
    [Show full text]
  • Ned Kelly and the Myth of a Republic of North-Eastern Victoria
    Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post.
    [Show full text]