Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL Mcgrath & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Presenter Information Pack
PRESENTER INFORMATION PACK Photo by Sherbet Birdie Contents COMPANY PROFILE .......................................................................................................................... 3 ABOUT THE SHOW ........................................................................................................................... 3 CREATIVE TEAM ............................................................................................................................... 4 BIOGRAPHYS .................................................................................................................................... 4 PERFORMANCE SPECIFICS ................................................................................................................ 5 PERFORMANCE HISTORY .................................................................................................................. 5 AUDIENCE ENGAGEMENT ................................................................................................................ 5 MARKETING ..................................................................................................................................... 6 TECHNICAL RIDER ............................................................................................................................. 6 CONTACTS ....................................................................................................................................... 8 COMPANY PROFILE Cre8ion is a dynamic and energetic company specialising in producing -
Jonathan Summers B) CATEGORY: Opera Singer / Baritone C) POSITION: Freelance
1a) NAME: Jonathan Summers b) CATEGORY: Opera singer / baritone c) POSITION: Freelance 2a) PERSONAL DETAILS: date of birth / place / country 2nd October, 1946; Melbourne; Australia b) MARITAL STATUS: date of marriage / name of spouse / number of children 29th March 1969, Melbourne Australia; Lesley; 3 children 3) PREVIOUS OCCUPATIONS: dates / occupation 1965-1974 Freelance singer/concert artist 1970-1974 Technical operator/recording engineer Australian Broadcasting Commission, Melbourne 4) EDUCATION: dates / institution / city / teacher Secondary : Melbourne; Macleod High School Tertiary : Melbourne; Prahran Technical College (Art School) 1964-1974 Melbourne; Bettine McCaughan, voice teacher 1972-1973 Melbourne;National Theatre Opera School 1974-1980 London; Otakar Kraus, voice teacher 5) PROFESSIONAL DEBUT: date / opera company / role / opera / cast Nov 1975; Kent Opera; title role in Verdi's Rigoletto; Congress Theater, Eastbourne, UK; producer: Jonathan Miller; conductor: Roger Norrington; David Hillman (Duke), Meryl Drower (Gilda), Sarah Walker (Maddalena), Malcolm King (Sparafucile) 6) EARLY CAREER WITH BRIEF RESUME: dates / opera house or company / role / opera Feb 1976; University College London Opera; title role in Macbeth (orig. 1847 version); producer: John Moody; conductor: George Badachoni Sep 1976; Glyndebourne Touring Opera; title role in Falstaff; producer: Jean-Pierre Ponnelle; conductor: Kenneth Montgomery Oct 1976; joined the Royal Opera House, Covent Garden, London, as a company principal Nov 1976; English National Opera -
ICH DENKE DEIN… Lisa Larsson Rolf Martinsson
ICH DENKE DEIN… Lisa Larsson Rolf Martinsson Swedish soprano Lisa Larsson started Rolf Martinsson is one of Sweden’s leading composers. His trumpet concerto “Bridge”, written her career as a flautist and later studied for Håkan Hardenberger, led to an international breakthrough and has to date been performed singing in Basel. Her first engagements more than 60 times worldwide. Martinsson collaborates with top soloists such as Lisa Larsson, followed at the Zürich Opera House, Anne Sofie von Otter, Martin Fröst and Christian Lindberg, with conductors such as Alan Gilbert, where she performed with conductors Andris Nelsons, Manfred Honeck, Vassily Sinaisky and John Storgårds and with the major Nordic such as Nikolaus Harnoncourt and orchestras as well as the BBC SO, CBSO, Vienna RO, Bamberger Symphoniker, NDR Hamburg, Franz Welser-Möst. Cleveland O, Detroit SO in venues such as Musikverein/Konzerthaus Vienna, Philharmonie/ Konzerthaus Berlin, Concertgebouw, Salzburger Festspielhaus, Royal Festival Hall and Carnegie Following her debut at La Scala di Hall. As of today, Martinsson has composed some 130 works, including orchestral pieces, solo Milano in “Die Zauberflöte” under concertos, chamber music and choir music. His work list also includes pieces for solo voice with Riccardo Muti, she swiftly developed various ensembles, most of which dedicated to soprano Lisa Larsson. an international opera career, in particular as a Mozart singer with guest Martinsson has been featured composer at the Stockholm International Composer Festival, appearances at renowned opera houses Composer in Residence (CiR) at Concertgebouw with the Netherlands PO/CO 14-15 and CiR and festivals such as the Bavarian State with the Helsingborg SO 14-17. -
Pobierz Ten Artykuł Jako
�������������������������� pop/rock Jerry Lee Lewis Gordon Haskell Hionides The Black Crowes Mean Old Man One Day Soon Croweology Verve 2010 Gordon Haskell Hionides 2010 Silver Arrow Records 2010 Dystrybucja: Universal Music Polska Muzyka: §§§§¨ Muzyka: §§§§§ Muzyka: §§§§§§ Realizacja: §§§§¨ Realizacja: §§§§¨ Realizacja: §§§§¨ Już cztery lata temu Jerry Lee Lewis Na początek trzy mocne punkty. Utwór Album kolejnego wykonawcy sięga- doczekał się dowodu uznania od kolegów otwierający płytę jest godnym następ- jącego w przeszłość, chociaż nie aż tak z branży w postaci albumu „Last Man cą „Harry’s Bar” – hitu, który kilka lat odległą jak ta, do której ostatnio wracają Standing”. Towarzyszyli mu na nim m.in. temu odnowił zainteresowanie słucha- Phil Collins czy Eric Clapton. Grupa ( e Jimmy Page, B.B. King, Bruce Spring- czy angielskim wykonawcą, szczycą- Black Crowes, znana przede wszystkim steen i Neil Young. Płyta okazała się suk- cym się krótką współpracą z zespołem z „Shake Your Money Maker” (1990), cesem, więc Lewis powrócił do koncepcji King Crimson. Piosenki „( e Fools of z okazji 20-lecia ukazania się ich debiu- nagrań z udziałem sław. Yesterday” nie powstydziliby się najlepsi tanckiej płyty, nagrała jeszcze raz swoje Może lista gości na „Mean Old Man” rockmani. Choć należy dodać, że solowe najpopularniejsze piosenki – tym razem jest mniej spektakularna, ale i tak robi dokonania autora „One Day Soon” nie w wersjach akustycznych – i wydała je na wrażenie. Jak na poprzednim krążku mają prawie nic wspólnego z nagraniami podwójnym albumie „Croweology”. usłyszymy tu trzech Stonesów, Erica grupy kierowanej przez Roberta Frippa. Co mamy w efekcie? Kolejny zbiór nie- Claptona i Ringo Starra. Nowi goście to: Gordon Haskell słynie bowiem z melo- co inaczej brzmiących hitów? Ależ skąd! Sheryl Crow, Slash czy John Mayer. -
FESTIVAL to the Volcanoes of Auvergne – Unforgettable
InsPIrIng you to reach your dreams #19 /JuLy-AUGUST 2010 Glorious Cannes, Glamorous summer MICK JAGGER A Stone in exile? PAlme d’oR wInner Exclusive interview AlEx Cox British film expert BElGIAn EU PRESIdEnCY Back in business? EDITORIAL Cannes-tastic! Cannes is one of those places cocktails, courtesy of chivas and the utter where you feel anything could exhilaration of being handed the controls of J happen. Away from the glitz craft’s latest speedboat the Torpedo as it and glamour of La Croisette topped 40 knots in Cannes harbour, we did our best to enjoy ourselves. and its famous red carpet, a whole industry throbs in the Of course, it’s not all parties. Closer to home, Andy background. Carling returns with a sideways look at how Belgium may handle its six months as head of n such a city of movers and shakers, a the EU’s rotating presidency. There’s still time to place which seems practically never to get yourself in trim for the beach, too – let Together sleep and a town in which new stars are and Power Plate Institute Brussels introduce you born, Together is right at home. To save to the latest exercise craze, with our fantastic you the trouble of trekking the thousand- readers giveaway. oddI kilometres to Cannes, we selflessly ventured there to bring you the very best in fashion shows, Plus, as we know you’ve come to expect and private parties and everything you might expect enjoy by now, there’s a beautiful fashion from the hardest working (and hardest partying) photoshoot, Kimberley Lovato’s sensual magazine in Brussels. -
Mick Evans Song List 1
MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31. -
Roctober Reviews: ROLLING STONES, the MICK TAYLOR
3/23/2011 Roctober Reviews: ROLLING STONES, … Share Report Abuse Next Blog» Create Blog Sign In Friday, February 11, 2011 waymon ROLLING STONES, THE MICK TAYLOR YEARS DVD Roctober Magazine Senior Tastemaker Roctober Magazine Reviews: Chicago, IL, United States These reviews will be featured in forthcoming issues of Roctober Magazine (www.roctober.com). To submit material for review please contact [email protected] or send it to Roctober Magazine 1507 E. 53rd St. #617 Chicago IL 60615. REVIEW POLICIES: We will review EVERYTHING physically submitted, in any format (vinyl, CD, cassette, 8-track, wax cylinder, DVD, VHS, Beta, videogame, book, magazine, zine, cake, bucket of chicken, etc.) For music my kingly (MVD ) Guest Review by Gary Pig Gold tastes make me like vinyl the best and I THROUGH THE PAST, SMARTLY: will probably think you are cooler if you For those who arrived at the party rather late – meaning the first new send your release on vinyl. I do review Stones record you ever bought had a big red tongue splayed across some digital submissions/downloads, its label – the five years and ninety-nine minutes contained within but it is not a guarantee. But if you Chrome Dreams’ Rolling Stones: The Mick Taylor Years DVD will throw it on a cheap CD-R and mail it to serve as a more than welcome addition to all of your recently- me it will definitely be reviewed. For acquired Exile On Main St. collectables. In fact, should you consider periodicals/zines/comix/magazines we yourself a part of the ever-expanding constituency who swear the may not review every issue but we will Stones’ best work was done during that half decade between the run a new, different review in each death of Brian Jones and the arrival of Ronnie Wood, this is one issue of Roctober. -
(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season. -
Biography Lisa Larsson – Soprano Swedish Soprano Lisa Larsson
Biography Lisa Larsson – Soprano 2018 | 2019 season. Last updated: September 2018 Swedish soprano Lisa Larsson started her career as a flautist (MFA) and studied singing in Basel. Her first engagement was at the Zurich Opera House, where she performed under a number of conductors including Nikolaus Harnoncourt and Franz Welser-Möst. Following her debut at La Scala in Milan under Riccardo Muti, she swiftly developed her international opera career, in particular as a Mozart interpreter, appearing at the most prestigious European opera houses and festivals. With the vocal flexibility to embrace a most diverse repertoire, Lisa Larsson is nowadays a versatile performer on the concert platform. In recent years she has enjoyed constantly expanding her repertoire with works by Mahler, Berg, Richard Strauss, Brahms, Berlioz, Britten, Stravinsky and has also performed in a number of world premieres of contemporary music. She has worked with leading conductors and orchestras including Claudio Abbado, Sir Colin Davis, David Zinman, Leonard Slatkin, Daniel Harding, Adam Fischer, Louis Langrée, Antonello Manacorda, Andrew Manze, the Berlin Philharmonic, the Vienna Symphony Orchestra, the Orchestre Philharmonique de Radio France, the Helsinki Philharmonic Orchestra, the Danish National Symphony Orchestra, the Royal Stockholm Philharmonic Orchestra, the Netherlands Philharmonic Orchestra, the NHK Symphony Orchestra and the Hong Kong Philharmonic Orchestra. In the field of baroque music, she has often worked with renowned conductors and their orchestras, including Sir John Eliot Gardiner, Sir Roger Norrington, Frans Brüggen, Ton Koopman und Nathalie Stutzmann. In the season 2018/2019 Lisa Larsson is proud to, together with the Tonhalle-Orchestra Zürich under Lahiv Shani, be presenting the world premiere of her project “TRAUMREISE”, a concept by her on songs by Franz Berwald in orchestration by Rolf Martinsson, and to thereafter also be performing this work with both the Royal Stockholm Philharmonic Orchestra and the Helsingborg Symphony Orchestra in Sweden. -
The Elgar Sketch-Books
THE ELGAR SKETCH-BOOKS PAMELA WILLETTS A MAJOR gift from Mrs H. S. Wohlfeld of sketch-books and other manuscripts of Sir Edward Elgar was received by the British Library in 1984. The sketch-books consist of five early books dating from 1878 to 1882, a small book from the late 1880s, a series of eight volumes made to Elgar's instructions in 1901, and two later books commenced in Italy in 1909.^ The collection is now numbered Add. MSS. 63146-63166 (see Appendix). The five early sketch-books are oblong books in brown paper covers. They were apparently home-made from double sheets of music-paper, probably obtained from the stock of the Elgar shop at 10 High Street, Worcester. The paper was sewn together by whatever means was at hand; volume III is held together by a gut violin string. The covers were made by the expedient of sticking brown paper of varying shades and textures to the first and last leaves of music-paper and over the spine. Book V is of slightly smaller oblong format and the sides of the music sheets in this volume have been inexpertly trimmed. The volumes bear Elgar's numbering T to 'V on the covers, his signature, and a date, perhaps that ofthe first entry in the volumes. The respective dates are: 21 May 1878(1), 13 August 1878 (II), I October 1878 (III), 7 April 1879 (IV), and i September 1881 (V). Elgar was not quite twenty-one when the first of these books was dated. Earlier music manuscripts from his hand have survived but the particular interest of these early sketch- books is in their intimate connection with the round of Elgar's musical activities, amateur and professional, at a formative stage in his career.