Spring 06 02-16.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Spring 06 02-16.Indd CENTER FOR AUSTRIAN STUDIES AUSTRIAN STUDIES NEWSLETTER Vol. 18, No. 1 Spring 2006 Reflections on William Fulbright’s legacy by Lonnie Johnson In April 2005, Fulbright commissions all over the world commemorated the centennial anniversary of the birth of J. William Fulbright (1905-1995), the founder of the US government’s flag- ship international educa- tional exchange program. As a junior senator from Arkan- sas, Fulbright endorsed a pro- active internationalist agenda during and after World War II and made a name for him- self not only as an advocate of the United Nations and educational exchange pro- grams, but also as one of the most courageous opponents of Joseph McCarthy. In August 1946, Fulbright was responsible for tagging an amendment on to the Sur- plus Property Act of 1944, which stipulated that for- U.S. Fulbright grantees visiting the Melk Monastery during their orientation program in September 2005. eign income earned overseas by the sale of US wartime property could be used to finance educational Salzburg, Klagenfurt, Linz, Graz, and Vienna, as well as collaborative exchange with other countries. This amendment laid the foundations for awards for students and scholars at the Diplomatic Academy, Internation- the educational exchange program that came to bear his name. The pro- ales Forschungszentrum Kulturwissenschaften (an international research gram is currently based on the Fulbright-Hayes Act of 1961, which pro- center for cultural studies), the Sigmund Freud Museum, and the Muse- vided US funding for the program as an annual line item in the federal umsQuartier in Vienna. The Fulbright Commission also cosponsors an budget and included provisions facilitating contributions to the program continued on page 25 by foreign governments and other entities. Since 1946, approximately 275,000 “Fulbrighters”—100,000 students, In This Issue teachers, scholars, scientists, and professionals from the United States and Letter from the Director 2 175,000 from countries all over the world—have participated in the pro- Minnesota Calendar 3 gram, whose objective is to promote mutual understanding between the ASN Interview: Peter Gerlich 3 people of the United States and other nations. Today some 6,000 Fulbright Letter from Diane Walters 7 grants are awarded annually for research and study in over 150 countries. ASN Interview: Mitchell Ash 8 It is managed by binational commissions in 50 countries and by the public CAS Student Group News 10 affairs sections of US embassies elsewhere. Program: Religion and Authority in East Central Europe, part 2 11 The Fulbright Program with Austria was among the “first generation” of ASN Interview: Jean-Paul Himka 12 programs established shortly after the Fulbright legislation was enacted. A Publications: News and Reviews 14 bilateral agreement between the U.S. and Austrian governments in 1950 Hot off the Presses 16 provided for the establishment of a binational Fulbright commission in News from the Field: Robert Zischg 18 Vienna, and the first Austrian and American students and scholars par- SAHH News 18 ticipated in the exchange during the 1951-52 academic year. Over 5,000 Salzburg Festival: 22 Mozart Operas and More 19 Austrian and U.S. students and scholars have participated in the program HABSBURG Happenings 20 since its inception. News from the North 21 In recent years, the development of the Fulbright program in Austria has A Look at Vienna’s MuseumsQuartier 22 been characterized by the establishment of jointly sponsored awards: eight Dispatch from CenterAustria 24 Fulbright Distinguished Chairs at Austrian universities in Innsbruck, Announcements 26 v College of Liberal Arts AUSTRIAN STUDIES NEWSLETTER Letter from the Director History and the other humanities disciplines in the United States have scholars in Austrian and Habsburg studies today to open whole new areas their own versions of the New Year’s honors list as several of the national of inquiry as well as find new dimensions of understanding for the great associations announce their annual prizewinners at annual conventions political processes that have long been a focus of research. Healy’s study between November and early January each year. The Center for Austrian ranges over issues of food shortages and consumption patterns, propa- Studies joins in as well with announcements of its prizes. Historians of the ganda and wartime entertainment, censorship, rumors, denunciations, the Habsburg monarchy and modern Austria have much to celebrate in the changing social roles of women and men on the home front, and the impact prizes this year. of the war on children. That much of the richness of this book comes from Vienna and the Fall of the Habsburg Empire: Total War and Everyday Life the systematic application of gender analysis in a variety of contexts is a in World War I (Cambridge, 2004) by Maureen Healy of Oregon State reminder to all of us in the field of how much we have to gain by more thor- University has won two major prizes. At its annual meeting in November, ough examination of gender issues than we have undertaken previously. the American Association for the Advancement of Slavic Studies awarded Also during the AHA annual meeting in January, I had the pleasure to the Barbara Jelavich Prize to Healy’s book. This prize is awarded annually announce the awarding of the R. John Rath Prize for the best article in the to a distinguished monograph on any aspect of Southeast European or Austrian History Yearbook in 2005 to “Early Modern Urban Immigration Habsburg studies since 1600 or on 19th- and 20th-century Ottoman or in East Central Europe: A Macroanalysis” by Jaroslav Miller of the Palacký Russian diplomatic history. The jury praised Prof. Healy for leading the way University in Olomouc, Czech Republic. The jury for the Rath Prize, com- toward a new understanding of the processes by which the Habsburg state posed of Gerald Stourzh, Cathleen Giustino, and Paula Fichtner, praised collapsed. She developed cogent, convincing arguments concerning the far- Miller for his enormous skill in dealing with difficult and often fragmen- reaching disintegration of civic life and popular confidence in the state in tary sources in constructing a careful comparative analysis of migration Vienna and, by extension, on the home front more generally well before the patterns and demographic trends for a range of cities. Miller’s essay is end of World War I. The jury noted in particular Healy’s highly original exemplary in its use of an elaborate statistical apparatus with a clarity and research in “teasing out the attitudes and actions of women in breadlines, directness that elucidates for the non-expert reader the complex dynam- would-be child heroes, demasculated former soldiers, and others who chal- ics of urban society and migratory processes in the early modern era. The lenged the unity of wartime Viennese and the idea of empire.” great virtues of this article remind us that the skills required for important In early January 2006, the American Historical Association announced work in historical demography are both valuable and rare in the historical that it has also awarded its prestigious Herbert Baxter Adams Prize for a profession today. best first book by a North American scholar in European history to Healy. As I conclude this letter, I welcome the return of David Good, former This great honor underlines the significance of the book in a much wider CAS director, to the leadership of the Center for Austrian Studies. Always scholarly arena beyond Habsburg and modern Austrian history. the loyal colleague, David has graciously agreed to serve as interim director Vienna and the Fall of the Habsburg Empire is a wonderfully original for the spring 2006 semester while I take a sabbatical to do some scholarly work of social and cultural history and demonstrates vividly the ability of writing of my own. CAS will surely be in the best of hands. Gary B. Cohen EDITOR’S NOTE AUSTRIAN STUDIES NEWSLETTER Volume 18, No. 1 • Spring 2006 Once again, it’s time for a hello, a goodbye, and even a semi-goodbye at the Center for Austrian Studies. Editor: Daniel Pinkerton First, the goodbye. Arnold Lelis, editorial assistant for our con- Editorial Assistants: Linda Andrean, Jules Gehrke, Arnold Lelis, ference volumes, ASN editorial assistant, and website editor, is leav- Nicole Phelps, Annett Richter ing the Center to be a visiting assistant professor at University of Hawaii, Hilo, for a semester (we Minnesotans sigh every time he says ASN is published twice annually (February and September) and dis- “Hawaii”). When he returns to Minnesota, he will spend his time tributed free of charge to interested subscribers as a public service of furiously working on his dissertation rather than at CAS. We’ll miss the Center for Austrian Studies. Director: Gary B. Cohen his meticulous work and quiet wit. Administrative Manager: Linda Andrean The semi-goodbye is for Nicole Phelps, editorial assistant and Editor: Daniel Pinkerton copyeditor for the AHY. She will teach a class in spring 2006 and will Send subscription requests or contributions for publication to: continue to be AHY’s copyeditor, but will relinquish her duties as edi- torial assistant and be a physical presence in the office a lot less. She’ll Center for Austrian Studies still be working for us, but there will be fewer opportunities to discuss Attn: Austrian Studies Newsletter film, theatre, and the ouvre of the Muppets. 314 Social Sciences Building, 267 19th Avenue S. We have already welcomed Annett Richter, who is taking over as Minneapolis MN 55455 Phone: (612) 624-9811 Fax: (612) 626-9004 AHY assistant editor, ASN editorial assistant, and is coordinating the website: http://www.cas.umn.edu spring conference. We now ask you to welcome Jules Gehrke, who will Editor: [email protected] be taking over Arnold’s duties as website editor, editorial assistant for Subscriptions: [email protected] conference volumes, and ASN editorial assistant.
Recommended publications
  • The Intriguing Human Preference for a Ternary Patterned Reality
    75 Kragujevac J. Sci. 27 (2005) 75-114. THE INTRIGUING HUMAN PREFERENCE FOR A TERNARY PATTERNED REALITY Lionello Pogliani,* Douglas J. Klein,‡ and Alexandru T. Balaban¥ *Dipartimento di Chimica Università della Calabria, 87030 Rende (CS), Italy; ‡Texas A&M University at Galveston, Galveston, Texas, 77553-1675, USA; ¥ Texas A&M University at Galveston, Galveston, Texas, 77551, USA E-mails: [email protected]; [email protected]; balabana @tamug.tamu.edu (Received February 10, 2005) Three paths through the high spring grass / One is the quicker / and I take it (Haikku by Yosa Buson, Spring wind on the river bank Kema) How did number theory degrade to numerology? How did numerology influence different aspects of human creation? How could some numbers assume such an extraordinary meaning? Why some numbers appear so often throughout the fabric of reality? Has reality really a preference for a ternary pattern? Present excursion through the ‘life’ and ‘deeds’ of this pattern and of its parent number in different fields of human culture try to offer an answer to some of these questions giving at the same time a glance of the strange preference of the human mind for a patterned reality based on number three, which, like the 'unary' and 'dualistic' patterned reality, but in a more emphatic way, ended up assuming an archetypical character in the intellectual sphere of humanity. Introduction Three is not only the sole number that is the sum of all the natural numbers less than itself, but it lies between arguably the two most important irrational and transcendental numbers of all mathematics, i.e., e < 3 < π.
    [Show full text]
  • Mnozil Brass Study Guide
    TUESDAY MARCH 24 2020 10 AM CIRQUE MNOZIL BRASS 2019-2020 FIELD TRIP SERIES BROADEN THE HORIZONS OF YOUR CLASSROOM. EXPERIENCE THE VIBRANT WORLD OF THE ARTS AT THE McCALLUM! EXPANDING THE CONCEPT OF LITERACY What is a “text”? We invite you to consider the performances on McCallum’s Field Trip Series as non-print texts available for study and investigation by your students. Anyone who has shown a filmed version of a play in their classroom, used a website as companion to a textbook, or asked students to do online research already knows that LEARNING LINKS “texts” don’t begin and end with textbooks, novels, and reading packets. They extend to videos, websites, games, plays, concerts, dances, radio programs, and a number of other non-print texts that students and teachers engage with on a regular basis. We know that when we expand our definition of texts to the variety of media that we use in our everyday lives, we broaden the materials and concepts we have at our disposal in the classroom, increase student engagement, and enrich learning experiences. Please consider how utilizing your McCallum performance as a text might align to standards established for reading, writing, speaking, listening, and language. How do we help students to use these texts as a way of shaping ideas and understanding the world? Please use this material to help you on this journey. NON-PRINT TEXT > any medium/text that creates meaning through sound or images or both, such as symbols, words, songs, speeches, pictures, and illustrations not in traditional print form including those seen on computers, films, and in the environment.
    [Show full text]
  • Carmen Cartellieri
    Carmen Cartellieri Also Known As: Franziska Ottilia Cartellieri, Carmen Teschen, Mrs. Emanuel Ziffer Edler von Teschenbruck, Mrs. Mano Ziffer-Teschenbruck Lived: June 28, 1891 - October 17, 1953 Worked as: co-screenwriter, film actress, producer, theatre actress Worked In: Austria, Germany, Hungary by Robert von Dassanowsky Carmen Cartellieri was born Franziska Ottilia Cartellieri in Prossnitz, Austria-Hungary, which is today Prostejov, Czech Republic, but spent her childhood in Innsbruck, Austria. In 1907, at age sixteen, she married the aristocratic artist-turned-director, Emanuel Ziffer Edler von Teschenbruck. Her husband and Cornelius Hintner, a cameraman from South Tyrol who had worked for Pathé in Paris and then as a director in Hungary, helped make her one of the most fashionable stars in German-language film of the 1920s. Using the stage name of Carmen Teschen, she appeared in several Hungarian silent films between 1918 and 1919 and made her Austrian film debut in Hintner’s Die Liebe vom Zigeunerstamme/The Gypsy Girl (1919), which she reportedly cowrote. Political changes in postwar Hungary made her relocate to Vienna where she returned to her exotic surname, suggesting to the press that she was born in Italy, and founded the Cartellieri-Film company in 1920 with her husband and Hintner. The first two Cartellieri-Film productions in Vienna transferred her Hungarian fame into true stardom. Carmen lernt Skifahren/Carmen Learns to Ski (1920), a broad comedy directed by her husband, now known as Mano Ziffer-Teschenbruck, was clearly aimed at gaining Cartellieri wider recognition. Die Würghand/Die Hand des Teufels/The Hand of the Devil (1920), a crime drama set in the mountains and directed by Hintner, was critically praised for its style and narrative effectiveness as well as for Cartellieri’s performance as the femme fatale.
    [Show full text]
  • Global Austria Program
    AUSTRIAN STUDIES ASSOCIATION AUSTRIAN STUDIES ASSOCIATION austrian-studies.org austrian-studies.org Organized by Nele Hempel-Lamer Department of Romance, German, Russian Languages and Literatures, California State University, Long Beach <http://www.csulb.edu/colleges/cla/departments/rgrll/> The Conference is generously supported by: Annual Conference of the Austrian Studies Association Thursday, 26 April - Saturday, 28 April, 2012 California State University Long Beach Center for Austrian Studies ________________________________ at the University of Minnesota Keynote Speakers: Office of the Provost at California State University Long Beach Barbara Neuwirth and Harald Friedl College of Liberal Arts ________________________________ at California State University Long Beach Department of Romance, Russian, German Languages and Literatures at California State University Long Beach Thursday, April 26 __________________________________ 6:30 pm Morning Session I Opening Reception at the residence of Friday, 10:00-11:30 am Dr. Karin Proidl, Consul General of Austria in Los Angeles __________________________________ __________________________________ Friday, 10:00-11:30 am Friday, April 27 Anatol Center __________________________________ After the Great War 7:45 - 8:30 am Breakfast and Conference Registration Moderator: Jacqueline Vansant Anatol Center Patio Room (registration will continue here throughout the day) Globales Denken? Hofmannsthals Idee von Europa __________________________________ Wolfgang Nehring, University of California, Los Angeles
    [Show full text]
  • Click to Download
    Volume 8, Number 8 Original Music Soundtracks for Movies & Television Rock On! pg. 10 LOVE thEBOOB TUBE Cool new music for Alias, Boomtown, Monk, Carnivàle, Penn & Teller’s B.S. FSM picks 100+ great great TTV themes plus Indiana Jones JO JOhN WIllIAMs’’ FOR FORtuNE an and GlORY Dragonslayer on DVD WORKING WORKING WIth A AlEX NORth CD Reviews A ALL THE L LAtEST $4.95 U.S. • $5.95 Canada CONTENTS SEPTEMBER 2003 DEPARTMENTS COVER STORY 2 Editorial 20 We Love the Boob Tube The Man From F.S.M. Video store geeks shouldn’t have all the fun; that’s why we decided to gather the staff picks for our by-no- 4 News means-complete list of favorite TV themes. Music Swappers, the By the FSM staff Emmys and more. 5 Record Label 24 Still Kicking Round-up Think there’s no more good music being written for tele- What’s on the way. vision? Think again. We talk to five composers who are 5 Now Playing taking on tough deadlines and tight budgets, and still The Man in the hat. Movies and CDs in coming up with interesting scores. 12 release. By Jeff Bond 7 Upcoming Film Assignments 24 Alias Who’s writing what 25 Penn & Teller’s Bullshit! for whom. 8 The Shopping List 27 Malcolm in the Middle Recent releases worth a second look. 28 Carnivale & Monk 8 Pukas 29 Boomtown The Appleseed Saga, Part 1. FEATURES 9 Mail Bag The Last Bond 12 Fortune and Glory Letter Ever. The man in the hat is back—the Indiana Jones trilogy has been issued on DVD! To commemorate this event, we’re 24 The girl in the blue dress.
    [Show full text]
  • THE THIRD MAN Involved in an Opium-Smuggling Operation
    CD 7A: “Every Frame Has a Silver Lining” - 10/26/1951 Passing through Iran, Harry becomes THE THIRD MAN involved in an opium-smuggling operation. Lives of Harry Lime CD 7B: “Mexican Hat Trick” - 11/02/1951 Program Guide by Elizabeth McLeod Down on his luck in Mexico, opportunity Orson Welles in The Third Man beckons Harry…thanks to a pickpocket! It’s a hard job being a middle-aged wunderkind, especially in show business -- where you’re only as good as your last big success. And CD 8A: “Art Is Long and Lime Is Fleeting” - 11/09/1951 as Orson Welles moved into his mid-thirties, the triumphs of his youth The painting Harry’s trying to sell isn’t really a Renoir, but does that seemed increasingly remote. The Mercury Theatre was just a memory, really matter? and so was the bold 1930s experimental theatre scene that gave it life. Postwar America, with its increasing restrictions on intellectual freedom CD 8B: “In Pursuit of a Ghost” - 11/16/1951 and its suspicion of anyone who dared to color outside the lines, had Harry is caught up in a rush of events and finds himself in the middle of little use for a superannuated boy wonder…especially one who’d made a banana-republic revolution! a career of antagonizing the Establishment. Orson Welles may have been a genius, but it didn’t take a genius to know that there wasn’t much call anymore for the kind of work that he did so well. He’d burned his Elizabeth McLeod is a journalist, author, and broadcast bridges in Hollywood -- and the radio networks, seeing the approaching historian.
    [Show full text]
  • The Ampleforth Journal
    The Ampleforth Journal September 2017 - December 2018 Volume 122 4 THE AMPLEFORTH JOURNAL VOL 122 ConTenTS eDiToriAl 6 The Abbey The Ampleforth Community 7 on the holy Father’s Call to holiness in Today’s World 10 Volunteering for the Mountains of the Moon 17 everest May 2018 25 Time is running out 35 What is the life of a Christian in a large corporation? 40 The british officer and the benedictine Tradition 45 A Chronicle of the McCann Family 52 The Silent Sentence 55 Joseph Pike: A happy Catholic Artist 57 Fr Theodore young oSb 62 Fr Francis Dobson oSb 70 Fr Francis Davidson oSb 76 Abbot Timothy Wright oSb 79 Prior Timothy horner oSb 85 Maire Channer 89 olD AMPleForDiAnS The Ampleforth Society 90 old Amplefordian obituaries 93 AMPleForTh College headmaster’s exhibition Speech 127 into the Woods 131 ST MArTin’S AMPleForTh Prizegiving Speech 133 The School 140 CONTENTS 5 eDiToriAl Fr riChArD FFielD oSb eDiTor oF The AMPleForTh JournAl The recent publicity surrounding the publishing of the iiCSA report in August may have awakened unwelcome memories among those who have suffered at the hands of some of our brethren. We still want to reach out to them and the means for this are still on the Ampleforth Abbey website under the safeguarding tab. it has been encouraging to us to receive so many messages of support and to know that no parents saw fit to remove their children from our schools. And there is increasing interest from all sorts of people in the retreats run here throughout the year by different monks, together with requests for monks to go and speak or preach at different venues and events.
    [Show full text]
  • Curriculum Vitae
    Robert von Dassanowsky Dept. of Languages and Cultures Tel: +1.719.255.3562 Dept. of Visual and Performing Arts [email protected] University of Colorado [email protected] Colorado Springs, CO 80918 USA Dual Citizenship: Austria + USA UNIVERSITY FACULTY POSITIONS AND VISITING/ADJUNCT APPOINTMENTS: University of Colorado, Colorado Springs (UCCS) CU Distinguished Professor of Film and Austrian Studies, 2020. Professor of Visual and Performing Arts-Film and German/Austrian Studies, 2006-present. Founding Director, Film Studies Program, 1997-present. Founding Co-Director, European Studies, 2012. Chair, Dept. of Languages and Cultures, 2001-06; Acting chair, 2009; Co-Chair, 2020. Interim Chair, Dept. of Visual and Performing Arts, 2000-01; 2010. Head of German Program, 1993-present. Graduate/Undergraduate Humanities Program, 1993-present. Associate Professor of German and Visual and Performing Arts, 1999-2006. Assistant Professor of German, 1993-99. The Global Center for Advanced Studies (GCAS), New York and Dublin Affiliate Faculty 2017-present; Board Member of the GCAS Research Institute Dublin; Development Director for GCAS Vienna Center, 2019-present. Webster University, Vienna Adjunct Faculty of Media Communication and Film, 2013-15. University of California, Los Angeles Visiting Professor of German (cinema and contemp. literature), 2007-08. Visiting Assistant Professor of German, 1992-93. Teaching Fellow, Department of Germanic Languages, 1989-92. EDUCATION: Ph.D., Germanic Languages, University of California, Los Angeles, 1992. Dissertation Directors: Wolfgang Nehring, Hans Wagener, Kathleen Komar, 2 G. B. Tennyson. MA, German Studies (film spec.), University of California, Los Angeles, 1988. BA, Cum Laude/Highest Departmental Honors, Political Science and German, University of California, Los Angeles, 1985.
    [Show full text]
  • The Museum of Modern Art Celebrates Vienna's Rich
    THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films.
    [Show full text]
  • PERFORMED IDENTITIES with ALPINE ZITHER MUSIC Gertrud Maria Huber University of Music and Performing Arts Vienna
    MÜZİK VE KİMLİK GÜZ 2015 / SAYI 12 “EXCUSE ME, I’D LIKE ANOTHER VELTLINER, PLEASE!“1 - PERFORMED IDENTITIES WITH ALPINE ZITHER MUSIC Gertrud Maria Huber University of Music and Performing Arts Vienna Abstract The Alpine zither has a special status and signifi cance among the music instruments as very ‘German’ or ‘Alpine’. This young stringed musical instrument, which has emerged in its present form and style of playing in the last two centuries, is still today mainly present in the amateur music and zither club scene. The plucked zither was originally used in Alpine folk music. With common symbols individuals share common identity, musicians are identifi ed by the instrument and the music they play. What is stereotypical about the image of the Alpine zither and do zither players see their instrument symbolic in the same way? How does zither music differ inside the common group? In my paper I would like to use this instrument as a focus for understanding the processes of social change, the dealing with inclusion and exclusion and the shifting in concepts of identity among the Alpine zither players. Little about the zither has been published. Most books have been written by amateur researchers. In addition, the Zither music has hardly been the focus of researchers. Because relevant research fi ndings are so scarce, emphasis rests on those ethnomusicological methods involving audio-visual recorded fi eld research. The Alpine zither is often simply referred to as the typical musical instrument of cultural importance within the German speaking Alpine area. What is stereotypical about this image? Do zither players see their instrument symbolic in the same way? Quite naturally and not thinking much about it I recently packed the zither in the instrument case and slipped into my Alpine Dirndl costume, when I left for a Musikantenstammtisch 2 in a Viennese Heuriger3 wine tavern in Hernals.
    [Show full text]
  • BFI Future Film Member Joe Steen Recommends the Third Man (1949, Dir
    BFI Future Film member Joe Steen recommends The Third Man (1949, dir. Carol Reed) From the first creeping, whimsical note of Anton Karas’ infamously seductive zither soundtrack, The Third Man announces itself as a quaint and curious masterpiece of British cinema. The quintessentially English narrator provides a brief vignette of post-war Vienna, delivered in a haughty and jarringly buoyant tone that will prove all the more strange as we embark on a cryptic journey through the slippery streets of Vienna. For our hero, Holly Martins, ancient ideas about good and evil seem about as distant and uncertain as the identity of this enigmatic ‘Third Man’. Though it is commonly categorised as film noir or British noir, The Third Man is not quite composed of the same pulpy ingredients as its Hollywood influences. Our femme fatale is no malevolent spider- woman, our detective hero constantly out of his depth, and the forces of law and order no less bewildered and ineffective. Where The Third Man remains fundamentally film noir, however, is in its evocative and striking visual character: Graham Greene’s tense and enigmatic picture of post-war alienation is brought vividly to life by the skewed and suspicious eye of the camera, searching desperately down Vienna’s dark alleyways and through the rubble of its bombed-out buildings. The film’s conclusion, although unforgettable in terms of visual splendour, remains painfully uncompromising and powerful – aching with uncertainty and the betrayal of our expectations. Though the film has moments of great tension and sporadic comedy, they are sparsely measured and subordinate to the moral intrigue that skirts the plot’s shadowy surfaces, culminating in perhaps the most notorious (certainly the most incredible) examples of ad-libbing in cinema – the ‘cuckoo clock speech’.
    [Show full text]
  • The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades.
    [Show full text]