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Spring 06 02-16.Indd
CENTER FOR AUSTRIAN STUDIES AUSTRIAN STUDIES NEWSLETTER Vol. 18, No. 1 Spring 2006 Reflections on William Fulbright’s legacy by Lonnie Johnson In April 2005, Fulbright commissions all over the world commemorated the centennial anniversary of the birth of J. William Fulbright (1905-1995), the founder of the US government’s flag- ship international educa- tional exchange program. As a junior senator from Arkan- sas, Fulbright endorsed a pro- active internationalist agenda during and after World War II and made a name for him- self not only as an advocate of the United Nations and educational exchange pro- grams, but also as one of the most courageous opponents of Joseph McCarthy. In August 1946, Fulbright was responsible for tagging an amendment on to the Sur- plus Property Act of 1944, which stipulated that for- U.S. Fulbright grantees visiting the Melk Monastery during their orientation program in September 2005. eign income earned overseas by the sale of US wartime property could be used to finance educational Salzburg, Klagenfurt, Linz, Graz, and Vienna, as well as collaborative exchange with other countries. This amendment laid the foundations for awards for students and scholars at the Diplomatic Academy, Internation- the educational exchange program that came to bear his name. The pro- ales Forschungszentrum Kulturwissenschaften (an international research gram is currently based on the Fulbright-Hayes Act of 1961, which pro- center for cultural studies), the Sigmund Freud Museum, and the Muse- vided US funding for the program as an annual line item in the federal umsQuartier in Vienna. The Fulbright Commission also cosponsors an budget and included provisions facilitating contributions to the program continued on page 25 by foreign governments and other entities. -
Carmen Cartellieri
Carmen Cartellieri Also Known As: Franziska Ottilia Cartellieri, Carmen Teschen, Mrs. Emanuel Ziffer Edler von Teschenbruck, Mrs. Mano Ziffer-Teschenbruck Lived: June 28, 1891 - October 17, 1953 Worked as: co-screenwriter, film actress, producer, theatre actress Worked In: Austria, Germany, Hungary by Robert von Dassanowsky Carmen Cartellieri was born Franziska Ottilia Cartellieri in Prossnitz, Austria-Hungary, which is today Prostejov, Czech Republic, but spent her childhood in Innsbruck, Austria. In 1907, at age sixteen, she married the aristocratic artist-turned-director, Emanuel Ziffer Edler von Teschenbruck. Her husband and Cornelius Hintner, a cameraman from South Tyrol who had worked for Pathé in Paris and then as a director in Hungary, helped make her one of the most fashionable stars in German-language film of the 1920s. Using the stage name of Carmen Teschen, she appeared in several Hungarian silent films between 1918 and 1919 and made her Austrian film debut in Hintner’s Die Liebe vom Zigeunerstamme/The Gypsy Girl (1919), which she reportedly cowrote. Political changes in postwar Hungary made her relocate to Vienna where she returned to her exotic surname, suggesting to the press that she was born in Italy, and founded the Cartellieri-Film company in 1920 with her husband and Hintner. The first two Cartellieri-Film productions in Vienna transferred her Hungarian fame into true stardom. Carmen lernt Skifahren/Carmen Learns to Ski (1920), a broad comedy directed by her husband, now known as Mano Ziffer-Teschenbruck, was clearly aimed at gaining Cartellieri wider recognition. Die Würghand/Die Hand des Teufels/The Hand of the Devil (1920), a crime drama set in the mountains and directed by Hintner, was critically praised for its style and narrative effectiveness as well as for Cartellieri’s performance as the femme fatale. -
Curriculum Vitae
Robert von Dassanowsky Dept. of Languages and Cultures Tel: +1.719.255.3562 Dept. of Visual and Performing Arts [email protected] University of Colorado [email protected] Colorado Springs, CO 80918 USA Dual Citizenship: Austria + USA UNIVERSITY FACULTY POSITIONS AND VISITING/ADJUNCT APPOINTMENTS: University of Colorado, Colorado Springs (UCCS) CU Distinguished Professor of Film and Austrian Studies, 2020. Professor of Visual and Performing Arts-Film and German/Austrian Studies, 2006-present. Founding Director, Film Studies Program, 1997-present. Founding Co-Director, European Studies, 2012. Chair, Dept. of Languages and Cultures, 2001-06; Acting chair, 2009; Co-Chair, 2020. Interim Chair, Dept. of Visual and Performing Arts, 2000-01; 2010. Head of German Program, 1993-present. Graduate/Undergraduate Humanities Program, 1993-present. Associate Professor of German and Visual and Performing Arts, 1999-2006. Assistant Professor of German, 1993-99. The Global Center for Advanced Studies (GCAS), New York and Dublin Affiliate Faculty 2017-present; Board Member of the GCAS Research Institute Dublin; Development Director for GCAS Vienna Center, 2019-present. Webster University, Vienna Adjunct Faculty of Media Communication and Film, 2013-15. University of California, Los Angeles Visiting Professor of German (cinema and contemp. literature), 2007-08. Visiting Assistant Professor of German, 1992-93. Teaching Fellow, Department of Germanic Languages, 1989-92. EDUCATION: Ph.D., Germanic Languages, University of California, Los Angeles, 1992. Dissertation Directors: Wolfgang Nehring, Hans Wagener, Kathleen Komar, 2 G. B. Tennyson. MA, German Studies (film spec.), University of California, Los Angeles, 1988. BA, Cum Laude/Highest Departmental Honors, Political Science and German, University of California, Los Angeles, 1985. -
'Shadowy Copies'? Film Adaptations of the Second Austrian Republic
Durham E-Theses 'Shadowy Copies'? Film Adaptations of the Second Austrian Republic FIRTH, CATRIONA,ALISON How to cite: FIRTH, CATRIONA,ALISON (2010) 'Shadowy Copies'? Film Adaptations of the Second Austrian Republic, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/407/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘SHADOWY COPIES’? FILM ADAPTATIONS OF THE SECOND AUSTRIAN REPUBLIC CATRIONA FIRTH THESIS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DURHAM UNIVERSITY SCHOOL OF MODERN LANGUAGES AND CULTURES 2010 i ABSTRACT ‘SHADOWY COPIES’? FILM ADAPTATIONS OF THE SECOND AUSTRIAN REPUBLIC CATRIONA FIRTH For many years adaptation has been passed between literature and film studies, frequently dismissed as ‘shadowy copies’ and parasitic reproductions, the unwanted bastard child of the disciplines searching in vain for an academic home. Despite the emergence of insightful new scholarship into the development of Austrian film in the twentieth century, the role of the adaptation genre within Austria’s film industry and literary landscape remains an academic blind spot. -
Asyl Und Bleiberecht Dem Innenministerium Ist Am 12
Ausg. Nr. 53 • 19. Oktober 2007 Unparteiisches, unabhängiges und kostenloses Magazin speziell für Österreicherinnen und Österreicher in aller Welt in vier verschiedenen pdf- Formaten • http://www.oe-journal.at Asyl und Bleiberecht Dem Innenministerium ist am 12. September 2007 die Festnahme von drei Personen gelungen, die im Verdacht stehen, eine Videobotschaft mit Bezugnahme auf den deutschen und österreichischen Afghanistan-Einsatz veröffentlicht zu haben. Das löste eine neuerliche Debatte über Asyl, Zuwanderung und Bleiberecht aus. Seit ein junges Mädchen per Videobotschaft gegen die Abschiebung in ihre Heimat Kosovo protestierte, dominiert dieses Thema Innenpolitik und Medien. Von Michael Mössmer. http://www.bilderbox.biz Es verwundert nicht, daß man gerne in Österreich leben will. Viele Menschen haben, aufgrund völkerrechtlicher Bestimmungen das Recht dazu, andere wieder wollen »nur« besser leben. Dem Staat obliegt es, die schwierigen Unterscheidungen zu treffen. ie Verdächtigen sind österreichische mit den US-geführten Truppen nach Afgha- gen nicht bestanden, informierte Innenmi- DStaatsbürger im Alter zwischen 20 und nistan entsandten Soldaten abzuziehen. nister Günther Platter. Jedoch könne Öster- 26 Jahren. Es bestand der begründete Ver- Die Ermittlungsergebnisse zeigten, daß der reich niemals losgelöst von internationalen dacht, daß die Verdächtigen am 10. März 2007 Hauptverdächtige auf nationaler und auch Entwicklungen und Bedrohungen gesehen mit der Verbreitung einer Videobotschaft im auf internationaler Ebene regelmäßige Kon- werden, die Sicherheitsbehörden würden auch Internet die Regierungen Deutschlands und takte mit als radikal einzustufenden Personen weiterhin höchst sensibel und genau vorge- Österreichs dazu nötigen wollten, die von die- pflegte. Eine ernsthafte Gefährdung habe hen. sen beiden Staaten ihre in Zusammenarbeit während der gesamten Dauer der Ermittlun- Lesen Sie weiter auf der Seite 3 ÖSTERREICH JOURNAL NR. -
Pittsburgh, Pennsylvania
Program of the Thirtieth Annual Conference German Studies Association September 28 – October 1, 2006 Pittsburgh, Pennsylvania Hilton Pittsburgh German Studies Association Main Office: 1200 Academy Street Kalamazoo, MI 49006-3295 USA Tel.: (269) 337-7364 Fax: (269) 337-7251 www.thegsa.org e-mail: [email protected] Technical Support: [email protected] Officers: President: Katherine Roper (St. Mary’s College), 2005-06 Vice President: Sara Lennox (Univ. of Massachusetts, Amherst), 2005-06 Secretary-Treasurer: Gerald A. Fetz (University of Montana), 2005-08 Executive Director: David E. Barclay (Kalamazoo College) Executive Committee: Volker Berghahn (Columbia University), 2006 Stephen Brockmann (Carnegie Mellon University), 2007 Gary Cohen (University of Minnesota) 2007 Carol Anne Costabile-Heming (Southwest Missouri State Univ.), 2008 Sabine Hake (University of Texas at Austin), 2006 Mary Hampton (Air Command and Staff College), 2007 Dagmar Herzog (Graduate Center, City University of New York), 2008 Suzanne Marchand (Louisiana State University), 2007 Patricia Herminghouse (University of Rochester), 2006 ex officio non-voting Diethelm Prowe (Carleton College), ex officio non-voting Institutional Patrons Alexander von Humboldt Foundation, Militärgeschichtliches Forschungsinstitut U.S. Liaison Office Potsdam American Institute of Contemporary Nanovic Institute for European Studies at German Studies the University of Notre Dame Austrian Cultural Institute Northern Arizona University Austrian Fulbright Commission United States Holocaust Memorial -
The Center for Austrian Studies
THE CENTER FOR AUSTRIAN StUDIES 2007-08 Annual Report the Left to right: Matthew Konieczny, Joshua Kortbein, Linda Andrean, 2007-08 staff Simon Loidl, Daniel Pinkerton, Gary B. Cohen. Photo: Karl Krohn. Director: Administrative Manager: Gary B. Cohen, professor of history, University Linda Andrean, B.A. in Anthropology and of Minnesota. Education: B.A., University of History, B.S. in Secondary Education, came Joshua Kortbein is a Ph.D. candidate in the Southern California, 1970; M.A., Princeton to the Center in June 2004 after 20 years of Department of Philosophy at the University University, 1972; Ph.D., Princeton University, service in the University of Minnesota Academic of Minnesota. His dissertation research is on 1975. He was a historian at the University of Health Center, including work for the Cancer the rhetorical and literary structure of Ludwig Oklahoma from 1976 to 2001 prior to taking Protocol Review Committee, the Medical School, Wittgenstein’s “Philosophical Investigations.” His the CAS directorship in August 2001. His and the School of Public Health. At CAS, she other philosophical interests include aesthetics publications include two books, The Politics of oversees the Center’s administrative and financial and the role of genre and self-knowledge in the Ethnic Survival: Germans in Prague, 1861-1914 affairs and is involved with program planning, history of philosophy. He worked as an editorial (1981, 2006), and Education and Middle-Class fundraising and student and community outreach. assistant for the CAS book series and the ASN, Society in Imperial Austria, 1848-1918 (1996). Linda is the author of Where in the World Is and as conference coordinator for the upcoming In addition to serving as director, he is executive Austria?, a text for second- and third-graders. -
Five Questions for Beverly Andes COLTT Conference Promises
June 2, 2010 In this issue… Five questions for Beverly Andes COLTT Conference promises exploration of latest innovations in education CU-Boulder education professor named to White House administration post Unexpected generosity helps leadership class reach fundraising goal A 'brief' run to fight colon cancer Did you know? People Letters to the editor Guest column: Promoting intellectual diversity is responsibility of entire CU community NEWS FROM THE CU SYSTEM o CU-BOULDER Campus Construction providing much needed buildings for CU-Boulder o UCCS Wisner, former dean of students, dies in bike accident o UC DENVER Wartgow, Marks take on new leadership roles o ANSCHUTZ MEDICAL CAMPUS University of Colorado Hospital moves forward with $400 million expansionCU FOUNDATION CU-Boulder School of Education to benefit from estate gift o TECH TRANSFER Taste Connections licenses CU low-protein meat supplement Letter from the Editor Newsletter publishes biweekly for part of summer The Faculty and Staff Newsletter will continue to bring you news and information throughout the summer. For the most part, we remain on a weekly schedule, though we won't publish new issues on the following dates (subject to change): June 9 and 23, July 7 and 21, and Aug. 4 Though there are fewer students on our campuses this time of year, there's no shortage of activity. We welcome your letters to the editor on topics of interest to current and retired CU faculty and staff. Please send submissions to [email protected]. If you have a news item you'd like to share, please send it to [email protected]. -
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1 “Verfreundete Nachbarn”: The German‐Austrian Encounter in Literature, Film and Cultural Discourse Annual Symposium of the Modern Austrian Literature and Culture Association April 23 – 26, 2009 Emory University, Atlanta Sponsored by: The Emory Conference Center Subvention Fund The Austrian Cultural Forum The Austrian Consulate in Atlanta The Department of German Studies, Emory University The Tam Institute for Jewish Studies, Emory University 2 Thursday, April 23 Emory Conference Center 4:30 p.m. Registration 6:30 – 7:30 p.m. Dinner Emory University, Dobbs University Center (DUC), Harland Cinema 7:45 ‐ 8:15 p.m. Viewing of Ingeborg Bachmann Exhibition (“Writing Against War”); Harland Cinema (in the DUC) 8:15 – 8:30 Welcoming Remarks by Lisa Tedesco, Dean of the Graduate School of Arts and Sciences, and by Professor Hiram Maxim, Emory University, Chair of the German Studies Department; Introductory Remarks by Martin Rauchbauer, Austrian Cultural Forum: “Austrian Cultural Politics vis à vis Germany Today” 8:30 Reading by Ruth Klüger Friday, April 24 Emory Conference Center 6:30‐11:00 a.m. Breakfast Buffet 8:00 a.m. – 12:00 noon: Registration 8:00 – 9:45 a.m. Session I A. The Austrian Avantgarde (Hickory Room) Chair: Erik Butler, Emory University Bernhard Fetz, University of Vienna and the Ludwig Boltzmann Institute, Vienna „Wien‐Berlin: 1918 ‐1968: Kolportage, Kulturkritik und radikale Avantgarde am Beispiel von Stefan Großmann, Robert Müller und Oswald Wiener“ Helga Kraft, University of Illinois at Chicago “Marlene Streeruwitz Doing Transnational Politics: Her Wahlkampfroman – So ist das Leben“ Geoffrey Howes, Bowling Green State University “Germany from an Austrian Perspective: Hermann Broch’s Schlafwandler 3 B. -
Cultures at War: Austria-Hungary 1914-1918 (X-Post H-Habsburg)
Cultures at War: Austria-Hungary 1914-1918 (x-post H-Habsburg). Oxford: Judith Beniston, University College London; Deborah Holmes, University of Kent; John Warren, Oxford Brookes University; Austrian Cultural Forum London; Modern Humanities Research Association; Oxford Regius Professor of History, 13.04.2011-15.04.2011. Reviewed by Megan Brandow-Faller Published on H-Soz-u-Kult (October, 2011) Underwritten by the Austrian Cultural Forum stitutions, German Dialectics and Multi-Cultural London, the Modern Humanities Research Associ‐ Commitments, at a reception hosted by Austrian ation and the Oxford Regius Professor of History, Ambassador Dr. Emil Brix. “Cultures at War: Austria-Hungary 1914-1918” Interdisciplinary fuidity and multi/transna‐ spread new research on the production, dissemi‐ tional perspectives on Austria-Hungary’s war of nation, and reception of culture in the Habsburg culture and ideology constituted one of the con‐ monarchy during and immediately after the Great ference’s major strengths. The strongest, most en‐ War. The conference brought together over thirty- gaging papers, including the majority of those five scholars from Central Europe, the United presented in the opening and closing plenary ses‐ Kingdom, and the United States presenting to fel‐ sions, spoke across the disciplines rather than to low scholars, students, and the general public. field-specific internal dialogues. While the majori‐ Like the diverse lands and peoples of late-Imperi‐ ty of papers tended to focus on Cisleithania, a sig‐ al Austria-Hungary, conference participants nificant minority of presenters centered their hailed from a variety of disciplines including his‐ talks on wartime culture in the Hungarian, Czech, tory, art history, literature and theater and flm Croatian, and Romanian lands. -
Introduction
Introduction New Austrian Film: Th e Non-exceptional Exception Robert von Dassanowsky and Oliver C. Speck In an article in 2006, the New York Times introduced a series of screenings of Austrian productions with the following statement: “In recent years this tiny country with a population the size of New York City’s has become something like the world capital of feel-bad cinema” (Lim 2006). As the critic portrays the major directors, a picture emerges that probably sums up a common sentiment regarding New Austrian Film: not unlike other cinematic new waves, Austria’s artists are engaged in a bitter fi ght against the prevailing petit-bourgeois mindset of their fellow citizens. From this perspective, however, it must appear that New Austrian Film is caught in a deadlock, a fi ght against its nation’s very image, be it the postwar self-stylization as neutral Austria, Nazi Germany’s fi rst victim, or even the ironic self-perception as a leftover of Kakania, Robert Musil’s famous satirical moniker for the k.und k. (imperial and royal) Austro-Hungarian dual monarchy. In an eff ort to break the illusions of the “offi cial” Austria and its long avoidance of dealing with its fascist past, New Austrian Film is not only highly critical and counter-traditionalist (albeit using traditional genres) but it takes on the very mechanisms of spectatorial trust in cinema. And with a strong female participation that is signifi cantly prominent, we can see how gender aff ects cinematic style and mood in dealing with contemporary dystopias. Despite the challenges to the audience, the reductionist “feel-bad cinema” label is itself only another totalizing concept that current Austrian fi lmmakers would smash. -
Renegotiating and Deterritorialising Heimat in New Austrian Film
Heimat, fremde Heimat: Renegotiating and Deterritorialising Heimat in New Austrian Film Rachel Louise Green Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies September 2016 i The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Rachel Louise Green to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. © 2016 The University of Leeds and Rachel Louise Green ii Acknowledgements I would firstly like to thank my supervisors, Dr Chris Homewood and Professor Paul Cooke, for their unending support over the last four years. Without their expertise, guidance and dedication this PhD would not have been possible. I would also like to express my sincere gratitude to the Arts and Humanities Research Council for funding my project and for providing me with the additional financial support to conduct research at the Vienna Film Archive. Furthermore, I would like to thank the School of Languages, Cultures and Societies at the University of Leeds for providing me with a supportive and stimulating research environment in which to conduct my study. I would also like to extend my thanks to Esther Harper and the Educational Engagement team at Leeds for offering me invaluable part-time work as an Educational Outreach Fellow alongside my research.