The Golden Cross by Geoffrey Clarke Is Back on Display in Time for the Cathedral’S Art Exhibition

Total Page：16

File Type：pdf, Size：1020Kb

The Golden Cross by Geoffrey Clarke Is Back on Display in Time for the Cathedral’S Art Exhibition

To: Newsdesk From: Christine Doyle Date: 22 August 2012 Tel: 024 7652 1226/07769 738180 The Golden Cross by Geoffrey Clarke is back on display in time for the Cathedral’s art exhibition The original sketch for the Geoffrey Clarke Cross which is now back on display in St Michael’s Gallery in the Cathedral. After nearly two decades of being hidden away in the store room at Coventry Cathedral, one of its more unusual treasures is now back on display. The Golden Cross is just one of many treasures going on display at the Cathedral for the ‘Journey in to the Light’ art exhibition. Whilst some pieces are being loaned for the exhibition, this Cross has been restored and will remain on permanent display after the exhibition closes in October. Sir Basil Spence, the architect who created the Cathedral, asked the innovative young designer Geoffrey Clarke to create a cross and candlesticks for the Chapel of the Cross which was located in the Undercroft. This chapel was used by the community for worship between 1959- 1962 whilst the new Cathedral was being built above it. “The Golden Cross by Geoffrey Clarke has a fascinating history,” commented the Revd Canon David Stone, Canon Precentor, “It’s over 2m tall and in a very intricate design in the form of a Latin Cross, including its own integral lighting system. To have it restored and back on display after so many years in storage is wonderful.” It forms just one of many pieces on display for the art exhibition which will run from the 1st September to the end of October and feature the plans, sketches and models of Sir Jacob Epstein, Graham Sutherland, John Piper, John Hutton, Geoffrey Clarke, Elisabeth Frink and the many more artists who created the artworks in the Cathedral. Normal admission applies. -ends- For press enquiries, please contact Christine Doyle on 024 7652 1226 or 07769 738180. Notes to Editor Coventry Cathedral 2012 is the year that Coventry Cathedral is celebrating its Golden Jubilee - a landmark occasion recognising 50 years of service to Coventry's community and the world, both through its unique international mission of peace and reconciliation, and as a cultural centre for the performing arts. For 50 years, the cathedral has been a dynamic centre of worship and mission, a place of pilgrimage, liturgical creativity, and healing; a focus for reconciliation locally, nationally and internationally; for education and the arts; a venue for national services and television and radio broadcasts; and a focal point for the City, the region, and even for the world. Journey into the light The title ‘Journey into the Light’ not only refers to the creative journey of the artists, but evokes the pilgrimage of visitors as they progress from the Ruins, representing the darkness and destruction of human conflict, into the new Cathedral, delivering the hope of the Resurrection before Christ in Glory, so brilliantly conveyed by Graham Sutherland in the Great Tapestry. The exhibition will feature works by Sir Jacob Epstein, Graham Sutherland, John Piper, Patrick Reyntiens, Elisabeth Frink, John Hutton, Lawrence Lee, Geoffrey Clarke, Keith New, Steven Sykes, Terence Cuneo, Charles Cundall, Anthony Blee, Ralph Beyer, Hans Coper, Einar Forseth and Margaret Trahearne. .

Copy Link

Recommended publications

The Making of the Sainsbury Centre the Making of the Sainsbury Centre
The Making of the Sainsbury Centre The Making of the Sainsbury Centre Edited by Jane Pavitt and Abraham Thomas 2 This publication accompanies the exhibition: Unless otherwise stated, all dates of built projects SUPERSTRUCTURES: The New Architecture refer to their date of completion. 1960–1990 Sainsbury Centre for Visual Arts Building credits run in the order of architect followed 24 March–2 September 2018 by structural engineer. First published in Great Britain by Sainsbury Centre for Visual Arts Norwich Research Park University of East Anglia Norwich, NR4 7TJ scva.ac.uk © Sainsbury Centre for Visual Arts, University of East Anglia, 2018 The moral rights of the authors have been asserted. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. British Library Cataloguing-in-Publication Data. A catalogue record is available from the British Library. ISBN 978 0946 009732 Exhibition Curators: Jane Pavitt and Abraham Thomas Book Design: Johnson Design Book Project Editor: Rachel Giles Project Curator: Monserrat Pis Marcos Printed and bound in the UK by Pureprint Group First edition 10 9 8 7 6 5 4 3 2 1 Superstructure The Making of the Sainsbury Centre for Visual Arts Contents Foreword David Sainsbury 9 Superstructures: The New Architecture 1960–1990 12 Jane Pavitt and Abraham Thomas Introduction 13 The making of the Sainsbury Centre 16 The idea of High Tech 20 Three early projects 21 The engineering tradition 24 Technology transfer and the ‘Kit of Parts’ 32 Utopias and megastructures 39 The corporate ideal 46 Conclusion 50 Side-slipping the Seventies Jonathan Glancey 57 Under Construction: Building the Sainsbury Centre 72 Bibliography 110 Acknowledgements 111 Photographic credits 112 6 Fo reword David Sainsbury Opposite.
[Show full text]
Advice to Inform Post-War Listing in Wales
ADVICE TO INFORM POST-WAR LISTING IN WALES Report for Cadw by Edward Holland and Julian Holder March 2019 CONTACT: Edward Holland Holland Heritage 12 Maes y Llarwydd Abergavenny NP7 5LQ 07786 954027 www.hollandheritage.co.uk front cover images: Cae Bricks (now known as Maes Hyfryd), Beaumaris Bangor University, Zoology Building 1 CONTENTS Section Page Part 1 3 Introduction 1.0 Background to the Study 2.0 Authorship 3.0 Research Methodology, Scope & Structure of the report 4.0 Statutory Listing Part 2 11 Background to Post-War Architecture in Wales 5.0 Economic, social and political context 6.0 Pre-war legacy and its influence on post-war architecture Part 3 16 Principal Building Types & architectural ideas 7.0 Public Housing 8.0 Private Housing 9.0 Schools 10.0 Colleges of Art, Technology and Further Education 11.0 Universities 12.0 Libraries 13.0 Major Public Buildings Part 4 61 Overview of Post-war Architects in Wales Part 5 69 Summary Appendices 82 Appendix A - Bibliography Appendix B - Compiled table of Post-war buildings in Wales sourced from the Buildings of Wales volumes – the ‘Pevsners’ Appendix C - National Eisteddfod Gold Medal for Architecture Appendix D - Civic Trust Awards in Wales post-war Appendix E - RIBA Architecture Awards in Wales 1945-85 2 PART 1 - Introduction 1.0 Background to the Study 1.1 Holland Heritage was commissioned by Cadw in December 2017 to carry out research on post-war buildings in Wales. 1.2 The aim is to provide a research base that deepens the understanding of the buildings of Wales across the whole post-war period 1945 to 1985.
[Show full text]
Troisième Classe Grise Brutal Glasgow- Brutal Edinburgh Fevrier 2017
Glasgow, Red Road Flats, 1969 BURNING SCOTLAND TROISIÈME CLASSE GRISE BRUTAL GLASGOW- BRUTAL EDINBURGH FEVRIER 2017 1 Gillespie Kidd & Coia, St Peter’s College, Cardross, 1959-1966 (ruins) ******************************* Barry Gasson & John Meunier with Brit Andreson, Burrell Collection, Glasgow, 1978–83 ******************************* Covell Matthews & Partners Empire House, Glasgow, 1962-1965 ******************************* 2 W. N. W. Ramsay, Queen Margaret Hall, University of Glasgow, 1960-1964 ******************************* T. P. Bennett & Son, British Linen Bank, Glasgow, 1966-1972 ******************************* 3 Wylie Shanks & Partners, Dental Hospital & School, Glasgow, 1962-1970 ******************************* W. N. W. Ramsay Dalrymple Hall, University of Glasgow, 1960-1965 ******************************* 4 Irvine Development Corporation, Irvine Centre, 1960-1976 ******************************* William Whitfield & Partners, University of Glasgow Library, 1963-1968 ******************************* Keppie Henderson & Partners, University of Glasgow - Rankine Building, 1964-1969 ******************************* 5 David Harvey Alex Scott & Associates, Adam Smith Building, University of Glasgow, 1967 ******************************* Scott Brownrigg & Turner, Grosvenor Lane Housing, Glasgow, 1972 ******************************* Keppie Henderson & Partners, Student Amenity Building, University of Glasgow, 1965 (Demolished: 2013 ?) ******************************* 6 Keppie Henderson & Partners, Henry Wood Building, Jordanhill, Glasgow,
[Show full text]
Some Thoughts on Glasgow's New Gorbals
Built historiography in Glasgow’s New Gorbals – the Crown Street Regeneration Project Florian Urban In 2000, the Crown Street Regeneration Project in Glasgow’s Gorbals was completed after a master plan by Piers Gough of the London firm CZWG - Campbell, Zogolovitch, Wilkinson, Gough (Fig. 1). The Commission for Architecture and the Built Environment (CABE) commended the project as a ‘highly livable neighbourhood with well-placed community facilities and attractive public spaces.’1 Built on symbolically contested grounds that were previously occupied by the Gorbals tenements (1870s-1960s) and the high-rise Hutchesontown flats (1960s- 1990s), the new development is a textbook example of neo-traditional design. Approximately 2000 residential units and numerous commercial spaces are accommodated in block perimeter buildings that enclose central courtyards and abound with historical references. Figure 1: Crown Street Regeneration Project, looking north. Crown Street runs north-south in the middle of the picture, Laurieston Road is on the left side (photograph: Guthrie, courtesy CZWG). 1 http://www.cabe.org.uk/case-studies/crown-street (accessed October 2010) Journal of Art Historiography Number 5 December 2011 Florian Urban Built Historiography in Glasgow’s New Gorbals The use of historic forms and quotes turn-of-the-twenty-first-century architecture has been the subject of numerous studies. Analyses have mostly focused on the operations of architectural meaning, as a linguistic or poetic expression of individual experience,2 in relation to program and function,3 as indebted to typological continuity,4 or in relation to the specificity of place.5 Little attention, however, has been dedicated to the historiographic dimension of such architecture, that is, its capacity to make a statement on the significance of past events and conditions.
[Show full text]
Material World
If you peer through the doors of the Time- academic ability and particularly by his Life building in New Bond Street (as we did struggles with maths. He spent a year at on our recent ‘Hugh Casson’s London’ walk) Preston School of Art (1940-41) and moved you can still see Geoffrey Clarke’s welded to the Manchester School of Art the iron relief, ‘Complexities of Man’. This is just following year, but his education was then one of a distinguished collection of works interrupted by the war, when he joined the Casson commissioned for the building as a RAF. After a year at Lancaster School of Art permanent showcase of British design in 1947, he succeeded the following year in (including work by such major figures as Ben getting on to the RCA’s graphic design Nicholson and Henry Moore, although some course, newly established by the Rector, elements have controversially been Robin Darwin. But Geoffrey was not inspired removed). Time-Life opened just a year after by the course’s comparatively traditional Casson directed the Festival of Britain’s teaching, and soon switched to Stained Glass acclaimed temporary displays, which under Robert Goodden. He also explored included a work by Clarke in iron and stained many other media, and his 1951 Diploma was glass in the Transport Pavilion. Clarke also for stained glass, engraving and iron worked on the other outstanding sculpture. In fact it had been in the in Woods, architectural project of the period, Coventry Metals and Plastics Department – rather Cathedral, where he designed and made than the Sculpture Department – that he had windows for the nave as well as the cross for found a brand new forge and anvil, and Material the openwork metal flèche (spire), and the started to make iron sculptures.
[Show full text]
Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990.
[Show full text]
BRITISH DESIGN 1948–2012: Exhibition Panel Texts
BRITISH DESIGN 1948–2012: Innovation in the Modern Age Exhibition Panel Texts Introduction In 1948 London hosted the first Olympic Games after the Second World War. The ‘austerity games’ (as they became known) took place at a time of economic crisis in a city devastated by bombing, but they provided a platform for reconciliation and reconstruction. In 2012 Britain welcomes the Olympics once more, and while the spirit remains, the context in which they are taking place has entirely changed. British Design 1948–2012 traces those changes by exploring buildings, objects, images and ideas produced by designers and artists born, trained or based in Britain. The displays examine the shifting nature of British Design over sixty years: three galleries respectively explore the tension between tradition and modernity; the subversive impulse in British culture; and Britain’s leadership in design innovation and creativity. The exhibition reveals how British designers have responded to economic, political and cultural forces that have fundamentally shaped how we live today. They have created some of the most inventive and striking objects, technologies and buildings of the modern world. Tradition and Modernity The impact of the Second World War on the social, economic and physical fabric of Britain was immense. The task of reconstruction dominated the post-war years. In 1945 a Labour government swept to power, and its radical plan for a comprehensive Welfare State would be broadly supported by all governments for the next 30 years. The drive for modernity in the rebuilding of Britain changed the nation forever. But a preoccupation with British traditions was often just below the surface.
[Show full text]
Basil Spence: Buildings and Projects
Edinburgh Research Explorer Review - Basil Spence: Buildings and Projects Citation for published version: Fair, A 2012, 'Review - Basil Spence: Buildings and Projects', Society of Architectural Historians of Great Britain Newsletter, vol. 107, pp. 15-16. <http://www.sahgb.org.uk/UserFiles/File/SAH_Newsletter_Vol_107.pdf> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Society of Architectural Historians of Great Britain Newsletter Publisher Rights Statement: © Fair, A. (2012). Review - Basil Spence: Buildings and Projects. Society of Architectural Historians of Great Britain Newsletter, 107, 15-16 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 work: the finely crafted north transept extension was the nineteenth century) on King’s Parade, Cambridge, completed to his designs, and a successful bid to the with a flat-roofed Modernist block, failing to take into Millennium Commission enabled the crossing tower to be account the fact that the existing fabric consisted of small- erected at the same time.
[Show full text]
A Study of Churches Built for the Use of Congregations
A STUDY OF CHURCHES BUILT FOR THE USE OF CONGREGATIONS OF THE CHURCH OF ENGLAND BETWEEN 1945 AND 1970 AND OF THEIR EFFECTIVENESS IN SERVING THE NEEDS OF THEIR CONGREGATIONS TODAY. by Michael Gilman, BA, FSA (Scot). A Thesis submitted for the degree of Doctor of Philosophy, in the School of Architecture of the University of Sheffield Volume One Accepted for Post-Graduate study - September 1993. Thesis sbmitted: May 1999. 1 A Thesis submitted for the degree of Doctor of Philosophy, in the School of Architecture of the University of Sheffield, by Michael Gilman. Title of Thesis: A Study built for the of churches use of congregations of the Church of England between 1945 and 1970 and of their in effectiveness serving the needs of their congregations today. Summary: This thesis is a study of churches built for the Church of England, in the dioceses of Manchester, Birmingham and Coventry, in the years 1945 to 1970, with the intention, first, of examining, the circumstances of their planning and building, and, second, the degree to which those building serve the needs of their respective parishes today. The church buildings described in the study have been visited, clergy or churchwardens interviewed, and archival material, individual relating both to churches, and to the diocese as a whole, consulted where it was available. The study comprises three sections. The first is an introduction, which includes a discussion of significant factors affecting the design of post-war churches, including the Liturgical Movement, the Institute for the Study of Worship and Religious Architecture, in Birmingham, and the idealism of the post-war era, both in the nation, and in the Church.
[Show full text]
England's Schools Third Layouts I-31 Evt3q7:Layout 1 21/2/12 08:26 Page 4
10484 EH England’s Schools third layouts i-31:Layout 1 17/2/12 11:30 Page 1 England’s Schools History, architecture and adaptation 10484 EH England’s Schools third layouts i-31:Layout 1 17/2/12 11:30 Page 2 10484 EH England’s Schools third layouts i-31:Layout 1 17/2/12 11:30 Page 3 England’s Schools History, architecture and adaptation Elain Harwood 10484 EH England's Schools third layouts i-31_EVT3q7:Layout 1 21/2/12 08:26 Page 4 Front cover Published by English Heritage, The Engine House, Fire Fly Avenue, Swindon SN2 2EH Sydenham School, London, additions by www.english-heritage.org.uk Basil Spence and Partners, 1957 (see also English Heritage is the Government’s statutory adviser on all aspects of the historic environment. p 72). [DP059443] © English Heritage 2010 Inside front cover Motif from the Corsham Board School Images (except as otherwise shown) © English Heritage or © Crown copyright. NMR. (Wilts), 1895. [DP059576] First published 2010 Reprinted 2012 Frontispiece One of the best-known adaptations of a ISBN 9781848020313 board school is the very successful Ikon Product code 51476 Gallery, created in 1998 by Levitt Bernstein Associates from Oozells Street School, Birmingham, 1877–8 by Martin and British Library Cataloguing in Publication data Chamberlain. A CIP catalogue record for this book is available from the British Library. [DSC6666] All rights reserved Inside back cover No part of this publication may be reproduced or transmitted in any form or by any means, electronic or Rugby School (Warwicks) from the air.
[Show full text]
Intro to Edinburgh
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/3216 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. ARCHITECTURE IN TENSION: An Examination of the Position of the Architect in the Private and Public Sectors, Focusing on the Training and Careers of Sir Basil Spence (1907-1976) and Sir Donald Gibson (1908-1991). Volume One of Two Volumes Sarah Helen Walford M.A.(Dist.) Thesis submitted for the Degree of Doctor of Philosophy Department of History of Art University of Warwick May 2009 CONTENTS Volume One Acknowledgements……....................……………………………………..........……i Abstract................................................................................................................ii Abbreviations Used………………………………………………….........................iii List of illustrations……………………………………………………........................v Introduction ………………………………………………………………...............1 1. A Profession Divided: The origins and growth of the schism between the sectors, and the role of the Association of Architects Surveyors and Technical Assistants……………..…...........8 1.1. A Union Forms: The Architects’ and Surveyors’ Assistants’ Professional Union, and the Association of Architects Surveyors and Technical Assistants………............….10 1.2. AASTA’s Relationship with the Royal Institute of British Architects……………………..........……………............................16 2. Spence and Gibson: Their early years and the beginnings of divergence……………………………………………………………..…….33 2.1. Basil Urwin Spence: Formative years, training and early Career………………………………………..………………............36 2.1a. Bombay, 1907-1919………………………………………....36 2.1b. Edinburgh, 1919-1931……………………………………....42 2.1c.
[Show full text]
Scotland: Building for the Future
Scotland: Building for the Future Scotland: Building for the Future In post-war Scotland there was a belief among key decision-makers that the world could be made better by design. New homes, schools and churches – even entire new towns – could be planned, designed and built for the benefit of all. Modernism in architecture and design were closely linked with this widespread faith in reconstruction. Architects and architecture were at the centre of this national effort, as they had been for at least 250 years. Scotland had specialised in new towns and a ‘rational’ approach to development and improvement, and there is a strong echo of the work of Robert Adam and Edinburgh New Town in the ‘age of improvement’ of the post-war period. Scotland: Building for the Future Essays on the architecture of the post-war era ISBN 978-1-84917-014-7 HISTORIC SCOTLAND FRONT COVER Hutchesontown B, Gorbals, perspective sketch of second development area, Robert Matthew Johnson-Marshall and Partners, 1958. © RMJM BACK COVER The Scottish Poetry Library, Edinburgh, Malcolm Fraser, 1999. © Malcolm Cooper H1.575 The House 3/09 Produced from sustainable material Scotland: Building for the Future Scotland: Building for the Future Essays on the architecture of the post-war era HISTORIC SCOTLAND iv | SCOTLAND: BUILDING FOR THE FUTURE Acknowledgments The text for this book was prepared by Malcolm Cooper, Ranald MacInnes, Deborah Mays, Dawn McDowell and Miles Oglethorpe with research assistance from Rohan Banyard, David Fleetwood, Pauline Megson, Laurence Parkerson, Dara Parsons, Joan Richardson, and Norma Smith. Illustrations were researched by Rohan Banyard and David Fleetwood, with the assistance of Michelle Andersson.
[Show full text]