DOCSLIB.ORG

Architecture of Edwin Maxwell Fry and Jane Drew Ashgate Studies in Architecture Series

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Architecture of Edwin Maxwell Fry and Jane Drew Ashgate Studies in Architecture Series THE ARCHITECTURE OF EDWIN MAXWELL FRY AND JANE DREW Ashgate Studies in Architecture Series SERIES EDITOR: EAMONN CANNIFFE, MANCHESTER SCHOOL OF ARCHITECTURE, MANCHESTER METROPOLITAN UNIVERSITY, UK The discipline of Architecture is undergoing subtle transformation as design awareness permeates our visually dominated culture. Technological change, the search for sustainability and debates around the value of place and meaning of the architectural gesture are aspects which will affect the cities we inhabit. This series seeks to address such topics, both theoretically and in practice, through the publication of high quality original research, written and visual. Other titles in this series The Architectural Capriccio Memory, Fantasy and Invention Lucien Steil ISBN 978 1 4094 3191 6 The Architecture of Pleasure British Amusement Parks 1900–1939 Josephine Kane ISBN 978 1 4094 1074 4 No Matter: Theories and Practices of the Ephemeral in Architecture Anastasia Karandinou ISBN 978 1 4094 6628 4 The Challenge of Emulation in Art and Architecture Between Imitation and Invention David Mayernik ISBN 978 1 4094 5767 1 Building Transatlantic Italy Architectural Dialogues with Postwar America Paolo Scrivano ISBN 978 1 4724 1483 0 Forthcoming titles in this series The Architecture of Edwin Maxwell Fry and Jane Drew Twentieth Century Architecture, Pioneer Modernism and the Tropics Iain Jackson and Jessica Holland ISBN 978 1 4094 5198 3 The Architecture of Edwin Maxwell Fry and Jane Drew Twentieth Century Architecture, Pioneer Modernism and the Tropics Iain Jackson Liverpool School of Architecture, University of Liverpool Jessica Holland Liverpool School of Architecture, University of Liverpool © Iain Jackson and Jessica Holland 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Iain Jackson and Jessica Holland have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as the authors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East 110 Cherry Street Union Road Suite 3-1 Farnham Burlington, VT 05401-3818 Surrey, GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-1-4094-5198-3 (hbk) ISBN: 978-1-4094-5199-0 (ebk – PDF) ISBN: 978-1-4724-0676-7 (ebk – ePUB) Library of Congress Cataloging-in-Publication Data Jackson, Iain, author. The architecture of Edwin Maxwell Fry and Jane Drew : twentieth century architecture, pioneer modernism and the tropics / by Iain Jackson and Jessica Holland. pages cm. -- (Ashgate studies in architecture) Includes bibliographical references and index. ISBN 978-1-4094-5198-3 (hardback) -- ISBN 978-1-4094-5199-0 (ebook) -- ISBN 978-1- 4724-0676-7 (epub) 1. Fry, Maxwell, 1899-1987--Criticism and interpretation. 2. Drew, Jane, 1911-1996--Criticism and interpretation. 3. Modern movement (Architecture)-- Great Britain. 4. Modern movement (Architecture)--Africa, West. 5. Modern movement (Architecture)--India. 6. Architecture, Tropical--Africa, West--History--20th century. 7. Architecture, Tropical--India--History--20th century. I. Holland, Jessica, author. II. Title. NA997.F78J33 2014 720.92’2--dc23 2014003011 III Contents List of Illustrations vii Abbreviations xvii Acknowledgements xix Archives Consulted, Excluding Private Archival Material xxi Introduction 1 1 From Classical Beginnings 9 2 Thirties’ Development 49 3 Jane Drew and the Partnership’s Origins 101 4 West Africa: Planning, Village Housing and New Schools for Ghana 147 5 The Development and Reassessment of Tropical Architecture in West Africa 183 6 Chandigarh and the Tropics Revisited 215 7 Humanism and Monumentality (A Post-war Compromise) 277 Conclusions 323 Chronology 331 Bibliography 351 Index 367 This page has been left blank intentionally List of Illustrations Note: Every effort has been made to trace all the copyright holders, but if any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangement at the first opportunity. Introduction 0.1 Fry and Drew’s home and office at 63 Gloucester Place, London, c. 1960 0.2 Draughting Office, 63 Gloucester Place, London, c. 1960 0.3 Christmas Card from the Fry family, c. 1955 1 From Classical Beginnings 1.1 Architecture Studio (Charles Reilly to the foreground), Ashton Street, Liverpool University, 1930 1.2 Sketch of Heckscher Building, Maxwell Fry, 1922 1.3 Sketch of Queensborough Bridge, Maxwell Fry, 1922 1.4 Liverpool University’s Rome Prize Finalists, 1923 1.5 Site Plan of a Recreation Centre, Maxwell Fry, 1923 1.6 Part Elevation of a Recreation Centre, Maxwell Fry, 1923 1.7 City of the Future, Maxwell Fry, 1931 1.8 Railway Station, Margate, Kent, c. 1930 1.9 Booking Hall, Railway Station, Margate, Kent, c. 1930 1.10 Ground Floor Plan, Manchester Art Gallery, 1925 viii THE ArchItecture OF EDWIN MAXWELL FRY AND JANE DREW 1.11 Transverse and Longitudinal Sections, Manchester Art Gallery, 1925 1.12 Site Plan, Birmingham Civic Centre, 1927 1.13 North Façade, Ridge End, Virginia Water, Surrey, 1932 1.14 South Façade, Ridge End, Virginia Water, Surrey, 1932 1.15 Competition Entry, Charing Cross Masterplan, London, 1931 1.16 Elevations to Portland Place and Weymouth Street, RIBA Headquarters, London, 1932 2 Thirties’ Development 2.1 South façade of Sassoon House, Peckham, London, 1934 2.2 North façade of Sassoon House, Peckham, London, 1934 2.3 Part Plan of Sassoon House, Peckham, London, 1934 2.4 Site Plan, Kensal House, Kensington, London, 1937 2.5 Kensal House, Kensington, London, 1937 2.6 Kitchen at Kensal House, Kensington, London, 1937 2.7 Garden Façade, Little Winch, Chipperfield, Hertfordshire, 1936 2.8 Existing Gardens, St Leonard’s Hill, Windsor, 1934 2.9 Maxwell and Ethel Fry walking with family in Scotland, c. 1927 2.10 Ground Floor Plan, St Leonard’s Hill, Windsor, 1934 2.11 South Façade, Sun House, Hampstead, London, 1936 2.12 Living Room with Murals by Hans Feibusch, Sun House, Hampstead, London, 1936 2.13 South Façade, Miramonte, Surrey, 1936 2.14 Dining Room, Miramonte, Surrey, 1936 2.15 64 and 66 (to the foreground) Old Church Street, Chelsea, 1936 2.16 Wood House, Shipbourne, Kent, 1937 2.17 Ground Floor Plan, Impington College, Cambridgeshire, 1936 2.18 Aerial Perspective, Impington College, Cambridgeshire, 1936 LIST OF IllustratIONS ix 2.19 Garden (East) Elevation, Student Residence, Christ’s College, Cambridge, 1936 2.20 Aerial Perspective, Student Residence, Christ’s College, Cambridge, 1936 2.21 Warham Ash, Breinton, Herefordshire, 2013 2.22 65 Ladbroke Grove, Kensington, London, 1938 2.23 Street Façade, Cecil Residential Club, North Gower Street, London, 1940 2.24 Entrance Hall, Cecil Residential Club, London, 1940 2.25 Westminster Electric Supply Corporation Showrooms, Victoria Street, London, 1933 2.26 Interior of the Westminster Electric Supply Corporation Showrooms, Victoria Street, London, 1933 2.27 Electricity Show Rooms, Regent Street, London, 1937 2.28 Electricity Show Rooms Interior, Regent Street, London, 1937 2.29 MARS Exhibition, New Burlington Galleries, London, 1938 2.30 MARS Exhibition, New Burlington Galleries, London, 1938 3 Jane Drew and the Partnership’s Origins 3.1 Harry Guy Radcliffe Drew, 1946 3.2 Emma Spering Drew with daughter Dorothy, 1910 3.3 Jane and Dorothy Drew, c. 1916 3.4 Jane Drew at Croydon High School for Girls, 1925 3.5 ‘British Goods’ Sketch, AA Pantomime (Drew, 2nd left), 1931 3.6 Passport photographs of Drew and Alliston, 1935 3.7 Odeon Cinema, Claremont Road, Surbiton, London, 1935 3.8 Entrance Foyer by Mollo and Egan, Odeon Cinema, Surbiton, 1934 3.9 Lanchester and Laughton at 34 Gordon Square, Bloomsbury, London, 1938 3.10 View from the South-West, Gloucester Avenue, Cliftonville, Kent, 1937 3.11 Living Room towards the Waiting Room, Gloucester Avenue, Cliftonville, Kent, 1937 x THE ArchItecture OF EDWIN MAXWELL FRY AND JANE DREW 3.12 View from the North-East, St. Giles’s Mount, Winchester, 1938 3.13 South Façade, St. Giles’s Mount, Winchester, 1938 3.14 Fry and Drew on their wedding day, 1942 3.15 Kitchen Side of a Kitchen-Bathroom Unit, Kitchen Planning Exhibition, 1945 3.16 Compact Kitchen, ‘Britain Can Make It’ Exhibition, 1946 3.17 Passfields, Bromley Road, Lewisham, London, 1951 3.18 East Façade, Passfields, Bromley Road, Lewisham, London, 1951 3.19 Mark Hall North, Harlow, Essex, 1952 3.20 Mark Hall North, Harlow, Essex, 1952 3.21 Ceylon Tea Centre, 22 Lower Regent Street, London, 1951 3.22 Waterloo Bridge Entrance and Observation Tower, Festival of Britain, South Bank, London, 1951 3.23 Waterloo Bridge Entrance and Observation Tower, Festival of Britain, South Bank, London, 1951 3.24 Riverside Restaurant from Waterloo Bridge with Paolozzi’s Fountain in the background, Festival of Britain, South Bank, London, 1951 3.25 Riverside Restaurant Interior, Festival of Britain, South Bank, London, 1951 4 West Africa: Planning, Village Housing and New Schools for Ghana 4.1 Planning the Region around Bathurst, Gambia, 1944 4.2 Design for Laundry and Water Point, Bathurst, Gambia, 1944 4.3 Plans for Modifying Kumasi’s Railway, Ghana, 1946 4.4 Alcock’s experimental housing in Asawasi, 1945–6 4.5 Alcock’s experimental housing in Asawasi, 1945–6 4.6 Fry and Drew’s housing at Asawasi, 1946 4.7 The Tropics as displayed in Village Housing in the Tropics, 1947 4.8 Kumasi Hospital, Ghana, 2012 LIST OF IllustratIONS xi 4.9 Site Plan of Ho-Hoe, Teacher Training College School, 1948–49 4.10 Drawing of Science Block at Mfantsipim, Cape Coast, 1947 4.11 Photograph of Science Block at Mfantsipim, Cape Coast, 2012 4.12 St. Andrew’s College, Mampong, 2012 4.13 St. Andrew’s College, Mampong, 1948 4.14 Site Plan of Adisadel College, 1950 4.15 A view from Aburi showing the surrounding hills, 2012 4.16 Somanya, set on an elevated position remote from village life, 2012 4.17 Elevational drawing of Somanya, c.
Load more

Recommended publications
  • The Making of the Sainsbury Centre the Making of the Sainsbury Centre
    The Making of the Sainsbury Centre The Making of the Sainsbury Centre Edited by Jane Pavitt and Abraham Thomas 2 This publication accompanies the exhibition: Unless otherwise stated, all dates of built projects SUPERSTRUCTURES: The New Architecture refer to their date of completion. 1960–1990 Sainsbury Centre for Visual Arts Building credits run in the order of architect followed 24 March–2 September 2018 by structural engineer. First published in Great Britain by Sainsbury Centre for Visual Arts Norwich Research Park University of East Anglia Norwich, NR4 7TJ scva.ac.uk © Sainsbury Centre for Visual Arts, University of East Anglia, 2018 The moral rights of the authors have been asserted. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. British Library Cataloguing-in-Publication Data. A catalogue record is available from the British Library. ISBN 978 0946 009732 Exhibition Curators: Jane Pavitt and Abraham Thomas Book Design: Johnson Design Book Project Editor: Rachel Giles Project Curator: Monserrat Pis Marcos Printed and bound in the UK by Pureprint Group First edition 10 9 8 7 6 5 4 3 2 1 Superstructure The Making of the Sainsbury Centre for Visual Arts Contents Foreword David Sainsbury 9 Superstructures: The New Architecture 1960–1990 12 Jane Pavitt and Abraham Thomas Introduction 13 The making of the Sainsbury Centre 16 The idea of High Tech 20 Three early projects 21 The engineering tradition 24 Technology transfer and the ‘Kit of Parts’ 32 Utopias and megastructures 39 The corporate ideal 46 Conclusion 50 Side-slipping the Seventies Jonathan Glancey 57 Under Construction: Building the Sainsbury Centre 72 Bibliography 110 Acknowledgements 111 Photographic credits 112 6 Fo reword David Sainsbury Opposite.
    [Show full text]
  • Advice to Inform Post-War Listing in Wales
    ADVICE TO INFORM POST-WAR LISTING IN WALES Report for Cadw by Edward Holland and Julian Holder March 2019 CONTACT: Edward Holland Holland Heritage 12 Maes y Llarwydd Abergavenny NP7 5LQ 07786 954027 www.hollandheritage.co.uk front cover images: Cae Bricks (now known as Maes Hyfryd), Beaumaris Bangor University, Zoology Building 1 CONTENTS Section Page Part 1 3 Introduction 1.0 Background to the Study 2.0 Authorship 3.0 Research Methodology, Scope & Structure of the report 4.0 Statutory Listing Part 2 11 Background to Post-War Architecture in Wales 5.0 Economic, social and political context 6.0 Pre-war legacy and its influence on post-war architecture Part 3 16 Principal Building Types & architectural ideas 7.0 Public Housing 8.0 Private Housing 9.0 Schools 10.0 Colleges of Art, Technology and Further Education 11.0 Universities 12.0 Libraries 13.0 Major Public Buildings Part 4 61 Overview of Post-war Architects in Wales Part 5 69 Summary Appendices 82 Appendix A - Bibliography Appendix B - Compiled table of Post-war buildings in Wales sourced from the Buildings of Wales volumes – the ‘Pevsners’ Appendix C - National Eisteddfod Gold Medal for Architecture Appendix D - Civic Trust Awards in Wales post-war Appendix E - RIBA Architecture Awards in Wales 1945-85 2 PART 1 - Introduction 1.0 Background to the Study 1.1 Holland Heritage was commissioned by Cadw in December 2017 to carry out research on post-war buildings in Wales. 1.2 The aim is to provide a research base that deepens the understanding of the buildings of Wales across the whole post-war period 1945 to 1985.
    [Show full text]
  • Land at 10 King Henry's Road, London, NW3
    Our ref: APP/X5210/C/18/3219239 Rebecca Anderson Iceni Projects Da Vinci House 44 Saffron Hill Farringdon EC1N 8FH 12 March 2020 Dear Madam, TOWN AND COUNTRY PLANNING ACT 1990 – SECTIONS 174 & 177 APPEAL MADE BY THE GOVERNMENT OF MAHARASHTRA LAND AT 10 KING HENRY’S ROAD, LONDON, NW3 3RP ENFORCEMENT REF: EN18/0027 1. I am directed by the Secretary of State to say that consideration has been given to the report of Mr K L Williams BA, MA, MRTPI, who held a public local inquiry on 24 September and 11 October into your client’s appeal against an enforcement notice issued on 16 November 2018, by the London Borough of Camden. The enforcement notice is summarised by the Inspector as follows: • The breach of planning control as alleged in the notice is a change of use from 2 residential units (Class 3) to museum (Class D1) including the erection of a single storey rear conservatory, alteration to boundary treatment including addition of metal railing and alterations to existing entrance steps including the installation of a disabled platform lift to access the upper ground floor. • The requirements of the notice are to cease the use of the memorial/museum (Class D1) and revert to previous use and layout as 2 residential units (Class C3). • The period for compliance with the requirements is 6 months. 2. On 20 September 2019, this appeal was recovered for the Secretary of State's determination, in pursuance of section 174 of, and paragraph 2(a) of, the Town and Country Planning Act 1990.
    [Show full text]
  • The Penguin Pool, London Zoo
    Bridge of Dreams: The Penguin Pool, London Zoo 80 docomomo 45 — 2011/2 HE Penguin Pool at London Zoo 1934, designed by Berthold Lubetkin & Tecton is one of the iconic landmarks of modern architecture. This article tells the story of its creation, the structural Tsecrets of its audacious spiral ramps and its varying fortunes in the evolution of the zoo as an institution for the display of captive animals. The Penguin Pool, visited and admired by thousands over the 75 years since its completion, also stands as a poignant emblem of the dreams and disap- pointments of modern architecture. By John Allan HERE can be few visitors to London Zoo who taken him to Berlin, Warsaw and finally Paris where he have not gazed at the Penguin Pool—Berthold Lu- had studied under Auguste Perret, worked with the USSR Tbetkin’s iconic jeu d’esprit of 1934—and dreamed Trades Delegation and then realised his first significant of walking upon its miraculously unsupported ramps. This building, an apartment block of extraordinary architec- tiny aquatic sculpture—it could hardly be called a build- tural precocity for a designer not yet 30 years old. ing—has captivated who see it, and through its worldwide With no further prospects in Paris Lubetkin had come publication, many who have not. Apparently so simple, yet to London in search of work but after months of frustrated like so much of Lubetkin’s work, the Penguin Pool is dense- commissions was on the point of departure when his first ly coded with stories, references and ultimately—dreams.
    [Show full text]
  • August, 1986 CONTENTS Ii
    (1890 LESLIE STANNARD HUNTER - 1983) (1939 BISHOP OF SHEFFIELD - 1962) JAMES DERICK PREECE Submitted for the Degree of Master of Philosophy Department of History University of Sheffield August, 1986 CONTENTS ii INTRODUCTION V BOOK ONE 1 THE FORMATION OF A BISHOP CHAPTER ONE JOHN HUNTER i. Temperament 2 ii. The Liberal 4 iii. The Churchman 8 iv. The Preacher 13 v. Social Concern 17 19 vi. The Church of England 22 CHAPTER TWO GLASGOW AND OXFORD i. Scottish heritage 22 ii. New College, Oxford. 33 CHAPTER THREE VOCATION AND INSPIRATION 42 i. The Student Christian Movement and Ordination 42 ii. H. R. L. Sheppard 54 iii. Charles Gore 57 iv. Friedrich von Hugel 61 V. William Temple 63 vi. O. C. Quick 72 CHAPTER FOUR BISHOP IN THE MAKING 76 i. Canon of St. Benedict Biscop 77 ii. Vicar of Barking 85 iii. Archdeacon of Northumberland 93 iii BOOK TWO BISHOP IN ACTION 110 CHAPTER FIVE A DIOCESE FROM WAR TO WAR 110 i. The Diocese of Sheffield 1914 - 1939 119 ii. The Diocese of Sheffield 1939 - 1962 CHAPTER SIX A BISHOP'S CREATIONS 151 i. Church in Action 152 ii. Sheffield Industrial Mission 157 Whirlow Grange Conference House 168 iv. Hollowford Training Centre 174 179 V. St. Mary's Church and Community Centre CHAPTER SEVEN A MEMORIAL TO GREATNESS 191 William Temple College CHAPTER EIGHT A BISHOP AS ADMINISTRATOR, PREACHER, TEACHER i. Administrator 203 ii. Preacher 210 iii. Teacher 219 CHAPTER NINE A BISHOP AND HIS CATHEDRAL 234 i. The Cathedral Benefice 234 ii. The Cathedral Enlargement 245 CHAPTER TEN THE NATIONAL BISHOP 262 iv CHAPTER ELEVEN A BISHOP IN EUROPE 276 i.
    [Show full text]
  • A Short Cultural History of Britain
    S. L. Yeliseyev T. O. Kupinska A Short Cultural History of Britain Ministry of Education and Science, Youth and Sports of Ukraine State Institution “Luhansk Taras Shevchenko National University” S. L. Yeliseyev T. O. Kupinska A Short Cultural History of Britain A manual for students of foreign languages departments of higher education institutions Luhansk SI “Luhansk Taras Shevchenko National University” 2012 УДК 908:81.2Англ (076) ББК 26:81.2Англ–9 Є51 Rewievers: Mihalskiy I. S. – Doctor of Historical Sciences, Professor, the chair of Political Studies of SI “Luhansk Taras Shevchenko National University” Krysalo O. V. - Candidate of Philological Sciences, Associate Professor of Translation Studies Department SI “Luhansk Taras Shevchenko National University” Demidov D. V. – Candidate of Pedagogical Sciences, senior lecturer of English Philology Department of SI “Luhansk Taras Shevchenko National University” Yeliseyev S. L. Є51 A Short Cultural History of Britain : a manual for students of foreign languages departments of higher education institutions / S. L. Yeliseyev, T. O. Kupinska ; State Institution “Luhansk Taras Shevchenko National University”. – Luhansk : Luhansk Taras Shevchenko National University Press, 2012. – 103 p. A Short Cultural History of Britain is a manual intended for students of foreign languages department, specialities “Language and Literature (English)”, “Philology. English and Oriental language and literature” and “Translation Studies”. Its aim is to give a general idea of artistic styles in European art from the Gothic style through the Romantic movement, and the detailed information on the history of theatre, music, visual arts and architecture of Great Britain. The content of the book conforms to the requirements of the syllabus of “Country Studies: the United Kingdom of Great Britain and Northern Ireland” for senior students.
    [Show full text]
  • East of England
    EastEast of of England England Berwick-upon-Tweed Lindisfarne Castle Giant’s Causeway Carrick-a-Rede Cragside Downhill Coleraine Demesne and Hezlett House Morpeth Wallington LONDONDERRY Blyth Seaton Delaval Hall Whitley Bay Tynemouth Newcastle Upon Tyne M2 Souter Lighthouse Jarrow and The Leas Ballymena Cherryburn Gateshead Gray’s Printing Larne Gibside Sunderland Press Carlisle Consett Washington Old Hall Houghton le Spring M22 Patterson’s M6 Springhill Spade Mill Carrickfergus Durham M2 Newtownabbey Brandon Peterlee Wellbrook Cookstown Bangor Beetling Mill Wordsworth House Spennymoor Divis and the A1(M) Hartlepool BELFAST Black Mountain Newtownards Workington Bishop Auckland Mount Aira Force Appleby-in- Redcar and Ullswater Westmorland Stewart Stockton- Middlesbrough M1 Whitehaven on-Tees The Argory Strangford Ormesby Hall Craigavon Lough Darlington Ardress House Rowallane Sticklebarn and Whitby Castle Portadown Garden The Langdales Coole Castle Armagh Ward Wray Castle Florence Court Beatrix Potter Gallery M6 and Hawkshead Murlough Northallerton Crom Steam Yacht Gondola Hill Top Kendal Hawes Rievaulx Scarborough Sizergh Terrace Newry Nunnington Hall Ulverston Ripon Barrow-in-Furness Bridlington Fountains Abbey A1(M) Morecambe Lancaster Knaresborough Beningbrough Hall M6 Harrogate York Skipton Treasurer’s House Fleetwood Ilkley Middlethorpe Hall Keighley Yeadon Tadcaster Clitheroe Colne Beverley East Riddlesden Hall Shipley Blackpool Gawthorpe Hall Nelson Leeds Garforth M55 Selby Preston Burnley M621 Kingston Upon Hull M65 Accrington
    [Show full text]
  • Aauk 393-David Chipperfield
    20 21 SORTIR DU SOLILOQUE DAVID ARCHITECTURAL CHIPPERFIELD ABANDONING THE ARCHITECTURAL SOLILOQUY PAR / BY JONATHAN GLANCEY HEC PARIS Bâtiment d’accueil, entrance hall, Jouy-en-Josas, France, 2012. 22 23 « IL Y A DE LA PLACE POUR LA RADICALITÉ. » “THERE IS ROOM FOR RADICAL IDEAS.” Commissaire de la Biennale d’architecture de Venise en 2012, David Chipperfield, reconnu pour ses prestigieux projets culturels, ne renonce pas pour autant aux constructions « du quotidien ». Le Londonien confie sa lutte pour une culture architecturale basée sur des valeurs communes : érudition, responsabilité et réflexion. Curator of the 2012 Venice Architecture Biennale, David Chipperfield, known for his prestigious cultural projects, has nevertheless not turned his back on “ordinary” constructions. The London architect recounts for AA his battle for an architectural culture based on shared values: erudition, responsibility and reflection. L’ARCHITECTURE D’AUJOURD’HUI. Commençons L’ARCHITECTURE D’AUJOURDHUI. Let’s start with par Venise. Vous avez été le commissaire de la Biennale Venice. You were the curator of the 2012 Architecture BIENNALE d’architecture 2012. Quelle était l’idée phare de cette Biennale. What was the point of the show? What message DE VENISE édition et le message que vous vouliez faire passer ? were you trying to get across? VENICE BIENNALE 2012. DAVID CHIPPERFIELD. J’ai intitulé cette édition « Common DAVID CHIPPERFIELD. The title I chose for the show was Ground » [« socle commun », NDLR]. Il y a quelque temps de “Common Ground”. A while before, I’d been sitting in a late cela, j’étais en compagnie de Jacques Herzog dans un bar de night bar in Madrid with Jacques Herzog.
    [Show full text]
  • Mathematicians Fleeing from Nazi Germany
    Mathematicians Fleeing from Nazi Germany Mathematicians Fleeing from Nazi Germany Individual Fates and Global Impact Reinhard Siegmund-Schultze princeton university press princeton and oxford Copyright 2009 © by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW All Rights Reserved Library of Congress Cataloging-in-Publication Data Siegmund-Schultze, R. (Reinhard) Mathematicians fleeing from Nazi Germany: individual fates and global impact / Reinhard Siegmund-Schultze. p. cm. Includes bibliographical references and index. ISBN 978-0-691-12593-0 (cloth) — ISBN 978-0-691-14041-4 (pbk.) 1. Mathematicians—Germany—History—20th century. 2. Mathematicians— United States—History—20th century. 3. Mathematicians—Germany—Biography. 4. Mathematicians—United States—Biography. 5. World War, 1939–1945— Refuges—Germany. 6. Germany—Emigration and immigration—History—1933–1945. 7. Germans—United States—History—20th century. 8. Immigrants—United States—History—20th century. 9. Mathematics—Germany—History—20th century. 10. Mathematics—United States—History—20th century. I. Title. QA27.G4S53 2008 510.09'04—dc22 2008048855 British Library Cataloging-in-Publication Data is available This book has been composed in Sabon Printed on acid-free paper. ∞ press.princeton.edu Printed in the United States of America 10 987654321 Contents List of Figures and Tables xiii Preface xvii Chapter 1 The Terms “German-Speaking Mathematician,” “Forced,” and“Voluntary Emigration” 1 Chapter 2 The Notion of “Mathematician” Plus Quantitative Figures on Persecution 13 Chapter 3 Early Emigration 30 3.1. The Push-Factor 32 3.2. The Pull-Factor 36 3.D.
    [Show full text]
  • Extending Korn's First Inequality to Incompatible Tensor Fields
    Poincare´ meets Korn via Maxwell: Extending Korn's First Inequality to Incompatible Tensor Fields Patrizio Neff, Dirk Pauly, Karl-Josef Witsch May 14, 2014 Dedicated to Rolf Leis on the occasion of his 80th birthday Abstract 3 For a bounded domain Ω ⊂ R with Lipschitz boundary Γ and some relatively open Lipschitz subset Γt 6= ; of Γ, we prove the existence of some c > 0, such that c jjT jj 2 3×3 ≤ jjsym T jj 2 3×3 + jjCurl T jj 2 3×3 (0.1) L (Ω;R ) L (Ω;R ) L (Ω;R ) holds for all tensor fields in H(Curl; Ω), i.e., for all square-integrable tensor fields 3×3 3×3 T :Ω ! R with square-integrable generalized rotation Curl T :Ω ! R , having vanishing restricted tangential trace on Γt. If Γt = ;, (0.1) still holds at least for simply connected Ω and for all tensor fields T 2 H(Curl; Ω) which are L2(Ω)-perpendicular to so(3), i.e., to all skew-symmetric constant tensors. Here, both operations, Curl and tangential trace, are to be understood row-wise. For compatible tensor fields T = rv, (0.1) reduces to a non-standard variant of 3 the well known Korn's first inequality in R , namely c jjrvjj 2 3×3 ≤ jjsym rvjj 2 3×3 L (Ω;R ) L (Ω;R ) 1 3 for all vector fields v 2 H (Ω; R ), for which rvn, n = 1;:::; 3, are normal at Γt. On 1 3 arXiv:1203.2744v3 [math.AP] 13 May 2014 the other hand, identifying vector fields v 2 H (Ω; R ) (having the proper boundary conditions) with skew-symmetric tensor fields T , (0.1) turns to Poincar´e's inequality since p 2c jjvjj 2 3 = c jjT jj 2 3×3 ≤ jjCurl T jj 2 3×3 ≤ 2 jjrvjj 2 3 : L (Ω;R ) L (Ω;R ) L (Ω;R ) L (Ω;R ) Therefore, (0.1) may be viewed as a natural common generalization of Korn's first and Poincar´e'sinequality.
    [Show full text]
  • Mid-Century Modernism and the Landscape Idea
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Reading Landscape: Mid-Century Modernism and the Landscape Idea Jeffrey David Blankenship University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Geochemistry Commons, Geology Commons, and the Geophysics and Seismology Commons Recommended Citation Blankenship, Jeffrey David, "Reading Landscape: Mid-Century Modernism and the Landscape Idea" (2011). Open Access Dissertations. 324. https://scholarworks.umass.edu/open_access_dissertations/324 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. READING LANDSCAPE: MID-CENTURY MODERNISM AND THE LANDSCAPE IDEA A Dissertation Presented by JEFFREY D. BLANKENSHIP Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 Geosciences Geography © Copyright by Jeffrey D. Blankenship 2011 All Rights Reserved READING LANDSCAPE: MID-CENTURY MODERNISM AND THE LANDSCAPE IDEA A Dissertation Presented by JEFFREY D. BLANKENSHIP Approved as to style and content by: __________________________________________ Richard Wilkie, Chair __________________________________________ George
    [Show full text]
  • Willis Papers INTRODUCTION Working
    Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture.
    [Show full text]