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Monuments of Terrorism: (De)Selecting Memory and Symbolic Exchange at the Interface Between Westminster and Raqqa
Liminalities: A Journal of Performance Studies Vol. 16, No. 2 (2020) Monuments of Terrorism: (De)Selecting Memory and Symbolic Exchange at the Interface Between Westminster and Raqqa Theodore Price Contemporary conflict is conducted across multiple visual fronts, as the old visual symbols of conventional warfare and remembrance are increasingly replaced with digital images. Focusing on three events in the summer of 2015: the attack on tourists in Tunisia, the blowing up of the Temple of Bel in Palmyra, Syria, and the construction of a replica of the destroyed Arch of Triumph from Palmyra in Trafalgar Square, London, this paper details the symbolic exchange between the so-called Islamic State and western governments. Through an examination of the visual representation of violence enacted towards individual holidaymakers and ancient tourist sites, this paper details how the attack on a holiday resort in Tuni- sia was recast through a master narrative of war where the military repatriation of civilians represented the dead tourists as fallen soldiers. It will examine the visual record of the destruction of the Temple of Bel, by the Islamic State (ISIS), arguing that this action gained international legitimacy through the validation and complicity of the visual frame provided by satellite images from the United Na- tions. Finally, it will discuss the replication of the Arch of Triumph, from Palmyra, in Trafalgar Square as a further example of the instrumentalisation of counter- iconoclasm. In this paper I suggest that the new monuments to terrorism are images of the events themselves, rather than simply physical memorials built for remem- brance, and that these new monuments to terrorism circulating within the virtual landscapes of the internet, become the new sites of collective memorialisation Theodore Price is a London-based artist, curator and researcher whose practice is located at the intersection between art and politics. -
Arsu and ‘Azizu a Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk by Finn Ove Hvidberg-Hansen
’Arsu and ‘Azizu A Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk By Finn Ove Hvidberg-Hansen Historiske-filosofiske Meddelelser 97 Det Kongelige Danske Videnskabernes Selskab The Royal Danish Academy of Sciences and Letters DET KONGELIGE DANSKE VIDENSKABERNES SELSKAB udgiver følgende publikationsrækker: THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS issues the following series of publications: Authorized Abbreviations Historisk-filosofiske Meddelelser, 8° Hist.Fil.Medd.Dan.Vid.Selsk. (printed area 1 75 x 104 mm, 2700 units) Historisk-filosofiske Skrifter, 4° Hist.Filos.Skr.Dan.Vid.Selsk. (History, Philosophy, Philology, (printed area 2 columns, Archaeology, Art History) each 199 x 77 mm, 2100 units) Matematisk-fysiske Meddelelser, 8° Mat.Fys.Medd.Dan.Vid.Selsk. (Mathematics, Physics, (printed area 180 x 126 mm, 3360 units) Chemistry, Astronomy, Geology) Biologiske Skrifter, 4° Biol.Skr. Dan. Vid.Selsk. (Botany, Zoology, Palaeontology, (printed area 2 columns, General Biology) each 199 x 77 mm, 2100 units) Oversigt, Annual Report, 8° Overs. Dan.Vid.Selsk. General guidelines The Academy invites original papers that contribute significantly to research carried on in Denmark. Foreign contributions are accepted from temporary residents in Den mark, participants in a joint project involving Danish researchers, or those in discussion with Danish contributors. Instructions to authors Manuscripts from contributors who are not members of the Academy will be refereed by two members of the Academy. Authors of papers accepted for publication will re ceive galley proofs and page proofs; these should be returned promptly to the editor. Corrections other than of printer's errors will be charged to the author(s) insofar as the costs exceed 15% of the cost of typesetting. -
The Palmyrene Prosopography
THE PALMYRENE PROSOPOGRAPHY by Palmira Piersimoni University College London Thesis submitted for the Higher Degree of Doctor of Philosophy London 1995 C II. TRIBES, CLANS AND FAMILIES (i. t. II. TRIBES, CLANS AND FAMILIES The problem of the social structure at Palmyra has already been met by many authors who have focused their interest mainly to the study of the tribal organisation'. In dealing with this subject, it comes natural to attempt a distinction amongst the so-called tribes or family groups, for they are so well and widely attested. On the other hand, as shall be seen, it is not easy to define exactly what a tribe or a clan meant in terms of structure and size and which are the limits to take into account in trying to distinguish them. At the heart of Palmyrene social organisation we find not only individuals or families but tribes or groups of families, in any case groups linked by a common (true or presumed) ancestry. The Palmyrene language expresses the main gentilic grouping with phd2, for which the Greek corresponding word is ØuAi in the bilingual texts. The most common Palmyrene formula is: dynwpbd biiyx... 'who is from the tribe of', where sometimes the word phd is omitted. Usually, the term bny introduces the name of a tribe that either refers to a common ancestor or represents a guild as the Ben Komarê, lit. 'the Sons of the priest' and the Benê Zimrâ, 'the sons of the cantors' 3 , according to a well-established Semitic tradition of attaching the guilds' names to an ancestor, so that we have the corporations of pastoral nomads, musicians, smiths, etc. -
Women’S History Month: Zenobia “The Warrior
Women's History Month: Zenobia "The Warrior Queen" Author : Robert D. Cobb So very often women’s rights and powerful women are thought to be limited to the very recent past, and powerful, strong women in history get forgotten. I think that it’s not only important to remember the Alexander the Great’s, or Napoleons of the past, but also the Cleopatra’s, Joan of Arc’s, and in this case: Zenobia’s of the past. Zenobia was known to her followers as “the Warrior Queen”. She drank with her generals and marched with her soldiers, she spoke 4 languages and knew her place in the world: at the top. While her family tree cannot be perfectly traced, she herself claimed lineage to both Cleopatra, and Dido, the Queen of Carthage. One thing was certain: she was well educated in both the ways of combat and in the classroom, and she commanded respect both on and off the battlefield, from friend and foe alike. By the year 258, Zenobia had married Odaenathus, the King of Palmyra. As his second wife, she bore him a child and raised his first son Hairan until both he and his father were assassinated. Zenobia, a woman who was not satisfied with her role as queen, and was ready to take the world by force if necessary is believed by some to have orchestrated the conspiracy that cost both her husband and her stepson their lives. According to Historia Augusta, Maeonius killed them both during a celebration due to a conspiracy arranged by the queen. -
Who Were the Daughters of Allah?
WHO WERE THE DAUGHTERS OF ALLAH? By DONNA RANDSALU B.A., University of British Columbia,1982. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (RELIGIOUS STUDIES) We accept this thesis—as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1988 © Donna Kristin Randsalu, 1988 V In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of £gLlfr/OU^ £TUO>eS> The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date Per- n} DE-6(3/81) ABSTRACT Who were the Daughters of Allah, the three Arabian goddesses mentioned in the Qur'an and venerated by the pagan Arabs prior to the rise of Islam, and who since have vanished into obscurity? Can we reconstruct information about these goddesses by reference to earlier goddesses of the Near East? It is our intention to explore this possibility through an examination of their predecessors in view of the links between the Fertile Crescent and the Arabian Peninsula. Moving back in time from the seventh century A.D. (Arabia) through the Hellenistic Period (Syro/Phoenicia 300 B.C.-A.D. -
FROM MOSUL to PALMYRA a Virtual Journey Through the World’S Cultural Heritage 30 August 2019 – 3 November 2019
Press kit FROM MOSUL TO PALMYRA A Virtual Journey through the World’s Cultural Heritage 30 August 2019 – 3 November 2019 1 CONTENT Media Conference: Thursday, 29 August 2019, 11 a.m. 1. Forewords of the publication Page 3 2. Media Information Page 5 3. Exhibition Sections Page 6 4. Virtual Reality and Epilogue Page 12 5. Virtual Reconstruction and Publication Page 13 6. Current and Upcoming Exhibitions Page 14 7. General Information Page 15 2 FOREWORDS OF THE PUBLICATION In recent years, some of the most splendid cities of the ancient world – Mosul, Aleppo, Palmyra, Leptis Magna – have come to be associated with the wanton destruction of their vestiges by fanaticism and war. These ancient sites, some of them completely laid to waste, bear witness to recent and current conflicts that affect us directly. A virtual journey to the sites reveals the disastrous consequences of war on every level, inclu- ding culture. These consequences reach far beyond the regrettable loss of outstanding artefacts of long-gone civilizations. The intentional destruction of cultural heritage constitutes an attempt to obliterate cultural identity. The historical memory of the multireligious sites stands for those achievements of civilization that are now massive- ly threatened by war and terror. While each of the four emblematic sites, which visitors to the exhibition can explo- re in virtual models and reconstructions, tells its own story, they have one thing in common: they embody the universality of our concept of culture, which prizes the individuality and diversity of the remains of numerous ancient civilizations without subjecting them to religious or national hierarchies. -
Exhibition Checklist I. Creating Palmyra's Legacy
EXHIBITION CHECKLIST 1. Caravan en route to Palmyra, anonymous artist after Louis-François Cassas, ca. 1799. Proof-plate etching. 15.5 x 27.3 in. (29.2 x 39.5 cm). The Getty Research Institute, 840011 I. CREATING PALMYRA'S LEGACY Louis-François Cassas Artist and Architect 2. Colonnade Street with Temple of Bel in background, Georges Malbeste and Robert Daudet after Louis-François Cassas. Etching. Plate mark: 16.9 x 36.6 in. (43 x 93 cm). From Voyage pittoresque de la Syrie, de la Phoénicie, de la Palestine, et de la Basse Egypte (Paris, ca. 1799), vol. 1, pl. 58. The Getty Research Institute, 840011 1 3. Architectural ornament from Palmyra tomb, Jean-Baptiste Réville and M. A. Benoist after Louis-François Cassas. Etching. Plate mark: 18.3 x 11.8 in. (28.5 x 45 cm). From Voyage pittoresque de la Syrie, de la Phoénicie, de la Palestine, et de la Basse Egypte (Paris, ca. 1799), vol. 1, pl. 137. The Getty Research Institute, 840011 4. Louis-François Cassas sketching outside of Homs before his journey to Palmyra (detail), Simon-Charles Miger after Louis-François Cassas. Etching. Plate mark: 8.4 x 16.1 in. (21.5 x 41cm). From Voyage pittoresque de la Syrie, de la Phoénicie, de la Palestine, et de la Basse Egypte (Paris, ca. 1799), vol. 1, pl. 20. The Getty Research Institute, 840011 5. Louis-François Cassas presenting gifts to Bedouin sheikhs, Simon Charles-Miger after Louis-François Cassas. Etching. Plate mark: 8.4 x 16.1 in. (21.5 x 41 cm). -
Of the Roman Empire
EDITIONLAUSANNE Limited to one tbousand registered sets N0.4'7 THE DECLINEAND FALL OF THE ROMAN EMPIRE VOL. I1 THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE BY EDWARD GIBBON EDITED BY J. B. BURY, M.A. WITH AN INTRODUCTION BY THE RT. HON. W. E. H. LECKY VOL. I1 NEW YORK FRED DE FAU & COMPANY PUBLISHERS COPYRIGHT,I+, FRED DE FAU & COMPANY. CONTENTS OF THE SECOND VOLUME PACE... LIST OF ILLUSTRATIONS......... xu1 CHAPTER X The Emperors Decks. Gallus. Amilianus. Valerian. and Galliersur - The General Irruption of the Barbarians - The Thirty Tyrads A.D. 248-268 The Nature of the Subject .......i The Emperor Philip .........a 249 Services.Revolt. Victory. and Reign of the Emperor Decius . a 250 He marchesagainst the Goths ......3 Origin of the Goths from Scandinavia .....4 Religion of the Goths ........5 Institutions and Death of Odin .......6 Agreeable. but uncertainHypothesis concerning Odin . 6 Emigration of the Goths fromScandinavia into Prussia . 7 -from Prussia to theUkraine ...... 8 The Gothic Nation increases in its March .... 9 Distinction of the Germans and Sarmatians ....10 Description ofUkraine the ......10 The Goths invade the Roman Provinces .....11 250 Various Events of the Gothic War ... ..12 251 Decius revives the ofice of Censor in the Person of Valerian . 14 The Design Impracticable. and without Effect ....15 Defeat and Death of Decius and his Son .....16 251 Election of Gallus .........IS 252 Retreat of the Goths ....... 18 gallus purchases Peace by the Payment of an annual Tnbut; 18 Popular Discontent .........19 253 Victory and Revolt of Ahilianus ......20 Gallus abandoned and slain .......20 Valerian revenges the Death of Gallus .....21 Is acknowledged Emperor ........21 'i Character of Valerian .... -
The Destruction of Cultural Heritage: a Crime Against Property Or a Crime Against People?
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW THE DESTRUCTION OF CULTURAL HERITAGE: A CRIME AGAINST PROPERTY OR A CRIME AGAINST PEOPLE? PATTY GERSTENBLITH ABSTRACT The destruction of cultural heritage has played a prominent role in the ongoing conflicts in Syria and Iraq and in the recent conflict in Mali. This destruction has displayed the failure of international law to effectively deter these actions. This article reviews existing international law in light of this destruction and the challenges posed by the issues of non-international armed conflict, non-state actors and the military necessity exception. By examining recent developments in applicable international law, the article proposes that customary international law has evolved to interpret existing legal instruments and doctrines concerning cultural heritage in light of the principles of proportionality and distinction and a definition of intentionality that includes extreme negligence and willful disregard. As a result, international law may more effectively foster the preservation of cultural heritage for future generations. Copyright © 2016 The John Marshall Law School Cite as Patty Gerstenblith, The Destruction of Cultural Heritage: A Crime Against Property or a Crime Against People?, 15 J. MARSHALL REV. INTELL. PROP. L. 336 (2016). THE DESTRUCTION OF CULTURAL HERITAGE: A CRIME AGAINST PROPERTY OR A CRIME AGAINST PEOPLE? PATTY GERSTENBLITH I. INTRODUCTION............................................................................................................ -
Materia Giudaica Rivista Dell’Associazione Italiana Per Lo Studio Del Giudaismo VIII/1 (2003)
Materia giudaica Rivista dell’associazione italiana per lo studio del giudaismo VIII/1 (2003) Giuntina Il presente fascicolo e` stato pubblicato con un contributo del Magnifico Rettore dell’Alma Mater - Universita`diBologna, il Prof. Pier Ugo Calzolari, e della Fondazione Cassa di Risparmio di Ravenna. QUOTE ASSOCIATIVE dell’AISG Tutti coloro che non hanno ancora provveduto a pagare la quota associativa dell’AISG per l’anno 2003, che ammonta a Euro 50 per i soci ordinari e Euro 25 per i soci aggregati, possono farlo tramite un versamento sul c/c postale n. 36247666, intestato a: Associazione Italiana per lo Studio del Giudaismo, c/o Dip.to di Conservazione dei Beni Culturali, via Degli Ariani 1, 48100 Ravenna. Lo stesso n. di conto 36247666, intestato all’AISG, funge anche da c/c bancario su cui versare un bonifico tramite banca, indicando le seguenti coordinate: codici ABI 07601 e CAB 13100. Ai soci in regola con i versamenti delle quote viene inviata gratuitamente la rivista. A quelli morosi l’invio viene sospeso. Il mancato pagamento di due quote annuali consecutive comporta il decadimento dalla qualifica di socio. ATTI DEL XVI CONVEGNO INTERNAZIONALE DELL’AISG, GABICCE MARE (PU), 1-3 OTTOBRE 2002 GIORNATA TEMATICA SU: LE LINGUE DEGLI EBREI. TRADIZIONI E METODOLOGIE E RELAZIONI A TEMA LIBERO a cura di Mauro Perani M. Patrizia Sciumbata L’EBRAICO ANTICO TRA FILOLOGIA E LINGUISTICA: IL CASO DELLA SEMANTICA In un saggio miliare, James Barr affron- a una prima comprensione dei testi. Per diri- tava nel 1968 la questione dell’inadeguatezza mere omonimi non piu` trasparenti si e` fatto ri- dei trattamenti filologici cui l’ebraico biblico corso all’etimologia, che ha finito per assorbire era stato ed era sottoposto 1. -
Divine Symbolism on the Tesserae from Palmyra Considerations About the So-Called “Symbol of Bel” Or “Signe De La Pluie”
Syria Archéologie, art et histoire 95 | 2018 Dossier : Sur les routes de Syrie et d’Asie Mineure Divine symbolism on the tesserae from Palmyra Considerations about the so-called “symbol of Bel” or “signe de la pluie” Ted Kaizer and Rubina Raja Electronic version URL: https://journals.openedition.org/syria/7070 DOI: 10.4000/syria.7070 ISSN: 2076-8435 Publisher IFPO - Institut français du Proche-Orient Printed version Date of publication: 31 December 2018 Number of pages: 297-315 ISBN: 978-2-35159-750-7 ISSN: 0039-7946 Electronic reference Ted Kaizer and Rubina Raja, “Divine symbolism on the tesserae from Palmyra Considerations about the so-called “symbol of Bel” or “signe de la pluie””, Syria [Online], 95 | 2018, Online since 01 May 2021, connection on 25 August 2021. URL: http://journals.openedition.org/syria/ 7070 ; DOI: https://doi.org/10.4000/syria.7070 © Presses IFPO DIVINE SYMBOLISM ON THE TESSERAE FROM PALMYRA CONSIDERATIONS ABOUT THE SO-CALLED “SYMBOL OF BEL” OR “SIGNE DE LA PLUIE” Ted Kaizer Durham University, Department of Classics & Ancient History [email protected] Rubina RAJA Aarhus University, School of Culture and Society, Centre for Urban Network Evolutions [email protected] Abstract — An enigmatic symbol that is often depicted on the Palmyrene tesserae has commonly been interpreted as either the sign of the main god Bel or a mark of rain. This article brings together all appearances of the symbol and puts forward the hypothesis that it stands rather for something that cannot otherwise be represented, namely the notional presence of the divine at religious dining occasions. -
MALAKBEL Dieu Palmyrénien Dont Le Nom Signifie «Messa Ger De Bel». Il
Originalveröffentlichung in: Lexicon iconographicum mythologiae classicae 8,1, Zürich 1997, S. 803-805 MAINADES MALAKBEL 803 MALAKBEL Dieu palmyrénien dont le nom signifie «Messa ger de Bel». Il peut être représenté sous l’un des trois aspects: comme jeune dieu de la végétation, comme aurige et comme dieu solaire en tenue militaire. I. En sa première qualité il recevait un culte, ap paremment fort ancien, avec -> Aglibol dans le «bois sacré» dit aussi «jardin des dieux»; on y pratiquait les sacrifices de fruits. M. apparaît particulièrement as socié au cyprès, et d ’autre part comme protecteur des troupeaux. II. A une époque antérieure à notre documenta tion, M. prend les fonctions de messager du dieu su prême, exprimées par son nom (Malak-Bd ). III. Enfin, au cours du Ier s. ap. J.-C., M. prend l’uniforme romain, comme tant d ’autres dieux sy riens et palmyréniens. En même temps, il reçoit le nimbe radié et devient un dieu solaire (->Helios [in per or.]). Cet aspect tardif de M. se manifeste exclu sivement en Palmyrène et non en ville. Comme il existait à Palmyre trois dieux solaires, tout personnage radié n ’est pas nécessairement, ni même probablement, M. Celui-ci ne peut être dis tingué que par les divinités ou attributs associés. BIBLIOGRAPHIE: Bounni, A., «Nouveaux bas-reliefs religieux de la Palmyrène», dans Mélanges Michalowski (1966) 313-320; Collart, P., «Aspects du culte de Baalshamîn à Pal myre», ibidem, 325-337; Cumont, F., «L ’autel palmyrénien du Musée du Capitole», Syria 9, 1928, 101-109; Drijvers, H. J. W., The Religion ofPalmyra (1976): Gawlikowski, M., Ans dem syrischen Gôlterhimmel.