The Destruction of UNESCO World
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Monuments of Terrorism: (De)Selecting Memory and Symbolic Exchange at the Interface Between Westminster and Raqqa
Liminalities: A Journal of Performance Studies Vol. 16, No. 2 (2020) Monuments of Terrorism: (De)Selecting Memory and Symbolic Exchange at the Interface Between Westminster and Raqqa Theodore Price Contemporary conflict is conducted across multiple visual fronts, as the old visual symbols of conventional warfare and remembrance are increasingly replaced with digital images. Focusing on three events in the summer of 2015: the attack on tourists in Tunisia, the blowing up of the Temple of Bel in Palmyra, Syria, and the construction of a replica of the destroyed Arch of Triumph from Palmyra in Trafalgar Square, London, this paper details the symbolic exchange between the so-called Islamic State and western governments. Through an examination of the visual representation of violence enacted towards individual holidaymakers and ancient tourist sites, this paper details how the attack on a holiday resort in Tuni- sia was recast through a master narrative of war where the military repatriation of civilians represented the dead tourists as fallen soldiers. It will examine the visual record of the destruction of the Temple of Bel, by the Islamic State (ISIS), arguing that this action gained international legitimacy through the validation and complicity of the visual frame provided by satellite images from the United Na- tions. Finally, it will discuss the replication of the Arch of Triumph, from Palmyra, in Trafalgar Square as a further example of the instrumentalisation of counter- iconoclasm. In this paper I suggest that the new monuments to terrorism are images of the events themselves, rather than simply physical memorials built for remem- brance, and that these new monuments to terrorism circulating within the virtual landscapes of the internet, become the new sites of collective memorialisation Theodore Price is a London-based artist, curator and researcher whose practice is located at the intersection between art and politics. -
(CHI): Planning for Safeguarding Heritage Sites in Syria and Iraq1
ASOR Cultural Heritage Initiatives (CHI): Planning for Safeguarding Heritage Sites in Syria and Iraq1 S-IZ-100-17-CA021 May 2018 Monthly Report — May 1–31, 2018 Michael D. Danti, Marina Gabriel, Susan Penacho, William Raynolds, Darren Ashby, Gwendolyn Kristy, Nour Halabi, Kyra Kaercher, Jamie O’Connell Report coordinated by: Marina Gabriel Table of Contents: Other Key Points 2 Military and Political Context 3 Incident Reports: Syria 13 Incident Reports: Iraq 99 Incident Reports: Libya 111 Satellite Imagery and Geospatial Analysis 114 SNHR Vital Facilities Report 122 SNHR Videos 122 Heritage Timeline 123 1 This report is based on research conducted by the “Cultural Preservation Initiative: Planning for Safeguarding Heritage Sites in Syria and Iraq.” Weekly reports reflect reporting from a variety of sources and may contain unverified material. As such, they should be treated as preliminary and subject to change. 1 Other Key Points Syria ● Aleppo Governorate ○ Alleged Free Syrian Army (FSA) fighters vandalized the Shrine of Sheikh Zaid located in the Zaidiya Cemetery in Afrin, Aleppo Governorate. ASOR CHI Incident Report SHI 18-0105. ○ Alleged Free Syrian Army (FSA) fighters looted the Shrine of Sheikh Junayd in Qarabash, Aleppo Governorate. ASOR CHI Incident Report SHI 18-0108 ○ Alleged Turkish army forces destroyed the grave of the Kurdish writer Nuri Dersimi and damaged Henan Mosque in Mesh’ale, Aleppo Governorate. ASOR CHI Incident Report SHI 18-0116 ● Damascus Governorate ○ New photographs show damage to al-Habib al-Mustafa Mosque in Yarmouk neighborhood, Damascus, Damascus Governorate. ASOR CHI Incident Report SHI 18-0099 ○ Reported SARG forces recaptured the Jerusalem Mosque in Yarmouk neighborhood, Damascus, Damascus Governorate. -
The Palmyrene Prosopography
THE PALMYRENE PROSOPOGRAPHY by Palmira Piersimoni University College London Thesis submitted for the Higher Degree of Doctor of Philosophy London 1995 C II. TRIBES, CLANS AND FAMILIES (i. t. II. TRIBES, CLANS AND FAMILIES The problem of the social structure at Palmyra has already been met by many authors who have focused their interest mainly to the study of the tribal organisation'. In dealing with this subject, it comes natural to attempt a distinction amongst the so-called tribes or family groups, for they are so well and widely attested. On the other hand, as shall be seen, it is not easy to define exactly what a tribe or a clan meant in terms of structure and size and which are the limits to take into account in trying to distinguish them. At the heart of Palmyrene social organisation we find not only individuals or families but tribes or groups of families, in any case groups linked by a common (true or presumed) ancestry. The Palmyrene language expresses the main gentilic grouping with phd2, for which the Greek corresponding word is ØuAi in the bilingual texts. The most common Palmyrene formula is: dynwpbd biiyx... 'who is from the tribe of', where sometimes the word phd is omitted. Usually, the term bny introduces the name of a tribe that either refers to a common ancestor or represents a guild as the Ben Komarê, lit. 'the Sons of the priest' and the Benê Zimrâ, 'the sons of the cantors' 3 , according to a well-established Semitic tradition of attaching the guilds' names to an ancestor, so that we have the corporations of pastoral nomads, musicians, smiths, etc. -
A Sketch of North Syrian Economic Relations in the Middle Bronze
A SKETCH OF NORTH SYRIAN ECONOMICRELATIONS IN THE MIDDLE BRONZE AGE * BY JACK M. SASSON (The University of North Carolina) Northern Syria of the Middle Bronze Age, as known chiefly from the archives of Mari and Alalah VII, slowly graduatedfrom moments of relative chaos (ca. 2I00-I850) to an age of political stability (ca. I850-I625). Under the able leadership of the Yamhadian dynasty, a feudal system of relationship created one entity out of the whole region.') The evidence at our disposal allows us even to imagine a political and economic Pax Yamhadianawhich, beginning before the fall of Mari, lasted until the rise of the Hittite State and the attacks of Hattusilis I (ca. 625). *) The word 'sketch' in the title is chosen for reasons of necessity. Except for brief illuminations from the 'Cappadocian' texts and those from Egypt, heavy reliance had to be placed on the Mari and Alalah VII documents, and then only when they show evidence of foreign interconnection. The archaeology of Middle Bronze (IIa) Syria, in which the Mari age unfolds, has not been very helpful, simply because not enough North Syrian sites of that age have been excavated. The reports from the 'Amuq region (phase L), 'Atsanah (levels XVI-VIII), testify to a wide- spread use of a painted ware rounded of form, narrow necked, buff, with simple geometric designs (cross-hatching in triangles) within bands (cf. Iraq, I5 (I953), 57-65; Chronologiesin Old WorldArchaeology, p. I72). The material from Ugarit of that age being yet mostly unpublished, one looks forwardto the reports of excavation at Tilmen-Hiiyik, which is probably the site of ancient Ibla (for now, see Orientalia 33 (1964) 503-507; AJA 68 (1964), I55-56; 70 (966), I47). -
FROM MOSUL to PALMYRA a Virtual Journey Through the World’S Cultural Heritage 30 August 2019 – 3 November 2019
Press kit FROM MOSUL TO PALMYRA A Virtual Journey through the World’s Cultural Heritage 30 August 2019 – 3 November 2019 1 CONTENT Media Conference: Thursday, 29 August 2019, 11 a.m. 1. Forewords of the publication Page 3 2. Media Information Page 5 3. Exhibition Sections Page 6 4. Virtual Reality and Epilogue Page 12 5. Virtual Reconstruction and Publication Page 13 6. Current and Upcoming Exhibitions Page 14 7. General Information Page 15 2 FOREWORDS OF THE PUBLICATION In recent years, some of the most splendid cities of the ancient world – Mosul, Aleppo, Palmyra, Leptis Magna – have come to be associated with the wanton destruction of their vestiges by fanaticism and war. These ancient sites, some of them completely laid to waste, bear witness to recent and current conflicts that affect us directly. A virtual journey to the sites reveals the disastrous consequences of war on every level, inclu- ding culture. These consequences reach far beyond the regrettable loss of outstanding artefacts of long-gone civilizations. The intentional destruction of cultural heritage constitutes an attempt to obliterate cultural identity. The historical memory of the multireligious sites stands for those achievements of civilization that are now massive- ly threatened by war and terror. While each of the four emblematic sites, which visitors to the exhibition can explo- re in virtual models and reconstructions, tells its own story, they have one thing in common: they embody the universality of our concept of culture, which prizes the individuality and diversity of the remains of numerous ancient civilizations without subjecting them to religious or national hierarchies. -
Turning History Into a Story Arch to Enable a Computer Game Emotive Narrative Immersion in Archaeology: Palmyra from Queen Zenobia to William Wright
International Journal of Research in Humanities and Social Studies Volume 8, Issue 2, 2021, PP 39-46 | ISSN 2694-6296 DOI: https://doi.org/10.22259/2694-6296.0802005 Turning History into a Story Arch to Enable a Computer Game Emotive Narrative Immersion in Archaeology: Palmyra from Queen Zenobia to William Wright Luca OTTONELLO University of Glasgow *Corresponding Author: Luca OTTONELLO, University of Glasgow. ABSTRACT There are several steps in the creation of an historically bound computer game which can be used for academic purposes: the programming, the design, the architectural and environmental research, the testing etc. But the factor that makes a game (any game) a success or a failure, is the ability to turn the already known facts into a compelling narrative, which the user will get immersed in and want to continue playing until the end. For that reason, this article delves into the relation between historical accuracy, compelling character arches and the creation of fictional narratives which follow the historical account closely enough to be both accurate and compelling at the same time. The article will follow as a case study the historical narrative of a recently designed Palmyra computer game, following characters who were in Palmyra for different reasons and had strong historical ties to the ancient town: Queen Zenobia, William Wright and a general historically extrapolated slave. Keywords: narrative, computer game design, historical accuracy, Palmyra, Queen Zenobia, William Wright, classics, digital archaeology, emotive archaeological and historical monuments in INTRODUCTION : A BRIEF HISTORY OF PALMYRA, QUEEN ZENOBIA AND THE Palmyra, culminating with the destruction of a large part of the historical knowledge trough the EXPLORER WILLIAM WRIGHT killing of the director of the site Khaled al- In order to discuss the more complicated Asaad1. -
Exhibition Checklist I. Creating Palmyra's Legacy
EXHIBITION CHECKLIST 1. Caravan en route to Palmyra, anonymous artist after Louis-François Cassas, ca. 1799. Proof-plate etching. 15.5 x 27.3 in. (29.2 x 39.5 cm). The Getty Research Institute, 840011 I. CREATING PALMYRA'S LEGACY Louis-François Cassas Artist and Architect 2. Colonnade Street with Temple of Bel in background, Georges Malbeste and Robert Daudet after Louis-François Cassas. Etching. Plate mark: 16.9 x 36.6 in. (43 x 93 cm). From Voyage pittoresque de la Syrie, de la Phoénicie, de la Palestine, et de la Basse Egypte (Paris, ca. 1799), vol. 1, pl. 58. The Getty Research Institute, 840011 1 3. Architectural ornament from Palmyra tomb, Jean-Baptiste Réville and M. A. Benoist after Louis-François Cassas. Etching. Plate mark: 18.3 x 11.8 in. (28.5 x 45 cm). From Voyage pittoresque de la Syrie, de la Phoénicie, de la Palestine, et de la Basse Egypte (Paris, ca. 1799), vol. 1, pl. 137. The Getty Research Institute, 840011 4. Louis-François Cassas sketching outside of Homs before his journey to Palmyra (detail), Simon-Charles Miger after Louis-François Cassas. Etching. Plate mark: 8.4 x 16.1 in. (21.5 x 41cm). From Voyage pittoresque de la Syrie, de la Phoénicie, de la Palestine, et de la Basse Egypte (Paris, ca. 1799), vol. 1, pl. 20. The Getty Research Institute, 840011 5. Louis-François Cassas presenting gifts to Bedouin sheikhs, Simon Charles-Miger after Louis-François Cassas. Etching. Plate mark: 8.4 x 16.1 in. (21.5 x 41 cm). -
The Destruction of Cultural Heritage: a Crime Against Property Or a Crime Against People?
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW THE DESTRUCTION OF CULTURAL HERITAGE: A CRIME AGAINST PROPERTY OR A CRIME AGAINST PEOPLE? PATTY GERSTENBLITH ABSTRACT The destruction of cultural heritage has played a prominent role in the ongoing conflicts in Syria and Iraq and in the recent conflict in Mali. This destruction has displayed the failure of international law to effectively deter these actions. This article reviews existing international law in light of this destruction and the challenges posed by the issues of non-international armed conflict, non-state actors and the military necessity exception. By examining recent developments in applicable international law, the article proposes that customary international law has evolved to interpret existing legal instruments and doctrines concerning cultural heritage in light of the principles of proportionality and distinction and a definition of intentionality that includes extreme negligence and willful disregard. As a result, international law may more effectively foster the preservation of cultural heritage for future generations. Copyright © 2016 The John Marshall Law School Cite as Patty Gerstenblith, The Destruction of Cultural Heritage: A Crime Against Property or a Crime Against People?, 15 J. MARSHALL REV. INTELL. PROP. L. 336 (2016). THE DESTRUCTION OF CULTURAL HERITAGE: A CRIME AGAINST PROPERTY OR A CRIME AGAINST PEOPLE? PATTY GERSTENBLITH I. INTRODUCTION............................................................................................................ -
ASOR Syrian Heritage Initiative (SHI): Planning for Safeguarding Heritage Sites in Syria1 NEA-PSHSS-14-001
ASOR Syrian Heritage Initiative (SHI): Planning for Safeguarding Heritage Sites in Syria1 NEA-PSHSS-14-001 Weekly Report 2 — August 18, 2014 Michael D. Danti Heritage Timeline August 16 APSA website released a video and a short report on alleged looting at Deir Turmanin (5th Century AD) in Idlib Governate. SHI Incident Report SHI14-018. • DGAM posted a report on alleged vandalism/looting and combat damage sustained to the Roman/Byzantine Beit Hariri (var. Zain al-Abdeen Palace) of the 2nd Century AD in Inkhil, Daraa Governate. SHI Incident Report SHI14-017. • Heritage for Peace released its weekly report Damage to Syria’s Heritage 17 August 2014. August 15 DGAM posts short report Burning of the Historic Noria Gaabariyya in Hama. Cf. SHI Incident Report SHI14-006 dated Aug. 9. DGAM report provides new photos of the fire damage. SHI Report Update SHI14-006. August 14 Chasing Aphrodite website posted an article entitled Twenty Percent: ISIS “Khums” Tax on Archaeological Loot Fuels the Conflicts in Syria and Iraq featuring an interview between CA’s Jason Felch and Dr. Amr al-Azm of Shawnee State University. • Damage to a 6th century mosaic from al-Firkiya in the Maarat al-Numaan Museum. Source: Smithsonian Newsdesk report. SHI Incident Report SHI14-016. • Aleppo Archaeology website posted a video showing damage in the area south of the Aleppo Citadel — much of the damage was caused by the July 29 tunnel bombing of the Serail by the Islamic Front. https://www.facebook.com/photo.php?v=739634902761700&set=vb.4596681774 25042&type=2&theater SHI Incident Report Update SHI14-004. -
Constructing God's Community: Umayyad Religious Monumentation
Constructing God’s Community: Umayyad Religious Monumentation in Bilad al-Sham, 640-743 CE Nissim Lebovits Senior Honors Thesis in the Department of History Vanderbilt University 20 April 2020 Contents Maps 2 Note on Conventions 6 Acknowledgements 8 Chronology 9 Glossary 10 Introduction 12 Chapter One 21 Chapter Two 45 Chapter Three 74 Chapter Four 92 Conclusion 116 Figures 121 Works Cited 191 1 Maps Map 1: Bilad al-Sham, ca. 9th Century CE. “Map of Islamic Syria and its Provinces”, last modified 27 December 2013, accessed April 19, https://en.wikipedia.org/wiki/Bilad_al-Sham#/media/File:Syria_in_the_9th_century.svg. 2 Map 2: Umayyad Bilad al-Sham, early 8th century CE. Khaled Yahya Blankinship, The End of the Jihad State: The Reign of Hisham Ibn ʿAbd al-Malik and the Collapse of the Umayyads (Albany: State University of New York Press, 1994), 240. 3 Map 3: The approximate borders of the eastern portion of the Umayyad caliphate, ca. 724 CE. Blankinship, The End of the Jihad State, 238. 4 Map 4: Ghassanid buildings and inscriptions in Bilad al-Sham prior to the Muslim conquest. Heinz Gaube, “The Syrian desert castles: some economic and political perspectives on their genesis,” trans. Goldbloom, in The Articulation of Early Islamic State Structures, ed. Fred Donner (Burlington: Ashgate Publishing Company, 2012) 352. 5 Note on Conventions Because this thesis addresses itself to a non-specialist audience, certain accommodations have been made. Dates are based on the Julian, rather than Islamic, calendar. All dates referenced are in the Common Era (CE) unless otherwise specified. Transliteration follows the system of the International Journal of Middle East Studies (IJMES), including the recommended exceptions. -
Protecting Cultural Property in Non-International Armed Conflicts: Syria and Iraq
Protecting Cultural Property in Non-International Armed Conflicts: Syria and Iraq Louise Arimatsu and Mohbuba Choudhury 91 INT’L L. STUD. 641 (2015) Volume 91 2015 Published by the Stockton Center for the Study of International Law International Law Studies 2015 Protecting Cultural Property in Non-International Armed Conflicts: Syria and Iraq Louise Arimatsu and Mohbuba Choudhury CONTENTS I. Introduction ................................................................................................ 641 II. Why We Protect Cultural Property .......................................................... 646 III. The Outbreak of the Current Armed Conflicts and the Fate of Cultural Property ....................................................................................................... 655 A. Syria ....................................................................................................... 656 B. Iraq ......................................................................................................... 666 IV. The Legal Landscape in Context ............................................................. 670 A. Obligations on the Parties to the Conflict ....................................... 671 B. Consequences of a Failure to Comply with Obligations ............... 685 V. Concluding Comments .............................................................................. 695 I. INTRODUCTION O n June 24, 2014, a month after ISIS1 leader Abu Bakr al-Baghdadi de- clared the formation of an Islamic Caliphate stretching from northern -
Michał Gawlikowski Gods and Temples of Palmyra
Michał Gawlikowski Gods and temples of Palmyra Miscellanea Anthropologica et Sociologica 15/3, 76-91 2014 Miscellanea Anthropologica et Sociologica 2014, 15 (3): 76–91 Michał Gawlikowski1 Gods and temples of Palmyra The paper is based on a lecture given at the University of Gdansk in 2010. Four sanctuaries that have been excavated in Palmyra are briefly presented according to the latest research. The principal sanctuary of Bel and those of Ba‘alshamin and of Nabu are published by their excavators. The ideas about the cult of Bel as formulated forty years ago can now be reconsidered. The sanctuary of Allat, the last to be excavated, was already presented in several preliminary papers and the final publication is nearing completion. Some observa- tions concerning this sanctuary are submitted here for the first time. Key words: Palmyra, Roman Near East, temples, Aramaic religion The caravan emporium that grew out of an isolated oasis under the early Ro- man Empire has acquired some institutions typical of a Greek polis by the middle of the first century AD, without renouncing its ancestral heritage (Sartre 2001: 972–973). In particular, the local pantheon was mixed, being composed of various gods, some of them Babylonian, others Phoenician or Arabic in origin, while still others are not known, being from elsewhere, and probably go back to the early, and dark, ages of Tadmor, as the oasis had been called since time immemorial (cf. Drijvers 1976; Gawlikowski 1990: 2605–2658). While the traditional godheads of the Levant generally underwent the irre- sistible attraction of Hellenism and became known by the names of the more or less similar Greek gods, Palmyra maintained most of its gods under their native names, only adding one or two borrowed Greek figures to the already crowded company.