Jacqueline Du Pré Impressions Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Jacqueline Du Pré Impressions Mp3, Flac, Wma Jacqueline Du Pré Impressions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Impressions Country: UK Released: 1988 MP3 version RAR size: 1192 mb FLAC version RAR size: 1966 mb WMA version RAR size: 1751 mb Rating: 4.2 Votes: 741 Other Formats: MP1 WMA MP3 AA DXD DTS AIFF Tracklist Elgar: Cello Concerto In E Minor Op. 85 29:50 1-01 I. Adagio -Moderato 7:58 1-02 II. Lento - Allegro Molto 4:28 1-03 III. Adagio 5:15 1-04 IV. Allegro Ma Non Troppo 12:15 Haydn: Cello Concerto In C HVIIb:1 25:54 1-05 I. Moderato - Cadenza - Tempo 1 9:25 1-06 II. Adagio - Cadenza - Tempo 1 9:41 1-07 III. Allegro Molto 6:43 Beethoven: Cello Sonata No.3 In A Op. 69 23:57 2-01 I. Allegro Ma Non Tanto 9:22 2-02 II. Scherzo (Allegro Molto) 5:45 2-03 III. Adagio Cantabile - 1:55 2-04 Allegro Vivace 6:58 Beethoven: Piano Trio No.5 In D Op.70 No.1 'Ghost' 26:43 2-05 I. Allegro Vivace E Con Brio 7:31 2-06 II. Largo Assai Ed Espressivo 12:59 2-07 III. Presto 6:15 Companies, etc. Phonographic Copyright (p) – EMI Records Ltd. Copyright (c) – EMI Records Ltd. Printed By – EMI Services Benelux B.V. Credits Cello – Jacqueline Du Pré Composed By – Haydn* (tracks: 1-05 to 1-07), Beethoven* (tracks: 2-01 to 2-07), Elgar* (tracks: 1-01 to 1-04) Conductor – Daniel Barenboim (tracks: 1-05 to 1-07), Sir John Barbirolli (tracks: 1-01 to 1-04) Orchestra – English Chamber Orchestra (tracks: 1-05 to 1-07), London Symphony Orchestra* (tracks: 1-01 to 1-04) Photography By [Front Cover] – Reg Wilson Piano – Daniel Barenboim (tracks: 2-01 to 2-07) Violin – Pinchas Zukerman (tracks: 2-05 to 2-07) Notes ℗ 1965 [1-01 to 04], 1967 [1-05 to 07] and 1970 [2-05 to 07] Original sound recordings made by EMI Records Ltd ℗ 1976 [2-01 to 04] Original sound recording made by the BBC · © EMI Records Ltd, 1988 Printed in Holland CD1 [56'12"] CD2 [51'05"] Barcode and Other Identifiers Barcode: 0 77776 97072 1 Other versions Category Artist Title (Format) Label Category Country Year His Master's Voice, His SLS 1546963, Impressions SLS 1546963, Jacqueline Master's ASD 1546961, (2xLP, Comp, ASD 1546961, UK 1983 Du Pré Voice, His ASD 1546971 Gat) ASD 1546971 Master's Voice His Master's Impressions Australia SLS 1546963, Jacqueline Voice, His SLS 1546963, (2xLP, Comp, & New 1983 SLSZ1546963 Du Pré Master's SLSZ1546963 Gat) Zealand Voice EMI, His Jacqueline Impressions EX 7 69707 1 Master's EX 7 69707 1 UK 1988 Du Pré (2xLP, Comp) Voice Related Music albums to Impressions by Jacqueline Du Pré Ian Hobson - Beethoven - The Complete Piano Sonatas Beethoven, Amadeus Quartet - The String Quartets Ludwig van Beethoven - Piano Sonatas Vol.1 Concordia Trio, Antonín Dvořák - The Four Piano Trios Friedrich Gulda, Beethoven - Die Klavierkonzerte, Die Klaviersonaten Ludwig van Beethoven, Bruce Hungerford - Masterpieces For Solo PIano: 8 Sonatas Beethoven - Melvyn Tan - Piano Sonatas 1 - 3 / 5 - 7 / 11 / 13 / 14 / 16 - 21 / 23 / 25 / 26 Beethoven - Belcea Quartet - The Complete String Quartets Vol.1 Sviatoslav Richter, Mstislav Rostropovich - Beethoven Cello Sonata No. 3 & 4 Beethoven - Tatiana Nikolayeva - Complete Piano Sonatas Beethoven, Pierre Fournier, Wilhelm Kempff - The Music For Cello And Piano Ludwig van Beethoven, Smetana Quartet - Beethoven Late String Quartets N°12-16.
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • March 21, 2018: to Pledge, Please Click Here!
    March 21, 2018: (Full-page version) Close Window Spring Pledge Drive Continues! To Pledge, Please Click Here! Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Mozart Fantasia in C minor, K. 475 Mitsuko Uchida Philips 412 617 028941261724 Awake! Huggett/Bury/Amsterdam 00:15 Buy Now! Bach Concerto in D minor for 2 Violins, BWV 1043 Erato 75358 08908853582 Baroque/Koopman 00:32 Buy Now! Haydn Cello Concerto No. 2 in D Harrell/Academy SMF/Marriner EMI 69009 077776900926 01:00 Buy Now! Elgar Serenade for Strings in E minor, Op. 20 English String Orch./Boughton Nimbus 5008 n/a USSR Radio and TV 01:12 Buy Now! Mussorgsky Night on Bald Mountain Melodiya 860 015775186026 Orchestra/Fedoseyev 01:25 Buy Now! Bellini Night Shadow London Festival Ballet/Kern Seraphim 69089 724356908925 02:01 Buy Now! Tchaikovsky Capriccio italien, Op. 45 Cincinnati Symphony/Kunzel Telarc 80041 N/A 02:17 Buy Now! Beethoven Piano Sonata No. 6 in F, Op. 10 No. 2 Wilhelm Kempff DG 429 306 n/a 02:31 Buy Now! Brahms String Quintet No. 1 in F, Op. 88 Steinhardt/Shanghai Quartet Delos 3198 013491319827 03:01 Buy Now! Rossini Overture ~ Semiramide Buffalo Philharmonic/Falletta Beau Fleuve n/a 692863162324 03:15 Buy Now! Mozart Violin Concerto No. 4 in D, K. 218 Grumiaux/London Symphony/Davis Philips 416 632 028941663221 BMG 03:39 Buy Now! Shostakovich Incidental Music to "Hamlet" Boston Pops/Fiedler 63308 090266330829 Entertainment 04:00 Buy Now! Strauss, R. Symphony in D minor Hong Kong Philharmonic/Schermerhorn Marco Polo 8.220323 73009923232 04:37 Buy Now! Bach Brandenburg Concerto No.
    [Show full text]
  • Rezension Für: Deutsches Symphonie-Orchester Berlin
    Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin.
    [Show full text]
  • OWN BRAND Many Great Composers Are Decent Pianists, but Great Pianists Who Write Substantially for Themselves to Perform Tend to Be Taken Less Seriously As Composers
    PIANIST-COMPOSERS OWN BRAND Many great composers are decent pianists, but great pianists who write substantially for themselves to perform tend to be taken less seriously as composers. Benjamin Ivry celebrates the achievements of these pianist-composers, and highlights some works that throw light on their inspiration and artistry at the keyboard OMPOSERS WHO PLAY THE PIANO FOR PRACTICAL recognised composer/orator/statesman as well as pianist, Liszt purposes and pianists who write music from inner pupil Emil von Sauer (1862-1942) produced the witty miniature necessity are different beings: composer-pianists and Music Box (Boîte à musique), catnip for such performers as Karol Cpianist-composers. If we disqualify pieces by those principally Szreter (although rather more po-faced in Sauer’s own recording). known asc composers, glitzy display works, and didactic études, Sauer’s Aspen Leaf (Espenlaub) is a more earnest assertion of music written by pianist-composers can be compelling and humanity, better suited to the pianist’s temperament, like the sometimes overlooked, perhaps in part because they are not taken elegant nostalgia of his Echo from Vienna (Echo aus Wien) and so seriously as those by full-time composers. Concert Galop, giving the impression that Sauer had witnessed Unlike the authors of most compositions performed in concert, the can-can being danced in French estaminets during the pianist-composers are alive and present, adding vivacity to the Belle Époque. occasion. Recitals can become uniquely personal statements. In Unlike the massive landscape of Carnaval de Vienne by Moriz the 19th century, Clara Schumann (1819-1896) wrote a Piano Rosenthal (1862-1946), an arrangement of Johann Strauss, Trio, Op 17 (1846) that is an ardent triangular conversation.
    [Show full text]
  • Professor Doctor FRIEDRICH GULDA Called to the Waiter, Member to Qualify for the Final Eliminations
    DOWN BEAT, august 1966 VIENNESE COOKING written by Willis Conover Professor Doctor FRIEDRICH GULDA called to the waiter, member to qualify for the final eliminations. Then he'd have to "Dry martini!'' The waiter, thinking he said "Drei martini|'' go through it all again. brought three drinks. It's the only time Gulda's wishes have The jurors were altoist Cannonball Adderley, trombonist J. J. ever been unclear or unsatisfied. Johnson, fluegelhornist Art Farmer, pianist Joe Zawinul, The whole city of Vienna, Austria snapped to attention when drummer Mel Lewis and bassist Ron Carter. The jury Gulda, the local Leonard Bernstein decided to run an chairman who wouldn't vote except in a tie, was critic Roman international competition for modern jazz. Waschko. The jury's refreshments were mineral water, king- For patrons he got the Minister of Foreign Affair, the Minister size cokes, and Viennese coffee. For three days that was all of Education, the Lord Mayor of Vienna and the they drank from 9:30 am till early evening. The jury took la Amtsfuhrender fur Kultur, Volksbildung und Schulverwaltung duties seriously. der Bundeshauptstadt Wien. For his committee of honor he A dialog across the screen might go like this. enlisted the diplomatic representatives of 20 countries, the Young lady in the organization (escorting contestant): "Mr. directors of 28 music organizations, and Duke Ellington. For Watschko?" expenses he obtained an estimated $80,000. For contestants Watschko: "Yes?" he got close to 100 young jazz musicians from 19 countries- Young lady: "Candidate No. 14 " some as distant as Uruguay and Brazil.
    [Show full text]
  • Giovanni Sollima Violoncello Enrico Maria Baroni Clarinetto
    Stagione 2019-2020 osn.rai.it Auditorium Rai “Arturo Toscanini”, Torino 1 1 Venerdì 11 ottobre 2019, 20.00 11–12/10 Sabato 12 ottobre 2019, 20.30 ConcertoJAMES diCONLON Carnevale direttore FUORIMARIANGELA ABBONAMENTO VACATELLO pianoforte ROBERTO RANFALDI violino Venerdì 21 febbraio 2020, 20.30 JOHNBeethoven AXELROD direttore GIOVANNIMendelssohn-Bartholdy SOLLIMA violoncello ENRICOŠostakovič MARIA BARONI clarinetto Bernstein Offenbach Ellington Gulda Gershwin CONCERTO DI CARNEVALE VENERDÌ 21 FEBBRAIO 2020 ore 20.30 John Axelrod direttore Giovanni Sollima violoncello Enrico Maria Baroni clarinetto Leonard Bernstein (1918-1990) Prelude, fugue and riffs, per clarinetto e jazz ensemble (1949-1952) Prelude for the Brass - Fugue for the Saxes - Riffs for Everyone Durata: 10’ ca. Ultima esecuzione Rai a Torino: 30 novembre 2012 William Eddins, Enrico Maria Baroni. Friedrich Gulda (1930-2000) Concerto per violoncello, fiati e batteria (1980) Ouverture Idylle Cadenza Minuetto Finale. Alla marcia Durata: 32’ ca. Ultima esecuzione Rai a Torino: 11 novembre 2011 Gürer Aykal, Massimo Macrì Jacques Offenbach (1819-1880) Etude n. 11 da 12 Etudes op. 78 per violoncello solo (1855) Durata: 3’ ca. __________ George Gershwin (1898-1937) Cuban Overture (1932) Il concerto Durata: 10’ ca. è trasmesso in diretta su Radio3 Prima esecuzione Rai a Torino per Il Cartellone di Radio3 Suite. Duke Ellington (1899-1974) Harlem (1950) (orchestrazione di Luther Henderson) Nella foto Concerto del pianista Durata: 20’ ca. e compositore Friedrich Gulda - Ultima esecuzione Rai a Torino: Milano, 1962 20 maggio 2011 William Eddins New York Follies «New York aveva tutta l’iridescenza del principio del mondo», scrive Francis Scott Fitzgerald inL’età del jazz, ricordando il suo incontro con la metropoli all’inizio degli anni Venti.
    [Show full text]
  • A YEAR of TOURING H ARTUR RUBINSTEIN ANTWERP, BELGIUM BRUSSELS
    <; :■ ARTUR RUBINSTEIN Exclusive Management: HUROK ARTISTS, Inc. 711 Fifth Avenue, New York 22, N. Y. ARTUR RUBINSTEIN ‘THE MAN AND HIS MUSIC ENRICH THE LIVES OF PEOPLE EVERYWHERE' By HOWARD TAUBMAN Music Editor of the New York Times \ rtur Rubinstein is a complete artist because as an artist and admired as a man all over the Ahe is a whole man. It does not matter whether world. In his decades as a public performer he /—\ those who go to his concerts are ear-minded has appeared, it has been estimated, in every or eye-minded — or both. His performances are country except Tibet. He has not played in Ger­ a comfort to, and an enlargement of, all the many since the First World War, but that is faculties in the audience. And he has the choice because of his own choice. He felt then that the gift of being able to convey musical satisfaction Germans had forfeited a large measure of their —even exaltation—to all conditions of listeners right to be regarded as civilized, and he saw from the most highly trained experts to the most nothing in the agonized years of the Thirties and innocent of laymen. Forties which would cause him to change his mind about Germany. The reason for this is that you cannot separate Artur Rubinstein the man from Artur Rubinstein The breadth of Rubinstein's sympathies are in­ the musician. Man and musician are indivisible, escapable in the concert hall. He plays music of as they must be in all truly great and integrated all periods and lands, and to each he gives its due.
    [Show full text]
  • Decca - Wiener Philharmoniker
    DECCA - WIENER PHILHARMONIKER Vienna Holiday, Hans Knappertsbusch New Year Concert 1951, Hilde Gueden (soprano), Clemens Krauss, Josef Krips Overtures of Old Vienna, Willi Boskovsky New Year Concert 1979, Willi Boskovsky Adam: Giselle, Herbert von Karajan Bartók: Two Portraits Op. 5, The Miraculous Mandarin, Op. 19, Sz. 73 (complete ballet), Erich Binder (violin), Christoph von Dohnányi Beethoven: Symphony No. 1 in C major, Op. 21, Pierre Monteux Beethoven: Symphony No. 2 in D major, Op. 36, Hans Schmidt-Isserstedt Beethoven: Symphony No. 4 in B flat major, Op. 60, Hans Schmidt-Isserstedt Beethoven: Symphony No. 3 in E flat major, Op. 55 'Eroica', Erich Kleiber Beethoven: Leonore Overture No. 2, Op. 72a, Leonore Overture No. 3, Op. 72b, Erich Kleiber Beethoven: Fidelio Overture Op. 72c, Clemens Krauss Beethoven: Symphony No. 5 in C minor, Op. 67, Sir Georg Solti, Beethoven: Symphony No. 7 in A major, Op. 92,. Sir Georg Solti Beethoven: Symphony No. 8 in F major, Op. 93, Claudio Abbado Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral', Joan Sutherland (soprano), Marilyn Horne (contralto), James King (tenor), Martti Talvela (bass), Hans Schmidt- Isserstedt Beethoven: Piano Concerto No. 1 in C Major, Op. 15, Friedrich Gulda (piano), Karl Böhm Beethoven: Piano Concerto No. 2 in B flat major, Op. 19, Vladimir Ashkenazy (piano), Zubin Mehta Beethoven: Piano Concerto No. 3 in C minor, Op. 37, Friedrich Gulda (piano), Horst Stein Beethoven: Piano Concerto No. 4 in G major, Op. 58, Friedrich Gulda (piano), Horst Stein Beethoven: Piano Concerto No. 5 in E flat major, Op. 73 'Emperor', Clifford Curzon (piano), Hans Knappertsbusch Beethoven: String Quartet No.
    [Show full text]
  • Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30Pm, Hall
    Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30pm, Hall Beethoven Cello Sonata in G minor, Op 5 No 2 Shostakovich Piano Trio No 2 in E minor, Op 67 interval 20 minutes Schumann Violin Sonata No 1 in A minor, Op 105 Mendelssohn Piano Trio No 1 in D minor, Op 49 Janine Jansen violin Mischa Maisky cello Martha Argerich piano Adriano Heitman Adriano Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we are delighted to welcome three friend Ivan Sollertinsky, an extraordinarily musicians so celebrated that they need no gifted man in many different fields. introduction. Martha Argerich and Mischa Maisky have been performing together We begin with Beethoven, and his Second for more than four decades, while Janine Cello Sonata, a work that is groundbreaking Jansen is a star of the younger generation. for treating string instrument and piano equally and which ranges from sheer Together they present two vastly different wit to high drama.
    [Show full text]
  • Steinway Society 17-18 Program
    PROGRAM Piano Concerts January 2018–May 2018 Steinway Society The Bay Area Seong-Jin Cho ATOS Trio Yeol Eum Son Gabriela Martinez Anna Fedorova Music You Love. Artists You’ll Cherish. www.steinwaysociety.com Kenny Broberg Steinway Society - The Bay Area Letter from the President Depends Upon Your Support Dear Patron, Steinway Society – The Bay Area is led by volunteers who love piano and In his book, What Makes It Great: Short Masterpieces, classical music, and we are always looking for like-minded people. Here Great Composers, conductor Rob Kapilow asks what are a few ways you can help bring international concert pianists, in- makes a piece of classical music great. His answer: school educational experiences, master classes, and student performance memorable melody, rich harmonies, addictive opportunities to our community. rhythm, influence on other composers, and the work’s role in one’s life. Buy a Season or Series-4 Subscription Your subscription provides extended support while giving you the gift of Steinway Society is honored to present great music, works created beautiful music. over the centuries, performed by international artists who grace these works with sublime interpretation and dramatic virtuosity. Become a Donor Ticket sales cover only about 60% of our costs. Your gifts are crucial for Our season’s second half features six artists judged “best” by everything we do, and are greatly appreciated. Please consider a legacy prestigious international competitions, by key critics and by gift such as a recital series in your name that will help continue bringing enthusiastic audiences. In January 2018, Cliburn Silver Medalist magnificent classical music to future generations.
    [Show full text]
  • Furtwängler Broadcasts/Recordings
    Furtwängler Broadcasts & Broadcast Recordings 1927-1954 1st version: February 20, 2002 Latest revision: July 5, 2019 This list of Furtwängler broadcasts/broadcast recordings is based on various private and official lists in my possession. Most of the lists were given to me by Frau Elisabeth Furtwängler during visits in Clarens in the 1970s. I have not tried to verify stations missing from the lists. I have given RRG (Reichsrundfunk Gesellschaft) as source for many WWII broadcasts, which were transmitted from Berlin, Vienna, Bayreuth, or Prague. Many of the dates of these broadcasts stem from an Italian list (from Bologna), written in perfect German! Broadcasts of commercial recordings (78 rpms and LPs) are not included. In November/December 2003, I was asked by Angelo Scottini, Piacenza, Italy, to include his list of Italian broadcasts. January 1, 2004, René Trémine gave permission to include all broadcasts mentioned in his Furtwängler concert listing 1906-1954. April 21, 2008, Norbert Kleekamp forwarded information on the Meistersinger broadcasts from Bayreuth August 1943. February 1, 2010, I included the recorded broadcasts in my discography up to 1945. November 2012, René Trémine sent me a list of amendments, added on January 10, 2013. February 18, 2018, I added broadcasts from the Danish Radio (DR), from the BBC, and from the RRG. March 9, 2018, a few amendments by Stéphane Topakian were added. A few corrections were added on March 25, 2018. March 27, 2018 some broadcasts from the Swedish Radio (SR) were added. Broadcasts up to the end of 1947 from the Austrian database ANNO were added July 1, 2018.
    [Show full text]
  • Piano Works Martin David Jones
    GULDA PIANO WORKS MARTIN DAVID JONES 1 FRIEDRICH GULDA (1930–2000) PIANO WORKS MARTIN DAVID JONES, piano Catalogue Number: GP759 Recording Date: 27 July 2015 Recording Venue: Recital Hall, University of South Carolina, USA Publisher: Papageno Producers: Martin David Jones and Clara Park Editor and Engineer: Jeff Francis Booklet Notes: Martin David Jones German Translation: Cris Posslac Artist Photograph: Randy Pace Composer Portrait: www.gulda.at (Musica Kremsmünster) Cover Art: Philip Morsberger: Floating World philipmorsberger.blogspot.com 2 1 VARIATIONS ON ‘LIGHT MY FIRE’ (1970) 14:47 PLAY PIANO PLAY, ’10 PIECES FOR YUKO’ (1971) 30:44 2 I. Moderato 01:59 3 II. Alla marcia, risoluto 03:16 4 III. Andante serioso 03:32 5 IV. Allegro ma non troppo 04:15 6 V. Moderato, poco mosso 02:38 7 VI. Presto possible 01:56 8 VII. Lento, molto tranquillo e piano 03:49 9 VIII. Tempo giusto e risoluto 03:15 0 IX. Allegro, dolce 02:25 ! XI. Allegro pesante 03:00 PRELUDE AND FUGUE (1965) 04:43 @ I. Prelude 02:19 # II. Fugue 02:24 SONATINE (1967) 17:56 $ I. Entrée 07:31 % II. Ballad 07:04 ^ III. Shuffle 03:10 & FÜR RICO (1974) 02:46 * FÜR PAUL (1974) 03:08 TOTAL TIME: 74:17 3 FRIEDRICH GULDA (1930–2000) PIANO WORKS Friedrich Gulda (1930–2000) was a truly original figure in the history of 20th-century pianists. As a concert pianist, he was particularly noteworthy for performances of the Austro-Germanic repertoire, as evidenced by his immortal recordings of Beethoven and Mozart. His interpretations are quintessentially Germanic, evoking the strong rhythmic style associated with the finest pianists of his time.
    [Show full text]