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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
March 21, 2018: to Pledge, Please Click Here!
March 21, 2018: (Full-page version) Close Window Spring Pledge Drive Continues! To Pledge, Please Click Here! Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Mozart Fantasia in C minor, K. 475 Mitsuko Uchida Philips 412 617 028941261724 Awake! Huggett/Bury/Amsterdam 00:15 Buy Now! Bach Concerto in D minor for 2 Violins, BWV 1043 Erato 75358 08908853582 Baroque/Koopman 00:32 Buy Now! Haydn Cello Concerto No. 2 in D Harrell/Academy SMF/Marriner EMI 69009 077776900926 01:00 Buy Now! Elgar Serenade for Strings in E minor, Op. 20 English String Orch./Boughton Nimbus 5008 n/a USSR Radio and TV 01:12 Buy Now! Mussorgsky Night on Bald Mountain Melodiya 860 015775186026 Orchestra/Fedoseyev 01:25 Buy Now! Bellini Night Shadow London Festival Ballet/Kern Seraphim 69089 724356908925 02:01 Buy Now! Tchaikovsky Capriccio italien, Op. 45 Cincinnati Symphony/Kunzel Telarc 80041 N/A 02:17 Buy Now! Beethoven Piano Sonata No. 6 in F, Op. 10 No. 2 Wilhelm Kempff DG 429 306 n/a 02:31 Buy Now! Brahms String Quintet No. 1 in F, Op. 88 Steinhardt/Shanghai Quartet Delos 3198 013491319827 03:01 Buy Now! Rossini Overture ~ Semiramide Buffalo Philharmonic/Falletta Beau Fleuve n/a 692863162324 03:15 Buy Now! Mozart Violin Concerto No. 4 in D, K. 218 Grumiaux/London Symphony/Davis Philips 416 632 028941663221 BMG 03:39 Buy Now! Shostakovich Incidental Music to "Hamlet" Boston Pops/Fiedler 63308 090266330829 Entertainment 04:00 Buy Now! Strauss, R. Symphony in D minor Hong Kong Philharmonic/Schermerhorn Marco Polo 8.220323 73009923232 04:37 Buy Now! Bach Brandenburg Concerto No. -
Furtwängler Broadcasts/Recordings
Furtwängler Broadcasts & Broadcast Recordings 1927-1954 1st version: February 20, 2002 Latest revision: July 5, 2019 This list of Furtwängler broadcasts/broadcast recordings is based on various private and official lists in my possession. Most of the lists were given to me by Frau Elisabeth Furtwängler during visits in Clarens in the 1970s. I have not tried to verify stations missing from the lists. I have given RRG (Reichsrundfunk Gesellschaft) as source for many WWII broadcasts, which were transmitted from Berlin, Vienna, Bayreuth, or Prague. Many of the dates of these broadcasts stem from an Italian list (from Bologna), written in perfect German! Broadcasts of commercial recordings (78 rpms and LPs) are not included. In November/December 2003, I was asked by Angelo Scottini, Piacenza, Italy, to include his list of Italian broadcasts. January 1, 2004, René Trémine gave permission to include all broadcasts mentioned in his Furtwängler concert listing 1906-1954. April 21, 2008, Norbert Kleekamp forwarded information on the Meistersinger broadcasts from Bayreuth August 1943. February 1, 2010, I included the recorded broadcasts in my discography up to 1945. November 2012, René Trémine sent me a list of amendments, added on January 10, 2013. February 18, 2018, I added broadcasts from the Danish Radio (DR), from the BBC, and from the RRG. March 9, 2018, a few amendments by Stéphane Topakian were added. A few corrections were added on March 25, 2018. March 27, 2018 some broadcasts from the Swedish Radio (SR) were added. Broadcasts up to the end of 1947 from the Austrian database ANNO were added July 1, 2018. -
Don't Miss This Award-Winning Release For
DON’T MISS THIS AWARD-WINNING RELEASE FOR VIOLIN FANS OF ALL AGES! Rachel Barton Pine VIOLIN LULLABIES with Matthew Hagle, piano #1 on Billboard’s Traditional Classical Chart in its debut week ClassicsToday.com 10/10 winner Awarded Parent Tested Parent Approved’s Mendelssohn & Schumann coveted Seal of Approval Violin Concertos Beethoven Romances “What a beautiful recording this is! . Pine and Hagle play each [piece] idiomatically with great attention to detail and the ultimate in musical values.” Göttinger Symphonie —Fanfare Orchester “This is a winning idea that works because of well-conceived musical Christoph-Mathias motivation supported by first-rate production values. Strongly recom- Mueller mended —without age limit.” —ClassicsToday.com Find more Rachel Barton Pine recordings at cedillerecords.org 15584063_RachelBarton_MECH-NB.indd 1 8/2/2013 12:02:05 PM Producer Steven Epstein Göttinger Symphonie Engineer Bill Maylone Orchester Recorded Stadthalle Göttingen, August 28–30, 2012 Violin “ex-Soldat” Guarneri del Gesu, Cremona, 1742 Christoph-Mathias Strings Vision Titanium Solo by Thomastik-Infeld Mueller Bow Dominique Peccatte Front Cover Design Sue Cottrill Inside Booklet & Inlay Card Nancy Bieschke Cover Photography ©2013 Lisa-Marie Mazzucco FELIX MENDELSSOHN (1809–1847) Violin Concerto in E minor, Op. 64 (25:48) 1 I. Allegro molto appassionato (12:28) Cedille Records is a trademark of Cedille Chicago, NFP (fka The Chicago Classical Recording Foundation), a not-for-profit organization devoted to promoting the finest musicians and ensembles 2 II. Andante (7:05) in the Chicago area. Cedille Chicago’s activities are supported in part by contributions and grants 3 III. Allegretto non troppo — Allegro molto vivace (6:14) from individuals, foundations, corporations, and government agencies including the Irving Harris Foundation, Mesirow Financial, NIB Foundation, Negaunee Foundation, Sage Foundation, and the LUDWIG VAN BEETHOVEN (1770–1827) Illinois Arts Council, a state agency. -
Pressetext 23414 E Beethoven 3.+9.Sinf.Indd
MUSIKPRODUKTION Press Info: HERBERT VON KARAJAN • VOL. III L.v. BEETHOVEN MASTERst Symphony Nr. 3 ‘Eroica’ RELEASE Symphony Nr. 9 1 Elisabeth Grümmer, soprano • Marga Höffgen, alto Ernst Haefliger, tenor • Gottlob Frick, bass Chor der St. Hedwigs-Kathedrale, Berlin Berliner Philharmoniker Herbert von Karajan, conductor Live in Berlin (1953/1957) These recordings of two Beethoven symphonies date from a period of change in the history of the Berlin Philharmonic. Furtwängler was again its official principal conductor, but his declining health and other personal reasons left him unable to supervise the orchestra on a continuous basis. Ever since his first encounter with the Berlin Philharmonic Karajan wanted nothing more than to be its principal conductor. These recordings shed light on his early work with the orchestra as a visiting conductor and as the suc- cessor to Wilhelm Furtwängler. Karajan’s first post-war concert with the orchestra, featuring Beethoven’s Eroica, on 8 September 1953 reveals not only the actual condition of the orchestra but also what Karajan was able to accomplish as a conductor in this situation. At the time Karajan was mainly busy with the London Philharmonia Orchest- ra and raved about its virtuosity. Yet, in the Berlin Philharmonic, he discovered dimensions that transcen- ded virtuosity, powers of expression that went beyond rehearsal levels in the moment of performance. At the time of the live-recording of Beethoven’s Ninth, performed in the auditorium of the Berlin Musik- hochschule on 25 April 1957 to celebrate the orchestra’s seventy-fifth anniversary, Karajan was alrea- dy the orchestra’s principal conductor. -
Jacqueline Du Pré Impressions Mp3, Flac, Wma
Jacqueline Du Pré Impressions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Impressions Country: UK Released: 1988 MP3 version RAR size: 1192 mb FLAC version RAR size: 1966 mb WMA version RAR size: 1751 mb Rating: 4.2 Votes: 741 Other Formats: MP1 WMA MP3 AA DXD DTS AIFF Tracklist Elgar: Cello Concerto In E Minor Op. 85 29:50 1-01 I. Adagio -Moderato 7:58 1-02 II. Lento - Allegro Molto 4:28 1-03 III. Adagio 5:15 1-04 IV. Allegro Ma Non Troppo 12:15 Haydn: Cello Concerto In C HVIIb:1 25:54 1-05 I. Moderato - Cadenza - Tempo 1 9:25 1-06 II. Adagio - Cadenza - Tempo 1 9:41 1-07 III. Allegro Molto 6:43 Beethoven: Cello Sonata No.3 In A Op. 69 23:57 2-01 I. Allegro Ma Non Tanto 9:22 2-02 II. Scherzo (Allegro Molto) 5:45 2-03 III. Adagio Cantabile - 1:55 2-04 Allegro Vivace 6:58 Beethoven: Piano Trio No.5 In D Op.70 No.1 'Ghost' 26:43 2-05 I. Allegro Vivace E Con Brio 7:31 2-06 II. Largo Assai Ed Espressivo 12:59 2-07 III. Presto 6:15 Companies, etc. Phonographic Copyright (p) – EMI Records Ltd. Copyright (c) – EMI Records Ltd. Printed By – EMI Services Benelux B.V. Credits Cello – Jacqueline Du Pré Composed By – Haydn* (tracks: 1-05 to 1-07), Beethoven* (tracks: 2-01 to 2-07), Elgar* (tracks: 1-01 to 1-04) Conductor – Daniel Barenboim (tracks: 1-05 to 1-07), Sir John Barbirolli (tracks: 1-01 to 1-04) Orchestra – English Chamber Orchestra (tracks: 1-05 to 1-07), London Symphony Orchestra* (tracks: 1-01 to 1-04) Photography By [Front Cover] – Reg Wilson Piano – Daniel Barenboim (tracks: 2-01 to 2-07) Violin – Pinchas Zukerman -
Beethoven Premium« Hörempfehlungen Von ZEIT-Feuilletonistin Und Expertin Für Klassische Musik, Christine Lemke-Matwey
Online Gespräch: Weinprobe im Wohnzimmer - mit der ZEIT-Weinedition »Beethoven Premium« Hörempfehlungen von ZEIT-Feuilletonistin und Expertin für klassische Musik, Christine Lemke-Matwey Die Beethoven-Diskografie ist so uferlos, dass Hörempfehlungen per se angreifbar sind. Wo bleiben die kleineren Werke, könnte man angesichts der folgenden Liste fragen, was ist mit den Ouvertüren? Waren die Große Fuge oder das Tripelkonzert keine Erwähnung wert? Und müssen es bei den Sinfonien immer alle Neune sein? Bei Beethoven muss gar nichts, aber vieles kann. Historisches und historisch Informiertes, Klassisches, Romantisches, Pathos und Provokation. Das macht seine Musik so unerschöpflich. Viel Vergnügen! Sinfonien 1 bis 9 • Arturo Toscanini, NBC Symphony Orchestra, 1951 (RCA) • Herbert von Karajan, Berliner Philharmoniker, 1977 (DG) • John Eliot Gardiner, Orchèstre Révolutionnaire et Romantique, 1993 (Archiv) • Paavo Järvi, Deutsche Kammerphilharmonie Bremen, 2007 (RCA) Klavierkonzerte 1 bis 5 • Wilhelm Kempff, Berliner Philharmoniker, Paul van Kempen, 1953/55 (DG) • Glenn Gould, diverse Orchester und Dirigenten, 1957/66 (Sony) • Leif Ove Andsnes, Mahler Chamber Orchestra, 2011/13 (Sony) Klaviersonaten • Emil Gilels, Sonatas, 1984/85 (DG) • Daniel Barenboim, The Complete Piano Sonatas, 1966/69 (EMI) • Igor Levit, The Complete Piano Sonatas, 2019 (Sony) Violinkonzert • Yehudi Menuhin, Wiener Philharmoniker, Constantin Silvestri, 1960 (EMI) • Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan, 1979 (DG) • Patricia Kopatchinskaja, Orchèstre -
Vol. 1 Gerhard Oppitz Franz Schubert
hänssler Weitere Einspielungen mit Gerhard Oppitz / Schubert CLASSIC Already available with Gerhard Oppitz: Klavierwerke Beethoven Sonatas Vol. 1 Complete Piano Sonatas Vol. 1 – 9 Vol. 1 Vol. 4 Vol. 7 Beethoven Piano Sonatas Beethoven Piano Sonatas Beethoven Piano Sonatas No. 5, 6, 7, 8 No. 12, 13, 14, 15 No. 22, 24, 29 CD-No.: 93.201 CD-No.: 93.204 CD-No.: 93.207 Klaviersonate G-Dur D 894 Drei Klavierstücke D 946 Vol. 2 Vol. 5 Vol. 8 Beethoven Piano Sonatas Beethoven Piano Sonatas Beethoven Piano Sonatas No. 1, 2, 3 No. 16, 17, 18 No. 25, 26, 27, 28 Franz Schubert CD-No.: 93.202 CD-No.: 93.205 CD-No.: 93.208 GerhardGerhard OppitzOppitz Vol. 3 Vol. 6 Vol. 9 Beethoven Piano Sonatas Beethoven Piano Sonatas Beethoven Piano Sonatas No. 4, 9, 10, 19, 20 No. 11, 21, 23 No. 30, 31, 32 CD-No.: 93.203 CD-No.: 93.206 CD-No.: 93.209 Eine große Auswahl von über 700 Klassik-CDs und DVDs finden Sie bei hänssler CLASSIC unter www.haenssler-classic.de, auch mit Hörbeispielen, Downloadmöglichkeiten und Künstlerinformationen. Gerne können Sie auch unseren Gesamtkatalog anfordern unter der Bestellnummer 955.410. E-Mail-Kontakt: [email protected] Enjoy a huge selection of more than 700 classical CDs and DVDs from hänssler CLASSIC at www.haenssler-classic.com, including listening samples, download and artist related information. You may as well order our printed catalogue, order no.: 955.410. E-mail contact: [email protected] Piano Works Vol. 1 Franz Schuberts (Fantasie-)Sonate und das wohl jenen Namen nur führt, weil es dieselben ehe sich diese Sequenzen aus Vorsicht, aus Ankündigung jene Glückseligkeit denken lässt, die Schubert gelegent- und die Klavierstücke D 946 Abteilungen, überhaupt denselben äußern Zuschnitt und Beharrlichkeit auflösen in eine zart beschwingte, lich im Kreis seiner Freunde (und auf seinen wenigen hat, wie die Sonate, übrigens aber, dem Ausdruck und tänzerische, geradezu volkstümlich anmutende Bewe- Reisen) vergönnt war. -
24, 2021 - the Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Wed, Mar 24, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 12:28 Mendelssohn Overture to A Midsummer Bamberg 01394 RCA 7905 0786357905 Night’s Dream, Op. 21 Symphony/Flor 00:14:5825:52 Haydn Symphony No. 100 in G, Columba Symphony/B. 03786 Sony 64485 074646448526 "Military" Walter Classical 00:41:50 17:34 MacDowell Lamia, a symphonic poem, Op. Royal 01381 Library of 104 N/A 29 Philharmonic/Krueger Congress 01:00:5404:27 Chopin Impromptu No. 1 in A flat, Op. Byron Janis 10901 EMI 02898 509996028982 29 7 01:06:36 07:24 Vivaldi Concerto in F for 2 Horns, RV J&J Lloyd 11854 Naxos 8.573374 747313337477 539 (arr for 2 cellos) Webber/European Union CO/Hofmann 01:15:0043:34 Tchaikovsky Symphony No. 3 in D, Op. 29 Philharmonia/Muti 04053 Brilliant 99792/3 502842197923 "Polish" Classics 6 02:00:0409:54 Weber Overture to Der Freischutz Liszt Chamber 13232 Ongaku 024-126 762738012624 Orchestra 02:10:5812:29 Bach Chromatic Fantasy and Fugue Lise de la Salle 04017 Naive 5006 822186050064 in D minor, BWV 903 02:24:2734:02 Brahms Clarinet Quintet In B minor, Op. Moragues/Talich 01050 Pyramid 13489 N/A 115 Quartet 02:59:5910:34 Handel Recorder Sonata in C Bruggen/Bylsma/Asper 04921 Sony 60100 074646010020 en 03:11:3336:37 Mozart String Quintet in G minor, K. Zukerman/Tokyo 02462 RCA Red 60940 090266094028 516 String Quartet Seal 03:49:1009:21 Strauss, R. Symphonic Fragment from The Berlin 07031 SONY 47197 07464471972 Love of Danae Philharmonic/Mehta Classical 04:00:0112:24 Ravel La Valse Minnesota 00336 Vox 802 N/A Orchestra/Skrowaczew ski 04:13:25 34:01 Schubert Symphony No. -
Musicweb International March 2020 Second Thoughts and Short Reviews: Spring 2020/#1A by Brian Wilson, Johan Van Veen And
Second Thoughts and Short Reviews: Spring 2020/#1A By Brian Wilson, Johan van Veen and David Barker Reviews are by Brian Wilson except where otherwise stated. Winter 2019-20/3 is here and Winter/2 is here. Earlier editions are archived here. This edition has grown over-long, so I have decided to divide it into two parts, 1A and 1B, to be published at the same time and with a common index. With such a large edition, the links to CD/download sources sometimes become inadvertently misplaced; please check that they have taken you to the right place. And remember always to shop around: prices for the same recording or even for the same label from the same supplier can vary enormously – Naxos CDs from the same dealer can cost anything from £5.99 to £9.99. Index [page numbers, 1A and 1B, in brackets] ALBINONI Oboe and Violin Concertos_B-Side Music [A6] BACEWICZ String Quartet No.4 (with MONIUSZKO String Quartet No.1, SZYMANOWSKI String Quartet No.2)_BeArTon [B15] BACH (CPE) - Oboe Concertos_Harmonia Mundi [A9] - The Solo Keyboard Music_BIS [A10] BACH (JS) Concertos for two harpsichords_Alpha [A8] - Organ works (Fouccroulle)_Ricercar Collection [B19] - St John Passion_PHI [A8] - Cantata No.106, ‘Actus Tragicus’ (with TELEMANN etc. Funeral Cantatas)_Ricercar Collection [B23] BACH (WF) Complete Chamber Music_Ricercar Collection [B19] BEETHOVEN - Beethoven 50_Decca [A13] - Beethoven The Essentials_DG [A13] - Cantatas for Joseph II and Leopold II_Naxos [B8] - Cello Sonatas_Linn [B10] - Concertos (Various)_DG Beethoven 2020 [A16] - Complete Symphonies (Nelsons)_DG Beethoven 2020 [A14] - Complete Symphonies (Various)_Naxos [A14] - The Creatures of Prometheus_Naxos [B7] - Historical Recordings_DG Beethoven 2020 [A19] - King Stephen, etc._Naxos [B7] - Late String Quartets_Chandos [B9] - Period Instrument Recordings (Various)_DG Beethoven 2020 [A18] - Period Instrument Recordings (Gardiner)_DG [A18] - Piano Concertos (Lisiecki)_DG [A19] - Piano Concertos Nos. -
Schubert the Progressive: the Role of Resonance and Gesture in the Piano Sonata in A, D
Schubert the Progressive: The Role of Resonance and Gesture in the Piano Sonata in A, D. 959 Robert S. Hatten In 1828, two months before his death, Franz Schubert completed three major piano sonatas. Each is in four movements, with the standard sonata-allegro first movement, ABA or ABACA slow movement, scherzo-trio-scherzo third movement, and sonata-rondo finale. The oft-noted thematic borrowings from Beethoven in the first sonata, in C minor, suggest an homage to the master, who had died the previous year. However, comparisons between Schubert's use of sonata form and Beethoven's have often led to a disparagement of the former. I will explore two structural elements that have gone virtually unnoticed in the second of the posthumously published sonatas, the one in A major, to counter the commonly held view that Schubert's lyric gifts were unsuited to the structural demands of sonata form. These two unsuspectedly rich elements are treated thematically throughout the sonata, earning a cyclic integration far more profound than the allusion to the opening theme with which the finale closes. Indeed, I will argue that Schubert is progressive in his use of these often less-structurally conceived elements, but that his inspiration may nevertheless be traceable to his idol, Beethoven.1 Research for this article was supported by a grant from the Institute for the Arts and Humanistic Studies at Penn State University; David Sheridan was my research assistant. Earlier versions were delivered as papers for Music Theory Midwest in Madison, Wisconsin (May 1993) and, with performance of the first two movements, for the Semiotic Society of America (October 1993). -
Wilhelm Kempff
Wilhelm Kempff: Rare Recordings (1936-1945) From the Collections of Deutsches Rundfunkarchiv and Norddeutscher Rundfunk Wilhelm Kempff: An Appreciation "In my artistic existence, I have experienced many crises. That was necessary. Crisis leads to growth, and growth is the best thing we can wish for ourselves. Everyone enters life with his own potential for artistic expression, and each of us must strive to realize that potential." These words from Wilhelm Kempff represent a viewpoint that sustained this great pianist through seventy years of public performances and musical exploration. Although Kempff remained firmly tied to his solidly German background and upbringing, this did not prevent him from rapidly developing a distinct, instantly recognizable individuality that permeated his interpretations of the most signifi- cant piano literature. Kempff was born in Jüterborg (near Berlin) on November 25, 1895, the son of an organist and cantor also named Wilhelm Kempff. The family moved to Potsdam in 1899, and the following year Kempff's musical training began in earnest under the supervision of Ida Schmidt-Schlesicke. By the age of nine Kempff could play the entire Well-Tempered Clavier of Bach and in fact could trans- pose any of the Preludes and Fugues to any requested key. This was more than sufficient to gain him entrance to the Berlin Conservatory, where his teacher was Heinrich Barth (the same Barth who taught the young Arthur Rubinstein just before the turn of the century). "Barth watched over a whole regiment of young pianists," Kempff later said. "He was, as we would say, a Prussian through and through, even in his appearance.