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Šrî Sâi Leela
ŠRÎ SÂI LEELA Šrî Shirdi Sai Bâbâ Temple 1449 & 1451 Abers Creek Road, Monroeville, PA 15146 Mailing: PO Box 507 , Monroeville, PA 15146-0507 Phone: 412-374-9244 Fax: 412-374-0940 Website: http://www.baba.org “Help Ever, Hurt Never” Like us - www.facebook.com/pittsburghbabatemple August 2017 Spend money in charity; be generous and munificent but not extravagant - Šrî Sâi Bâbâ. Kshetrapalaka Sanjeevani Veera HANUMAN PRATISHTA(CONSECRATION) Thursday August 10th - Saturday 12th Dear Sai Family, With at most enthusiasm we are very happy to announce that an 8 feet Kshetrapalaka SANJEEVANI VEERA HANUMAN is on its way from Maha Balipuram, INDIA personally hand picked by Founder President Saint Sri Panduranga. Concecration is set for August 10th - 12th . The Temple is getting ready for concecration, your attendence and financial support is needed to make this event successful. For further details call temple at 412 374 9244 or visit our website baba.org. Jai Sairam! Sri Hanuman Pratishta Program Thursday Aug 10th - 6.00 pm - 9.00 pm Hanuman Pratishta Sankalpam $1008 Deeksha vastralu & Gold pendent Ksheera , Jala Adhivasa Cultural Program Theertham & Prasadam Friday Aug 11th - 9am – 12noon Sukta , Adivasa , Mula Mantra Homam - $126 Sponsorship Form for Sri Hanuman ji 6.00 pm Anjaneya Moola Mantra Homam – $126 Consecration Pushpadhivasa & Cultural Program Theertham & Prasadam Sri Hanuman Ji Statue - $15000 th Names on Plaque & Photo(4.25'’ x 5.5'’) on Wall of Devotees Saturday Aug 12 - 8 am – 12noon Vayu Pratishta Karyakramam (Custom made) Gazebo -
White Knight Review Chess E-Magazine January/February - 2012 Table of Contents
Chess E-Magazine Interactive E-Magazine Volume 3 • Issue 1 January/February 2012 Chess Gambits Chess Gambits The Immortal Game Canada and Chess Anderssen- Vs. -Kieseritzky Bill Wall’s Top 10 Chess software programs C Seraphim Press White Knight Review Chess E-Magazine January/February - 2012 Table of Contents Editorial~ “My Move” 4 contents Feature~ Chess and Canada 5 Article~ Bill Wall’s Top 10 Software Programs 9 INTERACTIVE CONTENT ________________ Feature~ The Incomparable Kasparov 10 • Click on title in Table of Contents Article~ Chess Variants 17 to move directly to Unorthodox Chess Variations page. • Click on “White Feature~ Proof Games 21 Knight Review” on the top of each page to return to ARTICLE~ The Immortal Game 22 Table of Contents. Anderssen Vrs. Kieseritzky • Click on red type to continue to next page ARTICLE~ News Around the World 24 • Click on ads to go to their websites BOOK REVIEW~ Kasparov on Kasparov Pt. 1 25 • Click on email to Pt.One, 1973-1985 open up email program Feature~ Chess Gambits 26 • Click up URLs to go to websites. ANNOTATED GAME~ Bareev Vs. Kasparov 30 COMMENTARY~ “Ask Bill” 31 White Knight Review January/February 2012 White Knight Review January/February 2012 Feature My Move Editorial - Jerry Wall [email protected] Well it has been over a year now since we started this publication. It is not easy putting together a 32 page magazine on chess White Knight every couple of months but it certainly has been rewarding (maybe not so Review much financially but then that really never was Chess E-Magazine the goal). -
Proposal to Encode Heterodox Chess Symbols in the UCS Source: Garth Wallace Status: Individual Contribution Date: 2016-10-25
Title: Proposal to Encode Heterodox Chess Symbols in the UCS Source: Garth Wallace Status: Individual Contribution Date: 2016-10-25 Introduction The UCS contains symbols for the game of chess in the Miscellaneous Symbols block. These are used in figurine notation, a common variation on algebraic notation in which pieces are represented in running text using the same symbols as are found in diagrams. While the symbols already encoded in Unicode are sufficient for use in the orthodox game, they are insufficient for many chess problems and variant games, which make use of extended sets. 1. Fairy chess problems The presentation of chess positions as puzzles to be solved predates the existence of the modern game, dating back to the mansūbāt composed for shatranj, the Muslim predecessor of chess. In modern chess problems, a position is provided along with a stipulation such as “white to move and mate in two”, and the solver is tasked with finding a move (called a “key”) that satisfies the stipulation regardless of a hypothetical opposing player’s moves in response. These solutions are given in the same notation as lines of play in over-the-board games: typically algebraic notation, using abbreviations for the names of pieces, or figurine algebraic notation. Problem composers have not limited themselves to the materials of the conventional game, but have experimented with different board sizes and geometries, altered rules, goals other than checkmate, and different pieces. Problems that diverge from the standard game comprise a genre called “fairy chess”. Thomas Rayner Dawson, known as the “father of fairy chess”, pop- ularized the genre in the early 20th century. -
Ancient Chess Turns Moving One Piece in Each Turn
About this Booklet How to Print: This booklet will print best on card stock (110 lb. paper), but can also be printed on regular (20 lb.) paper. Do not print Page 1 (these instructions). First, have your printer print Page 2. Then load that same page back into your printer to be printed on the other side and print Page 3. When you load the page back into your printer, be sure tha t the top and bottom of the pages are oriented correctly. Permissions: You may print this booklet as often as you like, for p ersonal purposes. You may also print this booklet to be included with a game which is sold to another party. You may distribute this booklet, in printed or electronic form freely, not for profit. If this booklet is distributed, it may not be changed in an y way. All copyright and contact information must be kept intact. This booklet may not be sold for profit, except as mentioned a bove, when included in the sale of a board game. To contact the creator of this booklet, please go to the “contact” page at www.AncientChess.com Playing the Game A coin may be tossed to decide who goes first, and the players take Ancient Chess turns moving one piece in each turn. If a player’s King is threatened with capture, “ check” (Persian: “Shah”) is declared, and the player must move so that his King is n o longer threatened. If there is no possible move to relieve the King of the threat, he is in “checkmate” (Persian: “shahmat,” meaning, “the king is at a loss”). -
Origins of Chess Protochess, 400 B.C
Origins of Chess Protochess, 400 B.C. to 400 A.D. by G. Ferlito and A. Sanvito FROM: The Pergamon Chess Monthly September 1990 Volume 55 No. 6 The game of chess, as we know it, emerged in the North West of ancient India around 600 A.D. (1) According to some scholars, the game of chess reached Persia at the time of King Khusrau Nushirwan (531/578 A.D.), though some others suggest a later date around the time of King Khusrau II Parwiz (590/628 A.D.) (2) Reading from the old texts written in Pahlavic, the game was originally known as "chatrang". With the invasion of Persia by the Arabs (634/651 A.D.), the game’s name became "shatranj" because the phonetic sounds of "ch" and "g" do not exist in Arabic language. The game spread towards the Mediterranean coast of Africa with the Islamic wave of military expansion and then crossed over to Europe. However, other alternative routes to some parts of Europe may have been used by other populations who were playing the game. At the moment, this "Indian, Persian, Islamic" theory on the origin of the game is accepted by the majority of scholars, though it is fair to mention here the work of J. Needham and others who suggested that the historical chess of seventh century India was descended from a divinatory game (or ritual) in China. (3) On chess theories, the most exhaustive account founded on deep learning and many years’ studies is the A History of Chess by the English scholar, H.J.R. -
Ganga As Perceived by Some Ganga Lovers Mother Ganga's Rights Are Our Rights
Ganga as Perceived by Some Ganga Lovers Mother Ganga’s Rights Are Our Rights Pujya Swami Chidanand Saraswati Nearly 500 million people depend every day on the Ganga and Her tributaries for life itself. Like the most loving of mothers, She has served us, nourished us and enabled us to grow as a people, without hesitation, without discrimination, without vacation for millennia. Regardless of what we have done to Her, the Ganga continues in Her steady fl ow, providing the waters that offer nourishment, livelihoods, faith and hope: the waters that represents the very life-blood of our nation. If one may think of the planet Earth as a body, its trees would be its lungs, its rivers would be its veins, and the Ganga would be its very soul. For pilgrims, Her course is a lure: From Gaumukh, where she emerges like a beacon of hope from icy glaciers, to the Prayag of Allahabad, where Mother Ganga stretches out Her glorious hands to become one with the Yamuna and Saraswati Rivers, to Ganga Sagar, where She fi nally merges with the ocean in a tender embrace. As all oceans unite together, Ganga’s reach stretches far beyond national borders. All are Her children. For perhaps a billion people, Mother Ganga is a living goddess who can elevate the soul to blissful union with the Divine. She provides benediction for infants, hope for worshipful adults, and the promise of liberation for the dying and deceased. Every year, millions come to bathe in Ganga’s waters as a holy act of worship: closing their eyes in deep prayer as they reverently enter the waters equated with Divinity itself. -
History of Chess from Wikipedia, the Free Encyclopedia for the Book by H
History of chess From Wikipedia, the free encyclopedia For the book by H. J. R. Murray, see A History of Chess. Real-size resin reproductions of the 12th century Lewis chessmen. The top row shows king, queen, and bishop. The bottom row shows knight, rook, and pawn. The history of chess spans some 1500 years. The earliest predecessor of the game probably originated in India, before the 6th century AD. From India, the game spread to Persia. When the Arabs conquered Persia, chess was taken up by the Muslim world and subsequently spread to Southern Europe. In Europe, chess evolved into roughly its current form in the 15th century. The "Romantic Era of Chess" was the predominant chess playing style down to the 1880s. It was characterized by swashbuckling attacks, clever combinations, brash piece sacrifices and dynamic games. Winning was secondary to winning with style. These games were focused more on artistic expression, rather than technical mastery or long-term planning. The Romantic era of play was followed by the Scientific, Hypermodern, and New Dynamism eras.[1] In the second half of the 19th century, modern chess tournament play began, and the first World Chess Championship was held in 1886. The 20th century saw great leaps forward in chess theory and the establishment of the World Chess Federation (FIDE). Developments in the 21st century include use ofcomputers for analysis, which originated in the 1970s with the first programmed chess games on the market. Online gaming appeared in the mid-1990s. Contents [hide] 1 Origin 2 India -
Art. I.—On the Persian Game of Chess
JOURNAL OF THE ROYAL ASIATIC SOCIETY. ART. I.— On the Persian Game of Chess. By K BLAND, ESQ., M.R.A.S. [Read June 19th, 1847.] WHATEVER difference of opinion may exist as to the introduction of Chess into Europe, its Asiatic origin is undoubted, although the question of its birth-place is still open to discussion, and will be adverted to in this essay. Its more immediate design, however, is to illustrate the principles and practice of the game itself from such Oriental sources as have hitherto escaped observation, and, especially, to introduce to particular notice a variety of Chess which may, on fair grounds, be considered more ancient than that which is now generally played, and lead to a theory which, if it should be esta- blished, would materially affect our present opinions on its history. In the life of Timur by Ibn Arabshah1, that conqueror, whose love of chess forms one of numerous examples among the great men of all nations, is stated to have played, in preference, at a more complicated game, on a larger board, and with several additional pieces. The learned Dr. Hyde, in his valuable Dissertation on Eastern Games2, has limited his researches, or, rather, been restricted in them by the nature of his materials, to the modern Chess, and has no further illustrated the peculiar game of Timur than by a philological Edited by Manger, "Ahmedis ArabsiadEe Vitae et Rernm Gestarum Timuri, qui vulgo Tamerlanes dicitur, Historia. Leov. 1772, 4to;" and also by Golius, 1736, * Syntagma Dissertationum, &c. Oxon, MDCCJ-XVII., containing "De Ludis Orientalibus, Libri duo." The first part is " Mandragorias, seu Historia Shahi. -
Chess Sets from the Maryhill Museum of Art
Checkmate! Chess Sets from the Maryhill Museum of Art Since its conception 1400 years ago, the game of chess has spread throughout the world, crossing cultural and political boundaries. This exhibition looks at the wide range of chess sets made during the past 250 years by diverse cultures from Asia, Africa, Europe, and North America. While following the game’s predetermined structure of thirty-two game pieces, artists and artisans have worked within the standards of traditional set designs, along with bringing their own creativity and interpretation to the chess set. The resulting sets present a history of the game along with a wide variety of themes and materials. Created with wood, glass, bone, ivory, and plastic, they include traditional styles, narrative depictions of mythological characters and historical figures, and abstract, nonfigurative designs. Early versions of the game now known as chess first emerged in India in the 7th century CE as a game called chaturanga. It soon migrated to Persia, where the name changed to chatrang and then shatranj. This was during the Islamic Golden Age, a time of significant cultural, economic, and scientific advances in the Middle East, beginning in the 8th century and lasting through the 13th century. The game was played by caliphs and ordinary people, young and old alike, leveling the social classes in ways that had not occurred before. It has often been explained that chess was invented to make the abstract visible and to serve as a tool for understanding the world. It was also a game of war designed to teach peace—by resolving conflict through intellect not physical power. -
SDSU Template, Version 11.1
USING CHESS AS A TOOL FOR PROGRESSIVE EDUCATION _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology _______________ by Haroutun Bursalyan Summer 2016 iii Copyright © 2016 by Haroutun Bursalyan All Rights Reserved iv DEDICATION To my wife, Micki. v We learn by chess the habit of not being discouraged by present bad appearances in the state of our affairs, the habit of hoping for a favorable change, and that of persevering in the search of resources. The game is so full of events, there is such a variety of turns in it, the fortune of it is so subject to sudden vicissitudes, and one so frequently, after long contemplation, discovers the means of extricating one's self from a supposed insurmountable difficulty.... - Benjamin Franklin The Morals of Chess (1799) vi ABSTRACT OF THE THESIS Using Chess as a Tool for Progressive Education by Haroutun Bursalyan Master of Arts in Sociology San Diego State University, 2016 This thesis will look at the flaws in the current public education model, and use John Dewey’s progressive education reform theories and the theory of gamification as the framework to explain how and why chess can be a preferable alternative to teach these subjects. Using chess as a tool to teach the overt curriculum can help improve certain cognitive skills, as well as having the potential to propel philosophical ideas and stimulate alternative ways of thought. The goal is to help, however minimally, transform children’s experiences within the schooling institution from one of boredom and detachment to one of curiosity and excitement. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Analysis of Hindu Widowhood in Indian Literature Dipti Mayee Sahoo
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue 9, Ver. 7 (Sep. 2016) PP 64-71 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Analysis Of Hindu Widowhood In Indian Literature Dipti Mayee Sahoo Asst. Prof. SociologyTrident Academy of Creative technology,Bhubaneswar Abstract:- In ancient India, women occupied a very important position, in fact a superior position to, men. It is a culture whose only words for strength and power are feminine -"Shakti'' means "power'' and "strength.'' All male power comes from the feminine. Literary evidence suggests that kings and towns were destroyed because a single woman was wronged by the state. For example, Valmiki's Ramayana teaches us that Ravana and his entire clan was wiped out because he abducted Sita. Veda Vyasa'sMahabharatha teaches us that all the Kauravas were killed because they humiliated Draupadi in public. ElangoAdigal'sSillapathigaram teaches us Madurai, the capital of the Pandyas was burnt because PandyanNedunchezhiyan mistakenly killed her husband on theft charges. "In Hinduism, the momentous event of a foundation at one point in time, the initial splash in the water, from which concentric circles expand to cover an ever-wider part of the total surface, is absent. The waves that carried Hinduism to a great many shores are not connected to a central historical fact or to a common historic movement. " Key words:- Feminine, sakti, strength, humiliation, power. I. INTRODUCTION In this age of ascending feminism and focus on equality and human rights, it is difficult to assimilate the Hindu practice of sati, the burning to death of a widow on her husband's funeral pyre, into our modern world.