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Revised DEIS/EIR Truckee River Operating Agreement DISTRIBUTION LIST CONGRESSIONAL DELEGATIONS Nevada Senators John Ensign Harry Reid Representatives Shelly Berkley (District 1) James A. Gibbons (District 2) Jon C. Porter (District 3) California Senators Barbara Boxer Dianne Feinstein Representatives John T. Doolittle (District 4) Robert T. Matsui (District 5) Doug Ose (District 3) NEVADA STATE SENATE Mark E. Amodei, Carson City Bernice Mathews, Reno Mike McGinness, Fallon William J. Raggio, Reno Randolph Townsend, Reno Maurice E. Washington, Sparks NEVADA STATE ASSEMBLY Bernie Anderson, Sparks Sharron Angle, Reno Jason Geddes, Reno Dawn Gibbons, Reno Tom Grady,Yerington Ron Knecht, Carson City Distribution List-1 Revised DEIS/EIR Truckee River Operating Agreement CALIFORNIA STATE SENATE Samuel Aanestad (District 4) Michael Machado (District 5) Thomas "Rico" Oller (District 1) Deborah Ortiz (District 6) CALIFORNIA STATE ASSEMBLY David Cox (District 5) Tim Leslie (District 4) Darrell Steinberg (District 9) FEDERAL GOVERNMENT AGENCIES Advisory Council on Historic Preservation, Washington, DC Army Corps of Engineers, Reno, NV Army Corps of Engineers, Washington, DC Army Corps of Engineers, Real Estate Division, Sacramento, CA Army Corps of Engineers, Planning Division, Sacramento, CA Bureau of Indian Affairs, Office of Trust and Economic Development, Washington, DC Bureau of Indian Affairs, Washington, DC Bureau of Indian Affairs, Western Regional Office, Phoenix, AZ Bureau of Land Management, Carson City District Office, Carson City, NV -
Black Brooklyn Renaissance Digital Archive Sherif Sadek, Akhnaton Films
Black Brooklyn Renaissance (BBR) Digital Archive About the Digital Archive CONTENTS This digital archive contains 73 discs, formatted as playable DVDs for use in compatible DVD players and computers, and audio CDs where indicated. The BBR Digital Archive is organized according to performance genres: dance, music, visual art, spoken word, community festival/ritual arts, and community/arts organizations. Within each genre, performance events and artist interviews are separated. COPYRIGHT Black Brooklyn Renaissance: Black Arts + Culture (BBR) Digital Archive is copyright 2011, and is protected by U.S. Copyright Law, along with privacy and publicity rights. Users may access the recordings solely for individual and nonprofit educational and research purposes. Users may NOT make or distribute copies of the recordings or their contents, in whole or in part, for any purpose. If a user wishes to make any further use of the recordings, the user is responsible for obtaining the written permission of Brooklyn Arts Council (BAC) and/or holders of other rights. BAC assumes no responsibility for any error, omission, interruption, deletion, defect, delay in operation or transmission, or communications line failure, involving the BBR Digital Archive. BAC feels a strong ethical responsibility to the people who have consented to have their lives documented for the historical record. BAC asks that researchers approach the materials in BBR Digital Archive with respect for the sensibilities of the people whose lives, performances, and thoughts are documented here. By accessing the contents of BBR Digital Archive, you represent that you have read, understood, and agree to comply with the above terms and conditions of use of the BBR Digital Archive. -
2015 Artown Team
2015 Artown Team Chris Fleiner, Chair Terry McQuattie, Past Chair Reno Lumber U.S Bank District Manager Board Chris Christiansen, Vice Chair Oliver X Grand Sierra Resort Reno Tahoe Tonight Magazine Members Miranda Roberts, Secretary Naomi Duerr The Good Life Reno City Council Rachael Thomsen, Treasurer Jessica Schneider Eide Bailly LLP Junkee Clothing Exchange Staff Outsourced Services Beth Macmillan Kristen Timmerman Executive Director Discover The Arts Jennifer Mannix Tim Kuhlman Director of Marketing Fluke Advertising Design Kiki Cladianos Kate York CPA Festival Assistant Accounting Services Festival Interns Beth Cooney Shane Vetter Sponsorship Dana Nelson David Lan Kollin Perry Focusing Computing Stan Can Design Photographers Poster Layout Peter Walker Chris Holloman Susan Boskoff and Presenters Mission Statement To strengthen Reno’s arts industry, foster its civic identity and enhance its national image, thereby creating a climate for the cultural and economic rebirth of our region. Table of Contents Commissioned Artists 1 Executive Summary 3 The City of Reno, Artown’s Major Funder 11 Festival Sponsors 12 Event, Commission and Champion Sponsors 13 Media Sponsors 15 Artown Exposure 19 Other Revenue Streams 20 2015 Volunteers 21 Presenters 22 Audience Comments 24 Friends of Artown 28 Photographers: Chris Holloman, Peter Walker, Susan Boskoff and Artown Presenters Artown Commissioned Artists Anniversary Poster: The annual Artown poster defines and celebrates the year’s festivities and is a highly coveted project. To celebrate the 20th year and the July 2015 festival, Artown commissioned locally grown artist, Franz Szony, to create this signature piece. With his passion for the arts and his vast experience with each Artown Festival, Franz created a clever and unique story to tie into this year’s festival. -
The Decline of New York City Nightlife Culture Since the Late 1980S
1 Clubbed to Death: The Decline of New York City Nightlife Culture Since the Late 1980s Senior Thesis by Whitney Wei Fulfillment of the Requirements For the Degree of BA Economic and Social History Barnard College of Columbia University New York, New York 2015 2 ii. Contents iii. Acknowledgement iv. Abstract v. List of Tables vi. List of Figures I. Introduction……………………………………………………………………7 II. The Limelight…………………………………………………………………12 III. After Dark…………………………………………………………………….21 a. AIDS Epidemic Strikes Clubland……………………..13 b. Gentrification: Early and Late………………………….27 c. The Impact of Gentrification to Industry Livelihood…32 IV. Clubbed to Death …………………………………………………………….35 a. 1989 Zoning Changes to Entertainment Venues…………………………36 b. Scandal, Vilification, and Disorder……………………………………….45 c. Rudy Giuliani and Criminalization of Nightlife………………………….53 V. Conclusion ……………………………………………………………………60 VI. Bibliography………………………………………………………………..…61 3 Acknowledgement I would like to take this opportunity to thank Professor Alan Dye for his wise guidance during this thesis process. Having such a supportive advisor has proven indispensable to the quality of this work. A special thank you to Ian Sinclair of NYC Planning for providing key zoning documents and patient explanations. Finally, I would like to thank the support and contributions of my peers in the Economic and Social History Senior Thesis class. 4 Abstract The purpose of this thesis is to investigate the impact of city policy changes and the processes of gentrification on 1980s nightlife subculture in New York City. What are important to this work are the contributions and influence of nightlife subculture to greater New York City history through fashion, music, and art. I intend to prove that, in combination with the city’s gradual revanchism of neighborhood properties, the self-destructive nature of this after-hours sector has led to its own demise. -
Plan Ahead Nevada Brought to You by the State of Nevada, Department of Public Safety, Division of Emergency Management
TABLE OF CONTENTS OVERVIEW AND PREPAREDNESS LISTS INTRODUCTION LETTER PG. 3 STEP BY STEP PREPAREDNESS LIST PG. 4 FAMILY PREPAREDNESS PG. 6 At WORK PREPAREDNESS PG. 8 EVACUATION & SHELTER TIPS PG. 10 EMERGENCY COMMUNICATIONS PG. 11 BASIC EMERGENCY SUPPLY KIT PG. 12 TYPES OF DISASTER TO PREPARE FOR WILDLAND FIRE PG. 13 EARTHQUAKE PG. 14 FLOOD PG. 15 EXTREME WEATHER PG. 16 FLU PANDAMIC PG. 17 TERRORISM PG. 18 HAZARD MITIGATION WHAT IS HAZARD MITIGATION? PG. 19 MITIGATION FOR WILDFIRE PG. 20 MITIGATION FOR EARTHQUAKE PG. 20 MITIGATION FOR FLOODS PG. 21 YOUR COMMUNITY, YOUR PREPAREDNESS YOUR EVACUATION PLAN PG. 22 YOUR EMERGENCY CONTACTS PG. 23 MEDIA COMMUNICATIONS PG 24 YOUR COUNTY EVACUATION PLAN PG. 26 Plan Ahead Nevada Brought to you by The State of Nevada, Department of Public Safety, Division of Emergency Management. Content provided in part by FEMA. Funding Granted By U.S. Department of Homeland Security 2 STAT E DIVISION OF EM E RG E NCY MANAG E M E NT A MESSAGE FROM THE CHIEF “Proudly serving the citizens of the State of Nevada, in emergency NEVADA preparedness response and recovery.” EMERGENCY MITIGATION GUIDE FRANK SIRACU S A , CHIE F This brochure, funded through the U.S. Department of Homeland Security, is the result of statewide participation from public safety officials and first responders in addressing “Preparedness Response and Recovery” emergency mitigation. It is developed to provide helpful tips and techniques in prepar- ing your family, friends and pets for emergency conditions. Hazard Mitigation is the cornerstone of the Four Phase of Emergency Management. The term “Hazard Mitigation” describes actions that can help reduce or eliminate long-term risks caused by natural hazards, or disasters, such as wildfires, earthquakes, thunderstorms, floods and tornadoes . -
Policy 11-2-2 Communicable Disease Plan
WNC Policies and Procedures Manual Procedure: COMMUNICABLE DISEASE PLAN (Re: 9/3/2009) Policy No.: 11-2-2 Department: Environmental Health and Safety (EH&S) Contact: Environmental Health and Safety Coordinator Policy: This plan addresses communicable disease outbreaks and defines the steps that WNC will take in preparation for, and how the college will respond to a health related emergency, epidemic or pandemic. This document is consistent with other WNC emergency planning documents. This plan cites several different communicable diseases and is intended for use in all communicable disease emergencies. The severity of communicable diseases can vary greatly. Much of this plan is based on influenza that may be greater in severity than the H1N1 virus. The intent of this plan is to protect lives and effectively use available resources to maintain an appropriate level of college operations during instances of communicable disease emergencies. Table of Contents Sections: Page 1. Introduction 2 2. References 3 3. Responsibilities 4 4. Preparedness 6 5. Confirmation of a Communicable Disease Emergency 8 6. Confirmation of Pandemic Infectious 12 7. Public Relations and Communication 14 8. Return to Service 14 9. Division/Department/Campus/Unit Communicable Disease Continuity Plans 14 10. Return to Service/Recovery 15 Appendix A: University Nevada Reno Pandemic 16 Influenza Plan Introduction Appendix B: WNC’s Template for Division, Department, 20 Campus, Unit Communicable Disease Continuity of Operation Plan Appendix C: WNC Communicable Disease Response Plan 28 Appendix D: Acknowledgement 34 1 Definitions: Antiviral Drugs: A class of medication used specifically for treating viral infections. Like antibiotics, specific antiviral are used for specific viruses. -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
Gillian Laub CV 2021
Gillian Laub (b.1975, Chappaqua, New York) is a photographer and filmmaker based in New York. She graduated from the University of Wisconsin-Madison with a degree in comparative literature before studying photography at the International Center of Photography, where her love of visual storytelling and family narratives began. Laub’s first monograph, Testimony (Aperture 2007), began as a response to the media coverage during the second Intifada in the Middle East, and a desire to create a dialogue between apparent enemies. This work is comprised of portraits and testimonies from Israeli Jews, Israeli Arabs, Lebanese, and Palestinians all directly and indirectly affected by the complicated geopolitical context in which they lived. Laub spent over a decade working in Georgia exploring issues of lingering racism in the American South. This work became Laub’s first feature length, directed and produced, documentary film, Southern Rites that premiered on HBO in May 2015. Her monograph, Southern Rites (Damiani, 2015) and travelling exhibition by the same title came out in conjunction with the film and are being used for an educational outreach campaign, in schools and institutions across the country. Southern Rites was named one of the best photo books of 2015 by TIME, Smithsonian, Vogue, LensCulture, and American Photo. It was also nominated for a Lucie award and Humanitas award. "Riveting...In a calm, understated tone, Southern Rites digs deep to expose the roots that have made segregated proms and other affronts possible. Southern Rites is a portrait of the inequities that lead to disaster on the streets of cities like Baltimore and Ferguson, Mo.” - The New York Times Laub has been interviewed on NPR, CNN, MSNBC, Good Morning America, Times Talks and numerous others. -
FY 2016 and FY 2018
Corporation for Public Broadcasting Appropriation Request and Justification FY2016 and FY2018 Submitted to the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the House Appropriations Committee and the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the Senate Appropriations Committee February 2, 2015 This document with links to relevant public broadcasting sites is available on our Web site at: www.cpb.org Table of Contents Financial Summary …………………………..........................................................1 Narrative Summary…………………………………………………………………2 Section I – CPB Fiscal Year 2018 Request .....……………………...……………. 4 Section II – Interconnection Fiscal Year 2016 Request.………...…...…..…..… . 24 Section III – CPB Fiscal Year 2016 Request for Ready To Learn ……...…...…..39 FY 2016 Proposed Appropriations Language……………………….. 42 Appendix A – Inspector General Budget………………………..……..…………43 Appendix B – CPB Appropriations History …………………...………………....44 Appendix C – Formula for Allocating CPB’s Federal Appropriation………….....46 Appendix D – CPB Support for Rural Stations …………………………………. 47 Appendix E – Legislative History of CPB’s Advance Appropriation ………..…. 49 Appendix F – Public Broadcasting’s Interconnection Funding History ….…..…. 51 Appendix G – Ready to Learn Research and Evaluation Studies ……………….. 53 Appendix H – Excerpt from the Report on Alternative Sources of Funding for Public Broadcasting Stations ……………………………………………….…… 58 Appendix I – State Profiles…...………………………………………….….…… 87 Appendix J – The President’s FY 2016 Budget Request...…...…………………131 0 FINANCIAL SUMMARY OF THE CORPORATION FOR PUBLIC BROADCASTING’S (CPB) BUDGET REQUESTS FOR FISCAL YEAR 2016/2018 FY 2018 CPB Funding The Corporation for Public Broadcasting requests a $445 million advance appropriation for Fiscal Year (FY) 2018. This is level funding compared to the amount provided by Congress for both FY 2016 and FY 2017, and is the amount requested by the Administration for FY 2018. -
Federal Register / Vol. 62, No. 97 / Tuesday, May 20, 1997 / Notices
27662 Federal Register / Vol. 62, No. 97 / Tuesday, May 20, 1997 / Notices DEPARTMENT OF COMMERCE applicant. Comments must be sent to Ch. 7, Anchorage, AK, and provides the PTFP at the following address: NTIA/ only public television service to over National Telecommunications and PTFP, Room 4625, 1401 Constitution 300,000 residents of south central Information Administration Ave., N.W., Washington, D.C. 20230. Alaska. The purchase of a new earth [Docket Number: 960205021±7110±04] The Agency will incorporate all station has been necessitated by the comments from the public and any failure of the Telstar 401 satellite and RIN 0660±ZA01 replies from the applicant in the the subsequent move of Public applicant's official file. Broadcasting Service programming Public Telecommunications Facilities Alaska distribution to the Telstar 402R satellite. Program (PTFP) Because of topographical File No. 97001CRB Silakkuagvik AGENCY: National Telecommunications considerations, the latter satellite cannot Communications, Inc., KBRW±AM Post and Information Administration, be viewed from the site of Station's Office Box 109 1696 Okpik Street Commerce. KAKM±TV's present earth station. Thus, Barrow, AK 99723. Contact: Mr. a new receive site must be installed ACTION: Notice of applications received. Donovan J. Rinker, VP & General away from the station's studio location SUMMARY: The National Manager. Funds Requested: $78,262. in order for full PBS service to be Telecommunications and Information Total Project Cost: $104,500. On an restored. Administration (NTIA) previously emergency basis, to replace a transmitter File No. 97205CRB Kotzebue announced the solicitation of grant and a transmitter-return-link and to Broadcasting Inc., 396 Lagoon Drive applications for the Public purchase an automated fire suppression P.O. -
Fashion Week Miami Beach
FUNKSHION: Fashion Week Miami Beach is a fi ve day event that provides an intelligent, innovative platform for progressive, established, and emerging designers to showcase their collections to media, celebrities, international buyers, and select style makers. The shows are geared towards designer diffusion collections and innovative lifestyle brands. Designers will integrate music into their shows, many personally selecting their favorite celebrity DJs or bands to preside over their runway spectacles. funkshion noun fusion of music and fashion worlds Real Time Funkshion ART Celebrating 15 seasons of Funkshion: Fashion Week Miami Beach, two artists created 15 art installations / sculptures inspired by fashion, music and Miami Beach. For 15 days in the tradition of the Real-Time- Art concepts Djordje IsHere and Vladimir composed one sculpture a day using recycled and found objects from the Funkshion warehouse. They even set up a temporary photo studio at the premises to shoot pictures of the art sculptures using Funkshion runway lights for fashion shows. The 15 works of art produced represent their creative answers to the connection of the art and fashion worlds – the outcome is extraordinary pieces created with limited resources and in limited time. Funkshion takes over Ocean Driveve withwith two custom built venues on the beach: Maxim Magazine Parkk on NinthN presented by FILA and the main tent where designers suchuch as Nicole Miller, Miss Sixty, Fred Perry, Marithe and Francois Girbaudaud andan others showcased their new collections. Among attendees werere P. Diddy,D Alonzo Mourning, Brian Grant, Patricia Fields and others. FunkshionFunk benefi ted Brian Grant and Alonzo Mourning Charities. -
August 2016 DEM Plan Ahead Guide
NEVADA EMERGENCY PREPAREDNESS GUIDE PREPAREDNESS PLAN Nobody likes thinking about it, but crisis management and NEVADA emergency preparedness has EMERGENCY MITIGATION GUIDE become a new reality. Create a plan with your family today! When community evacuations become necessary, local officials provide HOW TO DEVELOP A DISASTER PLAN information to the public through the media. In some circumstances, other STEP 1: DISCUSS DISASTERS AS A warning methods, such as sirens or FAMILY Have a family meeting to talk about disasters. telephone calls, also are used. Children should be encouraged to talk about Additionally, there may be circumstances their fears, and parents should convey the steps under which you and your family feel they take to keep everyone safe. Together, threatened or endangered and you need develop a list of things to take care of in preparing. Remember to practice your plan. to leave your home, school, or workplace to avoid these situations. STEP 2: MAKE EVACUATION PLANS If you live in a storm surge evacuation area, The amount of time you have to leave will determine where you would go if an evacuation order were given. It is best to seek shelter at a depend on the hazard. family member’s or friend’s house or hotel outside Thunderstorms, floods and tornadoes the evacuation area. If leaving town, leave well in can be monitored, you might have a day advance of an approaching storm. Shelters should or two to get ready. However, many be used as a last resort. disasters allow no time for people to gather even the most basic necessities, STEP 3: INVENTORY YOUR VALUABLES which is why planning ahead is essential.