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atlantiscasino.com Rankings as of 8/6/19. WELCOME TO THE RENO PHIL’S 51ST SEASON OF CLASSIX 2019-20 BOARD OF Dear Friends, TRUSTEES The Reno Phil is steadfast in its commitment to delivering outstanding musical performances and programs to Officers northern Nevada while enriching the Chair: Angela White cultural vitality of the region. At the Reno Chair-elect: Michael Henry Phil, everyone is welcome. We strive to Secretary: Mercedes de la Garza offer programs that appeal to individuals Treasurer: John McCall of all ages and backgrounds, so that Past Chair: Eric Gangloff everyone has the opportunity to become Board personally involved in this cherished John Drakulich cultural asset. symphonic music is a living, contemporary Heidi Foster and thrilling art form. We hope you do too! On behalf of the Reno Phil Board of Dave Funk Trustees, welcome to Season 51 of Thank you to our generous sponsors and Sylvia Harrison classical music concerts performed by patrons, amazing staff, tremendously Michael Hillerby our Reno Philharmonic Orchestra! Music talented musicians, dedicated Board Jason Katz Director Laura Jackson has chosen of Trustees, and hundreds of tireless Warren Lerude exceptional programming this season. volunteers who all work together to bring Julie Machado The six performances we have in store for great symphonic music to Reno-Tahoe and Alice Mull you this season showcase a tremendous our surrounding communities. We are very Yvonne Murphy variety of music, bookended with early proud of the continued growth of the Reno Meagan Noin & late works by Ludwig van Beethoven Phil, the positive impact we are having Marlene Olsen celebrating the 250th anniversary of his on our community, and our growing Margo Piscevich birth. reputation as a leader and innovator Jacey Prupas among regional orchestras in the United Edward Stevenson Our focus this season is the joy that States. Emily Teekasingh surrounds the experience of creating and Mehmet Tosun listening to live music. From connecting Thank you to each of you for all your Mat Trachok with friends, celebrating a night out, or support as we celebrate a new chapter in just sharing in the present moment of live the history of the Reno Phil. Here’s to an Trustees Emeriti music-making with us. This season is rich amazing Season 51! Jack Fegely in tradition, combined with the youthful John Flanigan energy of new works, unexpected turns Charlotte McConnell and amazing guest soloists. As you look Frances Warden through the 2019-20 season, you’ll see all these elements combined; they make us Angela White who we are, they are what we do, they are Chair of the Board of Trustees what makes the Reno Phil distinctive and Reno Philharmonic Association unique. We all believe passionately that On the river

Call for reservations 775.323.2227 753 Riverside Dr. | Reno, NV Tuesday through Sunday 5p.m. to closing. Reno + Tahoe + San Francisco t 775.323.5999 + delagarzastudio.com GET THE ATTENTION YOU DESERVE! Connect with the most targeted audience this season ABOUT THE RENO PHIL Created by the passion of conductor Gregory Stone in 1969, Reserve your advertising space. Contact us today for rates. Evelyn K Klatt eklattrenophilcom the Reno Phil is northern Nevada’s largest performing arts organization, performing an array of symphonic and pops music for all tastes and ages. Celebrating its 51st season, the orchestra, led by Music Director Laura Jackson, is a part-time, per-service orchestra composed of over 60 professional musicians who perform more than 30 concerts annually across the region, including outdoor summer concerts in Reno and at Lake Tahoe. In addition to the professional orchestra and volunteer Reno Phil Chorus, the organization oversees and operates a robust education division with four youth orchestras, a free after Like Share Show & Tell - Connect with us! school strings program at three Title 1 schools, a free family concert in the fall, and numerous other educational and outreach programs. renophil.com/connect There are over 400 musicians in the professional orchestra, youth orchestras, various ensembles and education programs. Combined, the Reno Phil and its programs perform more than 60 performances each year, reaching more than 50,000 people, half of them school-aged children. As a federally registered 501 (c) (3) nonprofit organization, the Reno Phil engages an active Board of Trustees, staff, This project is funded, in part, by a grant from the Nevada Arts Council, a volunteers, patrons, donors, sponsors, partner organizations, state agency, and the National Endowment for the Arts, a federal agency. and the community to ensure that it will thrive through future generations. Reno’s premier riverfront dining destination.

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LAURA JACKSON — now in her eleventh season as music director of the Reno Philharmonic — continues to win praise for her artistry, leadership, innovative programming, and creative community engagement. Her passion and drive have helped the Reno Philharmonic reach new heights with cutting edge composer-in-residence projects as well as vibrant performances of traditional repertoire. Last season, Jackson led the Reno Phil and 12 partnering orchestras to mark the shared anniversaries of the Reno Phil (50 years) and the Transcontinental Railroad’s completion (150 years), with a new work by Grammy– nominated composer, Zhou Tian. The project became the subject of an NPR story and a documentary film created by KNPB to be released Fall 2019. In addition to concerts with the Reno Philharmonic, Ms. Jackson guest conducts nationally and internationally. Recent performances include concerts with the symphonies of Hartford, Eugene, Charlottesville, Hawaii, Flint, the Philly POPS and L’Orchestre symphonique de Bretagne in France. In 2017, Jackson returned to the Atlanta Symphony Orchestra where she previously served as their first-ever female assistant 2003. As the Seiji Ozawa Conducting Fellow at Tanglewood, conductor from 2004-2007. she conducted numerous concerts featuring both traditional Jackson recorded Michael Daugherty’s Time Cycle on and contemporary repertoire. Naxos with the Bournemouth Symphony in partnership with Ms. Jackson spent her early childhood in Virginia and Marin Alsop and she has performed with the Philippine Pennsylvania before moving at age 11 to Plattsburgh, NY, Philharmonic. In North America, she has performed with the where she grew up waterskiing, swimming, and sailing on Lake symphonies of Alabama, Baltimore, Berkeley, Boca Raton, Champlain. She fell in love with the violin in public school, Detroit, Phoenix, San Antonio, Toledo, Toronto, Windsor, and later attending the North Carolina School for the Arts to finish Winnipeg, among others. high school. She pursued an undergraduate degree at Indiana Prior to her appointment in Atlanta, she studied conducting at University where she studied both violin and conducting the University of Michigan and spent summers at the Boston before moving to Boston in 1990 to freelance as a violinist and Symphony Orchestra’s Tanglewood Music Center in 2002 and teach at Phillips Exeter Academy in New Hampshire. Join us for Happy Hour from 4 PM to 6 PM Monday - Friday and Dinner Starting at 5 PM Daily!

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ENHANCE YOUR CONCERT EXPERIENCE Inside the Music with Laura Jackson & Chris Morrison Designed to enrich your concert going experience, join Music Director Laura Jackson and Content Coordinator & Producer for KNCJ Public Radio Chris Morrison, often with special guests, as they offer insights on the composers and musical selections, historical context and an insider’s perspective to each Classix performance. The preview is included with your ticket purchase and begins one hour before the concert. Whoever you are, northern Nevada’s premier, award-winning orchestra offers something for you. Something New, Something Unexpected.

SEASON 51 AT A GLANCE THE DAWN OF BEETHOVEN OCTOBER 5 & 6, 2019 ENIGMA VARIATIONS NOVEMBER 9 & 10, 2019 SPIRIT OF THE SEASON DECEMBER 6-8, 2019 TCHAIKOVSKY’S VIOLIN CONCERTO JANUARY 18 & 19, 2020 LANDSCAPES & LEGENDS OF MEXICO FEBRUARY 22 & 23, 2020 SCHEHERAZADE MARCH 21 & 22, 2020 ODE TO JOY: BEETHOVEN’S FINAL BOW APRIL 25 & 26, 2020 ENJOY THE CLASSIX THIS SEASON

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The Reno Phil’s Education and Community Engagement programs connect our community to as many diverse music education and joyful listening experiences as possible. Over the course of the past decade, the Reno Phil has provided music education, enrichment and exposure to more than 250,000 Washoe County and greater northern Nevada school children, families and adults. The programs continue YOUTH ORCHESTRAS to grow and provide a gateway to a lifetime of cultural and artistic contribution and enjoyment. The Reno Phil education The Reno Phil’s four Youth Orchestras (RPYO) programs enrich and inspire a broad cross-section of the provide a high level orchestral experience for region to actively seek and participate in quality musical woodwind, brass, percussion, and string players in experiences. Your generous support makes these programs grades 2-12. Founded in 1995, the Youth Symphony possible. Orchestra (YSO) is northern Nevada’s premier youth orchestra, consisting of the area’s most advanced players. In 1999, the Youth Concert Orchestra (YCO) RPA KIDS was formed to provide developing musicians with a well-balanced symphonic experience. The YSO is Since 2006, the Reno Phil has provided after-school violin conducted by Dr. Jason Altieri and the YCO is instruction at Title 1 elementary schools in the Washoe County conducted by our Reno Phil principal violist, Dustin School District. RPA Kids (RPAK) continues to grow. In the Budish. In 2009, a third youth orchestra was established in 2018-19 Season, nearly 210 students participated in the partnership with the Washoe County School District. The program. RPAK is offered at Bernice Mathews, Lincoln Park, Youth Strings Symphonia (YSS) is conducted by RPO and Stead Elementary (which also offers cello instruction). assistant concertmaster Carol Laube. YSS is a strings-only ensemble that serves many string players in grades 4-8. The newest youth orchestra is the Youth Strings Ensemble DISCOVER MUSIC (YSE), which serves as a bridge for those students The Discover Music program is an outreach education participating in the RPA Kids program to enter into the effort composed of orchestral ensembles of two to five Reno Phil Youth Orchestras. musicians who travel to regional schools to perform The RPYO currently consists of 248 members from hands-on, interactive, child-friendly music education northern Nevada, and northeastern California. programs. The ensembles develop their own presentations, which are aimed at providing elementary school students a close-up look at orchestral instruments, music, and musicians YOUNG PEOPLE’S CONCERTS through demonstrations and participatory activities. The Reno Phil, in partnership with the Washoe County School The Discover Music ensembles perform for over 4,000 District, presents 18 Young People’s Concerts (YPCs) for over students in grades K-12. The ensembles continue to 6,000 third, fourth and fifth-graders. Students travel by bus incorporate cross-curricular aspects into their presentations, to the Pioneer Center for the Performing Arts from Washoe particularly by exploring and demonstrating the science County School District schools, as well as from outlying, of sound. private, and home schools. Performances that inspire. Music that brings joy. An orchestra that’s beloved.

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The world is your stage. Eide Bailly is proud to support the Reno Philharmonic Classix Series and the orchestra’s mission to produce inspirational symphonic performances of the highest I’D LIKE TO BE INSPIRED quality for diverse audiences and support exceptional education, outreach and engagement programs.

What inspires you, inspires us. 775.689.9100 | eidebailly.com WAYS TO GIVE PLAY A PART IN OUR FUTURE Your support can help us inspire imaginations, engage minds, CORPORATE SUPPORT unite individuals through live performances and education and Businesses are invited to become corporate partners and engagement programs, and initiate innovative partnerships invest in the Reno Phil. Not only do you show community that make music part of the fabric of our lives. support, but you will discover that your connection to the Reno Phil is a good return on your investment. Corporate support includes sponsorships, advertising with the Reno Phil, INDIVIDUAL GIVING and doing in-kind trades. Individuals can make a general donation to the Reno Phil, or designate a gift to a specific program such as one of the Reno Phil’s five core education programs: Discover Music, Reno Phil IRA CONTRIBUTIONS & STOCK DONATIONS Association Kids, Young People’s Concerts, Youth Orchestras, Options to consider as you discuss what works best for and Family Concert. your needs with your financial advisor may include IRA contributions and stock donations. Individuals that give $1,000 or more annually also become members of the Crescendo Circle. More information about the The charitable IRA distribution allows taxpayers who are 70 Crescendo Circle can be found at renophil.com/giving 1/2 years or older to make tax-free distributions of up to $100,000 per year from a Traditional IRA or Roth IRA directly to the Reno Phil. CONCERT SPONSORSHIPS Opportunities are available to sponsor guest artists, specific Contribute stocks at their full, appreciated value. You receive orchestral works, and entire concerts. the tax benefit of the full contribution amount and you don’t pay capital gains tax.

LEGACY GIVING Many Reno Phil supporters have included us in their will or VOLUNTEER bequest with another type of legacy gift. Their foresight, and Volunteering is a great way to socialize and have fun while yours should you choose to join them, strengthens and helps providing the staff with assistance at concerts, special events, ensure the future of the Reno Phil. More information about and around the office. Plus, you will have the opportunity to Legacy Giving can be found in this program. experience some of the finest live music in the region.

ENDOWMENT To make a gift to the Reno Phil or obtain more information, Gifts to the Reno Philharmonic Endowment Fund can be please contact the Director of Development at made through direct contributions, pledges, and legacy giving (775) 323-6393, email [email protected], or visit options. The Endowment Trust ensures that future generations renophil.com/giving will continue to be inspired by the power of music. For more information on becoming a volunteer, contact the Volunteer Coordinator at (775) 323-6393 or email [email protected] BROADWAY 19 - 20 Comes To Reno SEASON

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There’s no one quite like you. And no life quite like yours. Special Events Join Renown Health’s new Sterling Silver Club and discover how Lectures we’re helping people 55 and over live healthy, happy lives every day. Walking Club Membership is free – and the benefits are amazing. Just like you. Member Discounts Sign up today at renown.org/SterlingSilver. FROM THE DESK OF OUR CEO

Dear Friends, Astonishingly, it is already March and the grand finale to our 51st season of classical concerts, Beethoven’s “Ode to Joy,” is approaching. Do not despair, however. Not only is the 52nd season on its way, the Reno Phil has a terrific slate of pops for summer 2020 in the works: • If you enjoyed the visuals on the “Landscapes & Legends of Mexico” concert, then bring the whole family back to the Pioneer for “Disney in Concert” on Sunday, June 7th. Scenes from Disney classics will be up on the screen, accompanied by the Reno Phil and four Broadway vocalists. • On July 4th, the orchestra and chorus will take to the stage at Wingfield Park with Laura Jackson directing a free program celebrating our nation’s birth. • Pops On the River, the biggest little party in Reno, will be on July 11th and will feature the orchestra with soloists Tony DeSare and Capathia Jenkins. The theme of the night is The Golden Era of Reno which will be set to the music of Frank Sinatra and Ella Fitzgerald. • Do you prefer a quieter setting and the beauty of Lake Tahoe? The orchestra, Tony, and Capathia will repeat the performance at Sand Harbor on July 13th. Regular tickets are sold by Lake Tahoe Shakespeare Festival and went on sale last Tuesday. This show traditionally sells out so you will want to call or go on-line ASAP. Sponsorship packages are available through the Reno Phil office and include premium seats and a pre-concert dinner. • Our final pops for the summer celebrates James Bond.007: The Music of James Bond, conducted by Jason Altieri, will be performed both at the Pioneer Center on Sunday, August 9th and back at Sand Harbor on August 10th. I hope that you are able to join us for some or all of these summer programs. If you enjoy our classical programming you will be astonished at the ability of our talented musicians and directors to switch gears and bring you the best of pops. The Reno Phil is a resident company of the Pioneer Center for the Performing Thanks for your support of the Reno Phil. Arts. Special thanks to the Pioneer Center, a private, non-profit 501(c)(3) cultural organization. Located in downtown Reno, this 1,500-seat venue is the largest performing arts facility in northern Nevada. In 2004, the Pioneer Center was added to the Nevada State Register of Historic Places Tim P. Young and in 2005 was added to the National President and CEO Register of Historic Places. Learn more about the Pioneer Center at www.pioneercenter.com. RENO PHIL SAN FRANCISCO

TOURJune 26-28, 2020

Join the Reno Phil in witnessing the end of an era. Michael Tilson Thomas will conduct his final concert with the San Francisco Symphony after 25 years as Music Director this June. Travel with the Reno Phil & be one of the last people to witness his magic on stage with the San Francisco Symphony for a performance of Mahler’s Symphony of a Thousand on Saturday, June 27, 2020. Registration deadline is May 1, 2020. TOUR HIGHLIGHTS Visits to both The Legion of Honor Museum & the de Young Museum Private Dinner at Sir Francis Drake Hotel San Francisco Symphony Concert, “MTT & Mahler” accompanied by Reno Phil Music Director, Laura Jackson Private Brunch at the Sir Francis Drake Hotel Round trip transportation & lodging at Sir Francis Drake Hotel included TOUR DATES & PRICING June 26 – 28, 2020 $1500 single traveler $2900 couple travelers* $299 dinner & concert only option (June 27th) Concert ticket only available by request *double occupancy room.

Register by calling Virginia Bowman at 775-323-6393 or at renophil.com www.apexconcerts.org FLAUTISSIMO Demarre McGill, flute Angelo Xiang Yu, violin What sound does a train make in Brazil? MARH. & B. Hall Recital 26 Hall Anything else by the man who composed The Godfather? University Arts Building What is Soviet jazz? Get your tickets and find out! RENO PHIL ORCHESTRA

First Violin Milena Albrecht Tuba Ruth Lenz*, Concertmaster Barbara McMeen* Russ Dickman*, Principal Dagenais Smiley, Acting Associate Angelese Pepper Concertmaster Karen Stout-Gardner* Timpani Olga Archdekin* Robert Lightfoot*, Principal Laura Ahn* Bass Lucie Zalesakova Scott Faulkner*, Principal Percussion Alison Harvey Alec Mariani, Acting Assistant Principal Eric Middleton*, Principal Mutsuko Tatman Brad Lund* Carol Colwell Claire Tatman* Julie Machado* Sharon Hickox Jenna Bauer Lani Oelerich* Karen Vibe Virginia Bowman Engrid Barnett* Bijou Bell Rose Sciaroni Nancy Hoffman* Laurentiu Norocel Harp Heather Gage Flute Marina Roznitovsky Oster*, Principal Anna Washburn Mary Miller*, Principal Mary Ann Lazzari* Piano Second Violin Nancy Marfisi James Winn*, Principal Calvin Lewis*, Acting Principal Second Ellen Flanagan*, Acting Assistant Oboe Principal Second Neil Tatman*, Principal *denotes contract player David Haskins* Aaron Hill Sarah Coyl* Valerie Nelson* Clarinet Patrick Woodard Joshua Anderson* Principal Bruce McBeth Karl Busch Jason Fromme Ivanka Dill Bassoon Paula Lenz* Jeff Leep*, Principal Manal Toppozada Eric Fassbender* Jessica Escobar Horn Viola John Lenz*, Principal Dustin Robert Budish*, Principal Natalie Higgins Kati Wentink, Acting Assistant Principal Peter N. Adlish* Ivo Bokulic Kevin Miescke Peter Jandula-Hudson Bruce Kanzelmeyer Evan Buttemer Zachary Hansen Trumpet Nathaniel Sattler Paul Lenz*, Principal Catherine Matovich Jef Derderian Tim Young Jon Bhatia

Cello Trombone Peter Lenz*, Principal Jim Albrecht*, Principal Robin Bonnell*, Assistant Principal Joe Peterson* Luciana Gallo* Andrew Williams* Seth Russell MUSICIAN SPOTLIGHT JOSHUA ANDERSON, CLARINET

What year did you join the orchestra? If you could meet one composer/ 2018 musician, who would it be and why? Johannes Brahms because he lived How long have you been playing such a unique and private life. He was music? known to burn his personal letters and I started playing the piano when I was any compositions he was unhappy four years old and began playing the with to protect his privacy and legacy. clarinet when I was twelve years old. I would love to go with him on one of How did you pick your instrument? his frequent walks in the woods and I desperately wanted to play the oboe, learn more about the man behind such but my band director refused to tune profound music. two beginning oboes in his band. My What is your favorite vacation spot? mother had an old clarinet in the closet, Anywhere quiet with beautiful so I settled on that. landscapes and no cell reception.

Occupation? (If applicable) What do you think the audience Assistant Professor of Music at the would find surprising about you? University of Nevada, Reno. Probably the extent of my obsession When you’re not playing with the with houseplants. For example, I Reno Phil, what would we most likely currently have a pumpkin plant vining see you doing in your free time? across my living room. I would likely be taking care of my What about performing live music numerous houseplants, experimenting brings you joy? with my 3D printer, or playing video There is something magical about games with my friends. the exchange of energy between an What genre of music are you most audience and a performer. My joy excited to play? comes from having the opportunity to I am very passionate about classical make something new and unique and music, the Romantic era specifically. getting the chance to say something no Anything by Brahms and I’ll be happy. one else has ever expressed in the same way before. What is your favorite piece of all time to play, and why? The Brahms Quintet for clarinet and string quartet. Brahms is the composer I hold dearest to my heart and this piece is one of the last that he wrote during his lifetime. It is filled with such longing and yet surrounded by the deep peace of a life well-lived. GUEST SOLOIST ANDREW VON OEYEN, PIANO

Hailed worldwide for his elegant and insightful interpretations, balanced artistry and brilliant technique, Andrew Von Oeyen has established himself as one of the most captivating pianists of his generation. Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has extended his interpretive voice to a broad spectrum of repertoire as both a soloist and recitalist. He has collaborated with such ensembles as the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, National Symphony, Detroit Symphony, Saint Louis Symphony, Seattle Symphony, Dallas Symphony, Atlanta Symphony, Cincinnati Symphony, Mariinsky Orchestra, Berlin Symphony Orchestra, New Japan Philharmonic, Singapore Symphony, Grant Park Orchestra, Ravinia Festival Orchestra, Vancouver Symphony, Utah Symphony, Orchestre Symphonique de Marseille, Geneva D.C., Boston’s Symphony Hall, Zürich’s his piano studies at age 5 and made Chamber Orchestra, Spoleto USA Tonhalle, Moscow’s Tchaikovsky Hall, his solo orchestral debut at age 10. An Orchestra, Slovenian Philharmonic and St. Petersburg’s Philharmonia, Dublin’s alumnus of Columbia University and Slovak Philharmonic. As both soloist National Concert Hall, Royce Hall in graduate of The Juilliard School, where and conductor he has led concerti and Los Angeles, Herbst Theater in San his principal teachers were Herbert orchestral works by Haydn, Mozart, Francisco, Spivey Hall in Atlanta, Sala Stessin and Jerome Lowenthal, he Beethoven, Ravel and Kurt Weill. On São Paulo, Teatro Olimpico in Rome, in July 4, 2009, he performed at the U.S. Mexico City, Hanoi, Macau, and in every also worked with Alfred Brendel and Capitol with the National Symphony in major concert hall of Japan and South Leon Fleisher. He won the prestigious “A Capitol Fourth,” reaching millions Korea. Festival appearances include Gilmore Young Artist Award in 1999 worldwide in the multi-award winning Aspen, Ravinia, Grant Park, Mainly and also took First Prize in the Leni PBS live telecast. Mozart, Saratoga, Spoleto, Brevard, Fe Bland Foundation National Piano Chautauqua and the Mariinsky’s “Stars of Competition in 2001. Mr. von Oeyen Mr. von Oeyen has appeared in recital lives in Paris and Los Angeles. at Wigmore Hall and Barbican Hall in the White Nights.” London, Lincoln Center in New York, Mr. von Oeyen, of German and Dutch the Kennedy Center in Washington, origin, was born in the U.S. He began RENO JAZZ FESTIVAL 2020 • UNR.EDU/RJF

JAZZMEIA HORN JOEL ROSS FRIDAY, APRIL 24, 7:30 PM THURSDAY, APRIL 23, 7:30 PM LAWLOR EVENTS CENTER NIGHTINGALE CONCERT HALL

“ WITHOUT A DOUBT AMONG THE JAZZ WORLD’S MOST EXCITING YOUNG “ [ROSS IS A] BRIGHT YOUNG VIBRAPHONIST ON HIS OWN ROCKET-LIKE VOCALISTS… HER SOUND IS EXPLOSIVE AND BRIGHT AND RICH… ” TRAJECTORY... HE’S SOMEBODY I’LL KEEP MY EYE ON… ” — Billboard Magazine — Nate Chinen, The New York Times Ruth Lenz in 2005, 2010, and 2018. FROM THE ORCHESTRA CELEBRATING 10 YEARS WITH CONCERTMASTER RUTH LENZ

Ruth always has a handy joke... some not to be repeated at family gatherings. She is a funny funny girl! “ – Catherine Matovich, Viola”

Ruth Lenz is one of the kindest people I know. She plays like a goddess (and has ever since she was a teenager), “but I have never seen her show arrogance or attitude to anyone. Reno is so lucky to have her! ” – Jim Winn

Ruth and I got to spend a few days together playing String Quartets with Brian and “Rebecca Shuldt of the Felici Trio in the beautiful Mammoth Lakes area. It was (and always is) memorable to play chamber music with Ruth but it was more awesome to have one on one time with Ruth and talk about life, food and the inevitable – music. Ruth dragged me outdoors and introduced me to the insanely beautiful Convict Lake. There are so many wonderful things to say about the amazing human being that is the Ruth Lenz! She is one of the most down-to-earth, compassionate, and kind people I know. And her violin playing is pretty good, too! ” – Dustin Budish, Principal Viola Dustin Budish and Ruth Lenz Ruth Lenz is a big-league talent. One of the great joys of my life is “when top international musicians discover and discuss what a fantastic player she is. One example: I think it was the second Nevada Chamber Music Festival. Longtime principal violist of the legendary Cleveland Orchestra, Robert Vernon, came out of his first rehearsal of a quartet in which Ruth was a member and said, “Who is Ruth Lenz and what in the world is she doing here!?” She could be playing anywhere in the world. I hope that our community fully realizes how fortunate we are that she chooses to live and perform here. – Scott” Faulkner, Principal Bass Scott Faulkner and Ruth Lenz

What do I love about Ruth? Well, because she is my niece, I’m bound by law to love her. :) Seriously though, she is “one of the most naturally gifted musicians I’ve ever known and her tone always hits the right spot with me. – Peter Lenz, Principal Cello”

Jessica Escobar, Ruth Lenz and Josef Špaček Ruth Lenz in the Nutcracker Pit, 2019 Ruthie is quite possibly the kindest, gentlest, most nurturing soul I have ever known in my life. Soft-spoken and “unassuming with an impish sense of humor, I think her humility and groundedness are the emotional foundation behind how beautifully, organically, and expressively she plays the violin, as well as how tenderly and lovingly she raises her children and treats all creatures. She doesn’t see things like rank, social standing, or anything other than the person you are. She loves animals, plants, and people, and knows so much about the natural world and our part of it. I cherish all the time we have spent and will continue to spend together, be it on long walks through the neighborhoods along the river, at summertime food trucks, at each other’s homes with friends and family, or just kidding around backstage as she ALWAYS walks in right in the middle of me saying something that sounds completely outrageous out of context and then she dies laughing in that easy and spontaneous way of hers. It’s a running joke of ours that we are going to compile them all into a compendium of randomness and ridiculousness... if only we could ever remember to write them down! Happy 10-year concertmaster anniversary to my beautiful friend who sparkles and shines just as much off the stage as she does on it. Reno is so lucky to have you, Ruthie! ” – Jessica Escobar, Violin TIRED OF READING IN THE DARK?

Check out our new podcast Inside the Music: The Reno Phil Podcast for all you need to know about our upcoming concerts. Featuring musical Wine Dinner Series insights from Laura Jackson and fascinating historical context from UPCOMING 2020 program note author, Chris Morrison. WINE DINNER EVENTS

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Phil celebrates the GET TICKETS TODAY AT ELDORADORENO.COM iconic characters and legendary sounds that defined the 775-786-5700 Biggest Little City.

JULY 11th, 2020 | Wingfield Park Tickets and Sponsorships: RenoPhil.com classix series SCHEHERAZADE

Approximate duration:19 minutes Franz LISZT Approximate duration:23 minutes Jennifer HIGDON Celebrating hertenthseasonasconcertmasteroftheRenoPhil Ruth Lenz|Violin Andrew vonOeyen|Piano Reno PhilOrchestra Sunday, March 22,2020 Saturday, March 21,2020 51ST SEASON,2019-2020 RENO PHILORCHESTRA LAURA JACKSON,MUSICDIRECTOR performance. Photography orvideorecordingperformance. intheconcert hallisstrictly prohibited. Please be considerateof thosearound off youbyturning cellphonesand electronic devices duringthe Approximate duration:42minutes Nikolai RIMSKY-KORSAKOW LAURA JACKSONCONDUCTING Live at the Pioneer Center for the PerformingArts PioneerCenterforthe Live atthe The Scheherazade concertsare generously sponsored byIGT. Scheherazade isgenerously sponsored byKaren &Karen Vibe Goody. Piano ConcertoNo.1isgenerously sponsored Yundt. byBill Guest art ist Andrew vonOeyenisgenerously sponsored Ackley. byMadeline

-TWENTY MINUTEINTERMISSION-

Scheherazade, Op.35(1888) All ThingsMajestic(2011) Piano ConcertoNo.1inE-flatmajor(1849) IV. Cathedrals III. SnakeRiver II. StringLake I. Teton Range by abronze horseman.Conclusion. The shipbrakesagainstacliff sur IV. FestivalatBaghdad. III. TheYoung PrinceandPrincess II. TheKalandarPrince I. TheSeaandSinbad’s ship IV. Allegr III. Allegretto vivace–Allegr II. Quasiadagio I. Allegro maestoso

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PROGRAM NOTES

“Having grown up in the shadow of the boldness, and the solidity with which ALL THINGS Smoky Mountains, and having hiked they fill the ground and air; the second, MAJESTIC many of our parks, I have come to the the lakes and the exquisite mirror- conclusion that the National Parks are quality of reflection upon their serene Composed: 2011 one of America’s greatest treasures. So surfaces; the third, the rapid flow Duration: 23 minutes when asked by the Grand Teton Music and unpredictability of the rivers and Instrumentation: 2 flutes, 2 oboes, Festival if I would compose a work streams … ever-changing and powerful, 2 clarinets, 2 bassoons, 4 horns, to commemorate the Festival’s 50th yet at times, gentle; the final movement 3 trumpets, 3 trombones, tuba, harp, anniversary, I jumped at the chance. All pictures the experience of being in celesta, timpani, percussion, strings Things Majestic is a tribute to not only the parks, as in a vast cathedral … the the Festival and its home, the Tetons, beauty of small details such as flowers All Things Majestic was commissioned by but also to the grandeur and majesty of and plants, within the larger picture the Grand Teton Music Festival – which all of our parks. of forests and fields … every part takes place every summer in Jackson contributing to the sheer majesty.” Hole, near the border of Wyoming and “In this work, each movement Idaho – as part of the celebration of its represents a musical postcard: the fiftieth anniversary. Higdon has written first, the grandeur of the mountain the following about her work: ranges, with their size and sheer

Jennifer Higdon Born: December 31, 1962, Brooklyn, New York Jennifer Higdon is one of America’s most acclaimed and frequently performed living composers. She received the 2010 Pulitzer Prize in Music for her Violin Concerto, a 2010 Grammy for her Percussion Concerto, and a 2018 Grammy for her Viola Concerto. Most recently, Higdon received the Nemmers Prize from Northwestern University, given to contemporary classical composers of exceptional achievement who have significantly influenced the field of composition. Higdon enjoys several hundred performances a year of her works, and blue cathedral is one of today’s most performed contemporary orchestral works. Her music has been recorded on more than sixty CDs. Higdon’s first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere, and its recording was nominated for two Grammy awards. Dr. Higdon holds the Rock Chair in Composition at The Curtis Institute of Music in Philadelphia. Her music is published exclusively by Lawdon Press. of melodies recur throughout the work, virtuoso cadenza. The mood turns lyrical PIANO CONCERTO constantly taking on new forms. Take as the piano meditates on the opening the idea that opens the Concerto: heard theme, joined eventually by the clarinet. NO. 1 IN E-FLAT initially as an imperious gesture for the A blustery episode and another mellow MAJOR strings, followed by a two-note answer interlude are rounded off by a gentle run Composed: 1830-49 from woodwinds and brass, this melody is up the piano that leads into the second heard again, gently, in the first movement, movement. A peaceful theme, heard first Duration: 19 minutes in lyrical and aggressive guises in the in the strings, is tenderly elaborated on Instrumentation: piccolo, 2 flutes, third, and powerfully in the fourth. by the piano. The mood turns tense and 2 oboes, 2 clarinets, 2 bassoons, 2 horns, passionate in a central section, before 2 trumpets, 3 trombones, timpani, It is said that Liszt and his son-in-law, woodwinds take up a new theme backed percussion, strings, solo piano the famous conductor-pianist Hans von delicately by piano and strings. Bülow, came up with somewhat mocking Initial sketches for the Piano Concerto words for this opening theme: “Das The playful scherzo is announced by the No. 1 date back to 1830, when Liszt was versteht ihr alle nicht, haha!” (“None of triangle, whose prominence throughout a nineteen year old student. Most of the you understands this, ha ha!”) Perhaps the movement led the Viennese critic work on the Concerto (including some this was their way of acknowledging that Eduard Hanslick to dub the work “The orchestration help from his students) was there is more substance in this Concerto Triangle Concerto.” The finale, in march done in the late 1840s, with revisions in than the surface flash might indicate. rhythm, recaps and develops ideas from 1853 and after its premiere, on February the previous movements, all weaved 17, 1855 in Weimar, with Liszt as soloist Flash and fireworks there are – together by the active piano. What and Hector Berlioz conducting. thundering octaves and arpeggios Robert Schumann said more generally from the pianist, portentous brass and about Liszt’s playing applies here: “Within Nominally in four connected movements, lively march rhythms from the orchestra. a few seconds tenderness, boldness, the Concerto feels like a coherent Most of these are evident in the first exquisiteness, wildness succeed one whole, due partly to Liszt’s technique of movement. After the opening gesture another; the instrument glows and flashes “thematic transformation.” A handful mentioned above, the piano has a under the master’s hands…” Franz Liszt Born: October 22, 1811, Raiding, Hungary (now Austria) Died: July 31, 1886, Bayreuth, Germany

Liszt was one of the nineteenth century’s most famous musicians, renowned for his extravagant stage presence, his formidable piano technique (he is regarded as one of the greatest pianists of all time), the riotous enthusiasm of his audiences, his colorful and sometimes progressive compositions, his generosity, and his occasional romantic dalliances. He started playing piano at age five, and played his first public concert at nine. Later, in Vienna, he received instruction from Carl Czerny (student of Beethoven) and Antonio Salieri. By the 1830s, Liszt was known all over Europe as a piano virtuoso. In 1848 he settled in Weimar, where he conducted the court orchestra and composed prolifically. In the 1850s, Liszt turned increasingly to religious music, and even took the minor orders of the Catholic Church in 1865. Liszt wrote hundreds of pieces for solo piano as well as twelve symphonic poems, two piano concertos, and many choral works. PROGRAM NOTES CONTINUED

SCHEHERAZADE, OP. 35 Composed: 1888 Duration: 42 minutes Orchestration: 2 flutes (one doubling piccolo), piccolo, 2 oboes (one doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp, strings Composed in a mere three weeks during a summer vacation in 1888, Scheherazade takes its inspiration from One Thousand and One Nights (or The Arabian Nights), a collection, assembled over centuries by many authors and translators, of tales from sources ranging from North Africa and across Asia to India and China. Many of these, such as the legends of Aladdin and Sinbad and “Ali Baba and the Forty Thieves,” have remained popular Nikolai Rimsky- to the present day. Rimsky-Korsakov described the Korsakov collection’s, and his own work’s, Born: March 18, 1844, Tikhvin, Russia framing scenario: “The Sultan Died: June 21, 1908, Lyubensk, Russia Schahriar, persuaded of the falseness and faithlessness of women, has Rimsky-Korsakov originally chose a naval career – as a sailor, he visited sworn to put to death each one of the United States, Brazil, Spain, England, Scandinavia, and more. But his wives after the first night. But the music, in which he was largely self-educated, lured him away, and by his Sultana Scheherazade saved her life mid-twenties he was hired at the St. Petersburg Conservatory, where he by interesting him in tales she told taught to the end of his life. As a teacher, he worked with the likes of Igor him during 1,001 nights. Pricked by Stravinsky, Ottorino Respighi, and Sergei Prokofiev, and authored one of curiosity, the Sultan put off his wife’s the authoritative textbooks on orchestration. He also became a leading execution from day to day, and at last light in the “Mighty Five” of Russian nationalist composers that included gave up entirely his bloody plan.” Mily Balakirev, Alexander Borodin, César Cui, and Modest Mussorgsky. Rimsky-Korsakov didn’t intend for his Rimsky-Korsakov was fascinated with folklore and exoticism, evident in music to be detailed in its depictions many of his fifteen operas, like The Tale of Tsar Saltan (the source of two of the stories he chose. “All I desired,” of the most famous minutes in music, “The Flight of the Bumble Bee”), as he wrote, “was that the hearer, if he well as his best-known work, the symphonic suite Scheherazade. liked my piece as symphonic music, should carry away the impression that it performed magic tricks in exchange Baghdad – The Sea,” a grumpy Sultan is beyond a doubt an Oriental narrative for money or an evening’s lodging – in is calmed by Scheherazade’s story of of some numerous and varied fairy-tale order to carry on his search for wisdom. a boisterous festival. The festival ends wonders…” A melancholy bassoon theme evokes the suddenly, though, and we’re out at prince, and a new theme in the strings sea once again. A ship rocks violently “The Sea and Sinbad’s Ship” opens the takes him on his journey. According to in the storm, as the woodwinds and work. Grim chords from the trombones the composer, in a more militant version brass evoke the wind and waves. In represent the dark-tempered Sultan, for the brass of the Sultan’s theme “one a mighty orchestral crash, described and a sensuous solo violin represents might see a fight,” and a subsequent by the composer as “The Ship Breaks Scheherazade as she tells her stories. passage with piccolo and other Against a Cliff Surmounted by a Bronze We then hear, in the cellos and violas, woodwinds and accompanying pizzicato Horseman,” the ship strikes the rocky the swelling of the sea and crashing string chords calls to mind “Sinbad’s shore and sinks. As the storm calms, we of the waves as we travel with Sinbad mighty bird, the Roc.” hear one last time the themes of the the Sailor. Some have suggested that Sultan and Scheherazade, the latter in the composer’s years as a naval officer The third movement depicts “The the solo violin’s highest harmonics, as may have led to his beginning, and Young Prince and the Young Princess,” she finally wins over the Sultan’s heart ending, his suite with evocations of the said to be “created so much alike and is allowed a peaceful night’s sleep. sea. In the second movement, “The that they might be taken for twins.” Story of the Kalender Prince,” a noble In this short love scene, the Prince is prince disguises himself as a Kalender heard in the strings, the Princess in the – a roving monk who told stories and flute. In the concluding “Festival at

Chris Morrison is Content Coordinator and Producer at KNCJ Public Radio. For the Reno Philharmonic Orchestra, he writes program notes, co-hosts pre-concert talks, and produces “Inside the Music: The Reno Phil Podcast.” He worked with the Reno Chamber Orchestra for twenty years, including nearly three years as its Executive Director, and still writes program notes for them. For nearly thirty years, he was an announcer at public radio station KUNR. He has also worked at the Nevada Museum of Art, and taught Music Appreciation at the University of Nevada, Reno and Truckee Meadows Community College. Anne Beroza & Allen Spirytus Janet & David Berry THE GIFT OF MUSIC Allen Black & Nancy Northrup The Reno Phil recognizes and thanks our generous donors for their support. 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EDUCATION Heather Gage, Education & Community Engagement Director Modern David Haskins, Youth Ensembles Manager DEVELOPMENT & MARKETING Tuscan Michael Hicks, Development Director Evelyn Klatt, Marketing Director Cuisine Amanda Marvel, Box Office Manager & Volunteer Coordinator Jaclyn Raley, Development & Marketing Coordinator TUESDAY-SATURDAY OPERATIONS 4:30 pm - 9:00 pm Virginia Bowman, Operations Manager SUNDAY BRUNCH Eric Skye, Stage Manager from 10 am Mary Miller, Orchestra Personnel Manager Kasey Smith, Chorus Manager 725 S CENTER ST - RENO, NV Rachel Perkins, Orchestra Librarian ph. 775-360-5175 www.calafuriareno.com

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©2019 Coldwell Banker Real Estate LLC. All Rights Reserved. Coldwell Banker Real Estate LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each Ofﬁce Is Independently Owned And Operated. Coldwell Banker and the Coldwell Banker Logo are registered service marks owned by Coldwell Banker Real Estate LLC. CREATE YOUR Snell & Wilmer is proud MUSICAL LEGACY to support the arts. The Reno Phil is building an endowment to keep the organization the musical heartbeat of the region over the coming decades and to inspire future generations. A special “thanks” to the following patrons who have made a current endowment gift, or future commitment Partner Jacey Prupas through a bequest or some other type of legacy gift. serves on the

FOUNDING GIFTS LEGACY COMMITMENT Vicki & Jack Barneson Ronald L. & Madeline Ackley Reno Philharmonic’s Reed Bingham Harlan O. & Barbara R. Hall Doloris Darden Gretchen M. Hass Jack Fegely James R. & Mary Ann Kidder board of directors. Nancy & John Flanigan Edgar F. & Ella C. Kleiner The Conrad N. Hilton Foundation Susan J. Krump Charles Mathewson Warren and Janet Lerude Dr. & Mrs. Joseph Elia Lawrence & Moira Lieberman Hancock Family Trust Chris & Parky May Webster Family Trust John McCall John Perduk

RECEIVED GIFTS Brett & Sarah Porter TM Nancy P. & Robert A. Cashell, Sr. Glenda Price Committed to being your perfect fit. Diane McCall Jane Raley Nancy J. Pearl Robert L. Seale Millard G. Reed Lash & Gigi Turville Hilda Wunner Karen Vibe swlaw.com Stephen D. Williams As of August 2, 2019 Tim Young

When donors make a legacy commitment, they are JACEY PRUPAS | 775.785.5408 | [email protected] enrolled in the Dr. Gilbert & Elizabeth Lenz Legacy Society through which they’ll receive invitations to special events and recognition in publications. Of 50 WEST LIBERTY STREET | SUITE 510 | RENO, NV 89501 course, donors have the choice to remain anonymous. For information on how you can include the Reno Phil in ALBUQUERQUE | BOISE | DENVER | LAS VEGAS your will, or through another legacy gift, contact: LOS ANGELES | LOS CABOS | ORANGE COUNTY | PHOENIX Tim Young Michael Hicks (775) 323-6393 x 110 (775) 323-6393 x 105 RENO | SALT LAKE CITY | TUCSON | WASHINGTON, D.C. [email protected] [email protected] FAMILY RECIPES. MADE FROM SCRATCH.

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We’ve got you covered. Fifty Years of the Reno Philharmonic Since the beginning of the 21st century, symphony orchestras across America have either reduced their seasons or ultimately closed their doors. Against Serving Northern Nevada Since 1981 these great odds, the Reno Philharmonic Association celebrated its 50th anniversary in 2018. This commemorative work tells the story of the first 50 years of the Reno Philharmonic based on interviews with more than 200 people, including conductors, orchestra and chorus members, management, donors, trustees, and audience members. Author Judith F. Simpson also draws on research from newspaper articles, photos, and old concert programs to tell this fascinating tale.

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Thank you for all that you do!

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PRIORITY SEATING – Subscriber seats PRE-SALE & SUBSCRIBER ONLY TICKET TURNBACKS – Donate unused are locked in before the general public EVENT ACCESS – Be first in line for tickets back to support the orchestra for concerts all year long and attend special a tax-deductible contribution! SAME SEATS – Keep your ‘Sweet Spot’ events Throughout the Season SUPPORT THE ARTS IN NORTHERN FREE TICKET EXCHANGES – Flexibility NEVADA – The support of our SERIOUS SAVINGS – Save up to 30% if your schedule changes subscribers fuels the organization and by subscribing for the whole season ensures its future! SHARE YOUR TICKETS – If you are NO FEES – Subscribers avoid traveling or unable to attend processing and convenience fees YOU’LL LOVE Ask a volunteer in the lobby about subscriptions, call 775.323.6393, or BEING A RENO visit renophil.com/performances/tickets/subscriptions/ to learn more. PHIL SUBSCRIBER! THE ARTS ARE THE ENGINE MOVING OUR COMMUNITY. DO YOU HAVE BACK PAIN THAT IMPACTS YOUR DAILY LIFE? Know when to call a specialist

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