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Oeuvres Pour Orchestre Des Compositrices D’Aujourd’Hui

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OEUVRES POUR ORCHESTRE DES COMPOSITRICES D’AUJOURD’HUI Recensement des œuvres symphoniques avec un effectif supérieur ou égal à 32 instrumentistes avec ou sans solistes (instrumentaux et/ou vocaux) Réalisé par le CDMC - Centre de Documentation de la Musique Contemporaine conjointement avec l’AFO - Association Française des Orchestres, Plurielles 34, et Futurs Composés, Réseau National de la Création Musicale JUIN 2020 © CDMC, AFO, Plurielles 34 et Futurs Composés - Juin 2020 ŒUVRES POUR ORCHESTRE DES COMPOSITRICES D’AUJOURD’HUI : UN OUTIL DE RÉFÉRENCE UNIQUE, UN ENJEU DE VISIBILITÉ, D’ACCÈS À LA CONNAISSANCE ET DE VALORISATION Afin d’encourager les orchestres et les programmateurs à diffuser les œuvres symphoniques de compositrices, le CDMC, conjointement avec l’AFO (Association Française des Orchestres), Plurielles 34 (association française des compositrices du XXIe siècle, ayant pour but de les rendre plus visibles et de promouvoir leurs œuvres) et Futurs Composés, Réseau National de la Création Musicale, a recensé les œuvres symphoniques pour un effectif de plus de 32 instrumentistes, avec ou sans solistes (instrumentaux et/ou vocaux), écrites par des compositrices en activité. Diverses sources ont été utilisées : le catalogue du CDMC, le repérage réalisé par Plurielles 34, les brochures de saison et matériels des orchestres permanents, ainsi que les sites des compositrices et des éditeurs. Cet outil permet de répondre à trois enjeux : Un enjeu de visibilité : près de 500 œuvres de plus de 70 compositrices en activité repérées. Un enjeu d’accès à la connaissance : outil de référence, il permet de rechercher des œuvres (tris possibles par effectif, présence d’un soliste, éditeur, durée de l’œuvre, etc.) et d’accéder à la partition et/ou l’enregistrement pour près d’un tiers d’entre elles. Un enjeu de valorisation : outil unique pour encourager la diffusion et diversifier les programmations, il est à disposition des professionnels, notamment les responsables d’orchestres et de lieux de diffusion, ainsi que les programmateurs des festivals. Il s’adresse aussi aux solistes et enseignants pour découvrir du répertoire d’aujourd’hui, ainsi qu’aux labels audiovisuels et éditeurs pour contribuer à la pérennité de ces œuvres. Plus d’informations : AFO : [email protected] ou 01 42 80 26 27 - CDMC : [email protected] ou 01 47 15 49 86 Futurs Composés : [email protected] ou 01 77 32 23 19 - Plurielles 34 : [email protected] © CDMC, AFO, Plurielles 34 et Futurs Composés - Juin 2020 2 OEUVRES POUR ORCHESTRE DES COMPOSITRICES D’AUJOURD’HUI Effectif supérieur ou égal à 32 instrumentistes avec ou sans solistes (instrumentaux et/ou vocaux) NOM, PRÉNOM TITRE DE L’ŒUVRE DURÉE DATE CRÉATION DE L’OEUVRE VOIX INSTRUMENT(S) FORMATION ÉDITEUR LOCALISATION SOLISTE(S) SOLISTE(S) DE COMPOSITION AUERBACH Lera Concerto pour piano et 44’ 2015 24/11/2015; Lera Auerbach; 1 Piano Orch: 3.3.3.3 / 4.3.3.1 / 5 Sikorski orchestre Stuttgart Philharmonic, dir: Dan Ettiger; Perc, Timb / Cél / Hp / Allemagne, Stuttgart Cordes AUERBACH Lera Concerto pour violon et 28’ 2003 22/02/2004; Philippe Quint; American Youth 1 Violon Orch: 2.2.2.2 / 4.-.-.- / Sikorski orchestre n°1 Symphony, dir: Alexander Treger; USA, Los Perc / Pno, Cél / Hp / Angeles Cordes AUERBACH Lera Concerto pour violon et 14’ 2004 21/09/2004; Kanazawa Akiko Suwanai; 1 Violon Orch: 2.2.2.2 / 2.2.-.- / Sikorski orchestre n°2 Orchestra Ensemble Kanazawa, dir: Hiroyuki Perc/ Cél / Cordes Iwaki AUERBACH Lera De Profundis, concerto 36’ 2015 27/03/2015; Vadim Repin; 1 Violon Orch: 2.2.2.2 / 2.1.1.1 / 2 Sikorski pour violon et orchestre Novosibirsk Philharmonic Orchestra, dir: Dmitri Perc, Timb / Pno, Cél / Hp n°3 Jurowsky; Russie, Novosibirsk / Cordes AUERBACH Lera Dialogue with time 8’ 1997 13/02/2007; Chicago Symphony Orchestra of the Orch: 3.3.3.3 / 4.3.3.1 / 3 Sikorski Chicago College of Performing Arts, dir: Stephen Perc, Timb / Pno, Cél / Hp Squires / 16.14.12.10.8 AUERBACH Lera Double concerto pour 31’ 1997 13/12/2006; Vadim Gluzman; Angela Joffe; 1 Violon Orch: 3.3.2.2 / 4.3.2.1 / 3 Sikorski violon, piano et orchestre Radio-Sinfonieorchester des SWR, dir: Andrey 1 Piano Perc / 16.14.12.10.8 Boreyko; Allemagne, Stuttgart AUERBACH Lera Dream and whispers of 16’ 2005 29/03/2005; American Youth Symphony, Orch: 3.3.4.3 / 4.3.3.1 / 4 Sikorski Poséidon dir: Alexander Treger; USA, Los Angeles Perc, Timb / Pno, Cél, Clavecin, Orgue / 2 Hp / Theremin / 16.14.12.10.8 (+ continuo ad lib: Vln, Alto, Vibra et Cordes) AUERBACH Lera Evas Klage 13’ 2019 24/10/2019; ORF Radio-Symphonieorchester Orch: 2.2.2.2 / 2.1.1.1 / 3 Sikorski Wien, dir: Marin Alsop; Autriche, Vienne, Perc, Timb / Ondes Konzerthaus Wien Martenot / Hp / Cordes AUERBACH Lera Icarus 12’ 2011 18/07/2011; Verbier Festival Orchestra, Orch: 3.3.3.3 / 4.3.3.1 / 5 Sikorski Radio France dir: Neeme Järvi; Suisse, Verbier, Festival de Perc, Timb / Pno, Cél / 2 [Loc] Verbier Hp / Cordes AUERBACH Lera NYX: fractured dreams, 30’ 2017 01/03/2017; Leonidas Kavakos; New 1 Violon Orch: 3.2.2.2 / 2.1.2.1 / 4 Sikorski concerto pour violon et York Philharmonic, dir: Alan Gilbert; USA, New Perc, Timb / Pno, Cél / Hp orchestre n°4 York, David Geffen Hall / Cordes AUERBACH Lera Post silentium 18’ 2012 01/07/2012; Sächsische Staatkapelle Dresden, 3.3.3.3 / 4.3.3.1 / Perc, Sikorski dir: Sakari Oramo; Allemagne, Dresde Timb / Pno, Cél, Clavecin / Hp / Cordes AUERBACH Lera Symphonie n°1, Chimera 40’ 2006 10/11/2006; Düsseldorfer Symphoniker, 3.3.3.3 / 4.3.3.1 / 4 Perc, Sikorski Radio France dir: John Fiore; Allemagne, Düsseldorf, Tonhalle Timb / Pno, Cél, Clavecin [Loc] / 2 Hp / Cordes BABA Noriko Klartraum 9’ 2010 13/11/2010; Orchestre Pasdeloup, dir: Wolfgang Orchestre Inédit Doerner; France, Paris, Festival de Paris BABA Noriko Shôjô, pour flûte et 6’ 2005 05/11/2005; Sarah Louvion; Orchestre 1 Flûte 2.2.2.2 / 2.-.-.- / 2 Perc / Inédit orchestre Pasdeloup; France, Paris Hp / 10.8.6.4.3 BALCH Katherine Artifacts, concerto pour 23’ 2019 05/05/2019; California Symphony Orchestra; 1 Violon 2.2.2.2 / 4.2.2.1 / 2 Perc, Inédit violon et orchestre dir: Donato Cabrera; USA Timb / Cordes BALCH Katherine Chamber music 11’ 2018 29/09/2018; Oregon Symphony Orchestra; 3.2.2.2 / 4.2.2.1 / 3 Perc, Inédit dir: Jun Märkl Timb / Pno / Hp / Cordes BALCH Katherine Drift 10’ 2017 06/2017; Albany Symphony Orchestra; dir: David 3.3.3.2 / 4.3.2.1 / 3 Perc, Inédit Allen Miller; USA Timb / Hp / Cordes © CDMC, AFO, Plurielles 34 et Futurs Composés - Juin 2020 3 BALCH Katherine Epiphyte 12’ 2013 New York Youth Symphony 1 Piano 2.2.2.2 / 4.2.2.1 / 3 Perc, Inédit Timb / Cél / Hp / Cordes BALCH Katherine Leaf catalogue 9’ 2015 Yale Philharmonia 2.2.2.2 / 4.2.2.1 / 2 Perc, Inédit Timb / Pno / Hp / Cordes BALCH Katherine Leaf fabric 14’ 2017 07/09/2017; Tokyo Symphony Orchestra; 2.2.2.2 / 4.2.2.1 / 2 Perc, Inédit Radio France dir: Ilan Volkov Timb / Pno / Hp / Cordes [Loc] BALCH Katherine Like a broken clock 8’30 2018 03/05/2018; California Symphony Orchestra; 2.2.2.2 / 4.2.2.1 / Timb / Inédit dir: Donato Cabrera Cordes BALCH Katherine Passacaglia 13’ 2013 New England Conservatory Philharmonic 2.2.2.2 / 4.2.2.1 / 2 Perc, Inédit (création radiophonique) Timb / Pno / Hp / Cordes BALCH Katherine Twin compasses 6’30 2012 New England Conservatory Philharmonic 2.2.2.2 / 4.2.2.1 / 3 Perc, Inédit (création radiophonique) Timb / Cél / Hp / Cordes BARREAU Gisèle Océanes 23’45 1976 09/03/1977; Orchestre du CNSM de Paris Orchestre symphonique Inédit CDMC (effectif: 88) BARREAU Gisèle Sterne 20’10 1983 03/12/1983; Nouvel Orchestre Philharmonique Orchestre symphonique Inédit CDMC de Radio France (effectif: 97) BASCHET Ante prima 6’30 2010 12/11/2010; Orchestre Philharmonique de 3.3.3.3 / 4.3.3.1 / Perc, Jobert Florence Cottbus; dir: Evan Christ; Allemagne, Cottbus Timb / Hp / 12.10.8.7.6 BASCHET Laps 1996 2.2.2.2 / 2.2.-.- / 2 Perc / Inédit Florence 8.6.5.4.2 BINGHAM Judith Beyond redemption 27’ 1995 09/02/1996; BBC Philharmonic Orchestra; 4.2.1 (+ 1 Sax) .3 / 2.3.4.1 Peters dir: Yann Pascal Tortier; Royaume Uni, / Perc, Timb / Hp / Cordes Manchester, Free Trade Hall BINGHAM Judith Celticity 11’ 2012 25/07/2012; National Youth Orchestra of Wales; 2.2.2.2 / 4.3.3.1 / 3 Perc / Peters dir: Carlo Rizzi 2 Hp / Cordes BINGHAM Judith Chartres 36’ 1988 10/11/1993; BBC Philharmonic Orchestra; 2.2.3.3 / 4.3.3.- / 2 Perc / Peters dir: Jane Glover; Royaume Uni, BBC 2 Hp / Cordes Manchester BINGHAM Judith The shooting star 18’ 1999 11/02/2000; Mark O’Keeffe; BBC Scottish 1 Trompette 3.-.1.2 / 4.--.1 / 3 Perc / Peters Symphony Orchestra; dir: Rumon Gamba; Cél / Hp / Cordes Royaume Uni, Glasgow BINGHAM Judith The temple at Karnak 13’ 1996 02/10/1996; Bournemouth Symphony Orchestra; 3.3.3.3 / 4.3.3.1 / 3 Perc, Peters dir: Yakov Kreizberg; Royaume Uni, Poole, Timb / Cél / Hp / Cordes Wessex Hall BINGHAM Judith Variations on “Down 20’ 2004 13/08/2004; Philharmonia Orchestra; dir: Martyn 2.2.2.2 / 4.3.3.1 / 2 Perc, Peters Ampney” - Hymnody Brabbins; Royaume Uni, Gloucester Cathedral Timb / Hp / Cordes BINGHAM Judith Walzerspiele, A Viennese 10’ 1999 27/04/1999; dir: Barry Wordsworth; Royaume 2-2-2-1 / 4-3-2-1 / 3 Perc, Peters fantasy for orchestra Uni, Londres Timb / Cél / Hp / Cordes BRENET Thérèse Ces hautes mélodies 13’40 2007 1 Alto 2.2.3.2 / 4.3.3.1 / 2 Perc, Musik Fabrik dans le paradis que nous 1 Violoncelle Timb / Cordes avons perdu BRENET Thérèse Chant des mondes (Le) 35’ 1969 07/11/1972; Orchestre Radio-Symphonique de 1 Récitant 1 Piano Orchestre Symphonique Choudens CDMC Strasbourg (effectif: 92)
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  • The San Francisco Symphony Announces Summer Season

    The San Francisco Symphony Announces Summer Season

    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / JUNE 3, 2021 THE SAN FRANCISCO SYMPHONY ANNOUNCES SUMMER SEASON WITH CONCERTS IN DAVIES SYMPHONY HALL AND OUTDOOR PERFORMANCES AT SIGMUND STERN GROVE AND FROST AMPHITHEATER, JULY 2–AUGUST 13, 2021 ON JULY 4, THE SF SYMPHONY PERFORMS A FREE CONCERT AT SIGMUND STERN GROVE WITH EDWIN OUTWATER CONDUCTING SF SYMPHONY PERFORMS FIVE SATURDAY NIGHT CONCERTS AT FROST AMPHITHEATER, PRESENTED BY STANFORD LIVE, JULY 10–AUGUST 7 Music Director Esa-Pekka Salonen conducts the SF Symphony in concerts at Davies Symphony Hall on July 9 & 16 and at Frost Amphitheater on July 10 & 17 SAN FRANCISCO, CA—The San Francisco Symphony today announced programming for its summer season, featuring a free Fourth of July concert at Sigmund Stern Grove and performances at Davies Symphony Hall and Stanford University’s Frost Amphitheater, July 2–August 13. The Symphony’s summer season features performances conducted by Music Director Esa-Pekka Salonen, as well as guest conductors Edwin Outwater, Michael Morgan, Lina González-Granados, and Xian Zhang. Featured soloists include pianists Aaron Diehl and George Li, cellist Pablo Ferrández, and SF Symphony musicians Mark Inouye, Principal Trumpet, and Carey Bell, Principal Clarinet. Each week’s program is presented twice—first at Davies Symphony Hall and the following evening at Frost Amphitheater, with one repeat performance at Stern Grove Festival on July 4. Tickets for concerts at Davies Symphony Hall can be purchased starting June 11 at 10am online via sfsymphony.org or by calling the San Francisco Symphony Box Office at 415-864-6000; tickets for concerts at Frost Amphitheater can be purchased via Stanford Live here; and tickets for the free performance at Sigmund Stern Grove can be reserved here.
  • Jennifer Higdon-Large Full

    Jennifer Higdon-Large Full

    Pulitzer Prize and two-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Her works represent a wide range of genres, from orchestral to chamber, to wind ensemble, as well as vocal, choral and opera. Her music has been hailed by Fanfare Magazine as having “the distinction of being at once complex, sophisticated but readily accessible emotionally”, with the Times of London citing it as “…traditionally rooted, yet imbued with integrity and freshness.” The League of American Orchestras reports that she is one of America's most frequently performed composers. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President’s Own Marine Band. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award’s history. Performances of Cold Mountain sold out its premiere run in Santa Fe, North Carolina, and Philadelphia (becoming the third highest selling opera in Opera Philadelphia’s history).