Witchcraft, Oracles and Magic Among the Azande PDF Book
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Explored Countless Lab- Oratories, Interviewed a Myriad of Scientists, and Prepared Thousands of News Releases, Feature Articles, Web Sites, and Multimedia Packages
Explaining Research This page intentionally left blank Explaining Research How to Reach Key Audiences to Advance Your Work Dennis Meredith 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2010 by Dennis Meredith Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Meredith, Dennis. Explaining research : how to reach key audiences to advance your work / Dennis Meredith. p. cm. Includes bibliographical references and index. ISBN 978-0-19-973205-0 (pbk.) 1. Communication in science. 2. Research. I. Title. Q223.M399 2010 507.2–dc22 2009031328 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper To my mother, Mary Gurvis Meredith. She gave me the words. This page intentionally left blank You do not really understand something unless you can explain it to your grandmother. -
Climate Wars Science and Its Disputers Oprah's Gullibility How
SI M/A 2010 Cover V1:SI JF 10 V1 1/22/10 12:59 PM Page 1 MARTIN GARDNER ON JAMES ARTHUR RAY | JOE NICKELL ON JOHN EDWARD | 16 NEW CSI FELLOWS THE MAG A ZINE FOR SCI ENCE AND REA SON Vol ume 34, No. 2 • March / April 2010 • INTRODUCTORY PRICE U.S. and Canada $4.95 Climate Wars Science and Its Disputers Oprah’s Gullibility How Should Skeptics Deal with Cranks? Why Witchcraft Persists SI March April 2010 pgs_SI J A 2009 1/22/10 4:19 PM Page 2 Formerly the Committee For the SCientiFiC inveStigation oF ClaimS oF the Paranormal (CSiCoP) at the Cen ter For in quiry/tranSnational A Paul Kurtz, Founder and Chairman Emeritus Joe Nickell, Senior Research Fellow Richard Schroeder, Chairman Massimo Polidoro, Research Fellow Ronald A. Lindsay, President and CEO Benjamin Radford, Research Fellow Bar ry Karr, Ex ec u tive Di rect or Richard Wiseman, Research Fellow James E. Al cock, psy chol o gist, York Univ., Tor on to David J. Helfand, professor of astronomy, John Pau los, math e ma ti cian, Tem ple Univ. Mar cia An gell, M.D., former ed i tor-in-chief, New Columbia Univ. Stev en Pink er, cog ni tive sci en tist, Harvard Eng land Jour nal of Med i cine Doug las R. Hof stad ter, pro fes sor of hu man un der - Mas si mo Pol id oro, sci ence writer, au thor, Steph en Bar rett, M.D., psy chi a trist, au thor, stand ing and cog ni tive sci ence, In di ana Univ. -
List of Phobias and Simple Cures.Pdf
Phobia This article is about the clinical psychology. For other uses, see Phobia (disambiguation). A phobia (from the Greek: φόβος, Phóbos, meaning "fear" or "morbid fear") is, when used in the context of clinical psychology, a type of anxiety disorder, usually defined as a persistent fear of an object or situation in which the sufferer commits to great lengths in avoiding, typically disproportional to the actual danger posed, often being recognized as irrational. In the event the phobia cannot be avoided entirely the sufferer will endure the situation or object with marked distress and significant interference in social or occupational activities.[1] The terms distress and impairment as defined by the Diagnostic and Statistical Manual of Mental Disorders, Fourth Edition (DSM-IV-TR) should also take into account the context of the sufferer's environment if attempting a diagnosis. The DSM-IV-TR states that if a phobic stimulus, whether it be an object or a social situation, is absent entirely in an environment - a diagnosis cannot be made. An example of this situation would be an individual who has a fear of mice (Suriphobia) but lives in an area devoid of mice. Even though the concept of mice causes marked distress and impairment within the individual, because the individual does not encounter mice in the environment no actual distress or impairment is ever experienced. Proximity and the degree to which escape from the phobic stimulus should also be considered. As the sufferer approaches a phobic stimulus, anxiety levels increase (e.g. as one gets closer to a snake, fear increases in ophidiophobia), and the degree to which escape of the phobic stimulus is limited and has the effect of varying the intensity of fear in instances such as riding an elevator (e.g. -
Architecture and Meaning in the Structure of Stonehenge, Wiltshire, UK Timothy Darvill
Houses of the Holy: architecture and meaning in the structure of Stonehenge, Wiltshire, UK Timothy Darvill Timothy Darvill is Professor of Archaeology in the Department of Archaeology, Anthropology and Forensic Science, Bournemouth University, UK. His research interests lie in the Neolithic of Northwest Europe and in archaeological resource management, and he has carried out fieldwork in Germany, Russia, Malta, England, Wales, and the Isle of Man. In 2008, together with Geoff Wainwright, he undertook excavations inside the stone circles at Stonehenge as part of ongoing research into the links between Stonehenge and the sources of the Bluestones in the Preseli Hills of southwest Wales. He is a member of the Editorial Advisory Board of Time & Mind. [email protected]. Abstract Stonehenge in central southern England is internationally known. Recent re-evaluations of its date and construction sequence provides an opportunity to review the meaning and purpose of key structural components. Here it is argued that the central stone structures did not have a single purpose but rather embody a series of symbolic representations. During the early third millennium this included a square-in- circle motif representing a sacred house or ‘big house’ edged by the five Sarsen Trilithons. During the late third millennium BC, as house styles changed, some of the stones were re-arranged to form a central oval setting that perpetuated the idea of the a sacred dwelling. The Sarsen Circle may have embodied a time- reckoning system based on the lunar month. From about 2500 BC more than 80 bluestones were brought to the site from sources in the Preseli Hills of west Wales about 220km distant. -
1 the Material Culture of Post-Medieval Domestic Magic In
Accepted Manuscript. Book chapter (https://doi.org/10.30965/9783846757253_017) published in The Materiality of Magic (https://doi.org/10.30965/9783846757253), Wilhelm Fink Verlag, 10 May 2019. The Material Culture of Post-Medieval Domestic Magic in Europe: Evidence, Comparisons, and Interpretations Owen Davies1 In his retirement the Deputy Director of the Museum of London and specialist on Roman London, Ralph Merrifield (1913-1995), wrote a book entitled The Archaeology of Ritual and Magic (1987) that drew upon his note-making during some forty years in the museums services of south-eastern England. With his interest in folklore and religion, Merrifield was curious about odd finds found in odd locations, from sites dating from the Roman period through to the twentieth century, which were ignored by academic archaeologists and were a puzzle to the museums that received them. Shoes buried in walls, animal bones under hearthstones, bent coins and tokens found on the Thames foreshore, chickens found in wall cavities. Was it all rubbish? Did these stray finds have any meaning? Merrifield had eclectic interests and by his retirement he had accumulated a large file of miscellaneous information. “Getting this into order not only revealed new complexities and some unexpected relationships, together with a number of curious survivals,” he explained, “but also made it necessary to reconsider the theoretical basis of interpretation.”2 The unexpected relationships were revealed by Merrifield’s comparison of artefacts and deposition behaviour across two millennia, an approach that was highly original for the time – and remains so today. He was also in the early vanguard of archaeologists interested in the “archaeology of the mind” or cognitive archaeology, and in particular the study of pervasive ritual in prehistory and early history, interests he noted that potentially marked one out as within the “loony fringe” of archaeology at the time. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ■UMIAccessing the World's Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8820367 Aesthetics and politics of fascism: West German women filmmakers in the nineteen seventies Weinberger, Gabriele W., Ph.D. The Ohio State University, 1988 Copyright ©1989 by Weinberger, Gabriele W. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
A Witch Bottle from the Judges Lodging, York, and Its 16Th and 17Th Century Context By
A Witch Bottle from the Judges Lodging, York And its 16th and 17th Century Context An Insight Report By Martin Whittaker ©York Archaeological Trust for Excavation and Research (2016) Contents 1. BACKGROUND ................................................................................................................................ 3 2. EARLY MODERN DEVELOPMENT OF LENDAL AND BLAKE STREET ................................................. 4 3. WITCH BOTTLES AND DISTRIBUTION ............................................................................................. 6 4. FUNCTION AND USE OF WITCH BOTTLES ....................................................................................... 8 5. WITCH BOTTLES AND SOCIETY IN THE 16TH-17TH CENTURIES. ...................................................... 8 6. BIBLIOGRAPHY .............................................................................................................................. 12 7. ACKNOWLEDGEMENTS ................................................................................................................ 13 Figures FIGURE 1: JUDGES LODGINGS WITCH BOTTLE, A 16TH CENTURY STONEWARE FLASK. © YORK ARCHAEOLOGICAL TRUST. ....................................................................................................................................... 3 FIGURE 2: X–RADIOGRAPH OF THE FLASK DETAILING COPPER ALLOY PINS IN NECK. © YORK ARCHAEOLOGICAL TRUST. 4 FIGURE 3: LENDAL STREET FROM THE SOUTH, KNOWN IN THE 16TH-17TH CENTURIES AS OLD CONEY STREET. TAKEN BY AUTHOR. ............................................................................................................................... -
Oxford by the Numbers: What Are the Odds That the Earl of Oxford Could Have Written Shakespeare’S Poems and Plays?
OXFORD BY THE NUMBERS: WHAT ARE THE ODDS THAT THE EARL OF OXFORD COULD HAVE WRITTEN SHAKESPEARE’S POEMS AND PLAYS? WARD E.Y. ELLIOTT AND ROBERT J. VALENZA* Alan Nelson and Steven May, the two leading Oxford documents scholars in the world, have shown that, although many documents connect William Shakspere of Stratford to Shakespeare’s poems and plays, no documents make a similar connection for Oxford. The documents, they say, support Shakespeare, not Oxford. Our internal- evidence stylometric tests provide no support for Oxford. In terms of quantifiable stylistic attributes, Oxford’s verse and Shakespeare’s verse are light years apart. The odds that either could have written the other’s work are much lower than the odds of getting hit by lightning. Several of Shakespeare’s stylistic habits did change during his writing lifetime and continued to change years after Oxford’s death. Oxfordian efforts to fix this problem by conjecturally re-dating the plays twelve years earlier have not helped his case. The re-datings are likewise ill- documented or undocumented, and even if they were substantiated, they would only make Oxford’s stylistic mismatches with early Shakespeare more glaring. Some Oxfordians now concede that Oxford differs from Shakespeare but argue that the differences are developmental, like those between a caterpillar and a butterfly. This argument is neither documented nor plausible. It asks us to believe, without supporting evidence, that at age forty-three, Oxford abruptly changed seven to nine of his previously constant writing habits to match those of Shakespeare and then froze all but four habits again into Shakespeare’s likeness for the rest of his writing days. -
A Performance Genealogy of "Etchings of Debutantes" Melanie A
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 A performance genealogy of "Etchings of Debutantes" Melanie A. Kitchens Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Communication Commons Recommended Citation Kitchens, Melanie A., "A performance genealogy of "Etchings of Debutantes"" (2004). LSU Master's Theses. 4011. https://digitalcommons.lsu.edu/gradschool_theses/4011 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A PERFORMANCE GENEALOGY OF ETCHINGS OF DEBUTANTES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Communication Studies by Melanie Kitchens B.A. Theatre, Georgia Southern University, 2001 December 2004 Acknowledgements My humblest thanks to all those involved in this process. Namely, Alice, Amy, Andy, Angela, Anne, Andrew, Bella, Ben, Bridgette, Brittany, Bruce, Carlton, Caroline, Carrie, Connie, Danielle, Danny, Dianne, Doris, Drew, Dan Paul, David, Don, Doug, Dudley, Eric, Gary, Ginger, Gretchen, Holly, Ivy, Jane, Jessica, Jim, Jimbo, Jim, Joan, Joe, Joey, Joseph, Jon, Josh, Justin, Kristen, Lisa, Linda, Mabel, Madison, Maggie, Marie, Mary Grace, Michael, Miles, Miron, Missy, Molly, Nancy, Necie, Nick, Odessa, Pam, Patti, Ralph, Rob, Ruth, Sarah, Scott, Suzanna, Tom, Tracy, Trish, and Tyler. -
Structure, Narrative and Nation in Tourist Performances in Salem, Ma
TRUTH, JUSTICE AND THE AMERICAN WAY: STRUCTURE, NARRATIVE AND NATION IN TOURIST PERFORMANCES IN SALEM, MA Benjamin Grantham Aldred Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Departments of Folklore and American Studies Indiana University June 2009 Aldred ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee Sandra K. Dolby, Ph.D., Co-chair Henry Glassie, PhD. Roger Janelli, PhD., Co-chair Pravina Shukla, PhD. Matthew Guterl, PhD. March 23rd, 2009 Aldred iii © 2009 Benjamin Grantham Aldred ALL RIGHTS RESERVED Aldred iv Dedicated to Sarah Osbourne, Roger Toothaker, Ann Foster, Lydia Dustin and the unnamed daughter of Sarah Good, for whom there were no trials. Aldred v ACKNOWLEDGEMENTS Even given a work as oriented towards the original and personal as a dissertation, nothing is created without support. I would like to thank the following people for their aid in creation. This work would not have been possible without the inspiration of my colleagues. Linda Lee, whose presentation on the Witch Trials Memorial a week before my American Studies qualifying exams, oriented me towards Salem and whose master‘s thesis helped me clarify my thoughts. My friend and colleague John Sumner Majer provided me with the language and translation for historia, which helped orient my thoughts. And my colleagues Adam Zolkover and David Higgins both helped me form my conceptions of Folklore and American Studies as disciplines. This work would have been equally impossible without those professors who have supported me throughout my academic career. -
The Tradition of Household Spirits
Lecouteux SPIRITUALITY/FOLKLORE $16.95 “There is no other author alive who so thoroughly examines the subject as Claude Lecouteux.” REBECCA ELSON, publisher/writer of The Magical Buffet website Why do we hang horseshoes for good luck or place wreaths on our doors? Why does the groom carry his new bride over the threshold? These customs represent the last vestiges from a long, rich history of honoring the spirits of our homes. They show that a house is more than a building: it is a living being with a body and soul. Examining the extensive traditions surrounding houses from medieval times The Tradition of Household Spirits to the present, Claude Lecouteux reveals that, before we entered the current era of frequent moves and modular housing, moving largely from the countryside into cities, humanity had an extremely sacred relationship with their homes and all the spirits who lived there alongside them—from the spirit of the house itself to the mischievous elves, fairies, and imps who visited, invited or not. He shows how every aspect of constructing and keeping a house involved rites, ceremony, cus- toms, and taboos to appease the spirits, including the choice of a building lot and the very materials with which it was built. Uncovering the lost meaning behind door and window placement, the hearth, and the threshold, Lecouteux shares many tales of house spirits, from the offerings used to cajole the local land spirit into becoming the domestic house spirit to the good and bad luck bestowed upon those who seek the help of the “Little Money Man.” He draws on studies and classic literature from old Europe—from Celtic lands and Scandinavia to France and Germany to the far eastern borders of Europe and into Russia—to explain the pagan roots behind many of these traditions. -
LIST of PHOBIAS Presented By: the Post Apocalyptic Forge Source
LIST OF PHOBIAS Presented by: The Post Apocalyptic Forge Source: http://www.phobialist.com/index.html A- Ablutophobia- Fear of washing or bathing. Acarophobia- Fear of itching or of the insects that cause itching. Acerophobia- Fear of sourness. Achluophobia- Fear of darkness. Acousticophobia- Fear of noise. Acrophobia- Fear of heights. Aerophobia- Fear of drafts, air swallowing, or airbourne noxious substances. Aeroacrophobia- Fear of open high places. Aeronausiphobia- Fear of vomiting secondary to airsickness. Agateophobia- Fear of insanity. Agliophobia- Fear of pain. Agoraphobia- Fear of open spaces or of being in crowded, public places like markets. Fear of leaving a safe place. Agraphobia- Fear of sexual abuse. Agrizoophobia- Fear of wild animals. Agyrophobia- Fear of streets or crossing the street. Aichmophobia- Fear of needles or pointed objects. Ailurophobia- Fear of cats. Albuminurophobia- Fear of kidney disease. Alektorophobia- Fear of chickens. Algophobia- Fear of pain. Alliumphobia- Fear of garlic. Allodoxaphobia- Fear of opinions. Altophobia- Fear of heights. Amathophobia- Fear of dust. Amaxophobia- Fear of riding in a car. Ambulophobia- Fear of walking. Amnesiphobia- Fear of amnesia. Amychophobia- Fear of scratches or being scratched. Anablephobia- Fear of looking up. Ancraophobia- Fear of wind. (Anemophobia) Androphobia- Fear of men. Anemophobia- Fear of air drafts or wind.(Ancraophobia) Anginophobia- Fear of angina, choking or narrowness. Anglophobia- Fear of England or English culture, etc. Angrophobia - Fear of anger or of becoming angry. Ankylophobia- Fear of immobility of a joint. Anthrophobia or Anthophobia- Fear of flowers. Anthropophobia- Fear of people or society. Antlophobia- Fear of floods. Anuptaphobia- Fear of staying single. Apeirophobia- Fear of infinity. Aphenphosmphobia- Fear of being touched.