Conserving the Palestinian Architectural Heritage
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A Mosque Between Significance and Style
Arts & Architecture A Mosque Between Significance and Style AKEL ISMAIL KAHERA The style of Quranic inscriptions on a The meaning and interpretation of in the development of masjid architec- North American masjid (mosque) in the inscriptions on a mosque in North ture in America.1The first historical doc- North America represents a dialogue America provide some insights into the ument about the Washington masjid between two equally valid frames of concomitant qualities of belief, order, space, was published by Muhammad Abdul- reference; the tradition of Islamic art, and form. Mosque inscriptions reveal the Rauf (1978), former Imam of the Islamic and the Muslim Diaspora. The Islamic American Muslim community’s concern Center of Washington DC; it explained Center of Washington DC represents with the expressive nuances of Islamic art the intriguing history of the building. one of many interesting examples of and architecture, for this community has More recent publications are intended the use of inscriptions in North Amer- long recognized that the extreme stylistic to enable art historians to understand ica. Conceived in 1949, the building characteristics of an inscription—except the “pluralistic” genres of the North was inaugurated by President Eisen- with little variation—can be expressed American community and the complex hower in 1957. The principal client was in any medium. features of aesthetics treatment.2 a Palestinian Muslim, but the financial The genre of aesthetic features em- sponsors of the building were several Muslim ambassadors from the ployed in the Washington masjid can best be understood by studying Middle East, Turkey, and the Indian subcontinent, who were assigned the inscriptions that depict both meaning and style. -
110 111 2013 AWARD RECIPIENT Revitalisation of Birzeit Historic Centre
REVITALISATION OF BIRZEIT HISTORIC CENTRE Birzeit, Palestine 110 REVITALISATION OF BIRZEIT HISTORIC CENTRE 2013 AWARD RECIPIENT 111 conservation, revitalisation, community participation and activism, legislative REVITALISATION OF reform and lobbying, publicity, job training and public awareness pro- BIRZEIT HISTORIC CENTRE grammes. Since 2007, the cornerstone and guiding strategy of its activities Birzeit, Palestine has been the “50 Villages” programme – an ambitious plan to save select villages where an estimated 50% of the surviving historic structures of Palestine are located: part of the group’s wide-ranging vision for a continuous Palestinian cultural landscape, against the fragmentation of the post-Oslo The Palestinian town of Birzeit in the central West Bank is located 11 kilometres period. The vast majority of Palestinians live in the rural B areas, under very north of Ramallah and 25 kilometres north of Jerusalem. Its historic centre difficult economic circumstances. By focusing on villages, Riwaq realised covers about four hectares, extending approximately 290 metres from east that it could save much of Palestine’s remaining heritage, and at the same to west. The town stands at 780 metres above sea level and is surrounded time have the greatest socio-economic impact. Conservation would create by hills, predominantly terraced for agricultural use and, in particular, for olive jobs, revitalise local workshops and, ultimately, spark interest and investment groves. In fact, the name of the town reflects the historical importance in historic village centres. The historic centre of Birzeit, largely intact of olive cultivation and pressing since bir zeit refers to the olive-oil storage though much degraded, was the pilot project for the “50 Villages” programme. -
Towards a Deleuzian Approach in Urban Design
Difference and Repetition in Redevelopment Projects for the Al Kadhimiya Historical Site, Baghdad, Iraq: Towards a Deleuzian Approach in Urban Design A Dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN ARCHITECTURE In the School of Architecture and Interior Design Of the college of Design, Architecture, Art, and Planning 2018 By Najlaa K. Kareem Bachelor of Architecture, University of Technology 1999 Master of Science in Urban and Regional Planning, University of Baghdad 2004 Dissertation Committee: Adrian Parr, PhD (Chair) Laura Jenkins, PhD Patrick Snadon, PhD Abstract In his book Difference and Repetition, the French philosopher Gilles Deleuze distinguishes between two theories of repetition, one associated with the ‘Platonic’ theory and the other with the ‘Nietzschean’ theory. Repetition in the ‘Platonic’ theory, via the criterion of accuracy, can be identified as a repetition of homogeneity, using pre-established similitude or identity to repeat the Same, while repetition in the ‘Nietzschean’ theory, via the criterion of authenticity, is aligned with the virtual rather than real, producing simulacra or phantasms as a repetition of heterogeneity. It is argued in this dissertation that the distinction that Deleuze forms between modes of repetition has a vital role in his innovative approaches to the Nietzschean’s notion of ‘eternal return’ as a differential ontology, offering numerous insights into work on issues of homogeneity and heterogeneity in a design process. Deleuze challenges the assumed capture within a conventional perspective by using German philosopher Friedrich Nietzsche’s conception of the ‘eternal return.’ This dissertation aims to question the conventional praxis of architecture and urban design formalisms through the impulse of ‘becoming’ and ‘non- representational’ thinking of Deleuze. -
A Historical Reflection of the University of Rabe Rashidi, Iran
African Journal of History and Culture (AJHC) Vol. 3(9), pp. 140-147, December 2011 Available online at http://www.academicjournals.org/AJHC DOI: 10.5897/AJHC11.032 ISSN 2141-6672 ©2011 Academic Journals Full Length Research Paper A historical reflection of the University of Rabe Rashidi, Iran N. Behboodi 1*, A. Kiani 2, A. Heydari 2 1Department of Archaeology, University of Zabol, Zabol, Iran. 2Department of Geography and Urban Planning, University of Zabol, Zabol, Iran. Accepted 16 November, 2011 Rabe Rashidi has a large collection of academics and residents in the North West of Iran which return to Mughul patriarch periods. It was built in AH 8 century by Rashid al-Din Fadlallah in the government center of Tabriz. Based on proofs, Rashidabad city consist of two separate parts: Rabe Rashidi as one part and Rashidi city as the other part. Rube Rashidi as a castle was located in the central part of the city and it has some functions such as educational, religious and therapeutic. In order to achieve the main purpose of this paper, a reflection was made on the historical University of Rashidi city in ancient Tabriz region. Therefore, in the first stage of this paper, the physical system of Rashidi city was studied. Based on the data achieved from endowment design, a schematic assumption of Rashidi city was made. The methods applied on this research are content analysis and option idea through trial and multiple hypotheses. The analysis of the water supply system in its kind which uniquely helped to form basic fields of the city is schematic. -
Cultural Heritage for the Future
Sida Evaluation 04/30 Cultural Heritage for the Future An Evaluation Report of Nine years’ work by Riwaq for the Palestinian Heritage 1995–2004 Lennart Edlund Department for Democracy and Social Development Cultural Heritage for the Future An Evaluation Report of Nine years’ work by Riwaq for the Palestinian Heritage 1995–2004 Lennart Edlund Sida Evaluation 04/30 Department for Democracy and Social Development This report is part of Sida Evaluations, a series comprising evaluations of Swedish development assistance. Sida’s other series concerned with evaluations, Sida Studies in Evaluation, concerns methodologically oriented studies commissioned by Sida. Both series are administered by the Department for Evaluation and Internal Audit, an independent department reporting directly to Sida’s Board of Directors. This publication can be downloaded/ordered from: http://www.sida.se/publications Author: Lennart Edlund The views and interpretations expressed in this report are the author and do not necessarily reflect those of the Swedish International Development Cooperation Agency, Sida. Sida Evaluation 04/30 Commissioned by Sida, Department for Democracy and Social Development and Department for Africa Copyright: Sida and the author Registration No.: 2003-2425 Date of Final Report: June 2004 Printed by Edita Sverige AB, 2004 Art. no. Sida4374en ISBN 91-586-8494-8 ISSN 1401—0402 SWEDISH INTERNATIONAL DEVELOPMENT COOPERATION AGENCY Address: SE-105 25 Stockholm, Sweden. Office: Sveavägen 20, Stockholm Telephone: +46 (0)8-698 50 00. Telefax: +46 (0)8-20 88 64 E-mail: [email protected]. Homepage: http://www.sida.se Table of Contents Summary ............................................................................................................ 3 1. Background ......................................................................................................... 8 1.1 The threat to cultural heritage............................................................................................ -
Hana Taragan HISTORICAL REFERENCE in MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS's BUILDINGS in PALESTINE
the israeli academic center in cairo ¯È‰˜· Èχ¯˘È‰ ÈÓ„˜‡‰ ÊίӉ Hana Taragan HISTORICAL REFERENCE IN MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS’S BUILDINGS IN PALESTINE Hana Taragan is a lecturer in Islamic art at Tel Aviv University, where she received her Ph.D. in 1992. Her current research concerns Umayyad and Mamluk architecture in Eretz Israel in the medieval period. She is the author of Art and Patronage in the Umayyad Palace in Jericho (in Hebrew) and of numerous articles in the field of Islamic art. In the year 1274, al-Malik al-Zahir also changed a structure’s function Baybars, the first Mamluk ruler of from church to mosque, as he did Palestine (1260–1277), ordered the in Qaqun.5 addition of a riwaq (porch) to the Baybars’s choice of Yavne may tomb of Abu Hurayra in Yavne.1 be explained by the ruin of the The riwaq, featuring a tripartite coastal towns, or by Yavne’s loca- portal and six tiny domes, had two tion on the main road from Cairo arches decorated with cushion to Damascus. However, it seems to voussoirs and one with a zigzag me that above and beyond any frieze (Figure 1). Baybars also strategic and administrative con- installed a dedicatory inscription siderations, Baybars focused on naming himself as builder of the this site in an attempt to exploit riwaq.2 The addition of a portal to Abu Hurayra’s tomb as a means of the existing tomb structure typifies institutionalizing the power of the Baybars’s building policy in Pales- Mamluk dynasty in general and tine. -
Al-Azhar and the Orders of Knowledge
Al-Azhar and the Orders of Knowledge Dahlia El-Tayeb M. Gubara Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Dahlia El-Tayeb M. Gubara All rights reserved ABSTRACT Al-Azhar and the Orders of Knowledge Dahlia El-Tayeb M. Gubara Founded by the Fatimids in 970 A.D., al-Azhar has been described variously as “the great mosque of Islam,” “the brilliant one,” “a great seat of learning…whose light was dimmed.” Yet despite its assumed centrality, the illustrious mosque-seminary has elicited little critical study. The existing historiography largely relies on colonial-nationalist teleologies charting a linear narrative of greatness (the ubiquitous ‘Golden Age’), followed by centuries of decline, until the moment of European-inspired modernization in the late nineteenth century. The temporal grid is in turn plotted along a spatial axis, grounded in a strong centrifugal essentialism that reifies culturalist geographies by positioning Cairo (and al-Azhar) at a center around which faithfully revolve concentric peripheries. Setting its focus on the eighteenth century and beyond, this dissertation investigates the discursive postulates that organize the writing of the history of al-Azhar through textual explorations that pivot in space (between Europe and non-Europe) and time (modernity and pre- modernity). It elucidates shifts in the entanglement of disciplines of knowledge with those of ‘the self’ at a particular historical juncture and location, while paying close attention to the act of reading itself: its centrality as a concept and its multiple forms and possibilities as a method. -
53 Original Article the GREAT MOSQUE of TIZNIT
Egyptian Journal of Archaeological and Restoration Studies An international peer-reviewed journal published bi-annually www.ejars.sohag-univ.edu.eg Original article THE GREAT MOSQUE OF TIZNIT: AN ARCHAEOLOGICAL ARCHITECTURAL STUDY Aglan, A. Islamic Archaeology dept, Faculty of Archaeology, Sohag Univ., Sohag, Egypt E-mail address: [email protected] Article info. EJARS – Vol. 11 (1) – June. 2021: 53-70 Article history: Abstract: Received: 23-9-2020 The great mosque is an important monument in Tiznit because of Accepted: 17-3-2021 its archaeological foundations, historical value, and significant Doi: 10.21608/ejars.2021.179497 scientific prestige. It has all features, including its architectural elements and units, to play its due role. For example, it includes riwaqs for prayer, a minbar (pulpit), a mihrab, a minaret, etc. The Mosque comprises a court, four riwaqs, a room for orator, a room for pulpit, and a minaret. An ablution fountain was attached to the southeast side. The walls were built using Tapia (compressed dry mud), and the ceilings were made of wood. The present study aims to highlight the archaeological and architectural - in addition Keywords: to the religious and scientific- values of the Mosque. This issue Mosque helps keep the mosque with its original architectural elements and Tiznit enhance the tourist attraction of the city. Using the historic, desc- riptive, and analytical approaches, the study describes, documents, Islamic Architecture and analyzes all architectural and decorative elements of the Morocco Architecture mosque. 1. Introduction Tiznit is a town in the southern Moroccan water and many waterholes. The city of region of Souss-Massa. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia
The International Journal of Engineering and Science (IJES) || Volume || 7 || Issue || 12 Ver.I || Pages || PP 08-16 || 2018 || ISSN (e): 2319 – 1813 ISSN (p): 23-19 – 1805 The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia Budiono Sutarjo1, Endang Titi Sunarti Darjosanjoto2, Muhammad Faqih2 1Student of Doctoral Program, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia 2Senior Lecturer, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia Corresponding Author : Budiono Sutarjo --------------------------------------------------------ABSTRACT---------------------------------------------------------- The mosque architecture that deserves to use as a starting point in the analysis of architectural changes in Indonesian mosques is the Wali mosque as an early generation mosque in Indonesia. As a reference, the architectural element characteristic of Wali mosque (local mosque) needs to be known, so that this paper aims to find a description of a local mosque (Wali mosque), and also description of architectural elements of non- local mosques (mosques with foreign cultural context) because one of the causes of changes in mosque architecture is cultural factors. The findings of this paper are expected to be input for further studies on the details of physical changes in the architectural elements of mosques in Indonesia. The study subjects taken were 6 Wali mosques that were widely known by the Indonesian Muslim community as Wali mosques and 6 non-local mosques that were very well known and frequently visited by Indonesian Muslim communities. Data obtained from literature studies, interviews and observations. The analysis is done by sketching from visual data, critiquing data, making interpretations, making comparisons and compiling the chronology of the findings. -
Architecture As a Source for Historical Documentation: the Use Of
Architecture Introduction as a Source Adequate attention has not yet been for Historical given to either Palestine’s material cultural heritage or its spatial and cultural Documentation: landscape. Both constitute important The Use of historical documentation that can serve as a primary resource for the reconstructing Palestine’s Built the past.1 Most researchers and historians Heritage as a continue to pursue written documentation as though it were sacred-this is to a degree Research Tool understandable and is reflected in the 2 Nazmi Al-Ju’beh papers presented at this conference. With the exception of this paper, nothing that is unwritten (except for photographs, if we consider them unwritten, memory and oral history) is being presented at this conference as historical documentation.However it is important to view the creative arts, including Abwein, Ramallah Governorate. architecture and stone carvings (both Source: © Riwaq Photo Archive. ornamental and text-based), as historical [ 48 ] Architecture as a Source for Historical Documentation documents, just like other material remains that constitute material cultural heritage. It is also important to view non-material, spiritual culture such as art and literature as a resource for researching social and cultural history. In many cases, material cultural heritage is in fact a more credible and accurate expression of the “truth” than written heritage. The value of material cultural heritage was not realized in Palestine until recently, which is considerably late even in comparison to neighboring Arab countries. At first, it was Western foreigners who were interested in antiquities and architecture in Palestine particularly from the mid nineteenth century onwards. -
A Study of the Design of Mosques of the Ministry of Awqaf and Islamic AAirs in Kuwait
Kuwait J. Sci. Eng. 29(1) pp.135 - 159, 2002 A study of the design of mosques of the ministry of Awqaf and Islamic aairs in Kuwait OMAR KHATTAB Department of Architecture, Faculty of Engineering & Petroleum, Kuwait University, Kuwait. e-mail:[email protected] ABSTRACT The mosque is the prominent and perhaps only religious building in Islam. It is a building type which often re¯ects the impact of the manifestation of local architectural traditions, which later on formed the core of Islamic architecture. Indeed the mosque is sometimes considered the prime symbol of a country's religious stance, or national identity. In an attempt to assert its national identity, the State of Kuwait has constructed numerous mosques over the past few decades. Through various ministerial agencies, funds were raised for mosque-building schemes. This paper attempts to provide a visual and architectural survey of the mosques built by the Ministry of Awqaf & Islamic Aairs [MAIA] in Kuwait. It investigates the similarities and dierences in the design patterns, and searches for underlying endeavours to create distinctive styles that re¯ect traditional values of Kuwaiti mosque architecture. The primary objective of this paper is to document the design process of MAIA mosques as well as to provide a glimpse of their architectural features. With the intention of searching for underlying similarities and dierences in their design patterns. There are very few documented studies on mosque architecture in general in Kuwait (Al Roumy 1988). But certainly there is no study, whatsoever, on the MAIA mosques. which represent one third of government mosques and around 14% of all existing mosques in Kuwait.