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Conserving the Palestinian Architectural Heritage
Jihad Awad, Int. J. of Herit. Archit., Vol. 1, No. 3 (2017) 451–460 CONSERVING THE PALESTINIAN ARCHITECTURAL HERITAGE JIHAD AWAD Architectural Engineering Department, Ajman University of Science & Technology, United Arab Emirates. ABstract Despite the difficult situation in West Bank, the Palestinians were able to, during the last three decades, preserve a huge part of their architectural heritage. This is mainly due to the notion that this issue was considered as an essential part of the struggle against occupation and necessary to preserve their identity. This paper will concentrate mainly on the conservation efforts and experience in West Bank, Jerusalem, and the Gaza Strip. It covers not only examples from major cities but also some important ones in the villages. Due to the special situation of being occupation, and the absence of a central au- thority responsible for heritage conservation, several entities were established and became involved in conservation, with diverse goals and approaches. Although it started during the last three decades, the Palestinian experience in conservation has received international recognition for some distinguished successful examples. It became in some cases a good reference for others outside Palestine. The main goal of this paper is to present the Palestinian experiment in conservation and to highlight the reasons behind the successful examples and find out the obstacles and difficulties in other cases. It shows that for the Palestinians preserving the architectural heritage became a part of their cultural resistance and efforts to maintain their national identity. This paper depends on a descriptive method based on pub- lications and some site visits, in addition to direct contact with major institutions involved in heritage conservation in Palestine. -
A Mosque Between Significance and Style
Arts & Architecture A Mosque Between Significance and Style AKEL ISMAIL KAHERA The style of Quranic inscriptions on a The meaning and interpretation of in the development of masjid architec- North American masjid (mosque) in the inscriptions on a mosque in North ture in America.1The first historical doc- North America represents a dialogue America provide some insights into the ument about the Washington masjid between two equally valid frames of concomitant qualities of belief, order, space, was published by Muhammad Abdul- reference; the tradition of Islamic art, and form. Mosque inscriptions reveal the Rauf (1978), former Imam of the Islamic and the Muslim Diaspora. The Islamic American Muslim community’s concern Center of Washington DC; it explained Center of Washington DC represents with the expressive nuances of Islamic art the intriguing history of the building. one of many interesting examples of and architecture, for this community has More recent publications are intended the use of inscriptions in North Amer- long recognized that the extreme stylistic to enable art historians to understand ica. Conceived in 1949, the building characteristics of an inscription—except the “pluralistic” genres of the North was inaugurated by President Eisen- with little variation—can be expressed American community and the complex hower in 1957. The principal client was in any medium. features of aesthetics treatment.2 a Palestinian Muslim, but the financial The genre of aesthetic features em- sponsors of the building were several Muslim ambassadors from the ployed in the Washington masjid can best be understood by studying Middle East, Turkey, and the Indian subcontinent, who were assigned the inscriptions that depict both meaning and style. -
A Comparison of the Great Mosque of Cordoba and Notre-Dame-Du-Chartres
Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres Author: Rachel King Persistent link: http://hdl.handle.net/2345/504 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2007 Copyright is held by the author, with all rights reserved, unless otherwise noted. Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres By: Rachel King Advisor: Katherine Nahum Art History May 1, 2007 1 TABLE OF CONTENTS Introduction………………………………………………………………...3 1. History and Culture……………………………………………….......12 2. Form and Function……………………………………………………27 3. Light and Space……………………………………………………….36 4. Narration and Decoration..............................................................49 5. Beauty and Order………………………………………………….….65 Bibliography……………………………………………………………....74 2 INTRODUCTION Rising above the French countryside, with high towers ascending into the sky and graceful buttresses soaring over the ground, the Cathedral of Notre-Dame-du-Chartres cuts a magnificent profile against the French horizon. It is unmistakable, commanding the eye for miles, sitting on the hill like a queen Fig. 1 Notre Dame-du-Chartres Cathedral , aerial view upon a throne. An elegant symphony of glass and stone, the cathedral bridges earth and sky, both literally and symbolically. A miracle of engineering, the cathedral is a testament to human creativity and divine majesty. One thousand miles to the south, the white streets of Cordoba twist and turn until, as if by accident, they stumble upon a magnificent sand colored building hidden behind a grove of trees. The mosque does not rise vertically but stretches horizontally, low to the ground, except for the tall minaret that casts its shadow over the courtyard. -
Towards a Deleuzian Approach in Urban Design
Difference and Repetition in Redevelopment Projects for the Al Kadhimiya Historical Site, Baghdad, Iraq: Towards a Deleuzian Approach in Urban Design A Dissertation submitted to the Graduate School of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN ARCHITECTURE In the School of Architecture and Interior Design Of the college of Design, Architecture, Art, and Planning 2018 By Najlaa K. Kareem Bachelor of Architecture, University of Technology 1999 Master of Science in Urban and Regional Planning, University of Baghdad 2004 Dissertation Committee: Adrian Parr, PhD (Chair) Laura Jenkins, PhD Patrick Snadon, PhD Abstract In his book Difference and Repetition, the French philosopher Gilles Deleuze distinguishes between two theories of repetition, one associated with the ‘Platonic’ theory and the other with the ‘Nietzschean’ theory. Repetition in the ‘Platonic’ theory, via the criterion of accuracy, can be identified as a repetition of homogeneity, using pre-established similitude or identity to repeat the Same, while repetition in the ‘Nietzschean’ theory, via the criterion of authenticity, is aligned with the virtual rather than real, producing simulacra or phantasms as a repetition of heterogeneity. It is argued in this dissertation that the distinction that Deleuze forms between modes of repetition has a vital role in his innovative approaches to the Nietzschean’s notion of ‘eternal return’ as a differential ontology, offering numerous insights into work on issues of homogeneity and heterogeneity in a design process. Deleuze challenges the assumed capture within a conventional perspective by using German philosopher Friedrich Nietzsche’s conception of the ‘eternal return.’ This dissertation aims to question the conventional praxis of architecture and urban design formalisms through the impulse of ‘becoming’ and ‘non- representational’ thinking of Deleuze. -
Depictions of Damnation in the Beatus Manuscripts: Painting Adoptionism As Heresy Kristin A
Lake Forest College Lake Forest College Publications Lake Forest Papers Student Publications Fall 2018 Depictions of Damnation in the Beatus Manuscripts: Painting Adoptionism as Heresy Kristin A. Rawlings Lake Forest College, [email protected] Follow this and additional works at: https://publications.lakeforest.edu/lake_forest_papers Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Christianity Commons, and the Islamic Studies Commons Recommended Citation Rawlings, Kristin A., "Depictions of Damnation in the Beatus Manuscripts: Painting Adoptionism as Heresy" (2018). Lake Forest Papers. https://publications.lakeforest.edu/lake_forest_papers/9 This Article is brought to you for free and open access by the Student Publications at Lake Forest College Publications. It has been accepted for inclusion in Lake Forest Papers by an authorized administrator of Lake Forest College Publications. For more information, please contact [email protected]. Depictions of Damnation in the Beatus Manuscripts: Painting Adoptionism as Heresy Kristin Rawlings ARTH 383: Hell, Damnation, and Romanesque Art Prof. Beth Woodward Depictions of Damnation in the Beatus Manuscripts 1 Depictions of Damnation in the Beatus Manuscripts: Painting Adoptionism as Heresy Early scholarship on the Beatus manuscripts can best be classified as orientalist. Believed1 to be created first2 in medieval Spain by Beatus of Liébana, a monk at the Abbey of Santo Toribio, the Beatus manuscript (also Commentary on the Apocalypse or Apocalypse -
A Historical Reflection of the University of Rabe Rashidi, Iran
African Journal of History and Culture (AJHC) Vol. 3(9), pp. 140-147, December 2011 Available online at http://www.academicjournals.org/AJHC DOI: 10.5897/AJHC11.032 ISSN 2141-6672 ©2011 Academic Journals Full Length Research Paper A historical reflection of the University of Rabe Rashidi, Iran N. Behboodi 1*, A. Kiani 2, A. Heydari 2 1Department of Archaeology, University of Zabol, Zabol, Iran. 2Department of Geography and Urban Planning, University of Zabol, Zabol, Iran. Accepted 16 November, 2011 Rabe Rashidi has a large collection of academics and residents in the North West of Iran which return to Mughul patriarch periods. It was built in AH 8 century by Rashid al-Din Fadlallah in the government center of Tabriz. Based on proofs, Rashidabad city consist of two separate parts: Rabe Rashidi as one part and Rashidi city as the other part. Rube Rashidi as a castle was located in the central part of the city and it has some functions such as educational, religious and therapeutic. In order to achieve the main purpose of this paper, a reflection was made on the historical University of Rashidi city in ancient Tabriz region. Therefore, in the first stage of this paper, the physical system of Rashidi city was studied. Based on the data achieved from endowment design, a schematic assumption of Rashidi city was made. The methods applied on this research are content analysis and option idea through trial and multiple hypotheses. The analysis of the water supply system in its kind which uniquely helped to form basic fields of the city is schematic. -
Hana Taragan HISTORICAL REFERENCE in MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS's BUILDINGS in PALESTINE
the israeli academic center in cairo ¯È‰˜· Èχ¯˘È‰ ÈÓ„˜‡‰ ÊίӉ Hana Taragan HISTORICAL REFERENCE IN MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS’S BUILDINGS IN PALESTINE Hana Taragan is a lecturer in Islamic art at Tel Aviv University, where she received her Ph.D. in 1992. Her current research concerns Umayyad and Mamluk architecture in Eretz Israel in the medieval period. She is the author of Art and Patronage in the Umayyad Palace in Jericho (in Hebrew) and of numerous articles in the field of Islamic art. In the year 1274, al-Malik al-Zahir also changed a structure’s function Baybars, the first Mamluk ruler of from church to mosque, as he did Palestine (1260–1277), ordered the in Qaqun.5 addition of a riwaq (porch) to the Baybars’s choice of Yavne may tomb of Abu Hurayra in Yavne.1 be explained by the ruin of the The riwaq, featuring a tripartite coastal towns, or by Yavne’s loca- portal and six tiny domes, had two tion on the main road from Cairo arches decorated with cushion to Damascus. However, it seems to voussoirs and one with a zigzag me that above and beyond any frieze (Figure 1). Baybars also strategic and administrative con- installed a dedicatory inscription siderations, Baybars focused on naming himself as builder of the this site in an attempt to exploit riwaq.2 The addition of a portal to Abu Hurayra’s tomb as a means of the existing tomb structure typifies institutionalizing the power of the Baybars’s building policy in Pales- Mamluk dynasty in general and tine. -
Al-Azhar and the Orders of Knowledge
Al-Azhar and the Orders of Knowledge Dahlia El-Tayeb M. Gubara Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Dahlia El-Tayeb M. Gubara All rights reserved ABSTRACT Al-Azhar and the Orders of Knowledge Dahlia El-Tayeb M. Gubara Founded by the Fatimids in 970 A.D., al-Azhar has been described variously as “the great mosque of Islam,” “the brilliant one,” “a great seat of learning…whose light was dimmed.” Yet despite its assumed centrality, the illustrious mosque-seminary has elicited little critical study. The existing historiography largely relies on colonial-nationalist teleologies charting a linear narrative of greatness (the ubiquitous ‘Golden Age’), followed by centuries of decline, until the moment of European-inspired modernization in the late nineteenth century. The temporal grid is in turn plotted along a spatial axis, grounded in a strong centrifugal essentialism that reifies culturalist geographies by positioning Cairo (and al-Azhar) at a center around which faithfully revolve concentric peripheries. Setting its focus on the eighteenth century and beyond, this dissertation investigates the discursive postulates that organize the writing of the history of al-Azhar through textual explorations that pivot in space (between Europe and non-Europe) and time (modernity and pre- modernity). It elucidates shifts in the entanglement of disciplines of knowledge with those of ‘the self’ at a particular historical juncture and location, while paying close attention to the act of reading itself: its centrality as a concept and its multiple forms and possibilities as a method. -
Michelle Malham
The Influence of Arabic in Spanish Culture Michelle Malham st nd 1 Major: Business Finance & 2 Major: Film Production Abstract The Study of Language (Continued) The Study of Language (Continued) The objective of my project is to describe the profound One of the identifying characteristics that words integrated during The Moriscos brought many agricultural techniques with them to the Moorish occupation of southern Spain is that they retained the influence of the Arabic culture in Spanish civilization. Spain, which is why many Spanish terms for irrigation are directly "al" prefix on the Arabic words. Arabic and Spanish have many words that sound the taken from the Arabic language.” (Nadeau, 40) Noria- waterwheel same and have similar meanings. Atarjea- duct o COTTON: Arabic: Al-qutun Spanish: algodón Italian: cotone Acequia- irrigation ditch Arcaduz- pipe Another important component of culture is reflected in o SUGAR: Arabic: al-sukkar Spanish: azúcar Italian: zucchero Zanja- ditch a country’s architecture. Lasting Arabic influence in Aljibe- cistern o OTHER words that start with al-: almohaza (currycomb), Azud- weir Southern Spain is seen in The Mezquita (Mosque) of · alhombra (the red one), alguacil(bailiff), alhucema (lavender), Córdoba, the Alcázar (Moorish Palace and Fortress) of Arabs introduced new foods on the Spanish plains. Many Arabs almacén(store), alcancía (box) Seville and Granada, Toledo, which was the medieval leaders were great agronomists, public administrators, and military capital of Spain, and and Hammams (Arab baths) of generals. The resulting influence in the Spanish language is Arabic words inspired many of the names of Spanish cities and Granada. remarkable: (Nadeau, 40) regions. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia
The International Journal of Engineering and Science (IJES) || Volume || 7 || Issue || 12 Ver.I || Pages || PP 08-16 || 2018 || ISSN (e): 2319 – 1813 ISSN (p): 23-19 – 1805 The Elements of Local and Non-Local Mosque Architecture for Analysis of Mosque Architecture Changes in Indonesia Budiono Sutarjo1, Endang Titi Sunarti Darjosanjoto2, Muhammad Faqih2 1Student of Doctoral Program, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia 2Senior Lecturer, Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS), Surabaya, Indonesia Corresponding Author : Budiono Sutarjo --------------------------------------------------------ABSTRACT---------------------------------------------------------- The mosque architecture that deserves to use as a starting point in the analysis of architectural changes in Indonesian mosques is the Wali mosque as an early generation mosque in Indonesia. As a reference, the architectural element characteristic of Wali mosque (local mosque) needs to be known, so that this paper aims to find a description of a local mosque (Wali mosque), and also description of architectural elements of non- local mosques (mosques with foreign cultural context) because one of the causes of changes in mosque architecture is cultural factors. The findings of this paper are expected to be input for further studies on the details of physical changes in the architectural elements of mosques in Indonesia. The study subjects taken were 6 Wali mosques that were widely known by the Indonesian Muslim community as Wali mosques and 6 non-local mosques that were very well known and frequently visited by Indonesian Muslim communities. Data obtained from literature studies, interviews and observations. The analysis is done by sketching from visual data, critiquing data, making interpretations, making comparisons and compiling the chronology of the findings. -
A Study of the Design of Mosques of the Ministry of Awqaf and Islamic AAirs in Kuwait
Kuwait J. Sci. Eng. 29(1) pp.135 - 159, 2002 A study of the design of mosques of the ministry of Awqaf and Islamic aairs in Kuwait OMAR KHATTAB Department of Architecture, Faculty of Engineering & Petroleum, Kuwait University, Kuwait. e-mail:[email protected] ABSTRACT The mosque is the prominent and perhaps only religious building in Islam. It is a building type which often re¯ects the impact of the manifestation of local architectural traditions, which later on formed the core of Islamic architecture. Indeed the mosque is sometimes considered the prime symbol of a country's religious stance, or national identity. In an attempt to assert its national identity, the State of Kuwait has constructed numerous mosques over the past few decades. Through various ministerial agencies, funds were raised for mosque-building schemes. This paper attempts to provide a visual and architectural survey of the mosques built by the Ministry of Awqaf & Islamic Aairs [MAIA] in Kuwait. It investigates the similarities and dierences in the design patterns, and searches for underlying endeavours to create distinctive styles that re¯ect traditional values of Kuwaiti mosque architecture. The primary objective of this paper is to document the design process of MAIA mosques as well as to provide a glimpse of their architectural features. With the intention of searching for underlying similarities and dierences in their design patterns. There are very few documented studies on mosque architecture in general in Kuwait (Al Roumy 1988). But certainly there is no study, whatsoever, on the MAIA mosques. which represent one third of government mosques and around 14% of all existing mosques in Kuwait.