Audrey Hepburn in Paris
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Givenchy Exudes French Elegance at Expo Classic Luxury Brand Showcasing Latest Stylish Products for Chinese Customers
14 | FRANCE SPECIAL Wednesday, November 6, 2019 HONG KONG EDITION | CHINA DAILY Givenchy exudes French elegance at expo Classic luxury brand showcasing latest stylish products for Chinese customers This lipstick is a tribute and hom Givenchy has made longstanding age to the first Rouge Couture lip ties with China and a fresh resonance stick created by Hubert James Taffin in the country. The Mini Eden bag (left) de Givenchy, which had a case and Mini Mystic engraved with multiples 4Gs. History of style handbag are Givenchy’s Thirty years after Givenchy Make The history of Givenchy is a centerpieces at the CIIE. up was created, these two shades also remarkable one. have engraved on them the same 4Gs. The House of Givenchy was found In 1952, Hubert James Taffin de ed by Hubert de Givenchy in 1952. Givenchy debuted a collection of “sep The name came to epitomize stylish arates” — elegant blouses and light elegance, and many celebrities of the skirts with architectural lines. Accom age made Hubert de Givenchy their panied by the most prominent designer of choice. designers of the time, he established When Hubert de Givenchy arrived new standards of elegance and in Paris from the small town of Beau launched his signature fragrance, vais at the age of 17, he knew he want L’Interdit. ed to make a career in fashion design. In 1988, Givenchy joined the He studied at the Ecole des Beaux LVMH Group, where the couturier Arts in Versailles and worked as an remained until he retired in 1995. assistant to the influential designer, Hubert de Givenchy passed away Jacques Fath. -
Givenchy's Red Carpet Legacy
Style Tribute Givenchy’s Red Carpet Legacy A historian notes how Hollywood style stems from the designer’s ‘marriage’ to Audrey Hepburn By Bronwyn Cosgrave n March 10, French master of the little O black dress Hubert de Givenchy died at the age of 91. But his partnership with Audrey Hepburn throughout the 1950s and ’60s forged a bond between Hollywood and haute couture that lives on. 1 Hepburn in a 1958 fitting That legacy was front and center this with designer Givenchy at his Paris atelier. 2 The awards season. Long black dresses — evoca- designer and his muse in 1 1983. 3 The 1970 facade of tive of the dark, languorous Givenchy gown the French fashion house, that Hepburn, as Holly Golightly, wears in which was founded in 1952. the opening scene of her best-known film, Breakfast at Tiffany’s — dominated the run-up 3 to the Oscars as the formal garb of Time’s Up. The protest movement’s sartorial ethos also resonates with Hepburn’s decision to exclusively wear Givenchy onscreen and at the Oscars through much of her career. After she GETTY IMAGES. / visited Givenchy’s Paris atelier in 1953 — to secure him as her designer for Sabrina — she considered his designs to be her uniform. “I felt so good in his clothes,” she once said. Before Hepburn and Givenchy worked GETTY IMAGES. HEAD: PARAMOUNT together, Hollywood’s relationship with the / French fashion industry had proved fractious. 2 For three of his 1930s productions, Samuel Goldwyn paid Coco Chanel $1 million to create costumes. After working with Gloria Swanson on 1931’s Tonight or Never, she severed her a more youthful mode, interpreting the free- “The biggest thing in my life was winning that relationship with the studio. -
THE POLITICS of Fashion Throughout History, the First Lady’S Style Has Made a Statement
THE POLITICS OF Fashion Throughout history, the first lady’s style has made a statement By Johanna Neuman rom the beginning, we have obsessed new country’s more egalitarian inclinations. Martha about their clothes, reading into the Washington dressed simply, but her use of a gilded sartorial choices of America’s first la- coach to make social calls led critics to lament that dies the character of a nation and the she was acting like a queen. Abigail Adams, who had expression of our own ambitions. “We cultivated an appreciation for French fashion, was want them to reflect us but also to reflect glamour,” careful to moderate her tastes but failed to protect Fobserves author Carl Sferrazza Anthony, who has John Adams from criticism that he was a monarchist; studied fashion and the first ladies. “It is always he was defeated for re-election by Thomas Jefferson. said that Mamie Eisenhower reflected what many “These Founding Fathers had deep ancestral and in- Americans were, and Jackie Kennedy reflected what tellectual ties to countries where government lead- many American women wanted to be.” ers’ dress was explicitly understood to In a nation born in rebellion against Jackie Kennedy in Ottawa, reflect and represent their august posi- the king, the instinct among public fig- Canada, in an outfit tions,” says historian Caroline Weber, ures to dress regally clashed with the designed by Oleg Cassini author of Queen of Fashion: What PAUL SCHUTZER—TIME & LIFE PICTURES/GETTY IMAGES SPECIAL COLLECTOR’S EDITION 77 AMERICA’S FIRST LADIES Marie Antoinette Wore to the Revolution (2008). -
Story/Clip English: Writing English: Reading Maths the Gruffalo by Julia Donaldson Pppc8w
Story/Clip English: Writing English: Reading Maths The Gruffalo by Julia Donaldson Using descriptions from mouse to describe The Gruffalo by Julia Donaldson Cooking: https://www.youtube.com/watch?v=s8sU the Gruffalo such as ‘He has terrible tusks, https://www.youtube.com/watch?v=s8sUPpPc8 Make some Purple Prickly pancakes. PpPc8Ws&t=222s (youtube) and terrible claws’ Can they label a picture Ws&t=222s Ingredients: of the Gruffalo? 200g self-raising flour Bear is not tired by Ciara Gavin 1 tbsp golden caster sugar Can you record yourself retelling the story https://www.youtube.com/watch?v=HXfzj24mr 3 eggs of the Gruffalo? Maybe you could slither like H8 25g melted butter a snake or fly around like an owl? I would like 200ml milk to hear some animal noises, maybe small Hibernation station by Michelle Meadows Blueberries pitter patter for the mouse’s footsteps and https://www.youtube.com/watch?v=jdbfXs1JbI https://www.bbcgoodfood.com/recipes/ame big heavy ones for the Gruffalo? Q rican-pancakes It is the Gruffalo’s birthday soon and he Snow rabbit, spring rabbit by Sung Na would like to invite his friends to his party. https://www.youtube.com/watch?v=tnr3eFdVC Can you write one invitation to one of his Z8 friends inviting them to his tea party in the woods? Phonic Bug: https://www.bbc.co.uk/iplayer/episode/b The Hunt 00pk64x/the-gruffalo (BBC Short Choose a page from the book. Can you write Following the clues Movie) some speech bubbles for the characters? Rabbits What might they be saying to each other? https://www.bbc.co.uk/newsround/52153 Problem solving: 696 (Story about social distancing using If the Gruffalo saw 4 owls Monday and 2 on the Gruffalo characters) Tuesday. -
Classic Film Festival October 23-26
University of Minnesota Morris Digital Well University of Minnesota Morris Digital Well Campus News Archive Campus News, Newsletters, and Events 8-19-2003 Classic Film Festival October 23-26 University Relations Follow this and additional works at: https://digitalcommons.morris.umn.edu/urel_news Recommended Citation University Relations, "Classic Film Festival October 23-26" (2003). Campus News Archive. 1873. https://digitalcommons.morris.umn.edu/urel_news/1873 This News Article is brought to you for free and open access by the Campus News, Newsletters, and Events at University of Minnesota Morris Digital Well. It has been accepted for inclusion in Campus News Archive by an authorized administrator of University of Minnesota Morris Digital Well. For more information, please contact [email protected]. Contact Melissa Weber, Director of Communications Phone: 320-589-6414, [email protected] Jenna Ray, Editor/Writer Phone: 320-589-6068, [email protected] Classic Film Festival October 23-26 Summary: (August 19, 2003)-Discover a “classic” movie-viewing experience during the Morris Classic Film Festival to be held at the Morris Theatre October 23-26. The fifth annual Festival, sponsored by the Campus Activities Council Films Committee at the University of Minnesota, Morris, will again offer movies “as they were meant to be seen – on the big screen, in all their glory.” This year's lineup is another eclectic mix of classic films, from the raucous wit of Billy Wilder to the psychological complexity of Alfred Hitchcock. Here are the offerings: Thursday October 23 7pm - Funny Face (C,1957) Audrey Hepburn and Fred Astaire. A young woman agrees to model a line of ultra-chic fashions for a photographer so she can get to Paris to meet the beatnik founder of "empathicalism" (a rejection of all material things). -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Cinematic Fashionability and Images Politics
Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear. -
The Inventory of the Fred Astaire Collection #767
The Inventory of the Fred Astaire Collection #767 Howard Gotlieb Archival Research Center /' Astaire, Fred July, 1980 #767 I. SCRAPBOOKS (All include tearsheets and newsclippings of advertisements; reviews and related stories; newsclippings on Adele Astaire, then Lady Charles Cavendish, and correspondence, Most printed items from U,S, newspaperst some English and AustralianJ Package //1 A. Black leather scrapbook: "Flying Down to Rio" and "Dancing Lady" 1933 0 7 telegrams, 1 TLS incl,: Berman, Pandro telegram Dec, 8, 1933 Brock, Louis (screenwriter) 2 telegrams Nov, 28, Dec. 23, 1933 TLS Nov, 13, 1933 Hayward, Leland (agent, producer) 2 telegrams Nov. 10, Dec. 29, 1933 "Hollywood on the Air". Mimeo typescript. Nov. 4, 1933. 16 p. Schwartz, Arthur (producer, composer) telegram Dec. 25, 1933 Package /12 B. Black scrapbook with tan leather spine: "Follow the Fleet" 1936 Package #3 C. Black leather scrapbook: "Gay Divorce" 1932-1933 (stage production) includes publicity clippings, reviews, photos of theatres (Wilbur in Boston and Ethel Barrymore in New York), box office statement, sheet music, playbills, Theatre World magazine December, 1933, news- clippings on FA's marriage and correspondence. 21 telegrams, 6 TLS, 2 CTL, 1 ALS, incl.: Astaire, Ann (mother) telegram July 13, 1933 Dietz, Howard (librettist) telegram July 12, 1933 Ephraim, Lee 12 telegrams ~fuy 3, May 11, May 23, May 29, May 31, June 3, June 6, June 10, June 19, June 27, July 4, July 11, 1933 5 TLS April 18, May 2, May 12, June 1, June 10, 1933 Fred Astaire Page 2 Package /13 c. "Gay Divorce" 1932-1933 correspondence (cont.) Ephraim, Lee To Claire Luce telegram May 26, 1933 FA to Lee Ephraim CTL May 18, 1933 with Luce, Claire CTL to Fred Astaire May 16, 1933 Hayward, Leland telegram May 18, 1933 Po~ter, Linda (Mrs. -
Suggested Fashion Films and TV
Suggested Fashion Films and TV: • 1800-1850 o Dinner at Eight (1933) o Beau Brumell: This Charming Man (2008) o Letty Lynton (1932) • 1850-1890 o Grand Hotel (1932) o Little Women (1994) o Baby Face (1933) o The Young Victoria (2009) o Atonement (2007, also 1940s) o Mrs. Brown (1997, Netflix) o The Women (1939) o Possession (2002) • 1940s o Gone with the Wind (1939) o Land Girls (Netflix) • 1890s o Home Fires o The Paradise (Netflix) o Mildred Pierce (1945) • 1900s o His Girl Friday (1940, Netflix) Double Indemnity (1944) o Mr. Selfridge o The Big Sleep (1946) o My Fair Lady (1964) o Ball of Fire (1941) o A Room with a View (1986, Netflix) o Key Largo (1948) o Wings of the Dove (1997, Netflx) o Casablanca (1942) o Daughters of the Dust (1991) o o The Philadelphia Story (1940) • 1910s o Now, Voyager (1942) o Downton Abbey (Netflix)-also 1920s o Zoot Suit Riots (documentary, 2002) o Tillie’s Punctured Romance (1914, YouTube) o Malcolm X (1992, also 1950s, 1960s) o The House of Mirth (2000) • 1950s • 1920s o Velvet (Netflix) o Miss. Fisher’s Murder Mysteries (Netflix) o Call the Midwife (Netflix) o Coco Chanel & Igor Stravinsky o How to Marry a Millionaire (1953, Netflix) o Cold Comfort Farm (1995) o An Affair to Remember (1957, Netflix) o The Great Gatsby (2013) o Roman Holiday (1953, Netflix) o The Cat’s Meow (2001) o All that Heaven Allows (1955) o Salome (1923, YouTube) o Far From Heaven (2002) o The House of Elliot o Imitation of Life (1959) o The Wild Party (1929) o Carol (2015) o It (1927) o Funny Face (1957) o Why Change Your Wife (1920, YouTube) o Sabrina (1954) o Our Dancing Daughters (1928) o The Wild One (1953) o Our Modern Maidens (1929) o Rebel Without a Cause (1955) • 1930s o Gentlemen Prefer Blondes (1953) Dancing on the Edge (Netflix) o o All about Eve (1950) o Mildred Pierce (HBO Miniseries, 2011) o Rear Window (1954) o The Divorcee (1930) o Carol (1952) o Madam Satan (1930) • 1960s o Christopher Strong (1933) o Mad Men (Netflix) o Holiday (1938) o The Marvelous Mrs. -
Stanley Donen, ‘Master of the Musical’ Who Directed ‘Singin’ in the Rain,’ Dies at 94
LOG IN Stanley Donen, ‘Master of the Musical’ Who Directed ‘Singin’ in the Rain,’ Dies at 94 Stanley Donen in 1958. He directed some of Hollywood’s most beloved musicals, including “On the Town” (1949). Ronald Grant Archive, via Alamy By Richard Severo Feb. 23, 2019 Stanley Donen, who directed Fred Astaire dancing on the ceiling, Gene Kelly singing in the rain and a host of other sparkling moments from some of Hollywood’s greatest musicals, died on Thursday in Manhattan. He was 94. His son, Mark Donen, confirmed the death. Stanley Donen brought a certain charm and elegance to the silver screen in the late 1940s through the 1950s, at a time when Hollywood was soaked in glamour and the big studio movies were polished to a sheen. “For a time, Donen epitomized Hollywood style,” Tad Friend wrote in The New Yorker in 2003. Mr. Donen, he wrote, “made the world of champagne fountains and pillbox hats look enchanting, which is much harder than it sounds.” Mr. Donen worked with some of the most illustrious figures of his era: from Astaire and Kelly to Cary Grant and Audrey Hepburn. He also worked with Leonard Bernstein, the lyricist Alan Jay Lerner and the writing team of Comden and Green, not to mention Frank Sinatra and Elizabeth Taylor. Mr. Donen’s filmography is studded with some of Hollywood’s most loved and admired musicals. “Royal Wedding” (1951), in which Astaire defied gravity, and “Singin’ in the Rain” (1952), in which Kelly defied the weather, were just two of his crowd-pleasers. -
Walking Tours the Central Paris Set
Walking Tours The Central Paris Set Table of Contents Culture and History Stroll from Saint Germain to Notre Dame Louvre to Opera Walk Stroll from Saint Germain to the Louvre Walk from the Palais Royal to Pompidou Through Fashionable Paris in the Steps of Audrey Hepburn Stroll from St. Germain to Notre Dame (6th - 5th) 28 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d 1. Carrefour de L’Odeon – starting point 2. 5 Carrefour de L’Odeon – Le Comptoir du Relais 2b. 4-6-8 Cour de Commerce – Un Dimanche à Paris 3. 13 rue de l’Ancienne Comedie – Le Procope 4. 41 rue St. Andre des Arts – Allard 5. St. Severin Church 6. St. Julien le Pauvre 7. 56 rue Galande – Aux Trois Mailletz 8. 50 & 52 rue Galande – Le Chat Huant 9. 14 rue St. Julien le Pauvre – the Tea Caddy 10. 4 rue St. Julien le Pauvre – Hotel Esmeralda 11. 37 rue de la Bucherie – Shakespeare and Co. 12. 21 Quai Montebello – Café Panis 13. Eglise Notre Dame 14. Square de Ile de France - Memorial des Martyrs 2 2 29 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d 15. 55 Quai de Bourbon – Brasserie de l’Île St. Louis 16. 31 rue St. Louis-en-L’ile – Berthillon Ice Cream 3 3 30 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d This tour takes between 2 and 4 hours vards we now see on the right bank. depending on how long you linger. Note the 4. Bistro Allard at 41 St. -
Presents Directed by Alice Waddington Running Time: 94 Min
Presents Directed by Alice Waddington Running time: 94 min Genre: Fantasy, Sci-Fi, Thriller Press Contact: KWPR - Katrina Wan, [email protected] Samuel Goldwyn Films – Ryan Boring, [email protected] LOGLINE A young woman is sent to Paradise Hills to be reformed only to learn that behind the high-class facility’s beauty is a sinister secret. SYNOPSIS On an isolated island, Uma (Emma Roberts) wakes up to find herself at Paradise Hills, a facility where high-class families send their daughters to become perfect versions of themselves. The facility is run by the mysterious Duchess (Milla Jovovich) where calibrated treatments including etiquette classes, vocal lessons, beauty treatments, gymnastics and restricted diets, revolve all physical and emotional shortcomings within two months. The outspoken Uma finds solace and friendship in other Paradise Hills residents -- Chloe (Danielle McDonald), Yu (Awkwafina) and Mexican popstar Amarna (Eiza Gonzalez). Uma soon realizes that lurking behind all this beauty is a sinister secret. It's a race against the clock as Uma and her friends try to escape Paradise Hills before it consumes them all. DIRECTOR’S NOTES In 2015, I began working on the treatment and first concept art pieces for Paradise Hills as my own kind of personal exorcism. I imagined more of a narrative feature than my arthouse short Disco Inferno – a tale that was Gothic, yet futuristic, a diverse story about universal female fears (loneliness, social rejection, hyper-control) set in our own world, a few decades into the future. I wanted to give girls and women an entertaining fairy tale that acted like a poison apple, filled with all of the visual and narrative treats that had fascinated me as a teenager: High fantasy, ‘90s shôjo manga, science fiction and costume dramas.