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Problems in Translating Pessoa's Poetry Into English
Problems in translating Pessoa’s poetry into English John Pedro Schwartz* Keywords Translation, Rhyme, Meter, Personal infinitive, Verb tense. Abstract This paper focuses on five problems all translators of Fernando Pessoa’s poetry into English must grapple with. The first is whether or not to distinguish the poetry of Pessoa (orthonym), Álvaro de Campos, Alberto Caeiro and Ricardo Reis through the use of stylistic and lexical markers. The second is: to what degree should the translator imitate Pessoa’s occasional labyrinthine constructions? Third, every translator must decide at the outset whether or not to use rhyme and meter, where these occur in Pessoa’s poetry. The final two problems concern Portuguese grammar: how to translate the pretérito perfeito do indicativo [simple past tense], which lends itself in English to both simple past and present perfect tenses; and how to translate the personal infinitive, a form unique among all languages for handling a change in subject within a sentence. Palavras-chave Tradução, Rima, Métrica, Infinitivo pessoal, Tempo verbal. Resumo Este artigo foca-se nos cinco problemas com os quais qualquer tradutor da poesia pessoana tem de batalhar quando traduz para inglês. O primeiro é distinguir ou não a poesia de Pessoa (ortónimo), da de Álvaro de Campos, Alberto Caeiro e Ricardo Reis através de indicações estilísticas e lexicais. O segundo é até que ponto o tradutor deve imitar as construções labirínticas ocasionais. Terceiro, o tradutor tem de decidir no início se deve usar rima e métrica ou não, quando e onde estas ocorram na poesia de Pessoa. Os dois problemas finais referem-se à gramática portuguesa: como traduzir o pretérito perfeito do indicativo, que em inglês empresta-se ambos ao simple past tense e ao present perfect tense; e como traduzir o infinitivo pessoal, uma forma única de todos os idiomas para lidar com uma mudança de sujeito dentro de uma frase. -
Language and Monstrosity in the Literary Fantastic
‘Impossible Tales’: Language and Monstrosity in the Literary Fantastic Irene Bulla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Irene Bulla All rights reserved ABSTRACT ‘Impossible Tales’: Language and Monstrosity in the Literary Fantastic Irene Bulla This dissertation analyzes the ways in which monstrosity is articulated in fantastic literature, a genre or mode that is inherently devoted to the challenge of representing the unrepresentable. Through the readings of a number of nineteenth-century texts and the analysis of the fiction of two twentieth-century writers (H. P. Lovecraft and Tommaso Landolfi), I show how the intersection of the monstrous theme with the fantastic literary mode forces us to consider how a third term, that of language, intervenes in many guises in the negotiation of the relationship between humanity and monstrosity. I argue that fantastic texts engage with monstrosity as a linguistic problem, using it to explore the limits of discourse and constructing through it a specific language for the indescribable. The monster is framed as a bizarre, uninterpretable sign, whose disruptive presence in the text hints towards a critique of overconfident rational constructions of ‘reality’ and the self. The dissertation is divided into three main sections. The first reconstructs the critical debate surrounding fantastic literature – a decades-long effort of definition modeling the same tension staged by the literary fantastic; the second offers a focused reading of three short stories from the second half of the nineteenth century (“What Was It?,” 1859, by Fitz-James O’Brien, the second version of “Le Horla,” 1887, by Guy de Maupassant, and “The Damned Thing,” 1893, by Ambrose Bierce) in light of the organizing principle of apophasis; the last section investigates the notion of monstrous language in the fiction of H. -
Curriculum Vitae ______
Cristina Della Coletta [email protected] University of California, San Diego 9500 Gilman Drive, MC-0406 La Jolla, CA 92093-0406 (858) 534-6270 Curriculum Vitae ____________________________________ Current Positions: Dean of Arts and Humanities, University of California, San Diego. August 2014- Associate Dean of Humanities and the Arts, College and Graduate School of Arts and Sciences, University of Virginia. July 2011-July 2014. Professor of Italian, Department of Spanish, Italian, and Portuguese, University of Virginia. 2006-2014. Education: Ph.D.: 1993, Italian, University of California, Los Angeles. M.A.: 1989, Italian, University of Virginia. LAUREA: 1987, Lingue e Letterature Straniere, Università di Venezia, Italy. Fellowships and Awards: Fellow: Berkeley Institute on Higher Education. UC Berkeley. July 6-11, 2014. Fellow: Institute for Management and Leadership in Education. Harvard Graduate School of Education. June 16-28, 2013. UVA Faculty Mentoring Award: May 2012. University Seminars in International Studies Grant: 2011. UVA nomination for SCHEV Outstanding Faculty Award. Fall 2010. The University of Virginia Alumni Association Distinguished Professor Award. Spring 2010. Fellow: Leadership in Academic Matters Program. Fall 2009. IATH (Institute for Advanced Technology in the Humanities) Residential Fellowship for Turin 1911: A World’s Fair in Italy Digital Project. 2009-11. IATH Enhanced Associate Fellowship for Turin 1911: A World’s Fair in Italy Digital Project. 2008. Vice President of Research and Graduate Studies and the College of Arts and Sciences Research Grant, 2008. 1 IATH Associate Fellowship for Turin 1911: A World’s Fair in Italy Digital Project. 2007. Vice President of Research and Graduate Studies and the College of Arts and Sciences Research Grant, 2007. -
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JOANN CANNON DETECTION, ACTIVISM, AND WRITING: TABUCCHI'S LA TESTA PERDUTA DI DAMASCENO MONTEIRO Like many of Italy's most significant writers of the past fift)' years, (including Carlo Emilio Gadda, Leonardo Sciascia, Umberto Eco, and Dacia Maraini), Antonio Tabucchi exploits the detective genre for a vari- et)' of purposes. In his 1997 La testa perduta di Damasceno Alonteiro Tabucchi draws upon the detective genre in part, at least, to expose and denounce a social problem that knows no national boundaries. Tabucchi's novel is a cautionary tale of police brutality in so-called civilized states. An equally significant and intriguing aspect of the novel, however, is the way in which it explores the nature and value of writing itself. In this paper I will trace the progress of the investigation into a crime which comes to symbolize a larger social ill. At the same time I will look closely at the digressions from the immediate case at hand, the moments in which the status, limits, and utilit}" of writing are explored. La testa perduta di Damasceno Monteiro has many of the elements of a classical giallo while it departs from key conventions in important respects. The novel opens with the discovery of a corpse by a gypsy encamped on the outskirts of the Portuguese city of Oporto. The distinguishing feature of the corpse is that it is missing a head. This is not merely a macabre vari- ation on the tvpical "bodv in the library" conceit which serves to create interest and suspense in the classical giallo. As Tabucchi explains in his authorial Note, the headless corpse was inspired by an actual event. -
Le Printemps Du Livre De Cassis La MEVA Hôtel Martin Sauveur - 4 Rue Séverin Icard -13260 Cassis Tél
Printemps du livre Cassis du 30 mai au 2 juin avec la participation de nombreux écrivains : Tahar Ben Jelloun Serge Joncour Régis Wargnier Alexandre Jardin Vanessa Schneider Pierre Palmade Cali Arnaud Le Guerne Pierre Ducrozet Elizabeth Tchoungui Eric Emmanuel Schmitt Laurent Seksik Jean-Jacques Annaud Olivier Pourriol Serge Moati Luciano Melis Rudy Ricciotti Rencontres Littéraires conçues et animées par Patrick POIVRE D’ARVOR et Marc Fourny VENDREDI 31 MAI À 11H30 Cour d’Honneur de la Mairie de Cassis INAUGURATION par Danielle Milon, Maire de Cassis Officier de la Légion d’Honneur Vice-Présidente de la Métropole Aix-Marseille-Provence Vice-Présidente du Conseil Départemental En présence des écrivains invités et de nombreuses personnalités. 11h30 à 12h00 : Jazz avec «Le Trio Tenderly» EXPOSITION D’UNE COLLECTION PRIVÉE DE PEINTURES aux Salles Voûtées de la Mairie des œuvres de Jean Peter TRIPP «Au commencement était le verbe...» du 30 Mai au 10 Juin 2019 inclus Printemps du livre Cassis du 30 mai au 2 juin Le Printemps du Livre de Cassis, créé en 1986 par Danielle Milon, fête ses trente et un ans cette année. Il conjugue littérature, musique, arts plastiques, photographie et cinéma. Cette véritable fête de l’écriture se déclinera cette année encore sur un week-end de quatre jours, pour le week-end de l’Ascension, dans le cadre magique de l’amphithéâtre de la Fondation Camargo. A l’occasion du Printemps du Livre de Cassis, création d’une étiquette spéciale par Nicolas Bontoux Bodin, Château de Fontblanche. Retour en images sur l’édition -
Composizione Della Biblioteca (In Ordine Di Lingua) the Library (In
La biblioteca (The library) 1392 (829 archiviati + 563 da archiviare) Ultima donazione (Last donation) Traduttori e lettori vari: ad Amsterdam, 29 maggio 2010 Autori presenti (Authors) 460 Lingue presenti (Languages) 43 (in rappresentanza di 12 alfabeti) Composizione della biblioteca (in ordine di lingua) The library (in order of language) Title Author Language Country Year Un borghese piccolo piccolo Vincenzo Cerami Afrikaans Republic of South Africa 2008 Gomorra Roberto Saviano Albanian Valona, Albania 2009 I fuochi del Basento Raffaele Nigro Albanian Bari, Italy 2008 La baronessa dell'Olivento Raffaele Nigro Albanian Bari, Italy 2008 La donna leopardo Alberto Moravia Albanian Rome, Italy 2008 La forza del passato Sandro Veronesi Albanian Prato, Italy 2008 La lunga vita di Marianna Ucrìa Dacia Maraini Albanian Rome, Italy 2008 Oceano mare Alessandro Baricco Albanian Rome, Italy 2008 Storia di Roma Indro Montanelli Albanian Valona, Albania 2009 Todo modo Il contesto Leonardo Sciascia Albanian Palermo, Italy 2009 Pinocchio Carlo Collodi Arabic Milano, Italy 2008 Il deserto dei Tartari Dino Buzzati Bosnian Mostar, Bosnia 2007 La romana Alberto Moravia Bosnian Mostar, Bosnia 2007 L'isola del giorno prima Umberto Eco Bulgarian Sofia, Bulgary 2010 L'uomo che guarda Alberto Moravia Bulgarian Rome, Italy 2008 Senza sangue Alessandro Baricco Bulgarian Rome, Italy 2008 Senza sangue Alessandro Baricco Bulgarian Sofia, Bulgary 2010 Seta Alessandro Baricco Bulgarian Rome, Italy 2008 Come Dio comanda Niccolò Ammaniti Catalan Rome, Italy 2008 Diceria -
Modern Humanities Research Assn TABUCCHI's BRUTAL EMPIRES
TABUCCHI’S BRUTAL EMPIRES Antonio Tabucchi, Italian novelist and scholar of Portuguese literature and culture, draws on countless images of Portuguese empire in his fictional writing, from di·erent periods and in diverse geographical places. My focus in this article is the abrupt shift in Tabucchi’s representation of Portuguese empire which takes place in the early 1990s. At this point, Tabucchi’s Portuguese empire ceases to be a romanticized, Eurocentric space and becomes instead a brutal, violent world, characterized by repression and subjugation. I aim firstly to chart this shift, focusing on Tabucchi’s 1984 novel Notturno indiano, his 1991 short story ‘Notte, mare o distanza’ (part of the collection L’angelo nero), and his 1997 text La testa perduta di Damasceno Monteiro. Ithenwish to locate this movement in the debates surrounding the imperial legacy which were taking place in Italy and Portugal in the early 1990s, in order to examine whether Tabucchi’s revisioning of empire may be contextualized against the reassessment of the Italian colonial experience at that time, and in particular against questions regarding whether the Italian empire was somehow truly dif- ferent from other imperial models: an empire which was ‘piumite,pi› uumano,› piu› tollerante, piu› costruttivo’. The Absence of Italian Empire The imperial representations analysed in this article are drawn from the Por- tuguese empire, as Italian empire is all but absent from Tabucchi’s writing. It appears fleetingly on two occasions: firstly in the 1975 novel Piazza d’Italia, and then in the 1981 collection Il gioco del rovescio. In both texts Africa is described in the barest terms. -
Literary Translation
Literary Translation 1. Dionysia Press Ltd, UK Books: 1. The Density of Now; Alexis Stamatis (GR to EN) 2. Raising of the Soul, On the Salty Earth, From the Ends of the Earth; Byron Leodaris (GR to EN) 3. 15 October 1960, The secret burial of Eleanor Tilsen; Nikos Davetas (GR to EN) 4. Hold Hands among the Atoms, Demon; Edwin Morgan (EN to GR) 5. Like Words, The Body without a Passkey; Zefi Daraki (GR to EN) Community funding: € 44.579 2. IBERBOREA, IT Books: 1. Gramosinn Gloir; Thor Vilhjalmsson (ISL to IT) 2. I Brokiga Namnet; Torgny Lindgren (SW to IT) 3. Iloisen Kotiinpaluun Asuinsijat; Leena Lander (FI to IT) 4. Popularmusik fran vittula; Nikael Niemi (SW to IT) Community funding: € 13.903 3. Norstedts Förlag, SE Books: 1. Vandrehistorier; John Erik Riley (NO to SW) 2. Sejd; Suzanne Brogger (DA to SW) 3. Galyanaplo; Imre Kertesz (HU to SW) 4. Requiem pour l’est; Andrei Makine (FR to SW) Community funding: € 20.667 4. PAX FORLAG, NO Books: 1. The Biographer’s Tale; A.S. Byatt (EN to NO) 2. The Rotter’s Club; Jonathan Coe (EN to NO) 3. L’Enfant du Peuple Ancien; Anouar Benmalek (FR to NO) 4. Det rigtige; Vibeke Gronfeldt (DA to NO) 5. Tristanakkord; Hans-Ulrich Treichel (DE to NO) 6. Popularmusik fran Vittula; Mikael Niemi (SW to NO) Community funding: € 37.521 5. Rabén & Sjögren Bokförlag, SE Books: 1. Icke naken, Icke klett; Torun Lian (NO to SW) 2. Witch Child; Celia Rees (EN to SW) 3. Charmed; Diana Jones (EN to SW) 4. -
Composizione Biblioteca (In Ordine Di Lingua) La Biblioteca (Por Orden De
La biblioteca (Los libros de la biblioteca) 2452 (1690 archiviati / archivados + 762 da archiviare / para archivar) Autori presenti (Autores presentes) 600 Lingue presenti (Lenguas presentes) 47 lingue/idiomas (rappresentati 17 alfabeti / alfabetos) Per Written in Italy a Montevideo (Biblioteca nacional de Uruguay, 19 – 23 marzo 2012) si ringraziano: Por Written in Italy in Montevideo (Biblioteca naciona de Uruguay, 19 – 23 marzo 2012) muchas gracias: Ambasciata d'Italia in Uruguay Embajada de Italia en Uruguay Istituto italiano di cultura Instituto Italiano de Cultura Biblioteca nazionale dell'Uruguay Biblioteca nacional de Uruguay e con il sostegno di con la collaboración de Composizione biblioteca (in ordine di lingua) La biblioteca (por orden de idioma) Libro tradotto / Libro traducido Autore / Autor Lingua / Idioma Paese / Pais Año Un borghese piccolo piccolo Vincenzo Cerami Afrikaans Republic of South Africa 2008 La forza del passato Sandro Veronesi Albanian Prato, Italy 2008 Todo modo Il contesto Leonardo Sciascia Albanian Palermo, Italy 2009 I fuochi del Basento Raffaele Nigro Albanian Bari, Italy 2008 La lunga vita di Marianna Ucrìa Dacia Maraini Albanian Rome, Italy 2008 La donna leopardo Alberto Moravia Albanian Rome, Italy 2008 Mal di pietre Milena Agus Albanian Rome, Italy 2010 Oceano mare Alessandro Baricco Albanian Rome, Italy 2008 La baronessa dell'Olivento Raffaele Nigro Albanian Bari, Italy 2008 Le avventure di Pinocchio Carlo Collodi Arabic Milano, Italy 2008 La Divina commedia Dante Alighieri Arabic Milano, Italy 2011 -
Shakespeare in Italia
DICEMBRE 1991 — ANNO Vili-N. 10 — LIRE 7.000 Il Libro del Mese: Viandanti della storia, di Chinua Achebe recensito da Ernest N. Emenyonu e Claudio Gorlier Giovanni De Luna: Il cavallo e la torre, di Vittorio Foa Paolo Viola: La Rivoluzione francese secondo Chartier Liber: Norberto Bobbio, Luciano Canfora e Christophe Charle Franco Marenco Shakespeare in Italia MENSILE D'INFORMAZIONE - SPED. IN ABB. POST. gr. 111/70% ISSN 0393-3903 RECENSORE AUTORE TITOLO Il Libro del Mese • 4 C. Gorlier, E. N. Emenyonu Chinua Achebe Viandanti della storia Edoarda Masi Acheng Vite minime • Narratori italiani • 6 Marina Jarre Isabella Bossi Fedrigotti Di buona famiglia Marco Vallora Giancarlo Marmori Gabriele 7 Angela Bianchini Silvio d'Amico Le finestre di piazza Navona Francesco Roat Marco V. Borghesi La questione dell'orizzonte Gabriella Ziani Susanna Tamaro Per voce sola M Letteratura straniera • 8 Francesco Rognoni Marianne Moore Le poesie Gigliola Nocera Harold Brodkey Storie in modo quasi classico 9 Intervista Harold Brodkey risponde a Marisa Bulgheroni 10 Franco Marenco William Shakespeare Opere 13 Giulia Poggi Jorge Manrique Stanze per la morte del padre; Elegia... Giuseppe Grilli Inoria Pepe Sarno (a cura di) Dialogo. Studi in onore di Lore Terracini Valeria Scorpioni Coggiola AA.VV. Cuentos eroticos. 15 Rosalba Campra Cesar Aira Ema, la prigioniera 16 Cristina Terrile Leo Perutz Il cavaliere svedese Chiara Sandrin Mechthild von Magdeburg La luce fluente della divinità 17 Giovanni Cacciavillani Victor Brombert La prigione romantica. Anna Chiarloni Thomas Hiirlimann Nel parco 19 Best & Seller Michele Rak John Le Carré Il visitatore segreto Teatro e Cinema m Marzia Pieri Renzo Guardenti Gli Italiani a Parigi. -
A Literary Tour of Italy
A LITERARY TOUR OF ITALY TIm Parks ALMA BOOKS alma books ltd Hogarth House 32–34 Paradise Road Richmond Surrey TW9 1SE United Kingdom www.almabooks.com This collection published by Alma Books Limited in 2015 Copyright © Tim Parks, 2015 Tim Parks asserts his moral right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988 Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY IsbN: 978-1-84688-352-1 eBook IsbN : 978-1-84688-368-2 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction vII A Literary Tour of Italy 1 daNte: Hell and Back 3 GIovaNNI boccaccIo: Famous Women 25 NIccolò machIavellI: True Scandal 43 GIacomo leopardI: Surviving Giacomo 65 GIuseppe mazzINI: Bloody Glamour 85 GIuseppe GarIbaldI: Invention of a Hero 99 carlo collodI: Knock on Wood 113 IppolIto NIevo: Confessions of an Italian 127 GIovaNNI verGa: A Chorus of Cruelty 141 dIvIsIoNIsm: Throwing Light on Italian Identity 159 beNIto mussolINI: The Illusionist 169 marIo sIroNI: Fascist Work 189 carlo emIlIo Gadda: Che pasticcio! 207 euGeNIo moNtale: A Prisoner’s Dream 221 curzIo malaparte: The Horrors of War 239 IGNazIo sIloNe: After the Earthquake 255 dINo buzzatI: The Enchanted Fort 273 vItalIaNo braNcatI: The Beautiful Antonio 283 ALBERTO MORAVIa: The Conformist and 293 Contempt Revisited cesare pavese: The Outsider’s Art 301 elsa moraNte: The Dark in the Piazza 325 GIorGIo bassaNI: The Garden of the 339 Finzi-Continis aNtoNIo tabucchI: The Italian Pessoa 353 Note on the Texts 367 v Introduction I arrived in Italy in 1981 with barely a word of Italian. -
Italo Calvino, Antonio Tabucchi, Dos Escritores Paradigmáticos
UNIVERSIDAD DEL SALVADOR PROGRAMA 1. CARRERA: Doctorado en Letras 2, MATERIA/ SEMINARIO/OBLIGACION ACADEMICA: SEMINARIO DE DOCTORADO El laberinto de la escritura: Italo Calvino, Antonio Tabucchi, dos escritores paradigmáticos. 2. AÑO ACADÉMICO: 2017 (1er. Cuatrimestre) 3. SEDE: Facultad de Filosofía, Letras y Estudios Orientales ( Centro - CABA) 4. COMPOSICIÓN DE LA CÁTEDRA: Profesor Titular Dr. Daniel A. Capano 5. ASIGNACIÓN HORARIA: 3 horas semanales 6. FUNDAMENTACIÓN DE LA MATERIA/SEMINARIO EN LA CARRERA: El seminario tiene por finalidad ofrecer un curso de práctica de investigación y orientación para graduados que quieran acceder al título académico de doctor. Dentro del área de literaturas extranjeras se propone el desarrollo de una temática relacionada con dos autores relevantes en el panorama actual de la literatura italiana para que aquellos interesados en la materia puedan profundizar e indagar sobre su producción literaria. Tan intensa es la lectura de Italo Calvino por parte de estudiosos y del público en general que el autor se ha convertido en el referente insoslayable de la actualidad, en un escritor de culto en el horizonte contemporáneo. Sus textos suscitan en cada revisitación reflexiones apasionantes sobre diferentes aspectos del saber y en especial sobre la literatura. Calvino invita al receptor a entrar en el vasto mundo de la palabra y a tomar contacto con un tipo de conocimiento que contribuye a contrarrestar el caos del mundo 1 posmoderno y a esclarecer su problemática. Su obra se vincula a la búsqueda continua de nuevos lenguajes y sistemas expresivos. Por su parte, los textos de Antonio Tabucchi se hallan atravesados por una fecunda diversidad de temas y de artilugios narrativos, así como también de preocupaciones concentradas en los valores humanos.