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La Programmation Du Royal Opera House

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La Programmation Du Royal Opera House PPrrooggrraammmmaattiioonn CCiinneejjaaddee Cin ejade Retransmission en direct, ou différé, d’opéras ou de ballets du Royal Opéra House MANON En différé MERCREDI 21 MARS, 20h15 Kenneth MacMillan | Ballet en cinq actes Durée: 1 heure 57 minutes + 1 entracte de 10mn Avec ses grandes scènes de foule et ses pas de deux passionnés, Manon de Kenneth Macmillan est un classique très apprécié du Royal Ballet. Tamara Rojo et Carlos Acosta dansent les rôles princi- paux de Manon et Des Grieux. La passion fatale des deux amants les conduira de la vie trépidante et fastueuse dans le Paris du 19e siècle aux marais de la Louisiane. Servi par la musique sensuelle et éloquente de Massenet, Manon est l'un des plus grands ballets dramatiques et offre aux premiers danseurs, aux solistes et à toute la compagnie l'occasion de démontrer l'étendue de leur talent et de leur intensité dramatique. Manon Tamara Rojo Des Grieux Carlos Acosta Lescaut José Martín Monsieur G.M Christopher Saunders La Maîtresse de Lescaut Laura Morera Artistes du Royal Ballet Orchestra of the Royal Opera House Musique Jules Massenet Chef d'orchestre Martin Yates Chorégraphie Kenneth MacMillan Décor/Costumes Nicholas Georgiadis COSI FAN TUTTE En différé MARDI 22 MAI, 19h15 Wolfgang Amadeus Mozart | Opéra en deux actes Chanté en italien | Durée: 2 heures 55 minutes (intervalles non comprises) Cette comédie à la fois originale et audacieuse présente avec finesse une histoire de tromperie et de confiance soumise à rude épreuve sur une partition classique de Mozart. Les sentiments de deux couples qui semblent fidèles peuvent-ils être remis en question par une supercherie en apparence inoffensive ? La production de Jonathan Miller, toujours aussi populaire, adapte le 18e siècle à notre époque. Si les modes et les technologies ont évolué depuis Mozart, l'être humain est toujours aussi inconstant et manipulateur. La coqueluche du Royal Opera, Thomas Allen, fait son retour dans une excellente distribution, dirigée par le grand chef d'orchestre allemand, Thomas Hengelbrock. Si le titre évoque le comportement des femmes – "Ainsi font-elles toutes" – il semble également s'appli- quer aux hommes. Personne ne sort indemne de cet opéra subtil, soutenu par une musique splendi- de. Ferrando Pavol Breslik Fiordiligi Maria Bengtsson Guglielmo Stéphane Degout Dorabella Jurgita Adamonyte Don Alfonso Thomas Allen Despina Rebecca Evans Royal Opera Chorus Orchestra of the Royal Opera House Conductor Thomas Hengelbrock Set design Jonathan Miller, Tim Blazdell Stage Director Jonathan Miller Andrew Jameson, ColinColin Maxwell Catherine Smith and Anthony Waterman Crédit photo : Mike Hoban MACBETH En différé MARDI 24 AVRIL, 19h15 Giuseppe Verdi | Opéra en quatre actes Chanté en italien | Durée: 2 heures 50 minutes (intervalles non comprises) L’admiration que Verdi voua toute sa vie à Shakespeare surgit d'abord avec Macbeth en 1847. Le compositeur estimait que cette tragédie était « l'une des plus grandes créations de l'homme » et avec son librettiste, Piave, il s'attacha à en faire un opéra « qui sorte de l'ordinaire ». La musique de Verdi atteint des sommets dans les ch œurs macabres des sorcières, les sonorités évocatrices de l'orchestre et l'enrichissement du rôle de Lady Macbeth, « laide et monstrueuse ». La production de Phyllida Lloyd, qui a été présentée pour la dernière fois au Royal Opera en 2006, reprend la version révisée de Verdi de 1865, célèbre pour la superbe aria de Lady Macbeth "La luce langue" et le formidable choeur d'ouverture de l'acte IV, et fait ressortir les sinistres motivations des époux Macbeth ainsi que l'éclat de la justice pour leurs victimes. Simon Keenlyside et Martina Serafin interprètent le noble écossais et son épouse à l'ambition re- doutable, qui incite son mari à assassiner pour sa carrière. Le baryton-basse américain, Raymond Aceto, joue le rôle de Banquo, victime assassinée et symbole de la conscience. Macbeth Simon Keenlyside Malcolm Steven Ebel Banquo Raymond Aceto Lady Elisabeth Meister Lady Macbeth Liudmyla Monastryrska Macduff Dmitri Pittas Servant Nigel Cliffe Royal Opera Chorus Orchestra of the Royal Opera House Conductor Antonio Pappano Set design Anthony Ward Crédit photo : Clive Barda MAYERLING En différé VENDREDI 15 JUIN, 20h00 Kenneth MacMillan | Ballet en trois actes Durée: 2 heures 17 minutes (intervalles non comprises) Edward Watson interprète le rôle du prince héritier Rudolf dans ce ballet fascinant de Kenneth MacMillan qui couvre les huit dernières années de la vie de Rudolf, pris dans une inexorable spirale descendante marquée par l'intrigue politique, la drogue et le meurtre. Elle se termine par le pacte de suicide conclu entre Rudolf et sa maîtresse de 17 ans, Mary Vetsera (Mara Galeazzi) au pavillon de chasse de Mayerling. Crown Prince Rudolf Edward Watson Empress Elisabeth Cindy Jourdain Baroness Mary Vetsera Mara Galeazzi Countess Marie Larisch Sarah Lamb Princess Stephanie Iohna Loots Emperor Franz Josef William Tuckett Music Franz Liszt Set/costume design Nicholas Georgiadis Conductor Barry Wordsworth . TARIF 20 € : plein tarif 60 € : abonnement 4 événements, soit 15 € la séance www.saint-brevin.fr office de Tourisme : 02.40.27.24.32. .
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