THE FOUR ASNED OATHSERONS MODERN

“Outstanding”

“Brave and brilliant” CBE speaks about New English Theatre

NEBT is an exciting company which is a refreshing addition to the UK dance and art scene.

I feel that it is very important to help our young professional artists as they develop their careers and especially important to support new works across the arts. New English Ballet Theatre seeks to do just that, and I am proud to be its patron.

Thank you for your support and I hope that you too will believe in this company and its young artists as much as I do.

Cover and inside front cover photography: Patrick Baldwin About New English Ballet Theatre

As one of the UK’s youngest and most vibrant ballet companies, New English Ballet Theatre is synonymous with excellence, innovation, and inspiration. New English Ballet Theatre is a neoclassical with a mission to nurture talent and promote the careers of emerging ballet dancers, choreographers, designers and musicians. Seeking out exceptional talent and potential, we are dedicated to providing paid opportunities and ongoing mentoring for our performers as they develop their careers.

New English Ballet Theatre creates 21st century ballet for 21st century audiences. As part of this process, NEBT is committed to introducing ballet to new audiences and young people through our touring and outreach programme.

This Summer we recently held our third Taking Chances: Choreography Lab, which will take place as part of our dress rehearsal at Lanterns Studio Theatre in Canary Wharf with Outreach classes joining us from various parts of London and beyond on the day. We will be featuring the work of choreographers Daniela Cardim, Jenna Lee, Mark Smith - the Director of Deaf Men Dancing and Valentino Zucchetti.

After an Arts Council Grant and our new offices in Thurrock, we are thrilled to be bringing our world premiere of The Four Seasons choreographed by Jenna Lee with music by Max Richter to The Lilian Baylis Studio at Sadler’s Wells this June. In addition we will show our critically acclaimed ballets Vertex by Daniela Cardim and Enticement’s Lure by Valentino Zucchetti. i k s n e p s U

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Artistic Director and CEO Karen Pilkington-Miksa B.Ed ARAD

Company Manager Daniela Cardim

Ballet Mistress Jessica Edgley

Guest Teachers Matz Skoog Denzil Bailey Angela Towler

Director of Development Fern Potter

Development & Social Media Co-ordinator Ruth Sheaves

Company Administrator Christine Cant

Patrons

Carlos Acosta CBE Richard Blackford Federico Bonelli Darcey Bussell CBE Michael Corder Olivia Cowley Damon de Laszlo Viviana Durante Melissa Hamilton Nehemiah Kish Patricia Leigh-Wood Sienna Miller Marianela Nuñez Ashley Page Ria Peri Lincoln Seligman Wayne Sleep OBE Thiago Soares Erina Takahashi Slavica Waite Doreen Wells, Marchioness of Londonderry Zenadia Yanowsky Valentino Zucchetti i k s n e p s U

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: y h p a r g o t o h P Programme THE FOUR SEASONS AND Enticement’s Lure OTHER MODERN BALLETS Valentino Zucchetti’s new ballet, set to Rachmaninov’s Trio Elegiaque No. 1 in G Minor, explores how temptation and desire impact on the relationships of two couples.

This ballet is generously supported by the Richard Cunis Syndicate and The Nicholas Berwin Chartiable Trust.

Vertex Daniela Cardim’s piece, heavily influenced by classical music from her native Brazil and set to Camargo Guarnieri’s String Quartet No. 2, examines the dynamic and the intention of movement in response to the music and to the mesmerising drawings of renowned Royal Academy of Arts sculptor, Ann Christopher.

INTERVAL

The Four Seasons Vivaldi’s The Four Seasons Recomposed by Max Richter brings a modern take to a loved classic. Antonio Vivaldi wrote the four violin concertos known as Le quattro stagioni in 1721 and today, The Four Seasons may be the most widely heard and highly acclaimed piece of classical music ever composed.

In this ballet, April Dalton’s exquisite costume design and Jenna Lee’s dramatic choreography enrich this refreshing re- composition of Vivaldi’s masterpiece by pioneering British composer Max Richter.

The Four Seasons was made possible by the generous philanthropic support of Rosemary Burr in memory of her parents Bernice and Reg Burr. i l i v h s a K a n y t s i r K

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S e a s o n s Enticement’s Lure

Choreography: Valentino Zucchetti Music: Rachmaninov – Trio Elegiaque No. 1 in G Minor Costume Design: Ilaria Martello Lighting Design: Andrew Ellis, Theo Sanders

In this ballet, Zucchetti creates a lyric investigation of the character of two couples and how temptation and desire can destroy relationships. We see the physical interpretation of desire tangling the delicate balance of these relationships and playing with the dramatic outcome.

This ballet is generously supported by the Richard Cunis Syndicate and The Nicholas I Berwin Chartiable Trust. n i w d l a B

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Choreography: Daniela Cardim Music: Camargo Guarnieri – String Quartet No. 2 Projected Art: Ann Christopher RA Costume Design: April Dalton Lighting Design: Andrew Ellis

“Being Brazilian myself, researching music from my native country, I uncovered an undiscovered gem which I am delighted to explore with NEBT’s energetic young dancers. The material was created in close collaboration with the n i w d l dancers, finding the dynamic and the intention of the movements in response a B to the music and the mesmerising drawings of Ann Christopher RA.” k c i r t a P

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The Four Seasons

Choreography: Jenna Lee Music: Recomposed By Max Richter: Vivaldi, The Four Seasons Costume Design: April Dalton Lighting Design: Andrew Ellis

The Four Seasons brings a modern take to a loved classic. Antonio Vivaldi wrote the four violin concertos known as Le quattro stagioni in 1721. Today, The Four Seasons may be the most widely heard piece of classical music ever composed.

In this ballet, April Dalton’s exquisite costume design and Jenna Lee’s uplifting choreography enrich the refreshing re-composition of Vivaldi’s masterpiece by British composer Max Richter. n i The Four Seasons was made possible by the generous w d l philanthropic support of Rosemary Burr in memory of her a B

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KAREN PILKINGTON-MIKSA DANIELA CARDIM JESSICA EDGLEY MATZ SKOOG RICHARD BLACKFORD LINCOLN SELIGMAN Artistic Director and CEO Company Manager Ballet Mistress Guest Teacher Music Director Artist and Visual Art Advisor

Karen Pilkington-Miksa B.Ed., ARAD Daniela Cardim danced with the Born in Canada, Jessica trained at Matz Skoog trained in Sweden and The internationally acclaimed Lincoln read law at Balliol Oxford grew up in England and Washington in Vancouver Goh Ballet Academy and in the former and composer and conductor Richard but after several years working as a D.C. She trained as a classical dancer for 11 years and with Ballet do America’s became a member of the Royal Blackford was the first Director of shipping lawyer in London and Hong and performed with the Seattle Ballet Theatro Municipal do Rio de Janeiro School on full scholarship, learning Swedish Ballet, later joining English Music at School, Kong he jumped ship to become an before moving to London to pursue for 5 years. She was commissioned a variety of techniques including National Ballet as . during which time he conducted in artist. Initially he worked mainly on her career as a freelance dancer and by Dutch National Ballet to create RAD and with heavy focus on Matz has enjoyed an extensive a Gala for at the large murals around the world but choreographer. She’s choreographed choreographic works for the Vaganova and Balanchine. She also dancing career in both classical and . His many more recently has devoted much for opera groups and BBC television, company on three occasions. danced with Pacific Northwest Ballet contemporary dance. He has also credits include productions at of his time to large scale suspended formed her own ballet company, company before embarking on a been a member of Netherlands the , sculptures and mobiles for high Chelsea Dance and she started the In 2016 she created Uirapuru for 12 year career, dancing leading Dance Theatre and Rambert Dance Brno Philharmonic (where he was profile atrium spaces, including Knightsbridge Ballet School in 1979. Ballet do Theatro Municipal do and soloist roles for companies such Company. In 1996 Matz was Composer/Conductor-In-Residence), Phoenix City in Beijing for the Rio de Janeiro, work successfully as , National appointed Artistic Director of the Cheltenham Festival, BBC and Chinese government. He also has Her work in mounting ballet led received by both critics and Ballet of Ireland and Norwegian , a position Classic FM broadcasts. His works regular exhibitions of his paintings Karen to a second career as a painter audience. She also created works for National Ballet, where she also he held until 2001. From 2001 to have been recorded on the Decca, in London and New York and is and sculptor. She subsequently São Paulo Companhia de Dança, choreographed for their Ballet Lab. 2005 he was Artistic Director of Warner, Sony and Nimbus labels. delighted to have the opportunity studied at the Academy of Fine Art in Dutch National Ballet's School, English National Ballet. Since 2006 As well as works for the concert to extend his work to include music New York and at Heatherley School School of American Ballet (as part of Jessica then went on to receive her Matz has been perusing an hall he has composed the music and dance. of Fine Art in London. Karen’s the New York Choreographic teaching diploma (PDTD) from the international freelance career as a for over two hundred film scores, sculpture and paintings, which Institute) and the Liverpool Institute in 2009 teacher, coach and artistic many of which have won reflect a fascination with the human of Performing Arts. and has since become Ballet Mistress consultant. international awards. figure and dancers in motion and for and choreographed for The New performance, have been exhibited Daniela holds a first class degree in English Ballet Theatre as well as in the US and UK and are found Arts Management. She works with teaching at various schools including in many private collections. NEBT as Company Manager and Royal Academy of Dance (BA Hons Ballet Mistress. She is also one of Ballet Education programme), North In 2011, Karen founded NEBT to NEBT's choreographers and created London Ballet Academy, Central showcase new choreography and Production works for the company in 2014, 2015 School of Ballet and London Studio to support the careers of emerging and 2016. She was recently cited as Centre. She has also appeared as dancers, artists, designers and ‘new name to watch’ by Dance a guest teacher for schools across choreographers. So far, the company Europe Magazine’s Critics’ Choice Europe and Canada. has performed 5 West end seasons for these works. PRODUCTION & WARDROBE MISTRESS MARKETING, DESIGN & PRINT to critical and public acclaim, As Ballet Mistress for New English STAGE MANAGER Caroline Hagley www.considerthisuk.com commissioned 16 new dance works, Ballet Theatre, Jessica has worked Aniela Zaba furthered the careers of 71 young with a variety of choreographers WARDROBE ASSISTANT PHOTOGRAPHY dancers and showcased the talents such as Wayne Eagling, Michael PRODUCTION LIAISON Aylin Altinelli Patrick Baldwin of 13 emerging choreographers, Corder, Ernst Meisner, Kristen Jenna Lee Ruth Sheaves Kristyna Kashvili 47 musicians and 11 designers. NEBT McNally and George Williamson. Andrej Uspenski is a proud partner organisation of the LIGHTING DESIGN GUEST TEACHERS Alexander Yip Lyric Hammersmith and a proud Andrew Ellis Denzil Bailey cultural partner organisation of the Matz Skoog Thurrock Trailblazer – Royal Opera COSTUME DESIGN Angela Towler House. NEBT also collaborates April Dalton with Cheltenham Music Festival, Ilaria Martello PR Garsington Opera, The English Judy Lipsey Concert Orcestra, Handle House Premier COMMS Ltd and Metal Festival. Choreographers Designers and Artist s s i k r u P

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DANIELA CARDIM JENNA LEE VALENTINO ZUCCHETTI APRIL DALTON ANDREW ELLIS ANN CHRISTOPHER RA

Daniela Cardim danced with the Jenna Lee was a dancer with English Born in Brescia, Italy, Valentino April Dalton graduated from The Andrew is a London-based lighting Ann Christopher has worked as a Dutch National Ballet in Amsterdam National Ballet for 12 years. She was trained at Ballet School in Royal Welsh College of Music and designer working in ballet, non figurative sculptor for over 40 for 11 years and with Ballet do promoted to First Artist within the Milan and The , Drama with a First Class (BA HONS) contemporary dance, musical years with numerous exhibitions, Theatro Municipal do Rio de Janeiro Company in 2007, and to Soloist in London, where he graduated in in Theatre Design, 2014, winning the theatre, plays and opera. He has awards, commissions and works in for 5 years. She was commissioned 2008. As well as performing major 2007. He then worked with Heinz ‘Costume Design Award’. April worked in large-scale theatre, on collections in the UK and abroad. by Dutch National Ballet to create roles with the Company, she has Spoerli’s Zurich Ballet for two years specialises in Set and Costume national tours and in small-scale and She was elected to the Royal choreographic works for the created many of English National and Norwegian National Ballet for Design for Theatre, Opera and fringe theatre. Academy in1980. company on three occasions. Ballet’s more adventurous small-scale one year before joining The Royal Dance. Most Notably, April was dance works. Ballet in 2010 where he was shortlisted for the Linbury Prize for Andrew has re-lit both his own Ann also makes series of drawings, In 2016 she created Uirapuru for promoted to soloist in 2012. Stage Design, 2015 and the British designs and work by designers three of which are being used by Ballet do Theatro Municipal do In 2006 Jenna choreographed Ballet Council Ukrainian Prize, 2015. including Chris Davey, Michael Hulls, NEBT, a project she was excited to Rio de Janeiro; the work was Rocks to launch Sky HD. She has also During his dancing career he has Natasha Chivers and Jackie Shemesh be part of – Dance, like sculpture, successfully received by both critics been involved in Swanning Around, created roles in ballets by Heinz Dance and opera credits include The in venues across the UK and is manipulating shape and space – and audience. She also created a huge dance project which was Spoerli, David Dawson, Liam Magic Flute (RWCMD, Sherman internationally. He is an experienced creating moving sculpture. Dance works for São Paulo Companhia performed at the Royal Albert Hall Scarlett and Theatre- Cardiff), So Long As We production manager and technical is an expression of emotion, Ann’s de Dança, Dutch National Ballet's and World Expo in Shanghai in 2010, while working with many other Remember (National Dance director, having worked for National sculptures and drawings are static School, School of American Ballet (as has collaborated and toured with choreographers including Nacho Company Wales, Dance House- Youth Ballet for nine years and with expressions of responses to her part of the New York Choreographic Flawless in 2012 and created Duato, Jivrí Kylián, John Neumeier Cardiff) and Tracy (Edinburgh Fringe BalletBoyz for four years. Andrew experiences both visual and Institute) and the Liverpool Institute Classical Symphony for New English and William Forsythe. Festival, Buttercup Venue, currently works as an associate emotional. The sculptor and the of Performing Arts. Ballet Theatre. It has been a long- Underbelly.) April has also worked as designer for Michael Hulls and Mike choreographer are one and the held ambition of Jenna’s to Valentino’s choreographic career a Milliner with credits including Robertson. Regular clients include same except they chose to use Daniela holds a first class degree in choreograph the complete The Four started at the Royal Ballet School English Touring Opera, Royal New English Ballet Theatre, Urdang different materials. Arts Management. She works with Seasons to the exciting music of Max where he won the Ursula Moreton Theatre Bath and National Theatre Academy, National Youth Ballet, NEBT as Company Manager and Richter, NEBT was delighted Choreographic Competition in 2006. Wales, with two of her headpieces English National Ballet School, Her solo exhibition entitled All Ballet Mistress. She is also one of collaborate to achieve the creation Since then, he has created numerous being exhibited as part of Make BalletBoyz and Tring Park School of the Cages Have Open Doors NEBT's choreographers and created of this dynamic new ballet. pas de deux, solos and pieces for Believe, Society of British Theatre Performing Arts. at Pangolin London runs from works for the company in 2014, 2015 the Royal Ballet’s Draft Works from Design Exhibition, 2015. 2 Nov – 23 December 2016 and 2016. She was recently cited as 2011 to 2015. In collaboration with www.annchristopher.co.uk ‘new name to watch’ by Dance the composer, Philip Glass, and with Europe Magazine’s Critics’ Choice the assistance of the Royal Opera for these works. House Music Department, Valentino developed the three movement ballet Orbital Motion, produced by New English Ballet Theatre with costumes by Emma Bailey. Dancers

GIUDITTA BANCHETTI SARAH FARNSLEY MADELEINE GREEN MARIA MARTINS HANNAH SOFO ELENA HIBBERD - Understudy

Giuditta Banchetti is Italian and has Sarah dances across artistic as well Madeleine was born in Hull. She Maria Martins was born in Porto, Hannah is from Adelaide, Australia Elena Hibberd was born in Ottawa, studied at the as national boundaries. In 2016 she trained at Elmhurst Ballet School where she did most of her where she started dancing at the age ON in Canada and trained locally at Scuola Accademica Danza Sad performed with English from 2008 – 2016 and at Northern dance studies at Escola Domus of 12. She then moved to Sydney to the School of Dance in Ottawa at the Firenze. She has participated in the National Ballet at Royal Albert Hall Ballet’s Graduate Programme from Dança, also attending the study at the Tanya Pearson Classical age of 10. She has trained privately international exams of dance at the before returning to Montreal for a 2016 – 2017. In the last year, she has Conservatorio Professional de Danza Coaching Academy. Hannah spent with Evelyn Hart, Taina Morales and Academy Princesse Grace of Monte third season of Casse Noisette with performed with Birmingham Royal Carmen Amaya, Spain, for a year. three years at the of Klara Houdet as well as with Carlo and taken professional training Les Grands Ballets Canadiens. She Ballet in Romeo and Juliet, Northern Maria won several prizes in John Neumeier where she Canada’s National Ballet School, at the Marika Besobrasova was a contemporary soloist with Ballet in Beauty and the Beast and international competitions. Maria has graduated and moved to Poland to École Supérieure de Ballet du Fondation. Giuditta has performed Chicago Repertory Ballet and a silks also in English National Ballet’s Swan been invited to dance in several dance with the corp de ballet of the Québec, School, and with Ariston Proballet Sanremo and artist with Aerial Dance Chicago. Lake. Madeleine is thoroughly Galas, and has performed roles from Grand Theatre of Lodz, also dancing was apart of the studio company this is her first season with NEBT. With the Louisville (Kentucky) Ballet looking forward to her first season D. Quixote, , Sleeping soloist roles in Onegin, with Alberta Ballet. She moved to she performed Val Caniparoli’s The with NEBT. Participation in the 2017 Beauty, Swan Lake, , and Martha Graham’s ‘The Rite of London, UK in 2016 and is delighted Seasons and , season has been made possible by , , Harlequinade, Spring’. She has just danced with to be joining NEBT this season. Balanchine’s Theme & the Michelle Fox Bursary kindly Coppélia, , Walpurgis ‘The Polunin Project’ and this is now Variations and , plus donated by the Edwin Fox Nach, and also neoclassical and her second season with NEBT. standards like Raymonda and La Foundation. contemporary repertoire. Maria is Bayadère. She has been a guest thrilled to be joining NEBT for the artist with Cerqua Rivera Dance current season. Theatre as well as a guest Sugar Plum and Dew Drop Fairy in numerous Nutcrackers. A citizen of both the US and the UK, Sarah is excited to be living in London and making her debut with NEBT as part of their 2017 season.

SEAMUS WILKINSON GY RGY BAÁN GIULIO GALIMBERTI ӧ British born Seamus Wilkinson Gy rgy studies at the Hungarian Giulio Galimberti hails from Italy and studied at English National Ballet Danӧce Academy (2000-2007) and the studied at the Pavlova Ballet School School and has performed with the Palucca Schule Dresden (2007-2009). in Bergamo. Giulio has performed English National Ballet on UK Tour, in He then danced with the Ballet der across Europe with Kharkhiv National Summer Showcases and in London. Oper Graz in Austria (2009-2011) Ballet in the Ukraine, Opéra National This is his second season with NEBT. and with the National Ballet of de Bordeaux, Teatro Regio Torino, Portugal (CNB) (2011-2012). He has Teatro alla Scala, and Pavlova Ballet worked on numerous contemporary Company, Teatro Sociale/Donizzatti projects in Budapest during 2013 Bergamo. Giulio joined NEBT in and joined NEBT in 2013, he now August 2016. returns for his second season. Musicians

ALEXANDER NUTTALL JAMES PARRATT MATTHIEU QUINCY ANNE LOVETT GILDAS QUARTET Piano Strings Alexander trained at Central School of James Parratt is from London, Matthieu Quincy was born in Paris Ballet and danced with New English England and trained at Central and trained in Toulouse at the Anne was born in Normandy, France. She began piano Christopher Jones, Violin. Gemma Sharples, Violin. Ballet Theatre before joining Estonian School of Ballet where he graduated Academie Besso Ballet. He had the lessons at the age of three. She then went on to study at Kay Stephen, Viola. Anna Menzies, Cello. National Ballet to work with Thomas with a BA Hons in Professional opportunity to make his debut with the Conservatoire Supérieur de Paris with Pierre Reach Edur and , where he Dance and Performance. Whilst at NEBT in 2014, as his first (a pupil of the great Artur Rubinstein) and Alberto Neuman Praised for their 'refreshing approach' and 'exciting danced roles in all of the major Central James competed in The professional experience. He then (a rare student of Arturo Benedetti Michelangeli). At the precision', the Gildas Quartet are fast establishing repertoire. Returning to London in Geneé International Ballet Competition joined Vanemuine Ballet where he is age of just eleven, she was invited to perform in concert at themselves as one of the most exciting young ensembles 2016 he worked with New English where he was a finalist. In his second still currently working and performed the Festival International d’Annecy, and a year later at the to emerge in recent years. Ballet Theatre dancing works by year of training, James performed many soloist roles in pieces such as: Festival International de Montdauphin. Anne then moved Valentino Zucchetti, Marcelino with Kidd Pivot in a piece called Ninasarvik by Mai Murdmaa, Don to the UK to further her education at the Royal Academy The quartet are proud to be City Music Foundation Artists Sambé, Kristen McNally and Daniela Polaris, choreographed by Crystal Juan by Giorgio Madia and The of Music in London with Hamish Milne. She also studied 2015 and Junior Fellows at the Birmingham Conservatoire. Cardim before pursuing other Pite at Sadlers Wells. During his third Snowqueen by Silas Stubbs. This is composition with Ruth Byrchmore, chamber music with They have performed to critical acclaim across the UK and projects. His repertoire includes year of training he was a part of his third season with NEBT. Michael Dussek, and jazz with Dominic Alldis. She then Europe at major venues including the Purcell Room, Cranko’s Onegin, Edur’s Swan Lake, Ballet Central where he toured the undertook a Masters in Composition at Kings College, Wigmore Hall, and live on BBC Radio 3. They will make Sleeping Beauty and La Bayadere, U.K. After graduating in 2016, James London. During her academic years, Anne took part in their Bridgewater Hall debut later this year as part of the MacMillan’s Manon and Hynd’s moved to Dresden, Germany where many masterclasses, including those run by Pierre-Laurent Manchester Mid-day Concerts series. The quartet have Coppelia. Most recently, Alexander he was a Guest Apprentice at Aimard, Roger Muraro, Miriam Solovieff, Andrei Diev, frequently been featured by the Park Lane Group Young danced in ‘Project Polunin’ at Sadlers Semperoper Ballet and performed in John O’Connor and Rolf Hind. Artists scheme and are grateful for awards and support Wells with and Kennith MacMillan’s Manon. Now from the Tunnell Trust, the Richard Carne Trust and the .. back in the U.K. James is about to Since graduating, Anne has performed throughout Europe, Royal Northern College of Music. embark upon his debuting season in countries including Portugal, Norway, Italy, England, and France, as well as in Brazil. She has represented France Passionate performers of a hugely diverse repertoire, the and the UK in official engagements in both concerts and Gildas Quartet have had the privilege of working with both masterclasses. She has been broadcast on ITV, the German Colin Matthews and Sir Harrison Birtwistle on performing station ZDF, the radio station France Musique (Radio the composers' most recent string quartets at London’s France group), French national TV network, France 3, Southbank Centre and The Forge. The quartet performed and the European network, Mezzo. live via video link in New York's Carnegie Hall for the American Composers' Orchestra, giving the world Anne leads collaborative work with artists from various première of Ray Lustig's 'Latency Canons' which received avenues, from acting to dance companies. This includes a glowing 4-star review in . Other an instrumental project with producer and programmer, recent projects have seen them give recitals at the Two James Sanger, well known for his million selling work Moors Festival, Hampton Court Palace, the Conway Hall with Dido, Keane, U2 and The Cure. and Purcell Room, and an extensive Scottish tour reaching from Edinburgh to Orkney. With generous support from Anne’s deeply personal debut album Beyond (and Below) the Britten Pears Foundation, the quartet is delighted to which comprises her own piano works was recently have been able to commission a new quartet from Philip released to rave reviews on Discovery Records. She has just Cashian which will receive its premiere in 2017. recorded a new album engineered by multi-award winner, Mike Hatch (Grammys, BAFTAS and Gramophone Awards), The Gildas Quartet has joined musicians such as Alexander which will include the first commercial release of Carl Vine’s Baillie, Linda Merrick, the Medici Quartet, Timothy Orpen n i

and Daniel Tong. Ongoing partnerships include quintets w ‘Piano Sonata’. She has also just recorded the sonatas by d l a B

Franck, Faure and Poulenc for the label Champs Hill with clarinettist Jack McNeill, soprano Raphaela Papadakis k c i r Records with Grammy Award producer Raphael Mouterde and pianist Sholto Kynoch, in addition to a number of t a P

and violinist Giovanni Guzzo due to be released in January. exciting projects with the New English Ballet Theatre. : y h p a r g o t o h P Coming Soon Acknowledgments and Thanks to Our Supporters

New English Ballet Theatre would like to say a tremendous thank you to the many organisations Summer 2017 2018 and individuals who have given money, time, advice and encouragement, over the last year: Performance Launch of the 2018 Season Sadler’s Wells Lilian Baylis Studio Thursday 29th June 2017 NEBT Spring Auditions Trusts and Foundations Individuals Box Office 0207 863 8000 Gala Dinner Anonymous Trust Lucinda Alidad Edward & Carole Hill Outreach Goldsmiths Hall - Wednesday 14th March 2018 Arimathea Charitable Trust Sandra Ankarcrona Marianne Hinton Metal Village Green Festival - Friday 7th July 2017 Bircham Dyson Bell Charitable Trust Lady Elizabeth Arnold Christopher Holder Summer course TBC Cockayne Grants for the Arts Jeremy Attard-Manché Lucinda Holmes Performance Monday 13th to Friday 24th August 2018 Constance Travis Trust Carla Bamberger Sarah Hopkins Thameside Theatre - Tuesday 11th July 2017 Edwin Fox Foundation D.V. Bendall Jammy Hoare Box Office 0345 300 5264 Opera Festivals TBC Foyle Foundation Deborah Bennett Dorothy Ind August 2018 Garfield Weston Foundation Rosamund Bernays Julia Jaconelli Cheltenham Music Festival Idlewild Trust Melissa Bethell Denise Kaplan Everyman Theatre - Sunday 16th July Performance Kathleen Hannay Memorial Charity Fiona Birt-Llewellin Claude Keith Box Office 01242 850 270 Theatre Severn - Tuesday 18th September 2018 Maecenas Trust Bettina Bonnefoy Susan Keyser Mercers Charitable Foundation Patrick Briggs Herbert and Sybil Kretzmer Educational Outreach Performance Nicholas Berwin Charitable Trust Robin & Penny Broadhurst Melissa Knatchbull Based on The Four Seasons Peacock Theatre - PF Charitable Trust Lucinda Bruce Jacqueline Lane Hammersmith, Tower Hamlets, Wednesday 26th through Saturday 29th September 2018 Sir John McTaggart Charitable Trust Rosemary Burr Patricia Leigh-Wood Thurrock and Southend-on-Sea Sir Edward Lewis Foundation Darcey Bussell CBE Alistair & Penny Macpherson Metal Estuary Festival The Tezmae Charitable Trust Sue Butcher Sir John Mactaggart September 2018 The D’Oyly Carte Charitable Trust Jane Cadbury Harriet McCalmont The Fenton Arts Trust John Carleton Paget Kiki McDonough Performance The George Cadbury Trust (Creative Circle) Isabel Carr Nicki Meinertshagen Thameside Theatre - Wednesday 17th October 2018 The Hon. W. Giblson’s Charity Trust Victoria Cator Josephine Miller The Leche Trust Mary Ellen Cetra Edward Mirza Armistice Celebration Gala Performance The Linbury Trust Lubov Chernukin Marigold Newey Alexandra Palace - Sunday 11th November 2018 Lucy Chadlington Peter O’Connor Mark Clarfelt Tim & Susie Oliver Sponsors in kind Educational Outreach Elizabeth Clarke Tom Van Oss Based on Remembrance Ria Peri Crystal Ballet Victoria Clarke Thurrock and Hammersmith Helen Pheysey Charlotte Loves Ltd. Camilla Cordle Sue Pragnall Louis Roederer Rupert Cordle Russell Race Tikves Winery Julian Critchlow Richard Cunis Syndicate Chrissie Reid Paul Rhodes Special thanks to Susan Dalgetty Ezra Robina Debarge Julia Rosier Lynn Rothman Lanterns Studio Theatre Penny Deben Deniz Saylan Lyric Hammersmith Christian Dewar Durie Susie Seagrave Rambert Sally Dodd-Noble Sam & Juliet Searle Sadler’s Wells Sarah and Charles Dorin Louise Sheaves The Royal Ballet & Deborah MacMillan Eugenia Ephson Sophie Farr Stuart and Cecile Stanley Lucy Fisher Rocco Tanzarella David and Lindsay Gomme George Vestey Noelle Virginia Greenaway Fred Vinton Able Hadden Paul & Annette Waites Carolyn Hadden-Patron Simon & Glenda Weil Pauline Heerema Jane Ylvisaker i k s n e p s U

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