Actuará Por Primera Vez En La Habana El Royal Ballet De Inglaterra

Total Page：16

File Type：pdf, Size：1020Kb

Image not found or type unknown www.juventudrebelde.cu Actuará por primera vez en La Habana el Royal Ballet de Inglaterra Publicado: Jueves 21 mayo 2009 | 12:08:39 am. Publicado por: José Luis Estrada Betancourt A no dudarlo: las presentaciones en La Habana, entre el 14 y 18 de julio, del Royal Ballet, se convertirán en el acontecimiento cultural más significativo no solo del verano, sino quizá del año, en nuestro país. Por vez primera, la emblemática compañía inglesa actuará en Cuba y lo hará inicialmente en el Gran Teatro de La Habana (del 14 al 16), donde pondrá a consideración de los balletómanos, además de afamados pas de deux (Romeo y Julieta, El corsario, Cisne Negro, Don Quijote...), reconocidas obras de su repertorio como Chroma, de Wayne McGregor; Voices of Spring, Thaïs y Un mes en el campo, de Frederick Ashton; y El adiós, de Kenneth MacMillan. Será justamente en la sala García Lorca del coliseo habanero donde, el día 15, la agrupación danzaria más importante de Gran Bretaña, dirigida por Mónica Mason, rendirá homenaje a la prima ballerina assoluta Alicia Alonso; esperado momento en que se unirán los primeros bailarines del patio con los invitados. Las dos últimas actuaciones del Royal tendrán lugar en el Complejo Cultural Karl Marx, donde subirá a escena Manon, la aclamada creación de MacMillan, que ofrecerá la posibilidad de apreciar la impresionante danza de la española Tamara Rojo y del cubano Carlos Acosta (día 17), así como de la rumana Alina Cojocaru y del danés Johan Kobborg (18). El público vivirá la oportunidad única de disfrutar del arte de una compañía «muy» internacional (96 bailarines), «pues en ella están representadas 19 naciones, aunque no por ello se pierde el estilo que distingue al Royal», afirmó este miércoles su director administrativo Kevin O’Hare, quien anunció que bailarán aquí todas las principales figuras que integran el selecto elenco. La impresionante nómina está conformada por las estrellas Alexandra Ansanelli, Zenaida Yanowsky, Federico Bonelli, Roberta Márquez, Iván Putrov, Lauren Cuthbertson, Mara Galeazzi, Roberto Bolle, Thiago Soares, Sara Lamb, Leanne Benjamín, Edward Watson y Miyako Yoshida, por solo mencionar algunas. Kevin O’Hare aseguró que tanto los bailarines como los maîtres, profesores y el equipo técnico, están entusiasmados con la posibilidad de actuar en la Isla, «un sueño hecho realidad», gracias a diferentes instituciones cubanas y británicas, y al primer bailarín mundial Carlos Acosta, quien está deseoso de presentarse en Cuba con su familia extendida del Royal. http://www.juventudrebelde.cu/cultura/2009-05-21/actuara-por-primera-vez-en-la-habana-el-royal-ballet-de- inglaterra Juventud Rebelde | Diario de la juventud cubana Copyright © 2017 Juventud Rebelde.

Copy Link

Recommended publications

UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
[Show full text]
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
[Show full text]
Memorable Debut Del Royal Ballet En Cuba
Progreso Semanal Nuestro mundo desde perspectivas progresistas http://progresosemanal.us Memorable debut del Royal Ballet en Cuba Author : Archivo Progreso Date : 15 de julio, 2009 La Habana, 15/07/ 2009. PL. El público cubano satisfizo aquí sus expectativas tras el debut del Royal Ballet con un programa marcado por la diversidad coreográfica y la muy esperada actuación de la española Tamara Rojo y el cubano Carlos Acosta. Estos últimos, abanderados de la famosa compañía británica, centraron la víspera en la sala García Lorca, del Gran Teatro de La Habana, un memorable espectáculo con el pas de deux de El corsario, pleno de virtuosismo, entre fouettes y pirouettes. Como primer botón de muestra, la contemporánea pieza Chroma, del célebre coreógrafo Wayne McGregor, puso al descubierto las exigencias fisicas que demanda a cada bailarín un juego que deshace la teoría del conocimiento sobre el cuerpo humano. La luz y el movimiento se conjugaron en un espacio mínimo para dar paso al cuerpo arquitectónico, en esa máxima del anatomista y fisiólogo checo Jan Evangelista cuando apuntó: los engaños de los sentidos son las verdades de la percepción. A los divertimentos les fue reservada también otra estela de aplausos y exclamaciones de bravo. Alina Cojocaru y José Martin demostraron talento histriónico en el pas de deux Las voces de la primavera, mientras que Roberta Márquez y Edward Watson encarnaron la escena del balcón de Romeo y Julieta, coreografiada por Kenneth MacMillan. El duetto de Mara Galeazzi y Thiago Soares protagonizó otro pas de deux, Farewell, en que los intensos arabescos de la primera y los saltos en giros de su contraparte devinieron no solo expresión amorosa sino diatriba contra el destino.
[Show full text]
Other Stories Edward Watson and Wendy Whelan - Five Choreographers, Five New Works
MAY 2015 PRESS RELEASE WORLD PREMIERE: OTHER STORIES EDWARD WATSON AND WENDY WHELAN - FIVE CHOREOGRAPHERS, FIVE NEW WORKS Thursday 9 July – Sunday 12 July Linbury Studio Theatre Royal Ballet Principal Edward Watson and Wendy Whelan, former Principal at New York City Ballet for over 20 years, perform Whelan/Watson: Other Stories, a programme of five contemporary works created especially for them by world- acclaimed choreographers Annie-B Parson, Arlene Phillips, Arthur Pita, Danièle Desnoyers and Javier de Frutos. Other Stories brings Whelan and Watson together for the first time in an evening of contemporary dance taking inspiration from waltz, tango and disco. The pair will perform three duets by Arthur Pita (who previously created the Olivier Award winning The Metamorphosis on Edward Watson for the Linbury Studio Thearte), Danièle Desnoyers and Javier de Frutos. Whelan will also perform a solo choreographed by Annie-B Parson, while Watson will dance a solo created by Arlene Phillips. Costumes and set design are by Jean-Marc Puissant, with lighting by Bruno Poet, music direction by Frank Moon and soundscape by Daniel Peppe. Other Stories will tour to City Center, New York in 2016. Director of The Royal Ballet Kevin O’Hare adds "Edward Watson and Wendy Whelan are two artists whose exceptional talents are recognised throughout the dance world. This programme brings them together for the first time to collaborate with five For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media contemporary choreographers to create new work showcasing their highly original talents." --- ENDS --- Notes to Editors Whelan/Watson: Other Stories Thursday 9 July – Sunday 12 July Thursday 9, Friday 10, Saturday 11 July at 7:45pm, Sunday 12 July at 3pm The production lasts approximately one hour, with no interval.
[Show full text]
Emerging Dancer Tuesday 22 September 2020, 7.30Pm Live-Streamed Performance Digital Tickets: £5
English National Ballet Emerging Dancer Tuesday 22 September 2020, 7.30pm Live-streamed performance Digital Tickets: £5 www.ballet.org.uk/emerging On Tuesday 22 September 2020, English National Ballet’s Emerging Dancer competition will be broadcast live from the Production Studio at the Company’s East London home for the first time. The annual event, now in its 11th year, celebrates the bright future of ballet and the excellence of the Company’s young talent. This year’s event will be live streamed and available to watch online for just £5. Selected by their peers, six of the company's most promising dancers will take part in this year’s competition and have been paired up to perform a classical pas de deux and contemporary piece before a panel of esteemed judges. The winners of the Emerging Dancer and People’s Choice awards will be chosen on the night. The performances will be accompanied by live music performed by members of the English National Ballet Philharmonic. This year will see Ivana Bueno and William Yamada perform a pas de deux from Talisman, Emily Suzuki and Victor Prigent perform a pas de deux from Satanella and Carolyne Galvao and Angel Maidana perform a piece from Diana and Acteon. The contemporary section will see the couples perform three brand-new original works, created especially for the event. Ballet Black dancer and choreographer Mthuthuzeli November has created a piece for Ivana and William, ENB First Artist and Associate Choreographer Stina Quagebeur is creating for Emily and Victor and ENB Lead Principal Jeffrey Cirio is choreographing for Carolyne and Angel.
[Show full text]
La Programmation Du Royal Opera House
PPrrooggrraammmmaattiioonn CCiinneejjaaddee Cin ejade Retransmission en direct, ou différé, d’opéras ou de ballets du Royal Opéra House MANON En différé MERCREDI 21 MARS, 20h15 Kenneth MacMillan | Ballet en cinq actes Durée: 1 heure 57 minutes + 1 entracte de 10mn Avec ses grandes scènes de foule et ses pas de deux passionnés, Manon de Kenneth Macmillan est un classique très apprécié du Royal Ballet. Tamara Rojo et Carlos Acosta dansent les rôles princi- paux de Manon et Des Grieux. La passion fatale des deux amants les conduira de la vie trépidante et fastueuse dans le Paris du 19e siècle aux marais de la Louisiane. Servi par la musique sensuelle et éloquente de Massenet, Manon est l'un des plus grands ballets dramatiques et offre aux premiers danseurs, aux solistes et à toute la compagnie l'occasion de démontrer l'étendue de leur talent et de leur intensité dramatique. Manon Tamara Rojo Des Grieux Carlos Acosta Lescaut José Martín Monsieur G.M Christopher Saunders La Maîtresse de Lescaut Laura Morera Artistes du Royal Ballet Orchestra of the Royal Opera House Musique Jules Massenet Chef d'orchestre Martin Yates Chorégraphie Kenneth MacMillan Décor/Costumes Nicholas Georgiadis COSI FAN TUTTE En différé MARDI 22 MAI, 19h15 Wolfgang Amadeus Mozart | Opéra en deux actes Chanté en italien | Durée: 2 heures 55 minutes (intervalles non comprises) Cette comédie à la fois originale et audacieuse présente avec finesse une histoire de tromperie et de confiance soumise à rude épreuve sur une partition classique de Mozart. Les sentiments de deux couples qui semblent fidèles peuvent-ils être remis en question par une supercherie en apparence inoffensive ? La production de Jonathan Miller, toujours aussi populaire, adapte le 18e siècle à notre époque.
[Show full text]
DOCTORAL THESIS the Dancer's Contribution: Performing Plotless
DOCTORAL THESIS The Dancer's Contribution: Performing Plotless Choreography in the Leotard Ballets of George Balanchine and William Forsythe Tomic-Vajagic, Tamara Award date: 2013 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 THE DANCER’S CONTRIBUTION: PERFORMING PLOTLESS CHOREOGRAPHY IN THE LEOTARD BALLETS OF GEORGE BALANCHINE AND WILLIAM FORSYTHE BY TAMARA TOMIC-VAJAGIC A THESIS IS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF PHD DEPARTMENT OF DANCE UNIVERSITY OF ROEHAMPTON 2012 ABSTRACT This thesis explores the contributions of dancers in performances of selected roles in the ballet repertoires of George Balanchine and William Forsythe. The research focuses on “leotard ballets”, which are viewed as a distinct sub-genre of plotless dance. The investigation centres on four paradigmatic ballets: Balanchine’s The Four Temperaments (1951/1946) and Agon (1957); Forsythe’s Steptext (1985) and the second detail (1991).
[Show full text]
The REVIEW 2011/12 Heart of Darkness Alan Oke
The REVIEW 2011/12 Heart of Darkness Alan Oke CONTENTS CHIEF EXECUTIVE CHAIRMAN EXCELLENCE NURTURE PARTICIPATION REACH YEAR AT A GLANCE FINANCE PHILANTHROPISTS FORWARD CHIEF EXECUTIVE Tony Hall CHAIRMAN EXCELLENCE NURTURE PARTICIPATION REACH YEAR AT A GLANCE FINANCE PHILANTHROPISTS TONY HALL, Chief Executive 2001/2013 This Annual Review is the first not to appear in printed Our commitment to offering variety and to taking courageous, form. The fresh format is indicative of the way in which we creative decisions with our programming ensures that our continue to evolve and embrace the best of the new. audiences have the opportunity to discover new flavours and develop new tastes. An evening at the Royal Opera House 2011/12 has been hugely exciting creatively, with new work, should be as much an exploration as a reacquaintance with the names and revivals to the fore. This momentum has been familiar. The fact that our audience levels stand at a consistent matched by our ongoing activities in reaching out to 92%, in such economically difficult times, demonstrates that communities and audiences in more direct and ever more we continue to offer work that people feel they simply have to meaningful ways. It has truly been an outstanding year, see. That makes all of us here, very proud. delivering value in every sense of the word. We have, as always, played a significant role beyond our walls Looking through the following pages it should become both domestically and in seizing international opportunities rapidly apparent just how great the range and quality of our to fly the flag for UK culture whenever we can.
[Show full text]
Casting Announced for the Royal Ballet Tour to Australia 2017
MARCH 2017 CASTING ANNOUNCED FOR THE ROYAL BALLET TOUR TO AUSTRALIA 2017 Queensland Performing Arts Centre, Brisbane, 29 June–9 July Woolf Works Thursday 29 June–Sunday 2 July The Winter’s Tale Wednesday 5–Sunday 9 July The Royal Ballet tours to Australia this summer for an exclusive residency at Queensland Performing Arts Centre from Thursday 29 June to Sunday 9 July. Two award-winning productions, Wayne McGregor’s Woolf Works and Christopher Wheeldon’s The Winter’s Tale will showcase the extraordinary breadth of the Company’s modern repertory, and the virtuosity and theatricality of its dancers. Casting for the tour includes Principals Federico Bonelli, Alexander Campbell, Lauren Cuthbertson, Francesca Hayward, Ryoichi Hirano, Sarah Lamb, Steven McRae, Laura Morera, Marianela Nuñez, Natalia Osipova, Thiago Soares, Akane Takada, Vadim Muntagirov, Edward Watson and Zenaida Yanowsky. Alessandra Ferri and Mara Galeazzi return to dance the roles of Mrs Dalloway and Virginia Woolf in Woolf Works. Australian Company members include Principals Steven McRae and Alexander Campbell, First Artist Benjamin Ella, and Artists Harry Churches and Calvin Richardson. Kevin O’Hare, Director of The Royal Ballet, comments 'It’s a real privilege for us to be invited to QPAC as part of the International Series which has welcomed so many wonderful companies in recent years. Everyone in the Company is very much looking forward to performing in Brisbane, especially as it is the first time we have taken these two very exciting works outside of the Royal Opera House.’ Woolf Works by Royal Ballet Resident Choreographer Wayne McGregor is composed of three acts inspired by three of Virginia Woolf’s landmark novels; Mrs Dalloway, Orlando For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media and The Waves, as well as a selection of her autobiographical writings that echo aspects of her famously eventful life.
[Show full text]
ENB Annual Review 2017-2018
Annual Review 2017–2018 Contents 4 About English National Ballet 30 ENB Philharmonic 6 A message from our Artistic Director 32 Nurturing Talent 8 A message from our Chairman 36 Reaching Audiences 10 A message from our Executive Director 40 Engagement 12 Highlights 44 Support 14 Artistic Programme Review 48 Financial Performance 22 Artistic Programme Credits 50 Looking Forward 24 Artistic Programme Awards 52 ENB Board & Advisors 26 ENB Dancers 55 ENB Staff English National Ballet Artists as Snowflakes in Nutcracker © Laurent Liotardo 2 3 About English National Our ambition is great ballet for everyone. Our Mission Our Objectives Ballet We bring world-class classical ballet to the – To present productions of classical ballet widest possible audience – delighting them of the highest quality within England and with the traditional and inspiring them with around the world; the new. We aspire to be the United Kingdom’s most exciting and creative ballet company. – To offer access to the widest possible audience through affordable pricing and Our Vision attractive repertoire in a variety of venues including theatres, schools, festivals and Under the leadership of Artistic Director digital platforms; Tamara Rojo, English National Ballet stands for artistic excellence and creativity. – To inspire, enlighten and uplift the public We are a world-class organisation; through performances, events, interaction flexible, collaborative, and enthusiastically and experience; engaging with our audiences. We celebrate the tradition of great classical ballet while – To develop the art form of ballet by embracing change, evolving the art form commissioning new choreography, for future generations and encouraging design, and musical composition as well audiences to deepen their engagement.
[Show full text]
The Young Conductor Looks to the Future
THE WORLD’S BEST CLASSICAL MUSIC REVIEWS Est 1923 . APRIL 2018 gramophone.co.uk Robin Ticciati The young conductor looks to the future PLUS Paul Lewis explores Haydn’s piano sonatas Handel’s Saul: the finest recordings UNITED KINGDOM £5.75 Intimate concerts featuring internationally acclaimed classical musicians in central London Now Booking Until July 2018 Igor Levit Cuarteto Casals: Beethoven Cycle Roderick Williams: Exploring Schubert’s Song Cycles O/Modernt: Purcell from the Ground Up Haydn String Quartet Series Jörg Widmann as Composer-Performer and much more… The Wigmore Hall Trust 36 Wigmore Street, London W1U 2BP Director: John Gilhooly OBE www.wigmore-hall.org.uk Registered Charity Number 1024838 A special eight-page section focusing on recent recordings from the US and Canada JS Bach Solo Violin Sonatas and Partitas, BWV1001-1006 talks to ... Johnny Gandelsman vn In a Circle F b ICR101 (124’ • DDD) Johnny Gandelsman The violinist and co-founder Bach’s Violin of Brooklyn Rider discusses his Sonatas and debut solo recording of Bach Partitas are among the most frequently Was it a challenge to plunge straight into performed works for the instrument, Bach for your first solo recording? or any instrument. Recordings evince a Not really. Over the the last three years spectrum of approaches, from historical I’ve performed all six Sonatas and Partitas treatments on period instruments to in concert about 30 times, which has been concepts Romantic and beyond. deeply rewarding. I wanted to capture this Among the newest journeys is Johnny moment of personal learning and growth. Gandelsman’s freshly considered account Do you miss the collaborative process of these monuments.
[Show full text]
The Royal Ballet Collection RELEASE DATE 24 SEPTEMBER 2021
RELEASE DATE 24 SEPTEMBER 2021 The Royal Ballet Collection The Royal Ballet A 15-disc set celebrating the talent of The Royal Ballet at a special, lower price "... [the] performance exemplified the Royal Ballet’s high standards of seamless, naturalistic and musically attentive dance acting." (The New York Times – Swan Lake) Over a decade of dance is represented here with no fewer than 22 ballets in this magnificent 15-disc collection of stunning performances by The Royal Ballet, including spectacular stagings of well-known narrative ballets, era-defining abstract works and show-stopping shorter ballets. 19th-century masterpieces, heritage works by Frederick Ashton and Kenneth MacMillan, and contemporary classics by The Royal Ballet’s Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon are here performed by Royal Ballet dancers past and present. A special edition book contains articles about The Royal Ballet, its repertory and its choreographers, as well as full synopses for all the narrative ballets, richly illustrated with striking photographs of the productions. This title is a re-packaging of The Royal Ballet Collection (OA1222BD / OABD7210BD) at budget price, including the same content and booklet as the original release (which will be discontinued). 15 X DVD / 15 X BLU-RAY Ballets included: Cat: OA1338BD / OABD7292BD UPC: 809478013389 / 809478072928 • Sylvia with Darcey Bussell and Roberto Bolle • The Sleeping Beauty with Alina Cojocaru and Duration: approx. 1737 minutes Federico Bonelli Audio: LPCM
[Show full text]