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Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies. -
The Great Communicator
THE LAST WORD ON THE NEWS WEEKLY: SAT/NOVEMBER 17/2018 NETWORK18 MEDIA AND INVESTMENTS LIMITED PAGES 20 SAMPLE COPY 12 RBI versus Residential Centre is evil of Yogi’s about 2019 hometown ENCEPHALITIS CASES IN GORAKHPUR The reason elections UNABATED DESPITE GOVT’S TALL CLAIMS why I wrote MODI GOVT WANTS CENTRAL BANK OF VACCINATION TO RELAX LENDING TO BOOST my story GROWTH, WHICH IS SHOWING SIGNS 10 was be- OF SLOWING DOWN, BEFORE POLLS cause I felt that this was the moment Who calls of ‘now or the shots? never’ WHY KATRINA’S TWO GIG VINTA NANDA ROLES MATTER MORE THAN TV PRODUCER HER DIRECTORS WRITER 14 6 COVER STORY inside Wrong target BLAMING NAIDU, ANDHRA FOR TELANGANA PROBLEMS WON’T IMPRESS VOTERS AS TDP IS NOT THE MAIN Phugat RIVAL OF KCR & TRS high on 8 politics BJP DELHI MEMBER AND MRS UNIVERSE 2015 WEST ASIA SAYS IN POLITICS IT IS EASY TO LET POWER GO TO YOUR HEAD BUT ONE HAS TO BE PROFESSIONAL 4 Rebel With a Cause DALIT LEADER CHANDRASHEKHAR AZAD’S REBELLIOUS STREAK HAS ATTRACTED SUPPORTERS THE BIG PICTURE 9 The Great REMEMBRANCE OR RAGE DIFFERENT BALLGAME Role of Indian Batting for 3 soldiers in WW I diff erent balls triggers debate of cricket Communicator While 74,000 Indians died Cricketing giants prefer balls NAMO APP: How Narendra Modi is using technology, data, and serving the Raj overseas, does of di erent makes due to valorising their sacrifi ces insult lack of standardisation of targeted comms strategy to stay ahead of the political pack memories of those who did balls globally and di culty in resist the empire and exonerate adjusting to them in di erent 2 those who sent soldiers to fi ght? conditions SHATAKSHI 7 18 FIRSTPOST. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
18.00 VISIT Lionsafari.Com and Plan Your Trip Today!
BOLLYWOOD voice entertainment Friday, July 6, 2018 www.WeeklyVoice.com Section B Riteish Raps Up Shooting For ‘Total Dhamaal’ MUMBAI: Riteish Deshmukh has wrapped up the shooting of ilmmaker Indra Kumar’s “Total Dhamaal”, the third entertainer in the “Dhamaal” franchise. “It’s a wrap for me. ‘Total Dhamaal’ got to work with my all-time favourite Madhuri Dixit and Anil Kapoor in one ilm. I love this man Ajay Devgn and happy to be back with my part- ners in crime Arshad Warsi and Jaaved Jaaferi. My sixth ilm with Indra Kumar, the best actor on the set,” Riteish tweeted of his expe- rience of shooting the movie. In response to Riteish’s tweet, Arshad wrote: “Will miss your warmth, crazy humour and conta- gious laugh. Waiting to work with you again. Love you bro.” Kartik, Kriti Set For ‘Luka Chuppi’ MUMBAI: Actors Kartik Aary- an and Kriti Sanon are “super excited” about working on their next ilm titled ‘Luka Chuppi’. “Next #LukaChuppi. Super excited,” Kartik, who is fresh off the success of “Sonu Ki Titu Ki Sweety”, tweeted. Kartik will be Punjabi Star In Remo’s New seen playing a TV reporter based in Mathura in the upcoming ilm. His co-star Kriti tweeted: “’Luka Chuppi’. Super excited Film ‘Nawabzaade’ for this one! March 2019.” Kriti plays a Mathura girl who Punjabi actress Isha Rikhi, Bollywood debut. “I have re- “I play an innocent, girl next did not want to make my de- had gone to Delhi to study and known for her work in mov- ceived a lot of appreciation door who steals the hearts but in a glamorous avatar.” now is back in her hometown. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Declaration by the Candidate
DECLARATION BY THE CANDIDATE I hereby declare that the dissertation entitled “Objectification and commodification of women in the visual media: A critical study” submitted at National Law University, Delhi is the outcome of my own work carried out under the supervision of Dr. Sushila, Assistant Professor (Law), National Law University, Delhi. I further declare that to the best of my knowledge, the dissertation does not contain any part of my work, which has been submitted for the award of any degree either in this University or in any other institution without proper citation. Vighnesh Balaji 27/ LLM /18 Place: New Delhi National Law University, Delhi Date: 23.05.19 I CERTIFICATE OF SUPERVISOR This is to certify that the work reported in the LL.M. dissertation titled “Objectification and Commodification of Women in the Visual Media: A Critical Study” submitted by Vighnesh Balaji at National Law University, Delhi is a bona fide record of his original work carried out under my supervision. Dr. Sushila Assistant Professor (Law) Place: New Delhi National Law University, Delhi Date: 23.05.19 II ACKNOWLEDGMENT First, and foremost I would like to thank my wonderful supervisor Dr. Sushila who has always believed in me and has provided me insightful suggestions and has been a constant pillar of support throughout the dissertation period. My father, for always trying to balance me, My sisters, for holding my back, my friends, to whom I owe the world, NLU-Delhi for teaching me much more than the prescribed syllabus. Last but never the least; I thank Lord Shiva with all my heart for my unconditional mother, Suseela Ravichandran who has always firmly believed that the odds have to favour me. -
In Re Eros International Securities Litigation 15-CV-08956-Amended
Case 1:15-cv-08956-AJN Document 68 Filed 10/10/16 Page 1 of 122 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) In re EROS INTERNATIONAL SECURITIES ) Master File No. 15 Civ. 8956 (AJN) LITIGATION ) _________________________________________ ) AMENDED CONSOLIDATED ) CLASS ACTION COMPLAINT This Document Relates To: ALL ACTIONS ) FOR VIOLATIONS OF THE ) FEDERAL SECURITIES LAWS ) ) Jury Trial Demanded ) Michael W. Stocker David J. Goldsmith Barry Michael Okun Alfred L. Fatale III LABATON SUCHAROW LLP 140 Broadway New York, New York 10005 Tel.: (212) 907-0700 Fax: (212) 818-0477 Attorneys for Lead Plaintiffs Fred Eisner and Strahinja Ivoševič and Lead Counsel for the Class Case 1:15-cv-08956-AJN Document 68 Filed 10/10/16 Page 2 of 122 TABLE OF CONTENTS I. NATURE OF THE ACTION ............................................................................................. 1 II. JURISDICTION AND VENUE ......................................................................................... 9 III. PARTIES .......................................................................................................................... 10 IV. FACTUAL BACKGROUND AND SUBSTANTIVE ALLEGATIONS .................................................................................. 13 A. Company Background .......................................................................................... 13 B. The Lulla Family’s Extensive Related-Party Transactions ................................................................................... 14 C. Eros Goes -
In Re Eros International Securities Litigation 15-CV-08956
Case 1:15-cv-08956-AJN Document 60 Filed 07/15/16 Page 1 of 111 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) In re EROS INTERNATIONAL SECURITIES ) Master File No. 15 Civ. 8956 (AJN) LITIGATION ) _________________________________________ ) CONSOLIDATED CLASS ) ACTION COMPLAINT This Document Relates To: ALL ACTIONS ) FOR VIOLATIONS OF THE ) FEDERAL SECURITIES LAWS ) ) Jury Trial Demanded ) Michael W. Stocker David J. Goldsmith Barry Michael Okun LABATON SUCHAROW LLP 140 Broadway New York, New York 10005 Tel.: (212) 907-0700 Fax: (212) 818-0477 Attorneys for Lead Plaintiffs Fred Eisner and Strahinja Ivoševič and Lead Counsel for the Class Case 1:15-cv-08956-AJN Document 60 Filed 07/15/16 Page 2 of 111 TABLE OF CONTENTS I. NATURE OF THE ACTION ............................................................................................. 1 II. JURISDICTION AND VENUE ......................................................................................... 8 III. PARTIES ............................................................................................................................ 9 IV. FACTUAL BACKGROUND AND SUBSTANTIVE ALLEGATIONS ......................................................................... 12 A. Company Background .......................................................................................... 12 B. The Lulla Family’s Extensive Related-Party Transactions ................................................................................... 13 C. Eros Goes Public .................................................................................................. -
Review of Research Journal:International Monthly Scholarly
Review Of ReseaRch impact factOR : 5.7631(Uif) UGc appROved JOURnal nO. 48514 issn: 2249-894X vOlUme - 8 | issUe - 3 | decembeR - 2018 __________________________________________________________________________________________________________________________ A NARRATIVE ADAPTATION OF ARISTOTLE’S CONCEPT OF IDEAL TRAGIC HERO IN MODERN INDIAN HINDI MOVIES: AASHIQUI 2 AND RAANJHANAA Dr. Anand Bhaik Assistant Professor , Department of English , Taywade College, Mahadula – Koradi, Nagpur (M.S.). ABSTRACT It is the greatness of Aristotle that the narrative techniques he had laid down some thousands of years earlier for the creation of an Ideal Tragic Hero are to be found relevant even today. The aim of the present paper is to critically understand how Aristotle’s narrative techniques of an Ideal Tragic Hero has been adopted in the creation of male leading characters in ‘Aashiqui 2’ and ‘Raanjhanaa’. There has been reciprocal relationship between literature and other forms of artistic expressions and the film is no exception to this. Aristotle, an eminent Greek scholar has created his concept of an Ideal Tragic Hero in his insightful treatise, ‘The Poetics’. The male protagonists of the above said movies, as Aristotle wishes are neither paragon of virtues nor utterly wicked; rather an intermediate sort of persons, passing through hamartia(tragic flaw or error in judgment). There are also peripetia (reversal of fortune) and anagnorisis (realization of truth) in their actions. Except some modern limitations, the tragic protagonists of ‘Aashiqui 2’ and ‘Raanjhanaa’ follow the steps, shown by Aristotle. KEYWORDS: tragic hero, narrative, hamartia, peripetia, anagnorisis, film etc. 1. INTRODUCTION This paper builds insight into how the critical theories of literature impact films, through a detailed study of Aristotle’s concept of an Ideal Tragic Hero with reference to the selected modern Indian Hindi movies, ‘Aashiqui 2’ and ‘Raanjhanaa’. -
Impact of Indian Cinema on Young Viewers
| 1 Impact of Indian Cinema on Young Viewers: Responses to Gender and Violence Against Women REPORT BY Lopa Ghosh, Julie Thekuddan and Megha Kashyap January 2018 2 | Indian Cinema and Young Viewers’ Responses to Gender and Violence Against Women This study was commissioned by Oxfam India and implemented independently by Lopa Ghosh, in the five project states in India (Bihar, Jharkhand, Uttar Pradesh, Chhattisgarh and Odisha) under the supervision of Oxfam India. Study conducted by: Lopa Ghosh Report written by: Lopa Ghosh, Julie Thekuddan and Megha Kashyap Peer Reviewed by: Mayssam Zaaroura Women’s Rights Knowledge Specialist, Oxfam Canada, Utpal Borpujari, Film Critic and Film Maker, Professor Kathryn Hardy, Ashoka University and Ammu Joseph, Independent Journalist and Author. Inputs from Nisha Agrawal, Ranu Kayastha Bhogal, Diya Dutta, Mary Thomas, Rajini Menon, and Himanshi Matta New Delhi, 2018 | 3 4 | Indian Cinema and Young Viewers’ Responses to Gender and Violence Against Women EXECUTIVE SUMMARY Since its inception in 2008, Oxfam India has been working on the issue of domestic violence. In order to deepen its work on perceived normative moorings that often perpetuate domestic violence, Oxfam India undertook an analysis of institutions that influence the perpetuation of social norms. It is in this context that Oxfam India initiated a research to of this project. Qualitative discussions were held with understand the scope and impact of mainstream Indian young women and men from the selected states of Bihar, cinema on the issue of Violence against Women and Girls Chhattisgarh, Jharkhand, Odisha and Uttar Pradesh to (VAWG) in India. Mainstream Indian cinema (often viewed understand whether and if yes, then how viewing films synonymously with Bollywood films) is considered one of contribute to or affirm their attitudes towards VAWG. -
Indische Filme
Indische Filme Titel Jahr Regie Länge 102 Not Out 2018 Umesh Shukla 102 Min. 1942 - A Love Story 1994 Vidhu Vinod Chopra 159 Min. 1983 2014 Abrid Shine 138 Min. 2 States 2014 Abhishek Varman 149 Min. 3 Deewarein 2003 Nagesh Kukunoor 115 Min. 3 Idiots 2009 Rajkumar Hirani 165 Min. 36 Chowringhee Lane 1981 Vanraj Bhatia 122 Min. 7 Khoon Maaf 2011 Vishal Bhardwaj 148 Min. 99 2009 Raj Nidimoru 133 Min. A Wednesday 2008 Neeraj Pandey 104 Min. Aaja Nachle 2007 Anil Mehta 153 Min. Aakrosh 2010 Priyadarshan 146 Min. Aamir 2008 Raj Kumar Gupta 96 Min. Aar-Paar 1954 Guru Dutt 146 Min. Aarakshan 2011 Prakash Jha 158 Min. Aashayein 2010 Nagesh Kukunoor 125 Min. Aashiqui 2 2013 Mohit Suri 132 Min. ABCD 2 2015 Remo D'Souza 154 Min. Abhijan 1962 Satyajit Ray 145 Min. Abhimaan 1973 Hrishikesh Mukherjee 122 Min. Adaminte Makan Abu 2011 Salim Ahmed 105 Min. Ae Dil Hai Mushkil 2016 Karan Johar 157 Min. Afsana Pyar Ka 1991 Shahjahan 143 Min. Agantuk 1991 Satyajit Ray 120 Min. Agneepath 2012 Karan Malhotra 174 Min. Agneepath 1990 Mukul S. Anand 167 Min. Airlift 2016 Raja Menon 130 Min. Aisha 2010 Rajshree Ojha 126 Min. Aiyaary 2016 Neeraj Pandey 157 Min. Aiyyaa 2012 Sachin Kundalkar 146 Min. Ajaana Anjaani 2010 Siddharth Anand 152 Min. Akele Hum Akele Tum 1995 Mansoor Khan 154 Min. Akira 2016 A. R. Murugadoss 138 Min. Aligarh 2016 Hansal Mehta 120 Min. All Is Well 2015 Umesh Shukla 215 Min. Allah Ke Banday 2010 Faruk Kabir 132 Min. Amal 2007 Richie Mehta 101 Min. -
United States District Court Southern District of New York
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ____________________ , Individually and Case No. On Behalf of All Others Similarly Situated, Plaintiff, CLASS ACTION COMPLAINT FOR VIOLATIONS OF THE FEDERAL v. SECURITIES LAWS EROS INTERNATIONAL PLC, JYOTI JURY TRIAL DEMANDED DESHPANDE, ANDREW HEFFERNAN, PREM PARAMESWARAN, KISHORE LULLA, VIJAY AHUJA, NARESH CHANDRA, DILIP THAKKAR, SUNIL LULLA, MICHAEL KIRKWOOD, KEN NAZ, DEUTSCHE BANK SECURITIES INC., MERRILL LYNCH, PIERCE, FENNER & SMITH INCORPORATED, UBS SECURITIES LLC, JEFFERIES LLC, CREDIT SUISSE SECURITIES (USA) LLC, and EM SECURITIES LLC, Defendants. CLASS ACTION COMPLAINT Plaintiff _________________ (“Plaintiff”), by and through his attorneys, alleges the following upon information and belief, except as to those allegations concerning Plaintiff, which are alleged upon personal knowledge. Plaintiff’s information and belief is based upon, among other things, his counsel’s investigation, which includes without limitation: (a) review and analysis of regulatory filings made by Eros International Plc (“Eros” or the “Company”), with the United States Securities and Exchange Commission (“SEC”); (b) review and analysis of press releases and media reports issued by and disseminated by Eros; and (c) review of other publicly available information concerning Eros. NATURE OF THE ACTION AND OVERVIEW 1. This is a class action on behalf of persons or entities who purchased or otherwise acquired Eros securities: (1) pursuant and/or traceable to the Company’s Registration Statement and Prospectus (collectively, the “Registration Statement”) issued in connection with the Company’s initial public offering on the New York Stock Exchange on or about November 12, 2013 (the “IPO” or the “Offering”); and/or (2) between November 12, 2013 and November 12, 2015, inclusive (the “Class Period”).