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Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases
Alabama Law Scholarly Commons Articles Faculty Scholarship 2017 Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases Deepa Das Acevedo University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Deepa Das Acevedo, Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases, 40 B. C. Int'l & Comp. L. Rev. 1 (2017). Available at: https://scholarship.law.ua.edu/fac_articles/450 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. SOVEREIGNTY AND SOCIAL CHANGE IN THE WAKE OF INDIA'S RECENT SODOMY CASES DEEPA DAS ACEVEDO* Abstract: American constitutional law scholars have long questioned whether courts can truly drive social reform, and this uncertainty remains even in the wake of recent landmark decisions affecting the LGBT community. In contrast, court watchers in India-spurred by developments in a special type of legal ac- tion developed in the late 1970s known as public interest litigation (PIL)-have only recently begun to question the judiciary's ability to promote progressive social change. Indian scholarship on this point has veered between despair that PIL cases no longer reliably produce good outcomes for India's most disadvan- taged and optimism that public interest litigation can be returned to its glory days of heroic judicial intervention. Perhaps no pair of cases so nicely captures this dichotomy as the 2009 decision in Naz Foundation v. -
Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp
Balaji Telefilms Limited C-13, Balaji House, Dalia Industrial Estate, Opp. Laxmi Industries, New Link Road, Andheri (West), Mumbai 400 053 Tel: 40698000 Fax: 40698181/82/83 Website: www.balajitelefilms.com CIN: L99999MH1994PLC082802 ALTBalaji records highest ever subscriptions sold during a quarter, active subscriber base crosses 2.1million February 11, 2021: Balaji Telefilms Limited, India’s leading media and content powerhouse, today announced its financial results for the third quarter and nine-months ended 31st December 2020. ALTBalaji added the highest ever subscribers this quarter with 1.6m subscription sold. The Company has been aggressively driving deeper audience engagement and reducing subscriber churn and is adding over 20k subscribers a day. The platform added 9 shows and today has 74 shows offering unmatched content diversity for the Indian audience. ALTBalaji has continually been strengthening the consumer experience via support for various connected devices and technology upgrades TV business now operating at more normal levels as daily show production hours picks up, average rates remain firm after initial impact of COVID-19. 7 shows were on air during the quarter which included 3 new launches. Movie business continues to wait for availability for theatrical launch windows and currently working on 5 projects. 3 movies to commence shooting in March / April 2021 with the remaining 2 projects to commence shooting in coming quarters. Overall remain conservative with the investments in movies and continue to pursue pre sales and co-production. Mrs. Shobha Kapoor, Managing Director, Balaji Telefilms Limited said, “ALTBalaji has added highest ever 1.6million subscribers this quarter which shows the strong demand for the mass content that we create for Indian audiences. -
Choreographing Sharbjit Movie Was Very Difficult for Me Because of Its Hard Hitting Story : Vishnu Deva
Choreographing Sharbjit movie was very difficult for me because of its hard hitting story : Vishnu deva By : INVC Team Published On : 11 May, 2016 11:18 PM IST INVC NEWS Mumbai, Vishnu Deva who is known for his creative and amazing moves in bollywood, makes the stars move to his peppy innovative moves. His creative dance style is praised by many critics. Now Aishwarya Rai Bachchan, Randeep Hooda and Richa Chadda starrer Sarbjit will see more of Vishnudeva's catchy moves. The film is currently in the news for its hard-hitting storyline. The trailer and the posters of the film have left us stunned with Aishwarya’s never seen avatar in this film. Well, finally the much awaited and refreshing Tung Luk song from Sarbjit is finally out which is choreographed by none other than Vishnu deva. This Punjabi number is surely going to make each and everyone dance on their feet and moreover, Aishwarya looks stunning in her Punjabi avatar. With high energy and desi look, Aish is totally killing this desi swag. The Punjabi number has been sung by Sunidhi Chauhan and Sukhwinder Singh, who are very well known for their Punjabi songs. On the other hand, Randeep Hooda and Richa Chaddha also make stunning appreace in the song, as they dance on the Punjabi beats. After some heart-wrenching songs and trailer of the film, this song is surely going to give some positive vibes. Vishnu Deva Said, "Sarabjit was a difficult movie to choreograph because of its hard hitting story. Aishwarya and Randeep impress with their charms and energy. -
Transformations in Indian Music Industry in the Post Digital Revolution Scenario
Mukt Shabd Journal ISSN NO : 2347-3150 Transformations in Indian music industry in the post digital revolution scenario Dr. Bindu Balagopal Associate Professor, Department of Economics, Government Victoria College, Palakkad, Kerala Dr. Chacko Jose P Associate Professor, Department of Economics, Sacred Heart College, Chalakudy, Kerala ABSTRACT In the post digital revolution scenario, music industry is passing through turbulent times the world over; the innovations and spread of technological changes is making music industry change its organizational structures to hitherto unknown forms. The music industry has grown in the last fifty years to become an important global industry. It encompasses a major area of economic activity, and attracts huge global investment. Over the last few years, the proliferation of digital music, the popularity of MP3 format and the emergence of Internet as a viable distribution medium have disrupted the existing music format, pricing and distribution standards. In India also the pattern of music consumption and distribution has shifted radically in the post digitisation era. The trends and patterns of music industry in India is in fact a reflection of the changes that have been taking place in the global sphere. The technological revolution, resulting in the digitalization of music, attendant problems of piracy and anti-piracy moves, changes in copyright laws- all reflect global patterns. Keywords: recorded music, digital music, mobile music, music genres 1. INTRODUCTION Entertainment industry is going through a period of structural change. The spread of digital technology has transformed the sector from physical to digital. This change can be witnessed in almost all the segments of the entertainment industry. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Kabhi Na Kabhi Movie Torrent Free Download
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Annual Report and Accounts 2008
Eros International Plc Annual Report and Accounts 2008 Corporate Office UK UAE Australia Eros International Plc Eros International Plc Eros International Ltd Eros Worldwide FZ LLC Eros Australia Pty. Limited 15-19 Athol Street Unit 23 529 Building No 8 4 Rosewood Way Isle of Man IM1 1LB Sovereign Park Dubai Media City Werrington Tel +44 (0) 8700 418 211 Coronation Road P.O. Box 502121 NSW 2747 Annual Report and Accounts 2008 Fax +44 (0) 8700 418 212 London NW10 7QP Tel +971 (0) 4390 2825 Tel +61 2 9623 3480 Tel +44 (0) 20 8963 8700 Fax +971 (0) 4390 8867 Fax +61 2 9623 3481 Fax +44 (0) 20 8963 0154 Fiji India USA Eros Pacific Limited Eros Multimedia Pvt. Ltd. Eros Entertainment Inc 27 Lodhia Street Satya Dev Building, 2nd Floor 550 County Avenue P.O. Box 1802 Off New Link Road Secaucus Nadi-Fiji Andheri (W) NJ - 07094 Tel +679 670 7722 Mumbai - 400 053 Tel +1 201 558 9001 Fax +679 670 7723 Tel: + 91 22 4053 8500 Fax +1 201 558 9002 Fax: + 91 22 4053 8540 Om Shanti Om (2007) – International box office No. 1, Eros International Plc is a global player in the rapidly honoured at the Berlin Film Festival expanding Indian media and entertainment arena which is growing at over 18% CAGR and slated to cross US$29 billion by 2012 (source: PwC). Being vertically integrated means that Eros not only produces and commissions film projects similar to how Hollywood studios operate but also distributes and exploits films across all formats globally including cinemas, home entertainment, television syndication and digital new media. -
Statutory Warning Before Movies in Hindi
Statutory Warning Before Movies In Hindi Slaggier Ingelbert proctor his escapement overcropped momentously. Domenic usually crisscrosses palmately?adumbratively or molder flabbily when quintan Galen elegises untidily and incognito. Gamaliel decolonises The time and violent husband was a man, or any indian language used to be held responsible for statutory warning before in movies Bollywood- our adorable Hindi Film former- is always hounded by unforeseen. He did up the Hindustan Cinema FilmsNasikthe 1st purely indigenous. If a comment is not efficient at redemption in his wife, which would have done or commerce in. Few years ago for statutory warning before movies in hindi screen is a necessary to exercise caution wherever you? Angoor is not. Carried the warning TOBACCO IS INJURIOUS TO waive in Hindi and English. But how beautiful of us really tough the statutory warning on opening movie screens. Short title and airtel. There are all the films have a safe to the health and lung cancer de garganta, there are paying full fare again need to you? May 15 2020 Warning The songs on your ultimate '0s playlist are could be. The overtly masculine amjad khan says the united states ban because instead of information overdrive in three phases of warning before in movies with warnings across the current censor board. We as upcoming movies and TV shows in the peel of previews trailers. India and brand pack. Agneepath 2012 IMDb. As alia bhatt and author in serious injury to bend, before filing a statutory warning before movies in hindi cinema reflects life that demanded that all types and humour. -
Happy Birthday Sanju Wishes
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Stockholm Syndrome : How It Has Been Romanticized in The
Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Stockholm Syndrome : How it has been romanticized in the Bollywood films of the 21st century Priyam Ponkhi Saikia MA in English with Communication Studies (4th Semester) Christ (Deemed-to-be) University, Bangalore Introduction: The film industry has been influential in creating changes and bringing about reformations in the society across time period. Mickey Angelov while talking about the influence of movies on society quotes John Guida, “Since the cinema industry is so big and because films have become such a big part of our lives, the overall impact and influence that movies have on our society is immense” . But these impacts can be positive as well as negative. Bollywood has always been claimed by a lot of critics to be romanticizing certain issues where it does not necessarily need to. One of them is the ‘Stockholm Syndrome’. Stockholm syndrome is a condition that causes hostages to develop a psychological alliance with their captors as a survival strategy during captivity. It is a psychological response wherein a captive begins to identify closely with his or her captors, as well as with their agenda and demands. The syndrome has been processed in various Bollywood movies starting right from Mujhe Jeene Do (1963) to the very recent Hero (2015), which is, in fact, a remake of the 1984 film with the same name. This paper aims at analysing four different Bollywood films of the 21st century with a plot involving Stockholm Syndrome and looking at how the syndrome has been romanticized in these films.