Legacy of Thomas Edmonds
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Mw 6.3 Christchurch, New Zealand Earthquake of 22 February 2011
THE MW 6.3 CHRISTCHURCH, NEW ZEALAND EARTHQUAKE OF 22 FEBRUARY 2011 A FIELD REPORT BY EEFIT THE CHRISTCHURCH, NEW ZEALAND EARTHQUAKE OF 22 FEBRUARY 2011 A FIELD REPORT BY EEFIT Sean Wilkinson Matthew Free Damian Grant David Boon Sarah Paganoni Anna Mason Elizabeth Williams Stuart Fraser Jenny Haskell Earthquake Field Investigation Team Institution of Structural Engineers 47 - 58 Bastwick Street London EC1V 3PS Tel 0207235 4535 Fax 0207235 4294 Email: [email protected] June 2011 The Mw 6.2 Christchurch Earthquake of 22 February 2011 1 CONTENTS ACKNOWLEDGEMENTS 3 1. INTRODUCTION 4 2. REGIONAL TECTONIC AND GEOLOGICAL SETTING 6 3. SEISMOLOGICAL ASPECTS 12 4. NEW ZEALAND BUILDING STOCK AND DESIGN PRACTICE 25 5. PERFORMANCE OF BUILDINGS 32 6. PERFORMANCE OF LIFELINES 53 7. GEOTECHNICAL ASPECTS 62 8. DISASTER MANAGEMENT 96 9. ECONOMIC LOSSES AND INSURANCE 108 10. CONCLUSIONS 110 11. REFERENCES 112 APPENDIX A: DETAILED RESIDENTIAL DAMAGE SURVEY 117 The Mw 6.2 Christchurch Earthquake of 22 February 2011 2 ACKNOWLEDGEMENTS The authors would like to express their thanks to the many individuals and organisations that have assisted with the EEFIT mission to Christchurch and in the preparation of this report. We thank Arup for enabling Matthew Free to attend this mission and the British Geological Survey for allowing David Boon to attend. We would also like to thank the Engineering and Physical Sciences Research Council for providing funding for Sean Wilkinson, Damian Grant, Elizabeth Paganoni and Sarah Paganoni to join the team. Their continued support in enabling UK academics to witness the aftermath of earthquakes and the effects on structures and the communities they serve is gratefully acknowledged. -
Rethinking Arboreal Heritage for Twenty-First-Century Aotearoa New Zealand
NATURAL MONUMENTS: RETHINKING ARBOREAL HERITAGE FOR TWENTY-FIRST-CENTURY AOTEAROA NEW ZEALAND Susette Goldsmith A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2018 ABSTRACT The twenty-first century is imposing significant challenges on nature in general with the arrival of climate change, and on arboreal heritage in particular through pressures for building expansion. This thesis examines the notion of tree heritage in Aotearoa New Zealand at this current point in time and questions what it is, how it comes about, and what values, meanings and understandings and human and non-human forces are at its heart. While the acknowledgement of arboreal heritage can be regarded as the duty of all New Zealanders, its maintenance and protection are most often perceived to be the responsibility of local authorities and heritage practitioners. This study questions the validity of the evaluation methods currently employed in the tree heritage listing process, tree listing itself, and the efficacy of tree protection provisions. The thesis presents a multiple case study of discrete sites of arboreal heritage that are all associated with a single native tree species—karaka (Corynocarpus laevigatus). The focus of the case studies is not on the trees themselves, however, but on the ways in which the tree sites fill the heritage roles required of them entailing an examination of the complicated networks of trees, people, events, organisations, policies and politics situated within the case studies, and within arboreal heritage itself. Accordingly, the thesis adopts a critical theoretical perspective, informed by various interpretations of Actor Network Theory and Assemblage Theory, and takes a ‘counter-’approach to the authorised heritage discourse introducing a new notion of an ‘unauthorised arboreal heritage discourse’. -
Wandering Through New Zealand Putování Po Novém Zélandu
Univerzita Hradec Králové Pedagogická fakulta Katedra anglického jazyka a literatury Wandering through New Zealand Putování po Novém Zélandu Bakalářská práce Autor: Šebestová Michaela Studijní program: B7310 Filologie Studijní obor: Cizí jazyky pro cestovní ruch – anglický jazyk Cizí jazyky pro cestovní ruch – německý jazyk Vedoucí bakalářské práce: Mgr. Michal Pištora V Hradci Králové 2015 Prohlášení Prohlašuji, že jsem tuto práci vypracovala samostatně pod vedením Mgr. Michala Pištory a v seznamu literatury jsem uvedla všechny použité literární a internetové zdroje. V Hradci Králové dne 30. 5. 2015 ……………………………………….. Michaela Šebestová Prohlášení Prohlašuji, že bakalářská práce je uložena v souladu s rektorským výnosem č. 1/2013 (Řád pro nakládání se školními a některými jinými autorskými díly na UHK). Datum:……………………........ Podpis studenta:…………………………………….... Poděkování Tímto bych chtěla poděkovat vedoucímu mé bakalářské práce Mgr. Michalu Pištorovi za odborné vedení práce, vstřícnost při konzultacích, dobré rady a věcné připomínky. Abstrakt ŠEBESTOVÁ, Michaela. Putování po Novém Zélandu. Hradec Králové, 2015, 76 str. Bakalářská práce. Univerzita Hradec Králové, Pedagogická fakulta. Vedoucí práce: Michal Pištora Bakalářská práce je tematicky zaměřena na Nový Zéland, jako turistickou destinaci. Zahrnuje všeobecné geografické údaje o Novém Zélandu, popisuje některé významné historické události jako například objevitelské plavby či vznik nezávislosti. Autorka se dále zabývá kulturou a mytologií domorodého obyvatelstva či nabízí přehled několika kulturně-turistických cílů Nového Zélandu. Praktická část je tvořena formou poznávacího sedmnácti-denního zájezdu pro skupinu deseti nadšenců. Itinerář obsahuje nezbytné informace o navštívených destinacích nebo časový harmonogram, který je přehledně zpracován v tabulkách pro jednotlivé dny. Kromě toho poskytuje údaje o dopravě, ubytování, stravě a veškerých výdajích. Klíčová slova: geografie, Maorská kultura, destinace, itinerář, výdaje Abstract ŠEBESTOVÁ, Michaela. -
How People Use Temporary Post-Disaster Open Spaces: a Study of Three Transitional Community-Initiated Open Spaces in Central Christchurch, New Zealand
How people use temporary post- disaster open spaces: A study of three transitional community- initiated open spaces in central Christchurch, New Zealand Andreas Wesener Florian Risse LEaP Research Report No. 40 November 2015 How people use temporary post-disaster open spaces: A study of three transitional community-initiated open spaces in central Christchurch, New Zealand How people use temporary post-disaster open spaces: A study of three transitional community-initiated open spaces in central Christchurch, New Zealand How people use temporary post-disaster open spaces: A study of three transitional community- initiated open spaces in central Christchurch, New Zealand Land Environment and People Research Report No. 40 November 2015 ISSN 1172-0859 (Print) ISSN 1172-0891 (PDF) ISBN 978-0-86476-378-5 (Print) ISBN 978-0-86476-379-2 (PDF) Lincoln University, Canterbury, New Zealand i Reviewed by: Dr Roy Montgomery Senior Lecturer, Head of Department Department of Environmental Management Faculty of Environment, Society and Design Lincoln University, Canterbury, New Zealand Acknowledgements This research was funded by a Lincoln University, School of Landscape Architecture (SOLA) and Faculty of Environment, Society and Design (ESD) summer scholarship. We wish to thank Roy Montgomery for critically reviewing the report. Abstract The study contributes to a better understanding of utilisation and interaction patterns in post-disaster temporary urban open spaces. A series of devastating earthquakes caused large scale damages to Christchurch’s central city and many suburbs in 2010 and 2011. Various temporary uses have emerged on vacant post-earthquake sites including community gardens, urban agriculture, art installations, event venues, eateries and cafés, and pocket parks. -
Unsettling Recovery: Natural Disaster Response and the Politics of Contemporary Settler Colonialism
UNSETTLING RECOVERY: NATURAL DISASTER RESPONSE AND THE POLITICS OF CONTEMPORARY SETTLER COLONIALISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY STEVEN ANDREW KENSINGER IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DR. DAVID LIPSET, ADVISER JULY 2019 Steven Andrew Kensinger, 2019 © Acknowledgements The fieldwork on which this dissertation is based was funded by a Doctoral Dissertation Fieldwork Grant No. 8955 awarded by the Wenner-Gren Foundation for Anthropological Research. I also want to thank Dr. Robert Berdahl and the Berdahl family for endowing the Daphne Berdahl Memorial Fellowship which provided funds for two preliminary fieldtrips to New Zealand in preparation for the longer fieldwork period. I also received funding while in the field from the University of Minnesota Graduate School through a Thesis Research Travel Grant. I want to thank my advisor, Dr. David Lipset, and the members of my dissertation committee, Dr. Hoon Song, Dr. David Valentine, and Dr. Margaret Werry for their help and guidance in preparing the dissertation. In the Department of Anthropology at the University of Minnesota, Dr. William Beeman, Dr. Karen Ho, and Dr. Karen-Sue Taussig offered personal and professional support. I am grateful to Dr. Kieran McNulty for offering me a much-needed funding opportunity in the final stages of dissertation writing. A special thanks to my colleagues Dr. Meryl Puetz-Lauer and Dr. Timothy Gitzen for their support and encouragement. Dr. Carol Lauer graciously offered to read and comment on several of the chapters. My fellow graduate students and writing-accountability partners Dr. -
Christchurch Street Names: N - O
Christchurch Street Names: N - O Current Former Origin of name Suburb Additional information See Source Further name name information Nabob Lane A nabob was a Cracroft Named to continue the Bengal Drive, Spreydon/Heathcote View the biography governor in India tradition of using Indian Chittagong Lane, Community Board of John Cracroft during the Mogul placenames as street names Darjeeling Place, agenda 7 September Wilson in the empire. Another in the locality. Delhi Place, 2004 Dictionary of New Indira Lane, Zealand Biography. meaning is a The last 30 sections of the Report of the wealthy man, Jahan Lane, Cracroft family estate, at Spreydon/Heathcote “Indians of especially one who Lucknow Place, 60 Worsleys Road, were Community Board to Cashmere”, The has made his Nehru Place, auctioned on 8 December the Council meeting of Press, 18 July 2009, fortune in the Sasaram Lane 2007. 23 September 2004 p D9 Orient. Sir John and Shalamar Cracroft-Wilson Named in 2004. Drive. Also The Port Hills of "Cracroft sections (1808-1881) was Cashmere. Christchurch, p 241 sell fast", The Press, often called 12 December 2007, "Nabob" Wilson or p C22 "the Nabob". Nacelle Road Named after the Wigram In the Wigram Skies Wigram Skies Riccarton/Wigram Wigram Skies nacelle, a cover subdivision. Community Board housing which Named to continue the agenda 6 August 2013 holds engines, aviation theme of street Minutes of the equipment or fuel names in the subdivision. Riccarton/Wigram on an aircraft. Named in 2013. Community Board 6 August 2013 Nairn Street Edenbridge Named after David Spreydon Edenbridge Street is first "Property sale", The G R Macdonald Street Nairn (1833-1916). -
Cathedral Working Group Recommendation Report
CATHEDRAL WORKING GROUP RECOMMENDATION REPORT NOVEMBER 2016 Released by the Minister supporting Greater Christchurch Regeneration This document and its contents are confidential and shall not be distributed, published, copied or reproduced without the express written permission of the Minister Supporting Greater Christchurch Regeneration and the Church Property Trustees. VERSION ISSUE DATE REASON FOR ISSUE AUTHOR APPROVED FOR ISSUE 1 28.10.16 Draft for Review Bianca Hurrell, RCP Marcus Read, RCP 2 31.10.16 Draft to include Bianca Hurrell, RCP Marcus Read, RCP comments from Working Group Chair Regeneration 3 01.11.16 Edited and Proofed Anna Komink, Axiom Marcus Read, RCP Final Draft to CWG / Bianca Hurrell, RCP 4 07.11.16 Updates following Bianca Hurrell, RCP / Marcus Read, RCP / CWG meeting Anna Komink, Axiom Geoff Dangerfield, CWG Christchurch 5 21.11.16 Updates as Geoff Dangerfield, Geoff Dangerfield, provided to CWG CWG / Marcus Read, CWG / Marcus Read, for review RCP RCP 6 24.11.16 Final Draft providedGreater Geoff Dangerfield, Marcus Read, RCP / to CWG for review CWG / Marcus Read, Geoff Dangerfield, RCP CWG 7 25.11.16 Final Copy Geoff Dangerfield, Geoff Dangerfield, CWG / Marcus Read, CWG / Marcus Read, RCP RCP supporting Minister the by Released ii CONTENTS 1.0 Executive Summary 1 2.0 Recommendations 7 3.0 Introduction 9 4.0 Background and Context 12 5.0 Values and Requirements of the ChristChurch Cathedral 13 6.0 Heritage and Archaeological Review Regeneration16 7.0 Structural Review 21 8.0 Regeneration of the Square 27 9.0 Delivery -
A Visual Arts and Art History Education Resource for Secondary Teachers, Inspired by Bill Culbert's 2013 Venice Biennale Exhi
ART IN CONTEXT A VISUAL ARTS AND ART HISTORY EDUCATION RESOURCE FOR SECONDARY TEACHERS, INSPIRED BY BILL CULBERT’S 2013 VENICE BIENNALE EXHIBITION, FRONT DOOR OUT BACK Helen Lloyd, Senior Educator Art, Museum of New Zealand Te Papa Tongarewa and Education Programme Manager for Creative New Zealand (2013) © Museum of New Zealand Te Papa Tongarewa and Creative New Zealand, 2013 CONTENTS BaCKGROUND About this resource ............................................................................................. 3 The Venice Biennale ............................................................................................ 4 Venice – the city ................................................................................................... 4 Bill Culbert ............................................................................................................ 5 Front Door Out Back ........................................................................................... 5 Studying art in context ....................................................................................... 6 Curriculum links ................................................................................................... 7 Useful books ........................................................................................................ 7 Useful websites ................................................................................................... 7 RESOURCES Part 1: Front Door Out Back analysis cards Drop ...................................................................................................................... -
Christchurch N
Hello • Kia ora Good bye • Haere ra Bay Of Islands Welcome • Haere mai! Very well, thank you, ok • Kei te pai © 2010 maps.com Auckland Thank you • Ka pai T a uranga a NORTH How are you? • Kei te pehea koe? ISLAND Woman • wahine sman Se Ta Ocean • wainui NEW ZEALAND Wellington PORT EXPLORER NOTES SOUTH & SHOPPING GUIDE ISLAND Christchurch n Fiordland National Park Dunedin Pacific Ocea Christchurch NEW ZEALAND GENERAL INFORMATION Christchurch, the “Gate- HISTORY At the base of the hills of The Banks Peninsula, Christchurch is way to the South Island” is on the east coast and is sur- often described as the most English of New Zealand’s cities. Nestled beneath rounded by the province of Canterbury. The city is bor- the Southern Alps, Christchurch exists as a great South Pacific incongruity. dered by hills and the Pacific Ocean, and is situated on the Many statues honor persons with English names; and trams rattle past streets edge of the Canterbury Plains. Best known as the Garden with English names (Oxford, Worcester etc). It is easy to forget that this epit- City, the city is renowned for its expansive gardens and ome of Englishness is the capital of Te Wahipounamu, long-time ancestral tree-lined avenues. Christchurch’s unique blend of con- home of the Ngai Tahu. The first Europeans in Christchurch began building temporary and neo-gothic architecture sets the scene for a huts along the Avon River in 1851, but it was not until March 1862 that it was city that prides itself on arts, culture, festivals and events. -
Performance of Posttensioned Seismic Retrofit of Two Stone Masonry Buildings During the Canterbury Earthquakes
Australian Earthquake Engineering Society 2013 Conference, Nov 15-17 2013, Hobart, Tasmania Performance of posttensioned seismic retrofit of two stone masonry buildings during the Canterbury earthquakes Dmytro Dizhur1, Sara Bailey2, John Trowsdale3, Michael Griffith4 and Jason M. Ingham5 1. Research Fellow, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] 2. Student Researcher, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] 3. Arts Centre Project Director, Holmes Consulting Group, P O Box 6718, Christchurch 8442, New Zealand, [email protected] 4. Professor, School of Civil, Environmental and Mining Engineering, University of Adelaide, Adelaide, Australia, [email protected] 5. Professor, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] Abstract Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. -
Canterbury Wellbeing Index, September 2016, Section 11
Canterbury Wellbeing Index People participate in and attend the arts 2016 The Canterbury Wellbeing Index tracks the progress of social recovery in greater Christchurch following the earthquakes using indicators to identify emerging social trends and issues. Why is it important for people to be involved in the arts? People attend and participate in the arts for pleasure, creative expression, personal growth, and learning. Through participation in the arts, people are able to establish social ties and connect with their own and other cultures. When individuals gain such advantages, the wider public also benefits. For example, cultures have greater empathy and understanding towards each other and communities are more able to express and create common values and identity.1 In addition, the arts promote broad social, cultural and economic goals, such as economic growth and better academic performance. New Zealanders support the arts strongly. In a 2014 survey, carried out by Creative New Zealand, 78 per cent of respondents agreed that arts help define who we are as New Zealanders and 74 per cent agreed that the arts contribute positively to our economy. Respondents agreed that their community would be poorer without the arts (69 per cent) and supported public funding of the arts (74 per cent).2 Research in 2014 also found that 99 per cent of adults in Christchurch had been to at least one cultural event or place within the previous three years.3 This proportion is slightly higher than the national average of 98 per cent. A literature review of research evaluating arts and cultural initiatives post-earthquakes in Christchurch found a number of positive impacts on community wellbeing, including on people’s physical and mental health, community resilience, and urban identity. -
Characteristics of Visits to Christchurch Central City
Characteristics of visits to Christchurch Central City Pedestrian Intercept Survey 2017 Rebekah Bisson 14444896 Sarah Kaynes 85613053 Mark Poskitt 96309478 Ebony-Jean Ta’avili 58933935 Phoebe Venz 97661745 Contents List of figures……………………………………………………………………2 Executive Summary…………………………………………………………… 3 Introduction and Context………………………………………………………4 Literature Review……………………………………………………………….5 Methodology……………………………………………………………………..6 Results and Discussion…………………………………………………………..7 Limitations……………………………………………………………………… 16 Conclusions and Recommendations……………………………………………17 References………………………………………………………………………..19 Appendices……………………………………………………………………….21 1 List of Figures Figure 1: Graph showing age of total respondents……………………………...8 Figure 2: Graph showing gender of total respondents…………………………..8 Figure 3: Graph showing main reason for being in the Central City……………9 Figure 4: Graph showing pedestrian safety levels……………………………….11 Figure 5: Table showing ease of parking………………………………………...11 Figure 6: Transport………………………………………………………………14 Figure 7: Progress and Development…………………………………………….15 Figure 8: Overall Impression……………………………………………………..16 2 Executive Summary Research Question: What are the experiences, perceptions, and motivations of pedestrians within the Christchurch Central City? Brief context ● In the wake of the 2010-2011 Canterbury Earthquake sequence, central Christchurch has changed significantly. In the last few years pedestrians and businesses have begun to return to the city centre. As such, there is a strong need to conduct an