Canterbury Architecture Awards Announced
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The Mw 6.3 Christchurch, New Zealand Earthquake of 22 February 2011
THE MW 6.3 CHRISTCHURCH, NEW ZEALAND EARTHQUAKE OF 22 FEBRUARY 2011 A FIELD REPORT BY EEFIT THE CHRISTCHURCH, NEW ZEALAND EARTHQUAKE OF 22 FEBRUARY 2011 A FIELD REPORT BY EEFIT Sean Wilkinson Matthew Free Damian Grant David Boon Sarah Paganoni Anna Mason Elizabeth Williams Stuart Fraser Jenny Haskell Earthquake Field Investigation Team Institution of Structural Engineers 47 - 58 Bastwick Street London EC1V 3PS Tel 0207235 4535 Fax 0207235 4294 Email: [email protected] June 2011 The Mw 6.2 Christchurch Earthquake of 22 February 2011 1 CONTENTS ACKNOWLEDGEMENTS 3 1. INTRODUCTION 4 2. REGIONAL TECTONIC AND GEOLOGICAL SETTING 6 3. SEISMOLOGICAL ASPECTS 12 4. NEW ZEALAND BUILDING STOCK AND DESIGN PRACTICE 25 5. PERFORMANCE OF BUILDINGS 32 6. PERFORMANCE OF LIFELINES 53 7. GEOTECHNICAL ASPECTS 62 8. DISASTER MANAGEMENT 96 9. ECONOMIC LOSSES AND INSURANCE 108 10. CONCLUSIONS 110 11. REFERENCES 112 APPENDIX A: DETAILED RESIDENTIAL DAMAGE SURVEY 117 The Mw 6.2 Christchurch Earthquake of 22 February 2011 2 ACKNOWLEDGEMENTS The authors would like to express their thanks to the many individuals and organisations that have assisted with the EEFIT mission to Christchurch and in the preparation of this report. We thank Arup for enabling Matthew Free to attend this mission and the British Geological Survey for allowing David Boon to attend. We would also like to thank the Engineering and Physical Sciences Research Council for providing funding for Sean Wilkinson, Damian Grant, Elizabeth Paganoni and Sarah Paganoni to join the team. Their continued support in enabling UK academics to witness the aftermath of earthquakes and the effects on structures and the communities they serve is gratefully acknowledged. -
Cathedral Working Group Recommendation Report
CATHEDRAL WORKING GROUP RECOMMENDATION REPORT NOVEMBER 2016 Released by the Minister supporting Greater Christchurch Regeneration This document and its contents are confidential and shall not be distributed, published, copied or reproduced without the express written permission of the Minister Supporting Greater Christchurch Regeneration and the Church Property Trustees. VERSION ISSUE DATE REASON FOR ISSUE AUTHOR APPROVED FOR ISSUE 1 28.10.16 Draft for Review Bianca Hurrell, RCP Marcus Read, RCP 2 31.10.16 Draft to include Bianca Hurrell, RCP Marcus Read, RCP comments from Working Group Chair Regeneration 3 01.11.16 Edited and Proofed Anna Komink, Axiom Marcus Read, RCP Final Draft to CWG / Bianca Hurrell, RCP 4 07.11.16 Updates following Bianca Hurrell, RCP / Marcus Read, RCP / CWG meeting Anna Komink, Axiom Geoff Dangerfield, CWG Christchurch 5 21.11.16 Updates as Geoff Dangerfield, Geoff Dangerfield, provided to CWG CWG / Marcus Read, CWG / Marcus Read, for review RCP RCP 6 24.11.16 Final Draft providedGreater Geoff Dangerfield, Marcus Read, RCP / to CWG for review CWG / Marcus Read, Geoff Dangerfield, RCP CWG 7 25.11.16 Final Copy Geoff Dangerfield, Geoff Dangerfield, CWG / Marcus Read, CWG / Marcus Read, RCP RCP supporting Minister the by Released ii CONTENTS 1.0 Executive Summary 1 2.0 Recommendations 7 3.0 Introduction 9 4.0 Background and Context 12 5.0 Values and Requirements of the ChristChurch Cathedral 13 6.0 Heritage and Archaeological Review Regeneration16 7.0 Structural Review 21 8.0 Regeneration of the Square 27 9.0 Delivery -
Performance of Posttensioned Seismic Retrofit of Two Stone Masonry Buildings During the Canterbury Earthquakes
Australian Earthquake Engineering Society 2013 Conference, Nov 15-17 2013, Hobart, Tasmania Performance of posttensioned seismic retrofit of two stone masonry buildings during the Canterbury earthquakes Dmytro Dizhur1, Sara Bailey2, John Trowsdale3, Michael Griffith4 and Jason M. Ingham5 1. Research Fellow, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] 2. Student Researcher, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] 3. Arts Centre Project Director, Holmes Consulting Group, P O Box 6718, Christchurch 8442, New Zealand, [email protected] 4. Professor, School of Civil, Environmental and Mining Engineering, University of Adelaide, Adelaide, Australia, [email protected] 5. Professor, Department of Civil and Environmental Engineering, University of Auckland, Private Bag 92019, Auckland, New Zealand, [email protected] Abstract Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. -
Canterbury Wellbeing Index, September 2016, Section 11
Canterbury Wellbeing Index People participate in and attend the arts 2016 The Canterbury Wellbeing Index tracks the progress of social recovery in greater Christchurch following the earthquakes using indicators to identify emerging social trends and issues. Why is it important for people to be involved in the arts? People attend and participate in the arts for pleasure, creative expression, personal growth, and learning. Through participation in the arts, people are able to establish social ties and connect with their own and other cultures. When individuals gain such advantages, the wider public also benefits. For example, cultures have greater empathy and understanding towards each other and communities are more able to express and create common values and identity.1 In addition, the arts promote broad social, cultural and economic goals, such as economic growth and better academic performance. New Zealanders support the arts strongly. In a 2014 survey, carried out by Creative New Zealand, 78 per cent of respondents agreed that arts help define who we are as New Zealanders and 74 per cent agreed that the arts contribute positively to our economy. Respondents agreed that their community would be poorer without the arts (69 per cent) and supported public funding of the arts (74 per cent).2 Research in 2014 also found that 99 per cent of adults in Christchurch had been to at least one cultural event or place within the previous three years.3 This proportion is slightly higher than the national average of 98 per cent. A literature review of research evaluating arts and cultural initiatives post-earthquakes in Christchurch found a number of positive impacts on community wellbeing, including on people’s physical and mental health, community resilience, and urban identity. -
Cheryl Lucas New Pots for Old
Cheryl Lucas New Pots for Old am constantly fascinated by the ways in which artists respond to external challenges. But no-one expects encounters such as those faced by residents of the city of Christchurch in the South Island of New Zealand when it was shaken by a series of massive and destructive Iearthquakes. These centred on the outskirts of the city in September 2010, in Christchurch itself in February 2011 and the neighbouring port of Lyttelton on Banks Peninsula in June 2011. All had repercussions in the wider region, and were followed by well over 14,000 aftershocks. Since that time, Cheryl Lucas, a well-known ceramics artist working in Lyttelton, has adapted her making skills to enable the hand production of roof finials, decorative tiles, bricks and chimney pots to replace originals lost from some of the city’s heritage buildings. While Māori have inhabited Aotearoa New Zealand for at least 1000 years, European colonisation was comparatively recent, starting early in the 19th century. Nonetheless, many buildings from that time and in subsequent decades are valued for their history; this is Grace Cochrane describes the particularly relevant for Christchurch as in 1856 it was the first New Zealand settlement reconstruction of chimneys in the to be designated a city. aftermath of the New Zealand Dozens of buildings were destroyed or severely damaged during the earthquakes earthquakes and by the consequent effects of liquefaction, where water-soaked layers of sand and silt beneath the surface squirted through cracks of the ground, further destabilising it and wrecking buildings above. In 2012 it was reported that “To date, 174 of the 585 listed heritage buildings in Christchurch . -
CPIT Appendices 2009
External Programme Advisory Committees and Consultation Networks CPIT is committed to working with the Lee Retimana Clare Cosson industries, professions and communities Marketing Consultant, Muritai Marketing Hydraulics we serve. One way of achieving this is Ian Smith Dave Ritchie through Programme Advisory Committees Christchurch Manager, Arrow International Hydraulics or Consultation Networks, listed below. Each programme is supported by a group, of varying Baden Ewart Grant Davidson sizes and composition depending on the needs Director, Mitchell Notley & Associates Sir Edmund Hillary Outdoor Pursuit Centre of New Zealand of that programme. The Chair appointed by Computing Paul Chaplow the group, is usually external to the Institution. Craig Kerr Outdoors New Zealand Most groups include student or former student Business Information Solution Manager representation, as well as staff representatives Orion NZ Ltd Bill Gibson (whose names are not included). Fiordland Wilderness Experiences Greg Rossiter The members listed have given their permission Chief Information Offi cer, CIO Dynamic Control Rosco Gaudin to publish their names in the CPIT Annual Milford Sound Sea Kayaks Report. We are grateful for their support and Kerry Glynn Dave Watson appreciate their input throughout the year. Systems Software & Instrumentation Ltd Marlborough Sounds Adventure Richard Green Anthony Norris Faculty of Commerce Human Interface Technology Laboratory University of Canterbury Tamarillo Tropical Expedition Business Administration Chris Dever Rich Campbell -
Christchurch City in New Zealand
Christchurch City in New Zealand With strong Gothic Revival architecture and prevailing M?ori culture, Christchurch is unrivaled With strong Gothic Revival architecture and prevailing M?ori culture, Christchurch is unrivaled. Snuggled between the Canterbury Plains and the Pacific, 'The Garden City' is interwoven by rivers, parks, and hills. Once rocked to its very foundations by earthquakes, Christchurch has healed its structural wounds with resilience. Whether it is punting on the Avon River or riding a gondola to the Castle Rock Reserve, there aren’t many places in the world offering such thrilling escapades. Christchurch Attractions International Antarctic Centre – Get a unique experience of Antarctica in the Snow Storm room, learn the stories of the Antarctic Explorers, get close to Little Blue Penguins, or watch an audiovisual display in the 4D theater. The visitor center, popularly called 'The Antarctic Attraction,' comprises exclusive Antarctic exhibits, a cafeteria, and a bar. A Hagglund Ride, operating from the center, takes visitors across the major attractions. Hagley Park – Largest urban open space in the city, this public park was established in 1856. Riccarton Avenue cuts park in two parts; while Hagley Golf Club is located in North Hagley Park, Hagley Oval (cricket ground) is in South Hagley Park. On a sunny day, locals engage in model yachting in the serene waters of Victoria Lake. Christchurch Botanic Gardens – Located adjacent to the loop of the Avon River near Hagley Park and sprawling over an area of 50 acres, these gardens have a large collection of exotic and endemic plants. The Herb Garden, Central Rose Garden, Heritage Rose Garden, Water Garden, and Rock Garden are the highlights here. -
Legacy of Thomas Edmonds
THE ARCHITECTURAL HERITAGE OF CHRISTCHURCH 8.The legacy of Thomas Edmonds CHRISTCHURCH CITY COUNCIL ENVIRONMENTAL POLICY & PLANNING UNIT Preface Christchurch has a charm that depends to a large extent on features built or planned by people. The quiet dignity of the city owes much to its early buildings. It is still possible to trace the history of Christchurch in the many fine examples of colonial architecture that remain. Action by the New Zealand Historic Places Trust (Cante&ury Regional Committee) and other public interest groups has saved several important city buildings including the Provincial Government Buildings, Trinity Church, the Theatre Royal and the old university (now the Christchurch Arts Centre). As the city grows and changes, there is a danger that historically or environmentally valuable buildings may be thoughtlessly or needlessly destroyed. The Christchurch CiCouncil District Planning Schemes list over 400 historic buildings and objects. Although the scheme encourages their preservation, in the end only the determination of the community can effectively protect or revitalize buildings it considers important. One of the major aims of the present series of booklets is the identification and description of the city's most valuable historic buildings, in the hope that greater public awareness of their importance will increase their chances of survival. Even if preservation should prove impossible in some cases, this series will gather information, illustrations and analyses of each building to provide a published record of the city's rich architectural heritage. If these booklets encourage you to think about the historic significance of this city's architecture, and help you to recognize the special value of Christchurch's historic buildings, then they will have served their purpose. -
Must Not Be Moved
DECEMBER 2019 ___________________________________________________________________________ MUST NOT BE MOVED Citizens’ War Memorial 1 ___________________________________________________________________________ CHAIRMAN’S PERSPECTIVE David Thornley passed away this year after long service to our Trust. Comb through the minutes of Board meetings and you will see just how much he influenced our decisions. Sadly missed. Overall, it has been a very busy year. It has seen successful efforts by The Christchurch Civic Trust (CCT) to further our objectives. Another set of Annual Awards has taken place with recipients appreciative of the recognition for their efforts across all categories. The casting about for candidates for next year has already started guided by Neil Roberts. To see past awards visit our website. They constitute a group of achievements that could well form the basis of systematic inspection and perhaps a project might create a guided tour for locals and visitors from the archives of previous awards. Ross Gray, as my Deputy, has an eye for and nose tuned to pick up heritage matters that warrant our close attention. He has something to say about Cenotaphs and Cathedrals later in this issue. He manages to have his letters to the editor published quite frequently, unlike me, which means his observations resonate better with the letters editor(s). Lindsay Carswell is the efficient keeper of our books. He is also indefatigable in attending City Council meetings to keep up with what is going on behind the documentation that is made available to the public. He can carefully craft LOGIMA/OIA requests that seek out the otherwise unknowable. Until ill health forced Penny Orme to reduce her input she was a significant contributor on several sub committees, including the McLean’s Mansion fundraising team and the awards subcommittee. -
Cranmer Club Introduction the Cranmer Club Stands at 25 Armagh Street on the South-West Corner of Cranmer Square
THE ARCHITECTURAL HERITAGE OF 4. Cranm~:Club CHRISTCHURCH CITY COUNCIL TOW PLANNING DIVISION Preface Christchurch has a charm that depends to a large extent on features built or planned by man. The quiet dignity of the city owes much to its early buildings. It is still possible to trace the history of Christchurch in the many fine examples of colonial architecture that remain. Action by the New Zealand Historic Places Trust (Canterbury Regional Committee) and other public interest groups has saved several important city buildings including the Provincial Government Buildings. Trinity Church, the Theatre Royal and the old university (now the Christchurch Arts Centre). As the city grows and changes, there is a danger that histor- icallv or environmentallv valuable buildinas mav be thoughtlessly or needleisly destroyed. TK~christchurch City Council District Plannina Scheme lists 190 historic buiidings and objects, and provides opportunities and incentives for their retention. Although the scheme encour- ages preservation, in the end only the determination of the community can effectively protect or revitalise buildings it considers important. One of the major aims of the present series of booklets is the identification and description of the city's most valuable historic buildings, in the hope that greater public aware- ness of their importance will increase their chances of survival. Even if preservation should prove impossible in some cases. this series will gather information, illustrations and analyses of each building to provide a published record of the city's rich architectural heritage. If these booklets encouraae you to think about the historic significance of this city's architecture, and help you to recognise the special value of Christchurch's historic build- ings,then they will have served their purpose. -
Mcleans Mansion Introduction Mcleans Mansion Stands at 387 Manchester Street
THE ARCHITECTURAL HERITAGE 3. r.:cLeans Mansion CHRlSTCHURCH CrrY COUNCIL TOWN PLANNING DIVISD-J Preface Christchurch has a charm that depends to a large extent on features built or planned by man. The quiet dignity of the city owes much to its early buildings. It is still possible to trace the history of Christchurch in the many fine examples of colonial architecture that remain. Action by the New Zealand Historic Places Trust (Canterbury Regional Committee) and other public interest groups has saved several important city buildings including the Prwincial Gwernment Buildings, Trinity Church, the fheatre Royal and the old university (now the Christchurch Arts Centre). As the city grows and changes. there is a danaer that historically 6r environrnengly valuable buildings may be thoughtlesslv or needlesslv destrwed. The Christchurch Citv ~ourkil~istiict Planning &heme iists 134 historic buildinas and objects, and provides opportunities and incentives for- their retention. Although the scheme encourasres preservation, in the end only the determinatio; of the community can effectively protect or revitalise buildings it considers important. One of the major aims of the present series of booklets is the identificationand description of the city's most valuable historic buildings, in the hope that greater public awareness of their importance will increase their chances of survival. Even if preservation should prove impossible in some cases, this series will gather information, illustrations and analyses of each building to prwide a published record of the city's rich architectural heritage. If these booklets encourage you to think about the historic significance of this city's architecture, and help you to recognise the special value of Christchurch's historic buildings, then they will have sewed their purpose. -
In This Issue: Let's Take This Online 02 Art Chemist 04 Tribute To
Issue 28 Exhibitions Ōtautahi www.artbeat.org.nz May 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Let’s Take This Online 02 Art Chemist 04 Tribute to Grant Lingard 05 Reviews 08 Artists Continue to work in Difficult Conditions 09 Wild-Taste Walk 09 Hang in There Mate – Saving Ng Building Property owners Roland Logan and (Land Information New Zealand, handling Sharon Ng both emphasise that they land titles), stating that they wanted to are just here to save their building at 212 purchase the Ng Building and the land Madras Street. ‘The last thing we want to was later followed by the Christchurch City do is hold up the stadium’. Council inferring that NG Building could 212 Madras Street is the last remaining be incorporated into the stadium design. Edwardian warehouse building in Ōtautahi In April 2020, the Crown announced Christchurch and has been the recipient that Ng Building could not be incorpo- of several heritage awards over the past rated, even though plans for the project still decade. Acquired in 2005 by Logan and depicted its incorporation within its design. Ng, for the past sixteen years it has been Then, in March 2021, a compulsory notice a multifaceted centre for contemporary of acquisition was sent to Logan and Ng, art and design in numerous and varied and new plans were released which now manifestations. On its ground floor, Ng showed that the Ng Building could not be Boutique, a distinct and unique cloth- incorporated. Not surprisingly, writing in ing and design store with an integrated The Press at that time, journalist Steven gallery space and upstairs, artists’ studios Walton commented that the outcome of and office spaces representing various this sequence of events ‘has had massive creative practices, tenanted by designers, implications for its owners, who are now architects and artists.