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Crucibles of Virtue and Vice: the Acculturation of Transatlantic Army Officers, 1815-1945
CRUCIBLES OF VIRTUE AND VICE: THE ACCULTURATION OF TRANSATLANTIC ARMY OFFICERS, 1815-1945 John F. Morris Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 John F. Morris All Rights Reserved ABSTRACT Crucibles of Virtue and Vice: The Acculturation of Transatlantic Army Officers, 1815-1945 John F. Morris Throughout the long nineteenth century, the European Great Powers and, after 1865, the United States competed for global dominance, and they regularly used their armies to do so. While many historians have commented on the culture of these armies’ officer corps, few have looked to the acculturation process itself that occurred at secondary schools and academies for future officers, and even fewer have compared different formative systems. In this study, I home in on three distinct models of officer acculturation—the British public schools, the monarchical cadet schools in Imperial Germany, Austria, and Russia, and the US Military Academy—which instilled the shared and recursive sets of values and behaviors that constituted European and American officer cultures. Specifically, I examine not the curricula, policies, and structures of the schools but the subterranean practices, rituals, and codes therein. What were they, how and why did they develop and change over time, which values did they transmit and which behaviors did they perpetuate, how do these relate to nineteenth- and early-twentieth-century social and cultural phenomena, and what sort of ethos did they produce among transatlantic army officers? Drawing on a wide array of sources in three languages, including archival material, official publications, letters and memoirs, and contemporary nonfiction and fiction, I have painted a highly detailed picture of subterranean life at the institutions in this study. -
15 an Augustan Representation of Cicero
243 15 An Augustan Representation of Cicero To talk today about Cicero in the Augustan Age, particularly with spe- cial reference to Conyers Middleton, the author of The History of the Life of Marcus Tullius Cicero (1741), needs, if not straightforward apologies, some justification. In the first place, there are few, be they select or not, who now take Cicero seriously; secondly, of these perhaps precious few there are probably yet fewer who would recognise Conyers Middleton in connection with Cicero; and thirdly, should they recognise him as such, almost none would take trouble to read his bulky production. The reasons are not far to seek. The overall decline of interest in classical learn- ing has gone hand-in-hand with the fall of the Ciceronian ideal of humanitas, whose goal is supposed to be “eloquence joined with moral and political wisdom.” The advancement since then of “scientific” schol- arship on the history of Rome in general and Cicero in particular has made it nearly out-of-date in simple matters of fact. In short, in the uni- versal intellectual tendency where “the ancients” have been critically and increasingly superseded by “the moderns,” Conyers Middleton, as a his- torian of Cicero’s life, has long since been condemned to oblivion. 1 Yet there is more to it than that. On rare occasions when his name is now invoked at all it is difficult to leave unquestioned the alleged accu- sation. The History of the Life of Marcus Tullius Cicero, one would be 1. For the decline of interest in the classics in general and Cicero in particular, viewed with special reference to the modernization of Japan, see my “On the Failure to Establish Cicero Studies in modern Japan,” an Appendix to my translation of P. -
Christmas Is Coming 2018
CHRISTMAS IS COMING 2018 (+44) 01929 556 656 | [email protected] | www.antiquates.co.uk ANTIQUATES – FINE & RARE BOOKS 1) A FARMER. Hints to landlords and tenants in the neighbourhood of doncaster. Doncaster. Published by C. and J. White; and J. Ridgway, 1827. First edition. 8vo. [4], 57pp, [3]. With half-title and terminal publisher's advertisement leaf. Original publisher's drab paper wrappers, later typed lettering-piece to upper panel. Extremities marked and creased, spine a trifle chipped. Lightly dust-soiled. A scarce, provincially published pamphlet bemoaning the lot of farmworkers; in particular fluctuating corn prices and the high cost of land rental. The author (a tentative attribution has been made to Sir William B. Cooke by the British Library) laments that 'all classes of the community seem arrayed against the poor miserable Farmer...the great objects that the capitalists and commercial interest appear to have at present, are, to set every Landlord against his Tenant, and every Tenant against his Landlord; and the Clergymen of the parish against both.' Though nominally addressed to agriculturalists in the region of Doncaster, our 'Farmer' argues, with great rationale, that 'the great interest of the state, - agriculture, manufactures, and commerce - are so intimately combined, that one cannot suffer without corresponding injury to the other', and implores all those connected to the working of the land to, in a somewhat communitarian appeal, to 'consider ourselves as belonging to one family, the members of which can only thrive by the assistance they derive from each other.' COPAC locates copies at three locations (BL, Senate House, and Sheffield). -
Venice, Childe Harold IV and Beppo, July 30Th 1817-January 7Th 1818
116 Venice, Childe Harold IV and Beppo, July 30th 1817-January 7th 1818 Venice, 1817 July 30th 1817-January 7th 1818 Edited from B.L.Add.Mss. 47234. In the notes, “J.W.” indicates assistance from Jack Wasserman, to whom I’m most grateful. Hobhouse has been on a tour of Italy since December 5th 1816, and hasn’t seen Byron – who’s just moved from Venice to La Mira – since Byron left Rome on May 20th. For the next five-and-a-half months he’s with Byron in Venice and the surrounding area. Byron is for the most part polishing Childe Harold IV, and Hobhouse takes upon himself the task of annotating it. The truly significant event, however – which neither man fully understands, and Hobhouse never will – is when Byron, having read Hookham Frere’s Whistlecraft, suddenly composes Beppo on October 9th. Venice is held by Austria, which is systematically running down its economy so that the poor are reduced to eating grass. Hobhouse glances at the state of the place from time to time. His terribly British account of the circumcision ceremony on August 2nd implies much about what Byron found fascinating about the city – though Byron would never put such feelings into explicit prose. Wednesday July 30th 1817: I got up at four – set off half past five, and, crossing the Po, went to Rovigo, three posts and a half. A long tedious drive, in flats. From Rovigo I went to Padua without going five miles out of my way to see Arquà in the Euganean Hills – Petrarch’s tranquil place – it was too hot – the thermometer at eighty-three in the shade. -
A Tender Lion
A Tender Lion A Tender Lion Te Life, Ministry, and Message of J. C. Ryle Bennett W. Rogers Reformation Heritage Books Grand Rapids, Michigan A Tender Lion © 2019 by Bennett W. Rogers All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. Direct your requests to the publisher at the following addresses: Reformation Heritage Books 2965 Leonard St. NE Grand Rapids, MI 49525 616-977-0889 [email protected] www.heritagebooks.org Printed in the United States of America 19 20 21 22 23 24/10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: Rogers, Bennett W., author. Title: A tender lion : the life, ministry, and message of J.C. Ryle / Bennett W. Rogers. Description: Grand Rapids, Michigan : Reformation Heritage Books, 2019. | Includes bibliographical references and index. Identifers: LCCN 2018046077 (print) | LCCN 2018050836 (ebook) | ISBN 9781601786494 (epub) | ISBN 9781601786487 (hardcover : alk. paper) Subjects: LCSH: Ryle, J. C. (John Charles), 1816-1900. | Church of England— Bishops—Biography. | Bishops—England—Biography. Classifcation: LCC BX5199.R9 (ebook) | LCC BX5199.R9 R64 2019 (print) | DDC 283.092 [B] —dc23 LC record available at https://lccn.loc.gov/2018046077 For additional Reformed literature, request a free book list from Reforma- tion Heritage Books at the above regular or e-mail address. I To Christie, for your patience and encouragement and to Henry and Hugh, for your love and laughter Contents List of Tables .......................................... -
Rogers Sbts 0207D 10304.Pdf (1.860Mb)
Copyright © 2015 Bennett Wade Rogers All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. JOHN CHARLES RYLE: AN INTELLECTUAL BIOGRAPHY __________________ A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________ by Bennett Wade Rogers December 2015 APPROVAL SHEET JOHN CHARLES RYLE: AN INTELLECTUAL BIOGRAPHY Bennett Wade Rogers Read and Approved by: __________________________________________ David L. Puckett (Chair) __________________________________________ Michael A.G. Haykin __________________________________________ Thomas J. Nettles Date ______________________________ To Christie, for your patience and encouragement, and to Henry and Hugh, for your love and laughter TABLE OF CONTENTS Page LIST OF TABLES …………………………………………………………………….. vii PREFACE …………………………………………………………………………….. viii Chapter 1. CHRISTIAN AND CLERGYMAN ……………………………………………. 1 Introduction ……………………………………………………………..……. 1 Family ……………………………………………………………………….. 4 Education ………………………………………………………………..…… 8 Conversion ………………………………………………………..………… 16 Religious Opinions ………………………………………………………….. 19 Ordination ……………………………………………………………...…… 25 Early Ministry ………………………………………………….…………… 29 Conclusion ………………………………………………………………….. 32 2. PREACHER ……………………………………………………………...…… -
II GENERAL RECORD !¦; Ii -.
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"Vico's Homer and the "Oral Versus Written" Dilemma" Steven M. Berry
"Vico's Homer and the "Oral Versus Written" Dilemma" Steven M. Berry Note: The author is in the process of revising this manuscript and welcomes suggestions and corrections. Please email him at [email protected]. VICO’S HOMER AND THE “ORAL VERSUS WRITTEN” DILEMMA by Steven M. Berry, Ph.D. Verisimilia namque vera inter et falsa sunt quasi media. “For indeed, probabilities (things that seem true) are midway, more or less, between true things and false things.” My translation — Giambattista Vico, De nostri temporis Studiorum Ratione (1709) Tutte l’antiche storie profane hanno favolosi in princìpi. “All the profane stories of antiquity were originally recited orally, as fables.” (my translation) §122. It is . [a] property of the human mind that whenever men can form no idea of distant and unknown things, they judge them by what is familiar and at hand. —Giambattista Vico, La Scienza Nuova (Bergrin and Fisch translation) 1 INTRODUCTION The inspiration for this study has come from the enthusiasm which Gregory Nagy, Francis Jones Professor of Classics at Harvard University, has shared with me over several years regarding the insights of Giambattista Vico (1668-1744) into the true nature of Homeric transmission. Vico’s appeal for Nagy, and for most Vico specialists, as well, resides in the Neapolitan’s visionary realization, at least in places throughout his opus, that the common image of the “blind singer” as it has come down through the European tradition is a distortion, because it has consistently presented one supreme, universally lionized yet existentially elusive “oral poet who” left to posterity a pair of epic masterpieces which were eventually transformed into “texts.” In these loci Vico describes a group of blind, destitute singers wandering throughout Greece. -
The Victorian Serial and Domestic
SERIALITY AND DOMESTICITY: THE VICTORIAN SERIAL AND DOMESTIC IDEOLOGY IN THE FAMILY LITERARY MAGAZINE by LINDSY M. LAWRENCE Bachelor of Arts, 1999 Schreiner College Kerrville, TX Master of Arts, 2002 Southern Methodist University Dallas, TX Submitted to the Graduate Faculty of AddRan College of Humanities and Social Sciences Texas Christian University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2008 ii X Table of Contents X Figures iii Tables iv Abbreviations v 1. An Ideal Home: Mrs. Beeton’s Legacy and the Family Literary Magazine 1 2. Gender Play “At Our Social Table”: 60 The New Domesticity in the Cornhill and Elizabeth Gaskell’s Wives and Daughters 3. Domesticity and Hybridity in Blackwood’s Edinburgh Magazine 114 and Margaret Oliphant’s The Story of Valentine and his Brother 4. Dressing Ambiguities: 166 Portraying Class and Gender in George Du Maurier’s Social Cartoons in Punch and Thomas Hardy’s The Woodlanders in Macmillan’s Magazine 5. Aesthetic Domesticity: 227 Serial Frames, Male Identity, and the House Beautiful in Oscar Wilde’s The Picture of Dorian Gray in Lippincott’s Monthly Magazine Bibliography 282 Appendix A 306 Appendix B 307 Appendix C 308 Appendix D 309 Vita 310 Abstract 311 iii X Figures X Figure1.1: Harrison Weir, The Book of Household Management, Cover page 54 Figure1.2: Godfrey Sykes, The Cornhill Magazine, Cover page 57 Figure 2.1: George Du Maurier, “Væ Victius” 87 Figure 2.2: George Du Maurier, “The New Mama” 94 Figure 2.3: George Du Maurier, “Tu t’en repenitras, Colin” 104 Figure 2.4: Blackwood’s Edinburgh Magazine, Cover page 110 Figure 4.1: A. -
Literary Miscellany
Literary Miscellany The Secular and The Sacred Catalogue 293 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Anthony Trollope Autobiography
ANTHONY TROLLOPE AUTOBIOGRAPHY 2008 – All rights reserved Non commercial use permitted Autobiography of Anthony Trollope By Anthony Trollope PREFACE It may be well that I should put a short preface to this book. In the summer of 1878 my father told me that he had written a memoir of his own life. He did not speak about it at length, but said that he had written me a letter, not to be opened until after his death, containing instructions for publication. This letter was dated 30th April, 1876. I will give here as much of it as concerns the public: "I wish you to accept as a gift from me, given you now, the accompanying pages which contain a memoir of my life. My intention is that they shall be published after my death, and be edited by you. But I leave it altogether to your discretion whether to publish or to suppress the work;--and also to your discretion whether any part or what part shall be omitted. But I would not wish that anything should be added to the memoir. If you wish to say any word as from yourself, let it be done in the shape of a preface or introductory chapter." At the end there is a postscript: "The publication, if made at all, should be effected as soon as possible after my death." My father died on the 6th of December, 1882. It will be seen, therefore, that my duty has been merely to pass the book through the press conformably to the above instructions. -
University Microfilms International 300 N
HENRY FIELDING'S ARISTOPHANIC COMEDY Item Type text; Dissertation-Reproduction (electronic) Authors Loveday, Thomas Elliot Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 18:25:42 Link to Item http://hdl.handle.net/10150/298506 INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame.