An Autobiography of Anthony Trollope
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Crucibles of Virtue and Vice: the Acculturation of Transatlantic Army Officers, 1815-1945
CRUCIBLES OF VIRTUE AND VICE: THE ACCULTURATION OF TRANSATLANTIC ARMY OFFICERS, 1815-1945 John F. Morris Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 John F. Morris All Rights Reserved ABSTRACT Crucibles of Virtue and Vice: The Acculturation of Transatlantic Army Officers, 1815-1945 John F. Morris Throughout the long nineteenth century, the European Great Powers and, after 1865, the United States competed for global dominance, and they regularly used their armies to do so. While many historians have commented on the culture of these armies’ officer corps, few have looked to the acculturation process itself that occurred at secondary schools and academies for future officers, and even fewer have compared different formative systems. In this study, I home in on three distinct models of officer acculturation—the British public schools, the monarchical cadet schools in Imperial Germany, Austria, and Russia, and the US Military Academy—which instilled the shared and recursive sets of values and behaviors that constituted European and American officer cultures. Specifically, I examine not the curricula, policies, and structures of the schools but the subterranean practices, rituals, and codes therein. What were they, how and why did they develop and change over time, which values did they transmit and which behaviors did they perpetuate, how do these relate to nineteenth- and early-twentieth-century social and cultural phenomena, and what sort of ethos did they produce among transatlantic army officers? Drawing on a wide array of sources in three languages, including archival material, official publications, letters and memoirs, and contemporary nonfiction and fiction, I have painted a highly detailed picture of subterranean life at the institutions in this study. -
The Household Edition, the Cheap Reprint, And
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/133341 Please be advised that this information was generated on 2021-09-25 and may be subject to change. ૺ$)DYRXURQWKH0LOOLRQૻ7KH+RXVHKROG(GLWLRQWKH &KHDS5HSULQWDQGWKH3RVWKXPRXV,OOXVWUDWLRQDQG 5HFHSWLRQRI&KDUOHV'LFNHQV Chris Louttit Book History, Volume 17, 2014, pp. 321-364 (Article) 3XEOLVKHGE\7KH-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/bh.2014.0013 For additional information about this article http://muse.jhu.edu/journals/bh/summary/v017/17.louttit.html Access provided by Radboud Universiteit Nijmegen (17 Feb 2015 14:44 GMT) “A Favour on the Million” The Household Edition, the Cheap Reprint, and the Posthumous Illustration and Reception of Charles Dickens Chris Louttit In A Hundred Years of Publishing, his history of Chapman and Hall, Arthur Waugh calls the Household Edition of Charles Dickens’s Works “one of the most ambitious ventures that the firm had faced for years.”1 The profession- al memoir of the engravers for the project (the Dalziel Brothers) is equally keen to stress its notability, describing it as “by far the most important com- mission ever placed in our hands by Messrs. Chapman & Hall.”2 Since the early years of the twentieth century, however, Dickens’s critics and readers have largely ignored the apparent significance of this “new, complete edition of Dickens, reset in large type on a quarto page, and furnished with entirely new illustrations by a fresh set of artists”3 which appeared between 1871 and 1879 in weekly numbers (at 1d.), monthly parts (at 6d.), and volume form (at between 2s. -
Three-Deckers and Installment Novels: the Effect of Publishing Format Upon the Nineteenth- Century Novel
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 Three-Deckers and Installment Novels: the Effect of Publishing Format Upon the Nineteenth- Century Novel. James M. Keech Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Keech, James M. Jr, "Three-Deckers and Installment Novels: the Effect of Publishing Format Upon the Nineteenth-Century Novel." (1965). LSU Historical Dissertations and Theses. 1081. https://digitalcommons.lsu.edu/gradschool_disstheses/1081 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been - microfilmed exactly as received 66-737 K E E C H , Jr., James M., 1933- THREE-DECKERS AND INSTALLMENT NOVELS: THE EFFECT OF PUBLISHING FORMAT UPON THE NINETEENTH-CENTURY NOVEL. Louisiana State University, Ph.D., 1965 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan THREE-DECKERS AMD INSTALLMENT NOVELS: THE EFFECT OF PUBLISHING FORMAT UPON THE NINETEENTH-CENTURY NOVEL A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulflllnent of the requirements for the degree of Doctor of Philosophy in The Department of English hr James M. Keech, Jr. B.A., University of North Carolina, 1955 M.A., Louisiana State University, 1961 August, 1965 ACKNOWLEDGMENT I wish to express my deepest appreciation to the director of this study, Doctor John Hazard Wildman. -
Keys Fine Art Auctioneers Palmers Lane Aylsham Two Day Books & Ephemera Sale Norwich NR11 6JA United Kingdom Started Aug 25, 2016 10:30Am BST
Keys Fine Art Auctioneers Palmers Lane Aylsham Two Day Books & Ephemera Sale Norwich NR11 6JA United Kingdom Started Aug 25, 2016 10:30am BST Lot Description J R R TOLKIEN: THE HOBBIT OR THERE AND BACK AGAIN, illustrated David Wenzel, Forestville, Eclipse Books, 1990, limited 1 edition de-luxe (600), signed by the illustrator and numbered, original pictorial cloth gilt, dust wrapper, original silk lined solander box gilt J R R TOLKIEN AND DONALD SWANN: THE ROAD GOES EVER ON - A SONG CYCLE, London 1968, 1st edition, original paper 2 covered boards, dust wrapper J R R TOLKIEN: THE ADVENTURES OF TOM BOMBADIL, illustrated Pauline Baynes, London, 1962, 1st edition, original pictorial 3 paper-covered boards, dust wrapper J R R TOLKIEN: THE LORD OF THE RINGS, illustrated Alan Lee, North Ryde, Harpercollins, Australia, 1991, centenary limited edition 4 (200) numbered and signed by the illustrator, 50 coloured plates plus seven maps (of which one double page) as called for, original quarter blue morocco silvered, all edg ...[more] J R R TOLKIEN, 3 titles: THE LORD OF THE RINGS, London 1969, 1st India paper de-luxe edition, 1st impression, 3 maps (of which 2 5 folding) as called for, original decorative black cloth gilt and silvered (lacks slip case); THE HOBBIT OR THERE AND BACK AGAIN, 1986 de-luxe edition, 4th impression, orig ...[more] J R R TOLKIEN: THE HOBBIT OR THERE AND BACK AGAIN, 1976, 1st de-luxe edition, coloured frontis plus 12 coloured plates plus 6 two double page maps as called for, original decorative black cloth gilt and silvered, -
This Is a Pre-Peer-Review Copy of the Following Book-Chapter: O
This is a pre-peer-review copy of the following book-chapter: o Fotheringham, L.S. (2017), ‘Framing Cicero’s Lives: production-values and paratext in nineteenth-century biographies’, in G. Manuwald, ed., The Afterlife of Cicero, London, Institute of Classical Studies (BICS Supplement 135). Overview This paper provides a very preliminary survey of biographies of Cicero in English before 1900; most of these belong to the nineteenth century. The first English-language biography, Middleton’s monumental work of 1741, was followed by a gap of almost a century in which technological and social changes combined to create the beginnings of a mass market for books.1 Three of the six biographies published between 1835 and 1894 belonged to series aiming to include readers who had not received a Classical education; a fourth was by a popular novelist whose relationship with the traditional education system was vexed. An article by Rosner, focused primarily on attitudes to oratory and rhetoric in the nineteenth- century works, notes the wealth of biographies providing evidence for these attitudes in a period when the study of the Classics was losing its dominance in education.2 Here I will focus on the way the books themselves are presented to potential readers, through physical characteristics and paratexts as well as through the identification of the author. These often forgotten aspects of books as physical and commercial objects provide an important context for subsequent re-examination of the contents and of the relationship to other contemporary literature (see end of paper for possible directions of future exploration). Restricting the study to biographies in English is justifiable in the light of a focus on the (potential) popular audience, as such works are accessible to a wider range of native speakers than either more scholarly works or works in other languages. -
Dickens, Trollope, Thackeray and First-Person
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online ‘ALLOW ME TO INTRODUCE MYSELF — FIRST, NEGATIVELY’: CHARLES DICKENS, ANTHONY TROLLOPE, WILLIAM MAKEPEACE THACKERAY AND FIRST-PERSON JOURNALISM IN THE 1860S FAMILY MAGAZINE HAZEL MACKENZIE PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE SEPTEMBER 2010 ABSTRACT This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that relationship, including their use of first-person narration, autobiography, the anecdote, dream sequences and memory. It contends that those same contributions questioned and critiqued the depiction of reader-writer relations which they simultaneously propagated, highlighting the distinction between this portrayal and the realities of the industrialized and commercialized world of periodical journalism. It places this within the context of the discourse of family that was integral to the identity of these magazines, demonstrating how these series both held up and complicated the idealized image of Victorian domesticity that was promoted by the mainstream periodical culture of the day, maintaining that this was a standard feature of family magazine journalism and theorizing that this was in fact a large part of its popular appeal to the family market. -
Printed Books, Maps and Photographs , Oxford, Tuesday 25 and Wednesday 26 March 2014
Printed Books, Maps and Photographs , Maps and Photographs , Books, Printed Bonhams Banbury Road Shipton on Cherwell Kidlington Oxford OX5 1JH +44 (0) 1865 853 640 +44 (0) 1865 372 722 fax Oxford, Tuesday 25 and Wednesday 26 March 2014 Printed Books, Maps and Photographs Tuesday 25 March and Wednesday 26 March 2014 Oxford 21737 International Auctioneers and Valuers - bonhams.com Printed Books, Maps and Photographs Tuesday 25 March and Wednesday 26 March at 11am Oxford Bonhams Enquiries Shipping and Collections Banbury Road Shipton on Cherwell Oxford Oxford Kidlington John Walwyn-Jones Georgina Roberts Oxford OX5 1JH Georgina Roberts +44 (0) 1865 853 647 bonhams.com Sian Wainwright +44 (0) 1865 853 646 London Viewing +44 (0) 1865 853 647 Lydia Wilkinson Saturday 22 March 9am to 12pm +44 (0) 1865 853 648 +44 (0) 20 7393 3841 Monday 24 March 9am to 4.30pm Limited viewing on day of sale London Please see back of catalogue Matthew Haley for important notices to bidders Bids Luke Batterham +44(0) 20 7447 7448 Simon Roberts Illustrations +44(0) 20 7447 7401 fax Claire Wilkins Front cover: Lot 766 To bid via the internet Back cover: Lot 475 please visit www.bonhams.com +44 (0) 20 7393 3828 Contents: Lot 440 +44 (0) 20 7393 3879 fax Please note that bids should be [email protected] Sale number: 21737 submitted no later than 24 hours prior to the sale. Carole Park Catalogue: £18 +44 (0) 20 7393 3810 New bidders must also provide proof of identity when submitting Customer Services bids. Failure to do this may result in Monday to Friday 8.30am to 6pm your bids not being processed. -
DICKENS CATALOGUE Jarndyce
THE DICKENS CATALOGUE Jarndyce Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 7631 4220 (opp. British Museum) Fax: 020 7631 1882 Bloomsbury, Email: [email protected] London www.jarndyce.co.uk WC1B 3PA VAT.No.: GB 524 0890 57 CATALOGUE CCXXXIX AUTUMN 2019 THE DICKENS CATALOGUE Catalogue: Joshua Clayton Production: Carol Murphy & Ed Lake. All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (20%) to customers within the EU. A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. High resolution images are available for all items, on request; please email: [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE include (price £10.00 each unless otherwise stated): XIX Century Fiction Part I; Turn of the Century; Women Writers, Parts 1 - IV (£35) Books & Pamphlets 1505-1833; Plays, 1623-1980; Novels, 1740-1940, European Literature in Translation; Bloods & Penny Dreadfuls. JARNDYCE CATALOGUES IN PREPARATION include: Pantomimes, Extravaganzas & Burlesques; English Language, including dictionaries; The Museum: Jarndyce Miscellany; XIX Century Fiction Part II; The Romantics. PLEASE REMEMBER: If you have books to sell, please get in touch with Brian Lake at Jarndyce. Valuations for insurance or probate can be undertaken anywhere, by arrangement. A SUBSCRIPTION SERVICE is available for Jarndyce Catalogues for those who do not regularly purchase. Please send £20.00 (£35.00 / U.S.$45.00 overseas, airmail) for four issues, specifying the catalogues you would like to receive. -
A Tender Lion
A Tender Lion A Tender Lion Te Life, Ministry, and Message of J. C. Ryle Bennett W. Rogers Reformation Heritage Books Grand Rapids, Michigan A Tender Lion © 2019 by Bennett W. Rogers All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. Direct your requests to the publisher at the following addresses: Reformation Heritage Books 2965 Leonard St. NE Grand Rapids, MI 49525 616-977-0889 [email protected] www.heritagebooks.org Printed in the United States of America 19 20 21 22 23 24/10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: Rogers, Bennett W., author. Title: A tender lion : the life, ministry, and message of J.C. Ryle / Bennett W. Rogers. Description: Grand Rapids, Michigan : Reformation Heritage Books, 2019. | Includes bibliographical references and index. Identifers: LCCN 2018046077 (print) | LCCN 2018050836 (ebook) | ISBN 9781601786494 (epub) | ISBN 9781601786487 (hardcover : alk. paper) Subjects: LCSH: Ryle, J. C. (John Charles), 1816-1900. | Church of England— Bishops—Biography. | Bishops—England—Biography. Classifcation: LCC BX5199.R9 (ebook) | LCC BX5199.R9 R64 2019 (print) | DDC 283.092 [B] —dc23 LC record available at https://lccn.loc.gov/2018046077 For additional Reformed literature, request a free book list from Reforma- tion Heritage Books at the above regular or e-mail address. I To Christie, for your patience and encouragement and to Henry and Hugh, for your love and laughter Contents List of Tables .......................................... -
Rogers Sbts 0207D 10304.Pdf (1.860Mb)
Copyright © 2015 Bennett Wade Rogers All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. JOHN CHARLES RYLE: AN INTELLECTUAL BIOGRAPHY __________________ A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________ by Bennett Wade Rogers December 2015 APPROVAL SHEET JOHN CHARLES RYLE: AN INTELLECTUAL BIOGRAPHY Bennett Wade Rogers Read and Approved by: __________________________________________ David L. Puckett (Chair) __________________________________________ Michael A.G. Haykin __________________________________________ Thomas J. Nettles Date ______________________________ To Christie, for your patience and encouragement, and to Henry and Hugh, for your love and laughter TABLE OF CONTENTS Page LIST OF TABLES …………………………………………………………………….. vii PREFACE …………………………………………………………………………….. viii Chapter 1. CHRISTIAN AND CLERGYMAN ……………………………………………. 1 Introduction ……………………………………………………………..……. 1 Family ……………………………………………………………………….. 4 Education ………………………………………………………………..…… 8 Conversion ………………………………………………………..………… 16 Religious Opinions ………………………………………………………….. 19 Ordination ……………………………………………………………...…… 25 Early Ministry ………………………………………………….…………… 29 Conclusion ………………………………………………………………….. 32 2. PREACHER ……………………………………………………………...…… -
II GENERAL RECORD !¦; Ii -.
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"Vico's Homer and the "Oral Versus Written" Dilemma" Steven M. Berry
"Vico's Homer and the "Oral Versus Written" Dilemma" Steven M. Berry Note: The author is in the process of revising this manuscript and welcomes suggestions and corrections. Please email him at [email protected]. VICO’S HOMER AND THE “ORAL VERSUS WRITTEN” DILEMMA by Steven M. Berry, Ph.D. Verisimilia namque vera inter et falsa sunt quasi media. “For indeed, probabilities (things that seem true) are midway, more or less, between true things and false things.” My translation — Giambattista Vico, De nostri temporis Studiorum Ratione (1709) Tutte l’antiche storie profane hanno favolosi in princìpi. “All the profane stories of antiquity were originally recited orally, as fables.” (my translation) §122. It is . [a] property of the human mind that whenever men can form no idea of distant and unknown things, they judge them by what is familiar and at hand. —Giambattista Vico, La Scienza Nuova (Bergrin and Fisch translation) 1 INTRODUCTION The inspiration for this study has come from the enthusiasm which Gregory Nagy, Francis Jones Professor of Classics at Harvard University, has shared with me over several years regarding the insights of Giambattista Vico (1668-1744) into the true nature of Homeric transmission. Vico’s appeal for Nagy, and for most Vico specialists, as well, resides in the Neapolitan’s visionary realization, at least in places throughout his opus, that the common image of the “blind singer” as it has come down through the European tradition is a distortion, because it has consistently presented one supreme, universally lionized yet existentially elusive “oral poet who” left to posterity a pair of epic masterpieces which were eventually transformed into “texts.” In these loci Vico describes a group of blind, destitute singers wandering throughout Greece.