Aastaraamat 2016
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Estonian Academy of Sciences Yearbook 2014 XX
Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEAR BOOK ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XX (47) 2014 TALLINN 2015 ESTONIAN ACADEMY OF SCIENCES The Year Book was compiled by: Margus Lopp (editor-in-chief) Galina Varlamova Ülle Rebo, Ants Pihlak (translators) ISSN 1406-1503 © EESTI TEADUSTE AKADEEMIA CONTENTS Foreword . 5 Chronicle . 7 Membership of the Academy . 13 General Assembly, Board, Divisions, Councils, Committees . 17 Academy Events . 42 Popularisation of Science . 48 Academy Medals, Awards . 53 Publications of the Academy . 57 International Scientific Relations . 58 National Awards to Members of the Academy . 63 Anniversaries . 65 Members of the Academy . 94 Estonian Academy Publishers . 107 Under and Tuglas Literature Centre of the Estonian Academy of Sciences . 111 Institute for Advanced Study at the Estonian Academy of Sciences . 120 Financial Activities . 122 Associated Institutions . 123 Associated Organisations . 153 In memoriam . 200 Appendix 1 Estonian Contact Points for International Science Organisations . 202 Appendix 2 Cooperation Agreements with Partner Organisations . 205 Directory . 206 3 FOREWORD The Estonian science and the Academy of Sciences have experienced hard times and bearable times. During about the quarter of the century that has elapsed after regaining independence, our scientific landscape has changed radically. The lion’s share of research work is integrated with providing university education. The targets for the following seven years were defined at the very start of the year, in the document adopted by Riigikogu (Parliament) on January 22, 2014 and entitled “Estonian research and development and innovation strategy 2014- 2020. Knowledge-based Estonia”. It starts with the acknowledgement familiar to all of us that the number and complexity of challenges faced by the society is ever increasing. -
The Quantitative Structure of Estonian Syllabic-Accentual Trochaic Tetrameter
TRAMES, 2013, 17(67/62), 3, 243–272 THE QUANTITATIVE STRUCTURE OF ESTONIAN SYLLABIC-ACCENTUAL TROCHAIC TETRAMETER Maria-Kristiina Lotman and Mihhail Lotman University of Tartu, Tallinn University Abstract. The paper contains the first attempt to analyze the quantitative structure of the Estonian literary syllabic-accentual verse; it has never been posed as an issue before. The analysis comprised 20 prominent authors and more than 9000 verse lines. In order to find out which regularities are specific to poetry in general or to a particular poet, these data were compared to that of pseudotrochees extracted from prose. The performed study showed that, first, quantity plays important role as well in syllabic-accentual verse, the indices of verse being considerably different from that of pseudoverse. Second, the tendencies in quantitative structure are in good correlation with that in accentual rhythm. Third, just like in the case of accentual rhythm, the quantitative rhythm allows the clear distinction between two groups of poets, whom we conditionally call Traditionalists and Modernists. Keywords: Estonian verse, trochaic tetrameter, syllabic-accentual verse, Estonian quantity, statistical analysis DOI: 10.3176/tr.2013.3.03 1. Problem In the syllabic-accentual verse, first, the number of syllables, and second, the placement of accent are relevant. Whether only the main stresses matter, as in Jaak Põldmäe’s approach (1978) or different degrees of stress are to be distinguished (compare Lotman and Lotman 2007, 2011), is not significant in this case. On the other hand, in the syllabic-quantitative system, it is not the disposition of stresses, but the quantities that are relevant. -
Vanemuine Buklett 148X210mm
The exhibition When the Stage Lights Came On... tells ... the multi-layered story of a theatre by displaying the folio of prints Wanemuine 100, which focuses on the beginning of the Vanemuine Theatre. The folio ties together two important moments in time: the birth of Estonian language theatre and the beginning of the 1970s, when the local theatre life was influenced by its Soviet environment but also by the begin- nings of the theatrical renewal. Inspired by these layers, the folio is the impetus and central exhibit of the present exhibition. The students of the Estonian Academy of Arts who curated the exhibition travelled from the world of art to the world of theatre and brought a small piece of Estonian theatre history to the museum. In all probability, the folio, which is part of the Tartu Art Museum’s collections, has never been exhibited. This allowed us to unravel the collages from the folio like detectives and to delve into their sources to bet- ter understand the backstory of the folio. As a result of the research, this playbill that you are reading contains most of the photos that form the basis of the collages. Archival materials tell a multifaceted story that covers the period from the birth of Estonian language theatre up to the founding of professional theatre. It includes images of the people associated with theatre, the public festivals, the costumes and the theatre buildings. The foundation of the Vanemuine Theatre took place during the phase of active construction of Estonian nationality. It focused on a national narrative, on connecting individual events and celebrating anniversaries that assisted in asserting a collective sense of continuity. -
Vance D. Wolverton Chair Emeritus, Department of Music California
Vance D. Wolverton Chair Emeritus, Department of Music California State University, Fullerton [email protected] MART SAAR ESTONIAN COMPOSER & POET Consolidating the Past, Initiating the Future Vance D. Wolverton art Saar (1882-1963) was one of the most important Estonian Mcomposers of art music, espe- cially choral music, of the late nineteenth to mid-twentieth century. He lived and composed through a period of exponential political changes in Estonia—not altogether unlike the upheaval accompanying the collapse of the Soviet Union in 1990/91—including the fi rst period of independence (1918-1939), the fi rst period of Soviet occupation (1939-1941), the Nazi occupation (1941-1944), and nearly half of the second period of Soviet occupation (1944- 1991). It is common knowledge that the Soviets strongly discouraged participation in religious observations and activities, including the com- position of sacred music. It is also clear that such signifi cant disruptions to the political fabric of the nation were bound to infl uence all aspects of society, including music. Mart Saar lived and composed through these momentous times, and his compositions are refl ective of them. CHORAL JOURNAL Volume 57 Number 5 41 MART SAAR ESTONIAN COMPOSER & POET The Musical and Poetic Voice organist. He also edited the music journal “Muusikaleht.” of a Generation From 1943 to 1956, Saar was a professor of composition Along with his contemporary, Cyrillus Kreek (1889- at the Tallinn Conservatory. 1962), Mart Saar is considered one of the founders of Estonian professional music and its national style, espe- cially in the fi eld of choral music. -
EESTI KIRJANDUS Tegev Ja Vastutav Toimetaja J
1923 Seitsmesteistkümnes aastakäik Nr. 10 KUUKIRI EESTI KIRJANDUS Tegev ja vastutav toimetaja J. V. VESKI TOIMKOND: J. Aavik, A. R. Cederberg, M. J. Eisen, V. Grünthal, J. Jõgever, A. Jürgenstein, L. Kettonen, J. Kopp, J. Luiga, A. Saareste SISU: Prof. Kaarle Krohn: Soome-Eesti vanast rahva laulust. (Pooleli.) M. J. Eisen: Tartu eestlaste õiguste nõudmised vane matel aastasadadel. G. Vilberg: Talutuba kõrvaliste hoonetega XIX aasta saja viimasel poolel Saunja külas, Jõelebtme kihel konnas. (Lõpp.) Lilli Suburg-: Suburgi perekond. (Pooleli.) Toimetusele saadetud kirjandus. EESTI KIRJANDUSE SELTSI VÄLJAANNE Eesti Kirjanduse Seltsi Kirjastusel ilmunud raamatuist on järgmised saadaval: A. Eesti autorid. Kristian Jaak Peterson: Laulud, päevaraamat ja kirjad. Hind 150 mk. Suve Jaan: Luige Laos. III trükk. Hind 40 mk. J. W. Jannsen: Kolm juttu (Maatargad, Uus variser, Woldemar ja Jüri). Hind 50 mk. Fr. R. Kreutzwald: Paar sammukest rändamise teed. III tr. Hind 35 mk. „ Reinuvader-rebane. VI trükk. Piltidega. Hind 85 mk. Kilplased. IV trükk. Hind 90 mk. Lydia Koidula: Ojamölder ja tema minija. III trükk. Hind 40 mk. Jakob Pärn: Oma tuba, oma luba. III trükk. Hind 50 mk. Must kuub. III trükk. Hind 120 mk. Joh. Kunder: Kroonu onu. Nali kahes vaatuses.^ IH tr. Hind 40 mk. Jaan Bergmann: Laulud. II trükk. Hind 300 mk. Elisabet Aspe: Ennosaare Ain. III trükk. Hind 100 mk. Kasuöde. III trükk. Hind 60 mk. Anna Haava: Luuletused I. IV trükk. Hind 40 mk. (Pealadus.) Anna Haava: Meie päevist. Hind 40 mk. (Pealadus.) B. Maailma-kirjastik. Chateaubriand: Atala. Tõlkinud K. Martinson. G. Dor£ illustratsioonid. Hind 60 mk. G. Flaubert: Kolm lugu (Herodias, Legend Püha Julianus Võõrustajast, Lihtne süda). -
Ja „25 Kauneimat Raamatut“ 1956 – 2010“ Mille Juhendajad on Kurmo Konsa (Phd) Ja Tiit Hennoste (Phd)
TARTU ÜLIKOOL Humanitaarteaduste ja kunstide valdkond Ajaloo ja arheoloogia instituut Infokorralduse õppekava Eesti raamatukonkursid „25 parimat raamatut“ ja „25 kauneimat raamatut“ 1956 – 2010 Magistritöö infokorralduse erialal Edith Hermann Juhendajad Tiit Hennoste, PhD Kurmo Konsa, PhD Tartu 2016 SISUKORD SISSEJUHATUS ......................................................................................................................................4 Lühendid ...............................................................................................................................................6 1. TEOREETILISED LÄHTEKOHAD ..................................................................................................7 1.1. Raamat kui artefakt .......................................................................................................................7 1.2. Ilu ja kogemuse kontekst .............................................................................................................10 1.3. Eesmärk ja uurimisküsimused .....................................................................................................12 2. UURIMISTÖÖ EMPIIRILINE KÄSITLUS JA TEEMA VARASEMAD KÄSITLUSED. AJALOOLINE JA RAHVUSVAHELINE KONTEKST NING EESTI KONKURSSIDE EELLUGU13 2.1. Empiirilise uurimustöö käik ........................................................................................................13 2.2. Teema varasemad käsitlused .......................................................................................................17 -
Table of Contents.Pdf
Contents Foreword and Acknowledgments ................................................................... xvii Introduction ............................................................................................................. 1 The Oral Tradition ................................................................................................ 15 When I Escape the Manor ............................................................................. 17 A Dull Life Is a Sorry Thing ������������������������������������������������������������������������� 17 Brother’s War Song (extract) .......................................................................... 18 Reiner Brocmann ................................................................................................... 19 How Blessed Is the Man ............................................................................... 21 Käsu Hans .............................................................................................................. 23 Ah Me! Poor Tartu Town! ............................................................................. 24 Kulli Jüri ................................................................................................................. 29 Song 64. What Did Jesu’s Little Tom Tit Do? ............................................... 31 Song 81. God Invites All the People ............................................................. 31 Song 83. Towns and Lands Will Grow and Stand .................................... 32 Joachim Gottlieb Schwabe -
Narrative Scholar and Narrated Lives: Life Writing and (Self-)Representation
NARRATIVE SCHOLAR AND NARRATED LIVES: LIFE WRITING AND (SELF-)REPRESENTATION Kristin Kuutma Abstract: This presentation discusses some aspects of narrative, or narrated, representation by combining life narrative, life-writing and reflexive investiga- tion into disciplinary history, i.e. the progress of academic folkloristics in the early 20th century. The broader theoretical and methodological questions dove- tail with the philosophical concerns of history writing, but also with the generic strategies and narrative modes emergent in biographical writing. The historical perspective focuses on a key figure in Estonian folkloristics and folk narrative research, Matthias Johann Eisen (1857–1934). He was a highly productive collector of expressive culture in narrative form, but also a prolific author and editor of numerous volumes. The current study will focus on narratives which represent this seminal cultural figure for posterity in bio- graphical or autobiographical essays and memoirs, while aiming to analyse Eisen’s public and self-referential representation, based on publications and manuscripts engaged in constructing his life narrative. This perspective on nar- rative discourse combines a critical examination of historical representation with a reflexive analysis of individual portrayals created by selves and others in the process, guided by the perception of constructedness and representational contingencies of the writing of life history. Such analysis of life writing includes an insight into the politics of remembering occurring in public or private con- texts, and the positionality of the writers, in order to disclose the discursive aspects of the production and circulation of images, metaphors and narratives that finally constitute our knowledge about historical figures, which also largely defines their reception from the past to the present. -
Õpilaste Teadustööde Riikliku Konkursi Kogumik
19. Õpilaste teadustööde riiklik konkurss Konkursito o de lu hikokkuvo tted Tartu 2020 Eesti Teadusagentuur Saateks Käesolevasse kogumikku on koondatud kõigi 2020. aasta Õpilaste teadustööde riiklikule konkursile esitatud tööde eestikeelsed kokkuvõtted autorite poolt saadetud kujul. Konkursile esitati 195 tööd 63 koolist, neist 28 põhikooli- ja 167 gümnaasiumiastmes kokku 218 autorilt. Huvi korral saab saab täismahus elektroonseid konkursitöid küsida Eesti Teadusagentuurist: [email protected] – märgiga on tähistatud premeeritud tööd, mille juures on ära toodud ka pälvitud preemia(d) Väljaandja: Tartu 2020 Koostaja: Eesti Teadusagentuur, Teaduse populariseerimise osakond Toimetaja: Terje Tuisk ISBN 978-9985-9936-9-9 2 Sisukord Aavola, H. Silikageelist mikrofluiidika kiipide valmistamine siiditrüki meetodil ................................... 10 Abiline, P. Õpilasvastupanuorganisatsioon Sini-Must-Valge Tõnis Abilise ja Bernhard Abilise eluloo näitel ...................................................................................................................................................... 11 Adson, M. Keskkonnateemad Eesti ja Briti lastekirjanduses ................................................................. 12 Alesma, K.-J. Kunsti genereerimine teksti põhjal .................................................................................. 13 Alev, I. Optimaalne strateegia in vitro allergia diagnostikas 2017.-2018. a Ida-Virumaa keskhaigla andmetel .............................................................................................................................................. -
Geopolitical Themes of Estonian National Identity Through Song Festivals
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2016 “Touched by Time”: Geopolitical Themes of Estonian National Identity through Song Festivals Mandy L. Hoggard Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Political Science Commons Recommended Citation Hoggard, Mandy L., "“Touched by Time”: Geopolitical Themes of Estonian National Identity through Song Festivals" (2016). All Graduate Theses and Dissertations. 4911. https://digitalcommons.usu.edu/etd/4911 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. “TOUCHED BY TIME”: GEOPOLITICAL THEMES OF ESTONIAN NATIONAL IDENTITY THROUGH FOLKLORE AND SONG FESTIVALS by Mandy L. Hoggard A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in Political Science Approved: ____________________________ _____________________________ Colin Flint Robert Nalbandov Major Professor Committee Member ____________________________ _____________________________ Lynne S. McNeill Mark R. McLellan Committee Member Vice President for Research and Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2016 ii Copyright © Mandy L. Hoggard 2016 All Rights Reserved iii ABSTRACT “Touched by Time”: Geopolitical Themes of Estonian National Identity through Song Festivals by Mandy L. Hoggard, Master of Science Utah State University, 2016 Major Professor: Dr. Colin Flint Department: Political Science Estonian national identity is defined by its centuries-long struggle for independence and autonomy. This thesis examines this struggle and resulting identity through the lens of the laulupidu , or song festival, and its employment as a vehicle of political mobilization and re-constructor of Estonian history. -
Looming - Olemise Kehtestamine: VIIVI LUIK Tartu Ülikool Kultuuriteaduste Ja Kunstide Instituut Studia Litteraria Estonica 9
Looming - olemise kehtestamine: VIIVI LUIK Tartu Ülikool Kultuuriteaduste ja kunstide instituut Studia litteraria estonica 9 Looming - olemise kehtestamine: Viivi Luik Tartu Ülikoc: Eesti Kirjanike 1. Konverents Looming — olemise kehtestamine: Viivi Luik (60) Tartu Ülikooli Ajaloo Muuseumi konverentsisaal 4. november 2006 Kell 11.00 Vallo Kepp, „Aken aja liikumisse: Viivi Luik" (stsenarist J. Kaplinski; Eesti Telefilm, 1991) Kell 12.30 Arne Merilai - Olemise poeetiline kehtestamine: Viivi Luik Eduard Parhomenko - Luuleline asu-andmine ja loov kehtestamine Heideggeri Nietzsche-kriitika valguses Indrek Tari - Argikõiksuse Viivi Luik Külliki Kuusk - Viiv: sügis 1963-1973 Kell 14.40 Heinz Stalder - Viivi Luik und die finnougrischen Bärenjäger Gisbert Jänicke - Viivi Luiks Poesie aus der Sicht eines Übersetzers Tiina Kirss - Viivi Luige „Salamaja piiri" mõistatus Anna Verschik - Juudi motiivid Viivi Luige loomingus Kell 18.00 Pekka Lilja - Viivi Luige romaani „Seitsmes rahukevad" vastuvõtt Soomes Juhani Salokannel - Meele kell, mälu kalender. Aja mõistest ja tegutsemismehhanismist romaanis "Ajaloo ilu" Cornelius Hasselblatt - Inimesekujutuse murendamisest Viivi Luige luules Kell 20.00 Erich Reissig, „Erzähltes Land - Viivi Luik und Estland" (Bayerischer Rundfunk, 2001) 5, November 2006 Kell 13.00 Toomas Hendrik Ilves Laine Jänes ja muusad Jan Kaus - Niiske varju õnnistus Paul-Eerik Rummo - Lisandusi Viivi Luige luule tundmaõppimiseks Janika Kronberg - Viivi Luigest - kaugelt Tuva Korsström - Viivi Luik and Estonian History: Laughter in the -
Ivar Sakk MONOGRAAFIA ,, Aa KUNI Zz. TÜPOGRAAFIA ÜLEVAATLIK AJALUGU” KONTSEPTUALISEERIMINE
Ivar Sakk MONOGRAAFIA ,, Aa KUNI Zz. TÜPOGRAAFIA ÜLEVAATLIK AJALUGU” KONTSEPTUALISEERIMINE Ivar Sakk MONOGRAAFIA ,,Aa KUNI Zz. TÜPOGRAAFIA ÜLEVAATLIK AJALUGU” KONTSEPTUALISEERIMINE DOKTORITÖÖ DOCTORAL THESIS CONCEPTUALIZATION OF THE MONOGRAPH ”FROM Aa TO Zz. THE CONCISE HISTORY OF TYPOGRAPHY” Eesti Kunstiakadeemia Disainiteaduskond Kunsti, disaini ja arhitektuuri doktorikool 2012 Ivar Sakk MONOGRAAFIA ”Aa KUNI Zz. TÜPOGRAAFIA ÜLEVAATLIK AJALUGU” KONTSEPTUALISEERIMINE Doktoritöö Juhendaja: Mart Kalm, PhD Eelretsensent: Virve Sarapik, PhD Eelretsensent: Merle Talvik, PhD Oponent: Marcel Benčik, PhD Tõlge inglise keelde Ene Tšetõrkina Kujundus Indrek Sirkel Küljendus Ivar Sakk Kirjatüüp Georgia Paber Munken Print White 115 g/m2 Carta Integra 235 g/m2 Trükk Tallinna Raamatutrükikoda Doktoritöö väljaandmist on toetanud Eesti Kunstiakadeemia Eesti Kultuurkapital Eesti Kujundusgraafikute Liit Väljaandja Eesti Kunstiakadeemia Kunsti, disaini ja arhitektuuri doktorikool © Eesti Kunstiakadeemia 2012 ISBN 978-9949-467-24-2 ISSN 1736-2261 SISUKORD Eessõna . 7 Sissejuhatuseks . 9 1. Doktoritöö eesmärkidest . 11 2. Tüpograaa terminoloogiast . 13 2.1 Tüpograaa mõõtsüsteem . .17 3. Tüpograaa kaasaegsest retseptsioonist . 19 4. Eesti taust ja traditsioonid . 23 5. Milleks meile veel üks tüpograaa ajaloo käsitlus? . 27 6. Kogemused, kirjandus, kontaktid ja kolleegid . 29 7. Teoreetilise mõtte areng: uurijad renessansiajastust tänapäevani . 33 8. Publikatsioonide sisu ja vorm . 37 9. Kontseptsioonid, ideed, otsingud ja tulemused . 51 9.1 Kas paber- või elektrooniline raamat? . .52 10. Makett, formaat, köide ja materjalid . 55 Kokkuvõtteks . 59 KIRJANDUS / BIBLIOGRAPHY . 61 LISA . 67 Lisa 1 Inglise–eesti tüpograaaterminite sõnastik . 69 Lisa 2 Ajalooliste kirjakodade tabel . 72 Lisa 3 Nõukogude kirjatüübid . 74 Lisa 4 Letraseti kirjatüübid . 75 Lisa 5 International Typeface Company kirjatüübid . 77 Lisa 6 Doktoritööga seotud publikatsioonid . 79 SUMMARY . 81 6 EESSÕNA 7 EESSÕNA Käesoleva doktoritöö teema ja vormi on initsieerinud praktika.