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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Bartlett, T. (2020) Time, the Deer, Is in the Wood: Chronotopic Identities, Trajectories of Texts and Community Self-Management
Bartlett, T. (2020) Time, the deer, is in the wood: chronotopic identities, trajectories of texts and community self-management. Applied Linguistics Review, (doi: 10.1515/applirev-2019-0134). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201608/ Deposited on: 24 October 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Tom Bartlett Time, the deer, is in the wood: Chronotopic identities, trajectories of texts and community self-management Abstract: This paper opens with a problematisation of the notion of real-time in discourse analysis – dissected, as it is, as if time unfolded in a linear and regular procession at the speed of speech. To illustrate this point, the author combines Hasan’s concept of “relevant context” with Bakhtin’s notion of the chronotope to provide an analysis of Sorley MacLean’s poem Hallaig, with its deep-rootedness in space and its dissolution of time. The remainder of the paper is dedicated to following the poem’s metamorphoses and trajectory as it intertwines with Bartlett’s own life and family history, creating a layered simultaneity of meanings orienting to multiple semio-historic centres. In this way the author (pers. comm.) “sets out to illustrate in theory, text analysis and (self-)history the trajectories taken by texts as they cross through time and space; their interconnectedness -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Sheila Stewart
Sheila, Belle and Jane Turriff. Photo: Alistair Chafer “…Where would Sheila Stewart the ballad singing Scottish Traveller, Traditional Singer and Storyteller tradition in Scotland 1935 - 2014 be today without the unbroken continuity by Pete Shepheard of tradition passed on to us by Sheila and other members of Scotland’s ancient Traveller community…” “…one of Scotland’s finest traditional singers, inheriting The family was first brought to When berry time comes roond look for the Stewarts who rented Traveller lore and balladry from all light by Blairgowrie journalist each year, Blair’s population’s berry fields at the Standing Stones sides of her family, and learning a rich oral culture Maurice Fleming in 1954 following swellin, at Essendy. So he cycled up to songs from her mother, some of a chance meeting with folklorist There’s every kind o picker there Essendy and it was Sheila Stewart the most interesting, and oldest, of songs, ballads Hamish Henderson in Edinburgh. and every kind o dwellin; he met (just 18 years old at the songs in her repertoire came from Discovering that Hamish had There’s tents and huts and time) who immediately said she Belle’s brother, her uncle, Donald caravans, there’s bothies and and folk tales that recently been appointed as a knew the song and told Maurice MacGregor, who carefully taught there’s bivvies, research fellow at the School it had been written by her mother her the ballads. Donald could had survived as And shelters made wi tattie-bags Belle. Maurice reported the of Scottish Studies, Maurice neither read nor write, but was an and dug-outs made wi divvies. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Classic 5 Hand Reel
Shaking Out the Sheets: Dirty Linen Classics by Steve Winick tric folk. The band combined Irish and song, by the U.S.-based group the In this strange new world, Five Hand Scottish elements with punchy rhythms New St. George. Reel was arguably the top folk-rock that Fairport Convention and Steeleye The 1977 followup, For A’ That, was band recording in Britain, and, in Span had been working with in recorded less than a year later in the RCA, it certainly had the biggest label England. In that sense, it was an inter- same studio, with the same producer of any such group. RCA provided a national Anglo-Celtic electric folk band. and engineer and with the same lineup heftier budget for recording and Five Hand Reel’s eponymous first of musicians. Not surprisingly, it promotion of its third album, in the album won the coveted Folk Album of sounds like an extension of the original hopes of making the band into the new the Year designation from Melody album and could have been recorded at Steeleye Span.Fairport’s Simon Nicol Maker, the runner-up being June the same sessions. Themes and genres was enlisted as producer, and the band Tabor’s debut disc. It marries solid are revisited; Irish emigration is treated went into the studio and produced Earl O’Moray, an album quite different in musicianship, impassioned vocals, and in “Carrickfergus,” the Irish love lyric sound and tone from the first two. The imaginative arrangements. It opens in “P Stands for Paddy.” Two more album is heavy on anthems, from Five Hand Reel with a medley of Scottish songs sung sets of jigs and reels get the blood Burns’ effusive “My Love is Like by Gaughan, interspersed with Irish flowing. -
QH 40Th Anniversary Press Release
EMBARGOED TILL 5/11/18 at midday THE QUEEN’S HALL – LIFE BEGINS AT 40 1979-2019: Former church celebrates 40 years of welcoming music worshippers through its doors Southside of the Tracks 12.01.19 Steven Osborne & Alban Gerhardt 06.07.19 The Queen’s Hall enters its fortieth year in 2019 with a packed and varied programme of high quality events which reflect the wealth of entertainment it has provided audiences over the years, whilst also looking forward to a bright future. The celebrations start on 12 January with a who’s who of singer-songwriters brought together on the same stage for the first time by Scotland’s foremost fiddle player, John McCusker. Renowned for his skill at transcending musical boundaries, John has shared stages with Paul Weller, Paolo Nutini and Teenage Fanclub and has been a member of Mark Knopfler’s house band since 2008. In Southside of the Tracks: 40 years of traditional music at The Queen’s Hall he will perform with his chosen house band of James Mackintosh, Ian Carr, Ewen Vernal, Michael McGoldrick and Louis Abbott (Admiral Fallow) with special guests, so far, Roddy Woomble (Idlewild), Kathleen MacInnes, Phil Cunningham, Adam Holmes, Daoiri Farrell, Heidi Talbot and Rachel Sermanni. More guests are to be announced. Nigel Griffiths, Chair of The Queen’s Hall Board of Trustees says, “We’re starting our fortieth year as we mean to go on and have a bold and ambitious programme which reflects the calibre of artists performing on our stage. In the face of developing competition it is so important for Edinburgh, as the capital city, to keep this beloved institution on the map and I believe we’re now poised to enter a truly dynamic era in The Queen’s Hall’s history.” To commemorate the concert on 6 July 1979 when The Queen’s Hall was officially opened by HM Queen Elizabeth II, we have multi-award-winning Scottish pianist Steven Osborne with one of the world’s finest cellists Alban Gerhardt performing a programme of Schumann, Brahms, De falla, Debussy and Ravel. -
A True Preserver of the Spirit of Folk Music, Twice Juno-Nominated Maria Dunn ( Is Often Compared to Woody Gu
A true preserver of the spirit of folk music, twice Juno-nominated Maria Dunn (www.mariadunn.com) is often compared to Woody Guthrie for her keen social awareness and her melodic, unvarnished songs about the lives of working men and women. Thirteen years as a volunteer DJ in community radio (1987-2000) encouraged Maria to listen widely to the master songwriters, singers and instrumentalists of folk and roots music. Discovering their recordings and becoming an avid fan and supporter of live music in her community, she absorbed the important messages of compassion and human struggle that have always been central to the writings of folk artists from Buffy Ste. Marie to Hazel Dickens, from Bill Broonzy to Dick Gaughan. By the time she began writing her own music in the mid-90s, Maria was learning to draw deeply on the folk tradition of storytelling through song to honour “ordinary” people, past and present. In keeping with Pete Seeger’s words (1994), “The key to the future of the world is finding the optimistic stories and letting them be known”, her 2016 recording Gathering (2017 Juno Nominee; 2016 Edmonton Music Prize Winner), celebrates the love of family, community, and humanity that fires our actions to make the world a better place. With her new and seventh album, Joyful Banner Blazing (2021), Maria continues to draw upon stories of resilience, grace, gratitude, solidarity and hope. Produced by Shannon Johnson (of Juno-winning band The McDades), Joyful Banner Blazing was recorded & mixed by Terry Tran at The Audio Department (Edmonton), with additional engineering by Scott Franchuk at Riverdale Recorders (Edmonton), and mastered by João Carvalho, Carvalho Mastering (Toronto). -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 13 January 2021 Volume 1.15
CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 13 January 2021 Volume 1.15 EDINBURGH FOLK Except, as we mentioned in the previous singaround as well. COS(1.14) just before Christmas, this time Finally, to access the event on January CLUB et al: BURNS Burns Night for us is very, very different! 23rd at 8pm click on this link to email a This year’s version of the event is a joint request for the Zoom link. NIGHT 2021 effort with Edinburgh’s “The World’s Room” monthly traditional song club plus Edinburgh FC as well as with the Howth Go to PayPal to donate to Singers’ Circle across the water near Dublin. Ambitious? Not ‘arf! the Paddy Bort Fund. As with so much else these days, Zoom is once again our friend but it’s not And click here to go to straightfoward having various different EFC’s YouTube channel. inputs to bring together at the right time. There’s quite a number of performers from See the panel (right) for the ‘us’ and from Ireland and Edinburgh FC’s performers on the video regular video and streaming wizard, Sandy accompanying this edition of McGhie of Channel7A, will be the knob COS. twiddler marshalling the live performances and pre-recorded inserts at the right time so you won’t notice the join! WE’RE MOVING RAPIDLY towards the Edinburgh FC’s annual Burns Night Howth Singers Circle have been which is always one of the convivial organising a very successful annual Burns highlights of the Edinburgh Folk Club Night since 2000. -
Daithi Sproule Knows How to Make a Guitar Sing: His New CD Features
Daithi Sproule Knows How to Skara Brae originally formed during 1969- Make a Guitar Sing: His New CD 70 and released their self-titled debut on Features 13 of His Own Tunes the Gael-Linn label in 1971. (Shanachie reissued it stateside on LP in 1983.) The performance that the reunited quartet CEOL gave in 1997 in Donegal provided, at long last, the impetus for a 1998 CD reissue on By Earle Hitchner Gael-Linn of "Skara Brae," buttressed by two songs not on the original LP. [Published on July 9, 2008, in the IRISH ECHO newspaper, New York But in many critical discussions of City. Copyright (c) Earle Hitchner. All such groups as Skara Brae, Bowhand (with fiddler James Kelly and Offaly rights reserved. Reprinted by accordionist Paddy O'Brien), Trian (with permission of author.] fiddler Liz Carroll and accordionist Billy McComiskey), and Altan, the contributions of member Daithi Sproule tend to get short All longtime Irish traditional music shrift. Even Sproule's fine solo debut in fans have a wish list for reunions, and 1995, "A Heart Made of Glass," seemed to mine once included Planxty, the Bothy draw scant attention. Band, and Skara Brae. Also consider Trian's debut album In 2004 the original Planxty lineup in 1992. The praise heaped on its of Christy Moore, Liam O'Flynn, Andy impressive instrumental playing was Irvine, and Donal Lunny got together deserved, but suffering from a bit of critical again for a dozen concerts. neglect were Sproule's exceptional singing and guitar setting of "Captain Thompson." At Dublin's Vicar Street on May And on "Trian II" in 1995, Sproule tenderly 24, 2007, the Bothy Band reunited, except covered "The Death of Queen Jane," a for one member, singer-guitarist Micheal song he wrote the melody for and earlier O Domhnaill.