DOCSLIB.ORG

Paterson, Michael Bennis (2001) Selling Scotland: Towards an Intercultural Approach to Export Marketing Involving Differentiation on the Basis of "Scottishness"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Paterson, Michael Bennis (2001) Selling Scotland: Towards an Intercultural Approach to Export Marketing Involving Differentiation on the Basis of Paterson, Michael Bennis (2001) Selling Scotland: towards an intercultural approach to export marketing involving differentiation on the basis of "Scottishness". PhD thesis http://theses.gla.ac.uk/4495/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Selling Scotland: towards an intercultural approach to export marketing involving differentiation on the basis of "Scottishness" by MICHAEL BENNIS PATERSON School of Scottish Studies (Faculty of Arts) University of Glasgow A thesis submitted to the University of Glasgow in March 2001 for the degree of Doctor of Philosophy. ABSTRACT Selling Scotland towards an intercultural approach to export marketing involving differentiation on the basis of "Scottishness" THIS dissertation examines opportunities for Scottish exporters to differentiate in target markets overseas on the basis of their Scottishness. Findings include: 1. ultimately, identity is largely conferred by others, rather than being shaped by assertions on one's own behalf; 2. definitional experiences of "Scottishness" may frequently be derived from and mediated by determinants that lie outwith Scotland; 3. constructed identifications of key or core Scottish values, by their syncretism, present impoverished views of Scotland; 4. "culture of origin" is a more productive concept than "country-of-origin". Opportunities are seen to establish a widely applicable methodology to add value in export markets. Acknowledgments ACKNOWLEDGMENTS I WISH to record here my sincere thanks to my wife, the Rev. Sue Paterson, and daughter, Alannah, for their wonderful, loving, constant support throughout this period of study. My indefatigable father, Edward Paterson, of Waiheke, New Zealand, and many good friends provided inspiration and unfailing encouragement, in parti cular - In New Zealand: Dr Joan and Ian Mackay of Wellington; Dr John and Alannah Cairney of Auckland; Dr John Young and Philippa Clark of Auckland; Douglas and Meg Chowns of McKenzie Bay, Northland; In Canada: Professor Dan and Judy MacInnes of Antigonish, Nova Scotia; Howard and Mary Hutcheon of Stirling, Ontario; In Scotland: Charlie and Jean Baillie of Reddingmuirhead; the Ballantyne family of Armadale; Roddy MacLeod and others at The Piping Centre, Glasgow; Ann and Bill Wilson, Glasgow; Dr John and Bar Purser, Skye; ... and, of course, there are many others. As principle supervisor, Professor Ted Cowan gave unstintingly to the progress of this dissertation, and I am greatly indebted to him - for his good humour as well as his insight and academic expertise. Professor James Taggart also gave crucial support as second supervisor. I would also offer sincere thanks to all who gave of their time as informants and as 'sounding-boards'. Their help and, in many cases, enthusiasm to see this work come to fruition was a great encouragement, as well as being of great practical help. Many of these people are identified on pages 344-346. Mike Paterson Reddingmuirhead, Falkirk. June 2001. TABLE OF CONTENTS Page No. PREFACE: Approach and Methodology 1 Chapter 1 INTRODUCTION 8 Chapter 2 ADDING VALUE 42 Chapter 3 DIFFERENTIATING SCOTLAND 76 Chapter 4 ELEMENTS OF SCOTTISHNESS 117 Chapter 5 TARTAN (Case Study 1) 152 Chapter 6 DIASPORA and CLAN (Case Study 2) 189 Chapter 7 THE PIPES (Case Study 3) 219 Chapter 8 MANAGING SCOTTISHNESS 265 Chapter 9 CONCLUSIONS 315 SOURCES and BmLIOGRAPHY 326 Page No. ILLUSTRATIONS ILLUSTRATION (1): A confectionery tin made for Edward 36 Sharp & Sons Ltd, Maidstone, Kent, in the 1950s, and clearly marked "Made In England". (It also carried a Royal endorsement: "By Appointment ... to the late King George VI."). ILLUSTRATION (2): The Scotland the Brand "Country of 55 origin Device": the lettering is a dark blue to the left and a red-backgrounded tartan sett (Royal Stewart?) to the right, with a whitish diagonal band through the "1", "I" and underlining. ILLUSTRATION (3): Examples of "Scottish" imagery used 65 by American advertisers in the 1940s to sell lettuces, oranges and shoes - all American-produced. TABLES: TABLE (1): Scottish Manufactured Exports (£m Current 42-43 Prices) - 1996-1998. TABLE (2): Sources of information (overall averaged percentages) 265-266 about the United Kingdom mentioned by respondents to the 1999 and 2000 MORI polls: Through other eyes 1&2- How the world sees the United Kingdom: The findings of a second round of research into attitudes of young professionals and postgraduate students in seventeen countries carried out by MORlan behalf of the British Council. Thirteen countries were surveyed in 1999, 17 in 2000. TABLE (3): Translations into six other languages (and 279 all foreign language totals) of works by or about Robert Louis Stevenson, Robert Burns, Sir Walter Scott, Sir James Barrie, Hugh MacDiarmid, lain Banks, Sir Compton McKenzie and Irvine Welsh, as recorded in the online database of the Bibliography of Scottish Literature in Translation (at the National Library of Scotland), to 2 June, 2000. Page No. DIAGRAMS DIAGRAM (1): IMAGES most frequently identified with 97 Scotland by "men and women, aged between 24 and 35, well educated, with above-average incomes, and likely o rise to pOSitions of influence in their society" in a 17-country survey by MORI for The British Council in 2000. DIAGRAM (2): Duration of finger movements overlap, 237 providing a comparison of the fine finger movement control of samples of skilled Highland pipers and classical musicians. DIAGRAM (3): Relative numbers of translations 280 into selected other languages of works by or about: A, Robert Louis Stevenson; B, Robert Burns; C, Sir Walter Scott; D, Sir James Barrie; E, Hugh MacDiarmid; F, lain Banks; G, Sir Compton McKenzie; H, Irvine Welsh, as recorded in the online database of the Bibliography of Scottish Literature in Translation (at the National Library of Scotland), to 2 June, 2000. Approach and meihodo;ogy Selling Scotland. .. 1 PREFACE: APPROACH AND METHODOLOGY TO a considerable extent, this research arose from aspects of my personal and working experience. My undergraduate background is in anthropology and psychology, with special interests in comparative linguistics and cross cultural communication. I have since worked for 30 years, predominantly as a newspaper editor and subeditor, writer and editorial trainer, in Canada (Ontario, Nova Scotia and British Columbia), New Zealand (various North Island centres) and Scotland (Falkirk and Glasgow). I had been brought up in New Zealand, much encouraged to wear two national identities: Scot and New Zealander (in an order determined by the moment). My father was born and spent his childhood in Scotland; my mother was born in New Zealand (of Cornish and Irish parents); my wife (born of Scottish-Irish-German descendant parents) is from Scots-settled rural Ontario, Canada; my daughter was born in Nova Scotia; and my grand-daughter was born in Scotland. I have been actively involved in various informal and formal cross-cultural interests with pakeha New Zealanders, New Zealand Maori, Cook Islanders, Samoans, Greeks, "English" Canadians (of Ontario, Nova Scotia and British Columbia), eastern white Americans, Northern Cree, Nova Scotian MicMac, Scots and English peoples (in indigenous and/or migrant communities), and have been involved in various ways with Scottish expatriate and descendant interests in Canada and New Zealand. My involvements have included organising and promoting events, managing and promoting theatrical tours, broadcasting, publications work, journalism, importing and marketing Scottish recorded music, etc. These activities brought me into contact with numbers of Scottish Approach and methodology Selling Scotland. , 2 expatriates and descendants, as well as people on whom Scottishness has impacted in various ways. I was also able to witness activities of some of Scotland's tourism and exporting promotional interests and those of agents, distributors and retailers acting on behalf of Scottish producers. On the basis of perspectives afforded by Canada and New Zealand, it appeared to me that there were shortcomings at the British end of Scotland's promotional initiatives, and considerable unrealised potentiaL For example, current information about Scotland was difficult to come by, despite active curiosity. Activities were sporadic, inconsistent, and usually initiated within local expatriate or descendant communities. Sometimes, as in the cases of Dunedin (New Zealand) and Halifax (Nova Scotia, Canada), initiatives were undertaken to serve purely local tourism priorities and organisers may have had little knowledge of (and no particular concern for) Scotland. The level of understanding on the part of British promotional and marketing interests (often represented by non-Scots) could be limited1 and attitudes were not uncommonly indifferent or patronising. Communication was cross-culturally poor. It was clear, given a remarkable openness to Scotland and things Scottish 1 When, for example, the 1994 Scottish
Load more

Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • Bartlett, T. (2020) Time, the Deer, Is in the Wood: Chronotopic Identities, Trajectories of Texts and Community Self-Management
    Bartlett, T. (2020) Time, the deer, is in the wood: chronotopic identities, trajectories of texts and community self-management. Applied Linguistics Review, (doi: 10.1515/applirev-2019-0134). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201608/ Deposited on: 24 October 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Tom Bartlett Time, the deer, is in the wood: Chronotopic identities, trajectories of texts and community self-management Abstract: This paper opens with a problematisation of the notion of real-time in discourse analysis – dissected, as it is, as if time unfolded in a linear and regular procession at the speed of speech. To illustrate this point, the author combines Hasan’s concept of “relevant context” with Bakhtin’s notion of the chronotope to provide an analysis of Sorley MacLean’s poem Hallaig, with its deep-rootedness in space and its dissolution of time. The remainder of the paper is dedicated to following the poem’s metamorphoses and trajectory as it intertwines with Bartlett’s own life and family history, creating a layered simultaneity of meanings orienting to multiple semio-historic centres. In this way the author (pers. comm.) “sets out to illustrate in theory, text analysis and (self-)history the trajectories taken by texts as they cross through time and space; their interconnectedness
    [Show full text]
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • The Scottish Background of the Sydney Publishing and Bookselling
    NOT MUCH ORIGINALITY ABOUT US: SCOTTISH INFLUENCES ON THE ANGUS & ROBERTSON BACKLIST Caroline Viera Jones he Scottish background of the Sydney publishing and bookselling firm of TAngus & Robertson influenced the choice of books sold in their bookshops, the kind of manuscripts commissioned and the way in which these texts were edited. David Angus and George Robertson brought fi'om Scotland an emphasis on recognising and fostering a quality homegrown product whilst keeping abreast of the London tradition. This prompted them to publish Australian authors as well as to appreciate a British literary canon and to supply titles from it. Indeed, whilst embracing his new homeland, George Robertson's backlist of sentimental nationalistic texts was partly grounded in the novels and verse written and compiled by Sir Walter Scott, Robert Bums and the border balladists. Although their backlist was eclectic, the strong Scottish tradition of publishing literary journals, encyclopaedias and religious titles led Angus & Robertson, 'as a Scotch firm' to produce numerous titles for the Presbyterian Church, two volumes of the Australian Encyclopaedia and to commission writers from journals such as the Bulletin. 1 As agent to the public and university libraries, bookseller, publisher and Book Club owner, the firm was influential in selecting primary sources for the colony of New South Wales, supplying reading material for its Public Library and fulfilling the public's educational and literary needs. 2 The books which the firm published for the See Rebecca Wiley, 'Reminiscences of George Robertson and Angus & Robertson Ltd., 1894-1938' ( 1945), unpublished manuscript, Mitchell Library, State Library of New South Wales, ML MSS 5238.
    [Show full text]
  • Pres2014-0815.Pdf
    m ; THE J©iHIM C^EI^fkl^ f ; £1® IRA1RX ^ CHICAGO o 1 S 1S s ctA-j&f* t a*-* THE ^ HISTORY OF THE SQUIRREL GREAT BRITAIN. J. A. HARVIE-BROWN, F.E.S.E., F.Z.S., MEMBER OF THE BRITISH ORNITHOLOGISTS' UNION. EDINBURGH: PRINTED BY M'FARLANE & ERSKINE. 1881. & VvvW1' A. "RrsUiixe. litbo^3Ed.tnburg'h. TEE SQUIKREL IN GEEAT BRITAIN. PAKT I. (Eead 21st April 1880.) GEOLOGICAL EVIDENCE. We,have no evidence of the occurrence of the squirrel in post-tertiary deposits. It is not, I believe, made mention of by Dr James Geikie as being found in post-tertiary deposits in Scotland in his " Great Ice Age." Mr A. Murray, in " The Geographical Distribution of Mammals," tells us : " The only fossil remains of squirrels are of recent date. Remains of the living species of squirrels have been found in bone caves, but nothing indicating its presence in Europe or indeed anywhere else at a more ancient date." Nor does it appear to be of common occurrence even in more recent remains. The only evidence of squirrels in the Pleistocene Shale of Britain is that afforded by gnawed fir-cones in the pre-glacial forest bed of Norfolk, which were recognised by Professor Heer and the late Rev. S. W. King, as I am in¬ formed by Professor Boyd Dawkins, who adds further, that he " does not know of any bones of squirrels in any prehis¬ toric deposit, and I do not think that the nuts (found in marl, etc.) are proved to have been gnawed by them and not by Arvicola amjihitna." I may add here that I have since collected gnawed nuts from various localities and compared them with recent ones, and it seems to me quite impossible to separate them by any evidence afforded by the tooth- marks.
    [Show full text]
  • 26-29 May 2016
    26-29 MAY 2016 /orkneyfolkfestival @OrkneyFolkFest Stromness Birsay Deerness Finstown Harray Kirkwall Orphir Quoyloo Sanday Shapinsay St Margaret’s Hope Supported by the National Lottery through Creative Scotland Stenness Westray PROGRAMME orkneyfolkfestival.com WELCOME ANNIVERSARIES AND BIRTHDAYS So here it is, the 34th Orkney Folk The Northern Isles Festival Tattoo Festival. Unbelievably we’re still going. Just a few days before Orkney plays host to a series of national Despite economic turmoil, climate events commemorating the one hundredth anniversary of the change and Stromness roadworks we Battle of Jutland, the festival will stage its own ‘Military Tattoo’-style are still here. We’ve got a shiny new event, celebrating Orkney and Shetland’s maritime history. office at the Northlink Terminal building A first of its kind for the Orkney Folk Festival, the Northern Isles Bob Gibbon and word has it we will even have new Festival Tattoo will host a choreographed, massed performance walkie-talkies come May. It’s all go. of fiddles, pipes, drums, song and community spirit in Kirkwall’s Pickaquoy Centre on Saturday night – and no raincoats required! Indeed the line-up has taken some Taking centre stage will be putting together this year. A bit of this Shetland’s county fiddle group, and a bit of that, some new faces Hjaltibonhoga – fresh from two and some familiar old ones all thrown consecutive Edinburgh Military together to play in Stromness and Tattoos, as well as stadium other parishes of Orkney, including performances in Australia and New Zealand – the Kirkwall City Pipe three islands this year (Westray, Band, Maggie Adamson and Brian Sanday and Shapinsay) doing our Nicholson, Ivan Drever, as well as best to bring us all together on Festival many more special guests.
    [Show full text]
  • Media: Industry Overview
    MEDIA: INDUSTRY OVERVIEW 7 This document is published by Practical Law and can be found at: uk.practicallaw.com/w-022-5168 Get more information on Practical Law and request a free trial at: www.practicallaw.com This note provides an overview of the sub-sectors within the UK media industry. RESOURCE INFORMATION by Lisbeth Savill, Clare Hardwick, Rachael Astin and Emma Pianta, Latham & Watkins, LLP RESOURCE ID w-022-5168 CONTENTS RESOURCE TYPE • Scope of this note • Publishing and the press Sector note • Film • Podcasts and digital audiobooks CREATED ON – Production • Advertising 13 November 2019 – Financing and distribution • Recorded music JURISDICTION • Television • Video games United Kingdom – Production • Radio – Linear and catch-up television • Social media – Video on-demand and video-sharing services • Media sector litigation SCOPE OF THIS NOTE This note provides an overview of the sub-sectors within the UK media industry. Although the note is broken down by sub-sector, in practice, many of these areas overlap in the converged media landscape. For more detailed notes on media industry sub-sectors, see: • Sector note, Recorded music industry overview. • Sector note, TV and fi lm industry overview. • Practice note, Video games industry overview. FILM Production Total UK spend on feature fi lms in 2017 was £2 billion (up 17% on 2016) (see British Film Institute (BFI): Statistical Yearbook 2018). Film production activity in the UK is driven by various factors, including infrastructure, facilities, availability of skills and creative talent and the incentive of fi lm tax relief (for further information, see Practice note, Film tax relief). UK-produced fi lms can broadly be sub-divided into independent fi lms, UK studio-backed fi lms and non-UK fi lms made in the UK.
    [Show full text]
  • Tartans: Scotland’S National Emblem
    ESTABLISHED IN 1863 Volume 149, No. 3 November 2011 TARTANS: SCOTLAND’S NATIONAL EMBLEM Tartan has without doubt become one of the most important sym- Inside this Issue bols of Scotland and Scottish Heritage and with the Scots National Feature Article…….….....1 identity probably greater than at any time in recent centuries, the po- Message from our tency of Tartan as a symbol cannot be understated. However, it has President….......................2 also created a great deal of romantic fabrication, controversy and Upcoming Events…….....3 speculation into its origins! name, history and usage as a Clan or Family form of identification. The Chicago Fire and The Celebration of St. An‐ drewʹs Day .……….……4 Gifts to the Society……...8 Flowers of the For‐ est……………..…..…….9 BBC Alba Scottish Tradi‐ tional Music Awards…..10 Banquet & Ball….….12‐15 Tartan is a woven material, generally of wool, having stripes of different colors and varying in breadth. The arrangement of colors is alike in warp and weft ‐ that is, in length and width ‐ and when woven, has the appearance of being a number of squares intersected by stripes which cross each other; this is called a ‘sett’. By changing the colors; varying the width; depth; number of stripes, differenc‐ (Continued on page 4) November 2011 www.saintandrewssociety‐sf.org Page 1 A Message from Our President The Saint Andrew's Dear Members and Society Society of San Francisco Friends: 1088 Green Street San Francisco, CA The nominating committee met to 94133‐3604 (415) 885‐6644 select Society Officers to serve for Editor: William Jaggers 2012.
    [Show full text]
  • Scottish Eccentrics
    SCOTTISH ECCENTRICS by HUGH MacDIARMID SCOTTISH ECCENTRICS The distinguished Scottish poet and literary critic who writes this book recalls how Bernard Shaw in On The Rocks ironically declares that the massacres after the Battle of Culloden were not "mur- der" but simply "liquidation," since the slain Scots in question were "incompatible with British civilization." He then surveys the whole field of Scottish biography, and shows how true this has proved of an amazing number of distinguished Scots, no matter how successfully the bulk of the Scottish people have been assim- ilated to English standards since the Union. The facts are irresist- ible and bring out the "eccen- tricity" of Scottish genius in an extraordinary fashion. The author gives full-length studies often outstanding Scottish eccentrics, including Lord George Gordon of the "Gordon Riots"; Sir Thomas Urquhart, the trans- lator of Rabelais', "Christopher North"; "Ossian" (James Mac- pherson, M.P.); James Hogg, the Ettrick Shepherd; and William McGonagall, perhaps the world's best "bad poet". But he supports these leading cases with apt material drawn from the lives of hundreds of Scots of every period in history and every walk of life, and in this way builds up a bril- liant panoramic picture of Scottish psychology through the ages, singularly at variance with all generally accepted views of the national character. 15 S. net By the Same Author Poetry Sangschaw Penny Wheep To Circumjack Cencrastus First Hymn to Lenin, and other Poems A Drunk Man looks at the Thistle Stony Limits, and other Poems Fiction Annals of the Five Senses Translations The Handmaid of the Lord (novel, from the Spanish of Ramon Maria de Tenreiro) Birlinn Chlann-Rhagnaill (poem, from the Scots Gaelic of Alasdair Mac- Mhaighstir Alasdair) Criticism Contemporary Scottish Studies Albyn: or Scotland and the Future Scottish Scene (in collaboration with Lewis Grassic Gibbon) At the Sign of the Thistle etc.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Scotland's Home of News and Entertainment
    Scotland’s home of news and entertainment Strategy Update May 2018 STV in 2020 • A truly multi-platform media company with a balanced profit base across broadcast, production and digital o Expect around 1/3rd of profit from sources other than linear spot advertising (vs 17% today) • A magnet for the best creative talent from Scotland and beyond • A brand famous for a range of high quality programming and accessible by all Scots wherever they are in the world via the STV app • One of the UK’s leading producers, making world class returning series for a range of domestic and international players • Working in partnership with creative talent, advertisers, businesses and Government to drive the Scottish economy and showcase Scotland to the world Scotland’s home of news and entertainment 2 We have a number of strengths and areas of competitive advantage Strong, trusted brand Unrivalled Talented, connection with committed people Scottish viewers and advertisers Robust balance sheet and growing Scotland’s most returns to powerful marketing shareholders platform Settled A production relationship with business well ITV which placed for incentivises STV Profitable, growing “nations and to go digital digital business regions” growth holding valuable data 3 However, there is also significant potential for improvement •STV not famous for enough new programming beyond news •STV brand perceived as ageing and safe BROADCAST •STV2 not cutting through •News very broadcast-centric and does not embrace digital •STV Player user experience lags competition
    [Show full text]
  • Scottish Missionaries and the Circumcision Controversy in Kenya 1900-1960
    International Review of Scottish Studies Vol. 28 2003 Kenneth Mufaka SCOTTISH MISSIONARIES AND THE CIRCUMCISION CONTROVERSY IN KENYA 1900-1960 t the turn of the century, the British High Commis- sioner in East Africa set up various areas in which A Christian missionaries were allowed exclusive influence. Scottish missionaries served the largest and most politically astute tribe in Kenya, the Kikuyu. Scottish educa- tion, combining a theoretical base with vocational training, attracted the best and the brightest of Kikuyu youths. This type of education provided a basis for future employment in government and industry. Jomo Kenyatta and Mbui Koinanage, both future nationalist leaders of Kenya, were converts and protégés of Scottish missionaries. However, in 1929, a sudden rift occurred between the Kikuyu Christian elders and congregations on one hand and their Scottish missionary patrons on the other side. The rift came about when the Scottish missionaries insisted that all Kikuyu Christians should take an oath against female initiation. Two thirds of the Kikuyu Christians left the mission church to form their own nationalist oriented churches. The rise of nationalistic feeling among Kenyans can be traced to this controversy. The issue of female circum- cision seems to have touched on all the major ingredients that formed the basis of African nationalist alienation from colo- nial rule. This article argues that the drama of 1929 was a rehearsal of the larger drama of the Mau Mau in 1950-1960 that put an end to colonial rule in Kenya. Though initiation practices were widespread in Kenya and the neighboring Sudan, the Scottish missionaries were unaware of them until 1904.
    [Show full text]