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“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
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Hiphop Aus Österreich
Frederik Dörfler-Trummer HipHop aus Österreich Studien zur Popularmusik Frederik Dörfler-Trummer (Dr. phil.), geb. 1984, ist freier Musikwissenschaftler und forscht zu HipHop-Musik und artverwandten Popularmusikstilen. Er promovierte an der Universität für Musik und darstellende Kunst Wien. Seine Forschungen wurden durch zwei Stipendien der Österreichischen Akademie der Wissenschaften (ÖAW) so- wie durch den österreichischen Wissenschaftsfonds (FWF) gefördert. Neben seiner wissenschaftlichen Arbeit gibt er HipHop-Workshops an Schulen und ist als DJ und Produzent tätig. Frederik Dörfler-Trummer HipHop aus Österreich Lokale Aspekte einer globalen Kultur Gefördert im Rahmen des DOC- und des Post-DocTrack-Programms der ÖAW. Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 693-G Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.d-nb.de abrufbar. Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 Lizenz (BY). Diese Li- zenz erlaubt unter Voraussetzung der Namensnennung des Urhebers die Bearbeitung, Verviel- fältigung und Verbreitung des Materials in jedem Format oder Medium für beliebige Zwecke, auch kommerziell. (Lizenztext: https://creativecommons.org/licenses/by/4.0/deed.de) Die Bedingungen der Creative-Commons-Lizenz gelten nur für Originalmaterial. Die Wieder- verwendung von Material aus anderen Quellen (gekennzeichnet -
After God Is Music: Affliction, Healing, and Warfare in Haitian Pentecostalism
AFTER GOD IS MUSIC: AFFLICTION, HEALING, AND WARFARE IN HAITIAN PENTECOSTALISM Lenny J. Lowe A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Todd Ramón Ochoa Laurent Dubois Laurie Maffly-Kipp Yaakov Ariel Brendan Thornton © 2017 Lenny J. Lowe ALL RIGHTS RESERVED ii ABSTRACT Lenny J. Lowe: After God is Music: Affliction, Healing, and Warfare in Haitian Pentecostalism (Under the direction of Todd Ramón Ochoa) This dissertation explores a version of Pentecostal-charismatic Christianity in Haiti popularly known as Lame Selès (Fr. L’Armée Celeste), or “The Heavenly Army.” Within Haiti’s Protestant population more broadly, these independent Pentecostal communities are often viewed with suspicion and accused of being charlatans or practitioners of Vodou in a Christian guise on account of their combinatory ritual practices and musical styles. Based on data drawn from fieldwork among some of these communities in Port-de-Paix, Haiti, I argue that these independent Pentecostal communities are an important site of the kind of religious combination that has long characterized religion in Haiti and the Black Atlantic world. Drawing on resources within the “hot” and combative Petwo style of Vodou and combining it with “spiritual warfare” discourse drawn from global Pentecostal and charismatic Christian culture, these communities use music and divine healing to engage and attack spiritual sources of affliction common among the poor majority in contemporary Haiti, ranging from bodily and mental illness to anxiety and officially sanctioned injustice. -
Barber Final Dissertation
The Gospel Horse in the Valley: Evangelical Slavery and Freedom in the Chattahoochee Valley, 1821-1877 by Stephen Presley Barber A dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama May 9, 2011 Keywords: Slavery, Religion, Baptists, Methodists, Georgia Copyright 2011 by Stephen Presley Barber Approved by Charles A. Israel, Chair, Associate Professor of History Kenneth W. Noe, Draughon Professor of History Anthony G. Carey, Associate Professor of History Abstract This dissertation examines the introduction of evangelical religion into the Chattahoochee Valley of Georgia during the frontier era, the formation and characteristics of biracial churches during the antebellum period, and the post-bellum racial separation and organization of independent black churches. It will document the attitudes, ideas, and actions of evangelicals as they formed, organized, and maintained biracial churches in the Chattahoochee Valley. In these churches, black and white evangelicals practiced “evangelical slavery,” defined as the manifestation of chattel slavery in the context of evangelical Christianity as practiced by slaveholders and slaves. This study also discloses the complexities of interactions of blacks and whites and their experiences as they grappled with the uncertainties and conflict brought about by emancipation. This dissertation is the first narrative of the religious history of the Chattahoochee Valley from the beginnings of white settlement to the end of Reconstruction. It is a subset of larger works on southern religion, but uniquely examines the continuity of southern evangelical religion between the time of the invasion of the Chattahoochee Valley by Methodist missionaries in 1821 and the practically complete institutional religious separation by 1877, thus augmenting and challenging previous interpretations of processes and chronology by revealing local patterns of behavior by black and white southern evangelicals. -
“Rapper's Delight”-- Sugarhill Gang (1979) Added to the National Registry: 2011 Essay by Eric Reese (Guest Post)*
“Rapper's Delight”-- Sugarhill Gang (1979) Added to the National Registry: 2011 Essay by Eric Reese (guest post)* Sugarhill Gang Original disc Sylvia Robinson Introduction To those who were alive in the late 1970s, the song “Rapper’s Delight” was, upon its release, a sensational, soul-gripping, well-celebrated and well-applauded song. “Rapper's Delight” by the Sugarhill Gang, like every other great song, has enjoyed its fair share of appreciation, recognition and criticisms and indured a few scandals and lawsuits and other disputes typical of many hit songs of that era. The 1970s was an age of continual development in rap music which had begun no less than seven years before. Rap artists struggled to find voice, or even producers, to support their talents or provide a covering for their gifts. That era sank more rap ships than any in history and few nascent rappers had the guts to keep on living through the genre which was slowly coming to be known as hip-hop. The song “Rapper's Delight” itself was termed the pioneer upon which the wide-scale influx of hip-hop to the larger market was built. Not that it was the first rap song released, but it was one of a kind, considering the overall reception to hip-hop music back in the day. Upon its release in 1979, the Sugarhill Gang’s song, produced by Sylvia Robinson, brought the never-heard before freshness of rap with the oddity of blending different rap styles and content into one big blend: hip-hop. Components of “Rapper’s Delight” included dance, sexuality, charisma, buoyance and other themes which went as far as including the spirit and obsessive nature of such singers as James Brown. -
Downtown Reading!
Destination: Downtown Reading! I S S U E 6 5 MAY 7, 2018 The Reading Downtown Go Go Gadjet Kicking Off Improvement District office is located at 645 Penn Street, First Floor, Suite 105. Downtown Alive Free Concerts Office hours: Monday through Friday, 8 a.m. to 4:30 p.m. Office number: 610-376-6424 DID Ambassadors number: 484-955-0315 (Please call this number directly for escort assistance to vehicles, trash and leaf removal, graffiti removal, and public nuisance issues) DID You Know? As one of the sponsors of the Downtown Alive free outdoor concert series, the Reading Parking Authority will provide free parking at its Fourth and Cherry garage starting at 4 p.m. on each concert day. Parking Authority rules and regulations will apply at Go Go Gadjet, an immensely popular regional band that describes itself as “a burst of other locations it oversees electric funk carried on the back of a thundering juggernaut of searing rock,” will open in downtown Reading. the fourth annual Downtown Alive free outdoor concert series on Wednesday, June 20. The series will include four other concerts featuring performers who will appeal to Here is some additional a variety of tastes. information about the The shows will be staged again on Penn Street by the Reading Downtown concert series: Improvement District in partnership with Illusion Sound & Lighting, which is booking the acts, and Greater Reading Chamber Alliance. The concerts will take Opening for Go Go Gadjet will be Glassbeard, a duo comprised of DJ Aaron Miller place rain or shine. and drummer Evan Kirkley, who describe themselves as “carving out their own place Only severe thunder- in the Dance Music World.” storms would delay or “We’re excited to have Go Go Gadjet kick off this year’s concert series,” said Charles force cancellation of R. -
Downtown Reading!
Destination: Downtown Reading! I S S U E 6 9 AUGUST 7, 2018 The Reading Downtown Improvement District office is located at 645 Penn Street, First Floor, Suite 105. Office hours: Monday through Friday, 8 a.m. to 4:30 p.m. Office number: 610-376-6424 DID Ambassadors number: 484-955-0315 (Please call this number directly for escort assistance to vehicles, trash and leaf removal, graffiti removal, and public nuisance issues) DID You Know? As one of the sponsors of the Downtown Alive free outdoor concerts, the Reading Parking Sugar Hill Gang and NOVA Will Authority (RPA) provides free parking at its Fourth Have Downtown Reading and Cherry garage start- ing at 4 p.m. on each concert day. Authority Hip Hopping On August 15! rules and regulations will apply at other RPA locations in downtown Reading. Here is some additional information about the concert series: ***The concerts will take place rain or shine. Only severe weather would delay or force cancella- tion of the shows. ***The concerts are family and pet friendly. Those who bring pets are responsible for their animals’ actions. Check the back page for details! Sugar Hill Gang and NOVA Will Have Downtown Hip-Hopping on August 15 A major blast from hip-hop’s past and a hefty dose of hip-hop’s present will rock downtown Reading on Wednesday, August 15 during the free Downtown Alive concert presented by Weidenhammer. Sugar Hill Gang will roll into town with the hits “Rapper's Delight”, “8th Wonder”, “Apache” and more. But taking the stage first will be Reading’s own up-and-coming rapper NOVA. -
I Premillennium Tension
52Souls Souls Winter 2005 Malcolm X Premillennium Tension Malcolm X and the Eschatology of the Nation of Islam Wayne Taylor In 1930, a stranger appeared in the ghetto of Detroit, selling silks, raincoats, and a new religious philosophy that catered to the needs of an oppressed African-American urban population. He taught the tenets of a new religion—the “true” religion of the dark peoples of Asia and Africa, a religion that promised empowerment and redemption for a commu- nity ravaged by racism, migration, and a debilitating economic depression. From these humble beginnings, the silk peddler Wallace D. Fard built one of the most enduring reli- gious enclaves in the American Black community—the Nation of Islam. Elijah Muhammad, Fard’s personal assistant, carried this philosophy to a number of the Black urban centers of the North following Fard’s mysterious disappearance in 1934. The man who sparked the major growth in the membership of the Nation of Islam, however, was Elijah Muhammad’s own disciple, Malcolm X. Malcolm’s articulation of a political and economic agenda for the Black community in the face of entrenched racism moved the Nation from the sidelines of the racial debate to the forefront of the conflict by the 1960s. Malcolm’s tenure as a minister with the NOI, dating from his parole from prison in 1952 until his break with the Nation in 1964, saw membership in the organiza- tion rise rapidly. While scholarly works and popular culture continue to appropriate Malcolm’s message of Black nationalism through political and social unity within the African Diaspora, little has been said about Malcolm’s articulation of the Nation of Islam’s theology, the original theology of his mentor Elijah Muhammad and, by proxy, Muhammad’s mentor Wallace D. -
Frank Schubert Buffalo Soldiers Collection (SC197)
THE KANSAS CITY PUBLIC LIBRARY Frank Schubert Buffalo Soldiers Collection (SC197) Introduction Frank N. (Mickey) Schubert is a historian who has done extensive research on the topic of Buffalo Soldiers, specifically the experiences of individuals. This collection consists of Schubert’s research files, copies of his speeches and presentations, manuscripts and articles he reviewed, and photograph prints used in his books. Descriptive Summary Title: Frank Schubert Buffalo Soldiers Collection Dates: 1897-2014, bulk 1960-2014 Size: 12.8 linear feet Collection Number: SC197 Donor Information Gift, 2014, Frank N. (Mickey) Schubert. Citation Note Frank Schubert Buffalo Soldiers Collection (SC197), Missouri Valley Special Collections, Kansas City Public Library, Kansas City, Missouri. Administrative Information Related Collections: Books from Frank Schubert’s personal library were also donated to Missouri Valley Special Collections at the same time as his research materials. They are available through the main Library Catalog. Biographical and Historical Sketch Frank N. (Mickey) Schubert is a historian who has done extensive research on the topic of Buffalo Soldiers, specifically the experiences of individuals. Schubert has written numerous books and articles on Buffalo Soldiers, such as On the Trail of the Buffalo Soldier Vol 1 and Vol 2, Black Valor, Voices of the Buffalo Soldier, and Buffalo Soldiers, Braves and the Brass. He has also given lectures across the United States, Hungary, and Romania. He served in the United States Army from 1965-1968 and his writing has also extended to a variety of military subjects. Schubert received his B.A. from Howard University (where his interest in African American history began) in 1965, his M.A. -
Report Resumes
( REPORT RESUMES ED 010 669 24 A STUDY OF FACTORS INVOLVED IN THE IDENTIFICATION AND ENCOURAGEMENT OF UNUSUAL ACADEMIC TALENT AMONG UNDERPRIVILEGED POPULATIONS. FINAL REPORT. BY- BOND, HORACE M. ATLANTA UNIV., GA. REPORT NUMBER BR -5 -0859 PUB DATE JAN 67 REPORT NUMBER CRP -458 III CONTRACT OEC- SAE -8028 EDRS PRICE MF -$0.45 HC$10.76 269P. DESCRIPTORS- *CULTURALLY DISADVANTAGED, *SOCIAL INFLUENCE, RACIAL SEGREGATION, *ACADEMIC APTITUDE, *MOTIVATION, ACADEMIC ASPIRATION, *NEGRO STUDENTS, ATLANTA, GEORGIA MEMBERS OF THE NEGRO POPULATION OF THE UNITED STATES WHO HAD DEMONSTRATED "UNUSUAL ACADEMIC TALENT" BY RECEIVING AN ACADEMIC DOCTORAL DEGREE WERE STUDIED TO DETERMINE FACTORS THAT WOULD SERVE TO IDENTIFY ACADEMIC PROMISE AMONG UNDERPRIVILEGED GROUPS. FACTORS STUDIED INCLUDED THE II IMPORTANCE OF (1) THE FAMILY,(2) THE EDUCATION AND OCCUPATION OF PARENTS, (3) THE SCHOOL, AND (4) THE PSYCHOLOGICAL AND MOTIVATIONAL CLIMATE OF THE COMMUNITY. FINDINGS SHOWED THAT (1) THERE ARE APPROXIMATELY 1,600 TO 1,800 LIVING NEGRO HOLDERS OF ACADEMIC DOCTORAL DEGREES, (2) THE PERCENTAGE OF THESE DEGREE HOLDERS WHO WERE FAMILY RELATED FAR EXCEEDED NORMAL EXPECTATION, (3) SEGREGATED HIGH SCHOOLS VARIED IN DEGREE OF DOCTORATES PRODUCED FROM ONE IN SEVEN GRADUATES TO ONE IN 200 TO 300 GRADUATES, (4) STATE DOCTORATE PRODUCTIVITY VARIED WIDELY, AND (5) ABOUT TWO - THIRDS OF ALL NEGRO DOCTORATES WERE GRADUATED FROM II PREDOMINANTLY NEGRO COLLEGES. RECOMMENDATIONS FOR IMPROVING EDUCATIONAL OPPORTUNITIES AMONG THE UNDERPRIVILEGED WERE OF A BROAD NATURE. THE AUTHOR. BELIEVED THAT (1) DESEGREGATION OF SCHOOL ENROLLMENTS, AND OF TEACHING AND ADMINISTRATIVE STAFFS,' SHOULD BE UNDERTAKEN AS SOON AS POSSIBLE, (2) PUBLIC SCHOOL SYSTEMS SHOULD INCLUDE SPECIALISTS IN THE ARTS OF CHARACTER BUILDING AND THE PSYCHOLOGY OF MOTIVATION, (3) SUCH EXPERIMENTAL DEVICES AS SPECIAL SHORTTERM COACHING SHOULD BE INCORPORATED INTO THE REGULAR PRACTICE OF SCHOOLS, AND (4) A SPIRIT AND PROGRAM OF "UNIVERSAL REFORMISM" IS NEEDED TODAY. -
Rapper's Delight by Sugarhill Gang (Hip Hop) 1980 Song
Rapper’s Delight by Sugarhill Gang (hip hop) 1980 Song: • Upbeat • Fun • Movement • Its about woman • Positive • Funny lyrics Hip Hop: • This song introduced this genre to a wider audience. • On charts of being one of the best hip hop songs. • Record companies didn’t want to finance hip hop artists. • Started being something just played at parties. • Using samples of other artists songs and adding rap sections to it. • Break-dancing is a popular element of hip hop. o Decreased the amount of violence. o People where expressing themselves through the dance and rap. • DJ battling was when two rappers would battle each other to see who was better. • The ‘scratch’ was made by a mistake. o DJ grand wizard Theodore tried to hold the spinning record still so he could hear his mother talking. Sugarhill Gang History: • American – New Jersey • Members o Wonder Mike (Mike Wright), o Big Bank Hank (Henry Jackson), o Master Gee (Guy O’Brien), o Kory O (replaces Master Gee) • Sylvia Robinson o was a founder of a record label. o She heard the increase of rap music and wanted to release a record. o She originally was only going to have one person but after auditioning Wonder Mike and Big Bank Hank she decided to put them together to create a group. o She auditioned Wonder Mike in her car outside a pizza shop where he worked. o She heard Big Bank Hank rapping while on the job (bouncer). • Big Bank Hank was also a part-time hip-hop manager. He used to rap along with songs he was given to test.