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Diversidades Espirituales Y Religiosas En Quito, Ecuador
El museo: escenario para el diálogo intercultural-espiritual Diversidades espirituales y religiosas en Quito, Ecuador Una mirada desde la etnografía colaborativa María Amelia Viteri • Michael Hill • Julie L. Williams • Flavio Carrera Belén Arellano • María Fernanda Cartagena • Paula Castells • Patricia Celi • Sergei Landazuri Vladimir Obando • María del Carmen Ordóñez • Sol Palacios • Mateo Ponce • Alegría Portilla Lorena Rojas • Estefanía Silva • Felipe Simas • Sara Tillería • Paulina Vega Ortiz • Cristina Yépez PRÓLOGO | 1 Diversidades espirituales y religiosas en Quito, Ecuador Una mirada desde la etnografía colaborativa María Amelia Viteri • Michael Hill • Julie L. Williams • Flavio Carrera Belén Arellano • María Fernanda Cartagena • Paula Castells • Patricia Celi • Sergei Landazuri Vladimir Obando • María del Carmen Ordóñez • Sol Palacios • Mateo Ponce • Alegría Portilla Lorena Rojas • Estefanía Silva • Felipe Simas • Sara Tillería • Paulina Vega Ortiz • Cristina Yépez USFQ PRESS Universidad San Francisco de Quito USFQ Campus Cumbayá USFQ, Quito 170901, Ecuador USFQ PRESS es el departamento editorial de la Universidad San Francisco de Quito USFQ. Fomentamos la misión de la universidad al diseminar el conocimiento para formar, educar, investigar y servir a la comunidad dentro de la filosofía de las Artes Liberales. Diversidades espirituales y religiosas en Quito, Ecuador: Una mirada desde la etnografía colaborativa Autores: María Amelia Viteri1, Michael Hill1, Julie L. Williams1, Flavio Carrera1 Belén Arellano1, María Fernanda Cartagena2, Paula Castells1, Patricia Celi1, Sergei Landazuri1, Vladimir Obando1, María del Carmen Ordóñez1, Sol Palacios1, Mateo Ponce1, Alegría Portilla1, Lorena Rojas1, Estefanía Silva1, Felipe Simas1, Sara Tillería1, Paulina Vega Ortiz3, Cristina Yépez4 1Universidad San Francisco de Quito USFQ, Quito, Ecuador, 2Museo de Arte Precolombino Casa del Alabado, Quito, Ecuador, 3Museo de la Ciudad, Quito, Ecuador, 4McGill University, Montreal, Canadá Editores: María Amelia Viteri, Michael Hill, Julie L. -
La Catarsis Musical En Una Re-Creación De La Ópera “Orfeo Y Eurídice” De C. W Gluck
Universidad del Salvador Facultad de Medicina Carrera de Licenciatura en Musicoterapia 2016 Tesis de grado. La catarsis musical en una re-creación de la ópera “Orfeo y Eurídice” de C. W Gluck Alumno: Santiago Buzzi Tutor: Lic. Gabriela Wagner Nota: Este estudio contiene un video documental de la investigación. Anexo nº III. 2 Índice Agradecimientos.................................................................................................................. 5 Introducción..........................................................................................................................6 Parte I Presentación del problema de la investigación 1. Historia de la idea...............................................................................................................7 2. Objetivo de la investigación...............................................................................................9 3. Preguntas de investigación.................................................................................................9 4. Antecedentes bibliográficos del problema..........................................................................9 Diseño metodológico 1. Tipo de Investigación.........................................................................................................10 2. Contexto de este estudio ....................................................................................................10 3. Hipótesis.............................................................................................................................11 -
Views, We Study How Preregistration Has Been Used from Its 2005 Inception to the End of 2012
COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005–2012 * ** Dotan Oliar & Nicholas Matich In 2005 Congress created a new copyright formality: preregistration. Preregistration addresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu of remedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistration has been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations. Most preregistrations are of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistered a great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. Most preregistrations were made by individual, small-entity, or other one-time users. The Article recommends that: (1) the duration of preregistrations should be limited; and (2) preregistration (and other copyright) fees should vary with entity size. It offers lessons for formalities and copyright reform: (1) Digital-age formalities may not give rise to the distributional concerns that characterized old formalities; (2) newly minted formalities may limit, rather than expand, access to expressive works; (3) the rates of subsequent registration of preregistered works vary across categories and can inform copyright lawmaking; and (4) the Copyright Office’s views may be affected by its institutional interest. -
Tragedia Y Posibilidad En El Teatro De Raúl Hernández Garrido
La rebelión de Los esclavos: tragedia y posibilidad en el teatro de Raúl Hernández Garrido Author: Pilar Perez Serrano Persistent link: http://hdl.handle.net/2345/3295 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2011 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Romance Languages and Literatures LA REBELIÓN DE LOS ESCLAVOS: TRAGEDIA Y POSIBILIDAD EN EL TEATRO DE RAÚL HERNÁNDEZ GARRIDO THE REBELLION OF LOS ESCLAVOS: TRAGEDY AND POSSIBILITY IN THE THEATRE OF RAÚL HERNÁNDEZ GARRIDO a disssertation by PILAR PÉREZ SERRANO submitted in parcial fulfillment of the requirements for the degree of Doctor of Philosophy December 2011 © copyright by PILAR PÉREZ SERRANO 2011 ABSTRACTO La rebelión de Los esclavos: tragedia y posibilidad en el teatro de Raúl Hernández Garrido Pilar Pérez Serrano Directora de tesis: Profesora Irene Mizrahi El presente trabajo es un análisis del teatro de Raúl Hernández Garrido, dramaturgo español contemporáneo. Mi estudio se centra en su tragedia Los engranajes y, de manera más referencial, en sus obras Los malditos, Los restos: Agamenón vuelve a casa y Los restos Fedra, todas ellas parte del ciclo Los esclavos. El autor emplea el mito y la tragedia griega con la deliberada intención de hacer reflexionar al lector/espectador acerca de los conceptos del destino, y la fragilidad de la acción humana junto con la fragmentación, la desesperanza y la insatisfacción de las sociedades contemporáneas. Mi trabajo propone que la innovación formal de estas obras junto con el uso de la tragedia como marco argumental, no sólo presentan una crítica sobre estos conceptos sino que también apuestan por el planteamiento de un cambio hacia una ética social esperanzadora basada en la libertad creativa y en la cooperación entre el texto y todos aquellos involucrados en el proceso creativo. -
Heinonline (PDF)
Citation: 55 Ariz. L. Rev. 1073 2013 Content downloaded/printed from HeinOnline (http://heinonline.org) Thu Jul 31 12:30:22 2014 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: https://www.copyright.com/ccc/basicSearch.do? &operation=go&searchType=0 &lastSearch=simple&all=on&titleOrStdNo=0004-153X COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005-2012 Dotan Oliar* & Nicholas Matich** In 2005 Congress created a new copyright formality: preregistration. Preregistrationaddresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu ofremedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistrationhas been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations.Most preregistrationsare of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistereda great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. -
PDF Download Belinda
BELINDA PDF, EPUB, EBOOK Maria Edgeworth,Kathryn Kirkpatrick | 544 pages | 01 Apr 2009 | Oxford University Press | 9780199554683 | English | Oxford, United Kingdom Belinda PDF Book Halloween Movies for the Whole Family. Actress Soundtrack Composer. Alternate Names: Belinda Peregrin. Patito feo TV Series performer - 1 episode, writer - 1 episode, - Episode 1. In she guest-starred on the third season of Mujeres Asesinas , starring in the episode "Anette and Anne, noble", based on the story of the painter Sofia Bassi, in which she shared credits with Issabella Camil and William Levy. Listen to all your favourite artists on any device for free or try the Premium trial. Do you have a demo reel? Archived from the original on 1 October Archived from the original on 10 November Share this page:. The tour produced a live concert DVD of the same name, which was met with great success. She toured with the cast in many Latin-American countries with over live shows. Retrieved 3 July In early she collaborated with Mexican rock band Moderatto on a cover by Timbiriche titled "Muriendo Lento" which peaked at No. Periodista Digital. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Namespaces Article Talk. However, it was pushed back and was released on 2 July El Factor X [51]. Archived from the original on 24 July Ciudad de Guatemala. Featuring a much bigger production than her past tours, the concert tour lasted almost three years ending in mid which also saw the singer visiting various festivals throughout Latin America. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9401297 Francisco Nieva’s “teatro furioso”: Analysis of selected plays Larson, Harold Mark, Ph.D. The Ohio State University, 1993 Copyright ©1993 by Larson, Harold Mark. -
Portrayals of the Female Body by Latin American Women Poets in the Twentieth and Twenty-First Centuries
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Sublimity and Identity: Portrayals of the Female Body By Latin American Women Poets in the Twentieth and Twenty-First Centuries Kathryn Mendez Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1052 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SUBLIMITY AND IDENTITY: PORTRAYALS OF THE FEMALE BODY BY LATIN AMERICAN WOMEN POETS IN THE TWENTIETH AND TWENTY-FIRST CENTURIES by Kathryn J. Mendez A dissertation submitted to the Graduate Faculty in Hispanic and Luso-Brazilian Literatures and Languages in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 This manuscript has been read and accepted for the Graduate Faculty in Hispanic and Luso- Brazilian Literatures and Languages to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Araceli Tinajero: Chair of Examining Committe Signature: _______________________________________ Date: ____________________________________ José Del Valle: Executive Officer Signature: ______________________________________ Date: ____________________________________ Elena Martínez: Supervisory Committee Member Malva Filer: Supervisory Committee Member THE CITY UNIVERSITY OF NEW YORK ii Abstract SUBLIMITY AND IDENTITY: PORTRAYALS OF THE FEMALE BODY BY LATIN AMERICAN WOMEN WRITERS IN THE TWENTIETH AND TWENTY-FIRST CENTURIES by Kathryn J. Mendez Adviser: Professor Araceli Tinajero This work explores the different portrayals of the female body and its relationship to transmodernity, sublimity and identity in the latter part of the 20th century up to the first decade of the 21st century. -
REFLEXIONES SOBRE EL PODER EN LUIS RIAZA, FRANCISCO NIEVA Y JOSE LUIS ALONSO DE SANTOS. Beatriz Lomas-Lozano a Dissertation Subm
REFLEXIONES SOBRE EL PODER EN LUIS RIAZA, FRANCISCO NIEVA Y JOSE LUIS ALONSO DE SANTOS. Beatriz Lomas-Lozano A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor in Philosophy in the Department of Romance Languages and Literatures (Spanish). Chapel Hill 2007 Approved by: Dr. José Manuel Polo de Bernabé Dra. Lucia Binotti Dr. Larry King Dr. Frank Dominguez Dra. Marsha Collins. 2007 Beatriz Lomas-Lozano ALL RIGHTS RESERVED ii ABSTRACT BEATRIZ LOMAS-LOZANO: Reflexiones sobre el poder en Luis Riaza, Francisco Nieva y José Luis Alonso de Santos. (Under the direction of Dr. José M. Polo de Bernabé) This dissertation studies the reflections on power and rewritings of myth and history in three Spanish playwrights and the effect that they had on the renewal of the playwriting scene in contemporary Spain during the period that extends from the decade of the seventies to the nineties. This dissertation also establishes a relationship of the plays’ reflections on power through the concepts of carnavalization, performance and metatheater. The plays studied are La carroza de plomo candente by Francisco Nieva (1971), Representación de Don Juan Tenorio por el carro de las meretrices ambulantes (1973) by Luis Riaza and La sombra del Tenorio (1994), by José Luis Alonso de Santos. Although these plays were written at different times, they all pose similar hypotheses about power that we can better understand through the theories of carnavalization, performance and metatheater. The dissertation reveals the complexity of the meanings of power and truth and their deconstruction in the plays. -
Verano De 2004
EN ESTE NÚMERO 33 MANUEL GARCÍA VERDECÍA ANDRÉS REYNALDO POESÍA FERNANDO VILLAVERDE ÁNGEL SANTIESTEBAN CUENTOS ROSA ILEANA BOUDET ¡No es Cuba, es Hollywood! MANUEL DÍAZ MARTÍNEZ Una pelea cubana contra la libertad de expresión ENRICO MARIO SANTÍ Proustituciones LORENZO GARCÍA VEGA Es un cleptómano de cajitas visuales HOMENAJE A ROBERTO GONZÁLEZ ECHEVARRÍA FACSÍMIL INÉDITO: FIDEL CASTRO responde por escrito a Andrew St. George DUANEL DÍAZ INFANTE Límites del origenismo CRISTÓBAL DÍAZ AYALA verano de 2004 Música clásica y música barroca 33 DOSSIER 6,50 ! MIRADAS SOBRE MIAMI REVISTA I Homenaje a Roberto González Echevarría I oye mi son: el canon cubano Roberto González Echevarría • 5 Roberto González Echevarría ENTREVISTO encuentro por Gustavo Pérez Firmat DE LA CULTURA CUBANA la ruta de roberto • 19 un humanista ejemplar Director Fundador María Rosa Menocal • 29 Jesús Díaz † aulas y alas Directores Andrew Bush • 32 Manuel Díaz Martínez notas personales sobre Rafael Rojas «el peregrino en su patria» Consejo de Redacción Antonio Benítez Rojo • 39 Elizabeth Burgos el arte crítico Pablo Díaz Espí Rolena Adorno • 43 Josefina de Diego Carlos Espinosa un buen jugador José Prats Sariol 46 Joaquín Ordoqui García † • Marifeli Pérez-Stable la grandeza de la literatura Antonio José Ponte Harold Bloom • 51 Jefe de Redacción la primera bola Luis Manuel García Miguel Barnet • 52 Edita I Poesía I Asociación Encuentro de la Cultura Cubana Manuel García Verdecia • 56 Infanta Mercedes 43, 1º A Andrés Reynaldo • 63 28020 I Madrid Tel: 91 425 04 04 I Fax: 91 -
Between Repression and Heroism: Young People's Politics in Mexico City After 1968 DISSERTATION Presented in Partial Fulfillmen
Between Repression and Heroism: Young People’s Politics in Mexico City After 1968 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas Jon Crane Graduate Program in Geography The Ohio State University 2014 Dissertation Committee: Mathew Coleman, Advisor Stephanie Smith Mary Thomas Copyrighted by Nicholas Jon Crane 2014 Abstract During the last four decades, diverse spokespeople for a post-1968 student left in Mexico City have developed an organized memory of 1968. Their commemorative reactivations of the year represent the state’s repression of the 1968 student movement on October 2, 1968 – in the shorthand, ‘Tlatelolco’ – as the point of departure for an antagonism that continues to run through young people’s politics today. This dissertation draws from eight rounds of ethnographic and historical fieldwork, and an engagement with theories of space, politics, and aesthetics (of Doreen Massey, Jacques Rancière, Michel Foucault, and Gilles Deleuze and Félix Guattari), to examine how and to what effect these spokespeople for Mexico City’s post-1968 student left have used Tlatelolco to mobilize for political engagement as well as how young people might practice politics otherwise. Analysis suggests that, in response to a first erasure immediately after Tlatelolco through which governing elites sought to cover up the massacre and downplayed their responsibility, activists and affiliated cultural producers (visual artists, writers, musicians, filmmakers, and so on) have established and continue to maintain a second erasure that reduces the multiplicity of politics in the late 1960s to a predictable, enduring antagonism between a force of repression embodied by the PRI and a heroic student movement that resists repression in the name of a self-sacrificing movement family. -
Burton Thesis Final
ABSTRACT CONTEXTOS NACIONALES Y TRANSNACIONALES: LA NUEVA REENCARNACIÓN DEL MELODRAMA EN LA PELÍCULA BELLA (2006, ALEJANDRO MONTEVERDE) by Mary Ashley Burton The present study analyzes Mexican film director Alejandro Monteverde’s first feature film Bella (2006) and its relationship to classic Mexican cinema, particularly to the genre of the family melodrama. When analyzed in this context, the themes that emerge in the film- emotional excess, family unity, the centrality of the mother figure, the privileging of rural over urban spaces, the importance of Catholicism and conventional gender roles- become more than just melodramatic tropes, but rather represent an attempt on the part of the filmmakers to renegotiate the terms of a Mexican national identity consolidated during the 1930s and 1940s. Bella rearticulates the values and concerns of traditional Mexican culture within a modern, transnational space, developing a hybrid aesthetic that encompasses both the traditional and the modern, the national and the transnational. In both its aesthetic and its thematic content, the film ultimately assures the triumph of traditional notions of “mexicanidad”. CONTEXTOS NACIONALES Y TRANSNACIONALES: LA NUEVA REENCARNACIÓN DEL MELODRAMA EN LA PELÍCULA BELLA (2006, ALEJANDRO MONTEVERDE) A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Spanish and Portuguese by Mary Ashley Burton Miami University Oxford, Ohio 2012 Advisor___________________ Kerry Hegarty, Ph.D.