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Annual Award Expanding to Students, Faculty
IN SIDE Winter break is just a month away. Check out our & list of films to i'o watch. •news press Volume 49 ·Issue 1 1 www.kapionewspress.com 11.15.10 Annual award Clubs gather in friendly competition expanding to students, faculty For the first time, YELTs will know that, but they're not the only ones excellent on campus;' he said. honor students and faculty "We want to recognize staff (like) in addition to instructors. janitors, maintenance workers (and) clerical workers. All those people are By Joie Nishimoto . a part of the campus, and we don't ED ITOR -IN-CH IEF get to see them. For the first time, Kapi'olani Com We only recog munity College's Excellence in Teach nize them when ing Awards (ETA) will be extending things don't get its recognition and appreciation to done, but these not just professors, but to students people actually and faculty as well. work hard:' Now called the Year of Excel- In addition lence in Learning, Teaching and Sup- Ford to faculty, the port (YELTS), this award identifies YELTS will begin accomplished individuals who were to recognize students. nominated by their peers. "That's most important;' Ford said. Staff members will have the chance "We're here for the students to learn. to be awarded beginning this year. Why is our faculty excellent? Because According to Shawn Ford, Faculty they have excellent students:' Student Relations Committee chair According to Ford, he wants to man, KCC does not have an award have awards for Chartered Student SEAN NAKAMURA/KAPI'O for excellent staff members, but said Organizations (CSO), such as for Students from the Radiology Technology team trek across the pavement in front of the 'Ohi'a cafeteria using that other campuses like UH-Manoa Board of Student Activities, Board paper plates as a "lily" to venture on top "lava," one of the few games that was played on Field Day. -
Steamboat Bandits Are a High-Octane Progressive Bluegrass Band from Kansas City
LIVE MUSIC PRESS CONFERENCE AGENDA May 17, 2018 WELCOME/EVENT DETAILS Ragen Cote ANNOUNCEMENT OF BANDS Brent Stockton CLOSING REMARKS/Q&A Brent Stockton 22001188 BAND LINEUP From the blood-red heart of Kansas, it’s completely fair to call these guys legends. It’s been more than 20 years since Split Lip Rayfield first mashed up their aggressive stew of acoustic bluegrass instrumentation, tight country vocals, fierce metal shred, and in-your-face punk sensibilities. So yeah, they virtually invented “thrashgrass”. But then they kept right on moving. Following the 2007 death of their beloved bandmate and founder Kirk Rundstrom, SLR reinvented itself by simply staying the JUNE 7 course, continuing to play hundreds of shows to thousands of fans. SPLIT LIP All the old-school invention and energy is intact, and they still RAYFIELD stomp the living hell out of a stage. But their songs keep getting better and their sound is sneakier and smarter than ever. “With a killer driving groove, New York Soul Rebels “The Rad Trads” truly show how tight they are as an ensemble while having fun at the same time.” – Paste Magazine “When The Rad Trads formed in the Spring of 2012, they were meeting each other in New York City’s East Village for the first time, looking to play with the best musicians they could find. Making rent playing 4 hour gigs in every bar and beer hall that would have them, the guys dominated New York City and Brooklyn JUNE 21 with their punk-rock energy and showmanship, powerful horns, THE RAD driving rhythm section, and four captivating lead vocalists. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
Brian Burke Television
Brian Burke Television: NEW YEARS EVE GALA EXECUTIVE CREATIVE Hunan TV 2016 PRODUCER LA BANDA SEASON 1 CO-EXECUTIVE PRODUCER UNIVISION (INTERNATIONAL EMMY NOMINATION) Marc Anthony & Gente De Creative Director Zona "Traidora" Ricky Martin "Perdoname" Creative Director Wisin "Medley" Creative Director Pitbull "Medley" Creative Director Reik "Medley" Creative Director Luis Coronel "Nada Mas Por Creative Director Eso" Laura Pausini "Lado Derecho Creative Director del Corazon" Alejandro Sanz "Capitan Creative Director Tapon" Calibre 50 "Contigo" Creative Director Jesse Y Joy "Ecos de Amor" Creative Director LITTLE BIG SHOTS SEASON CREATIVE PRODUCER NBC 2 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 12 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 11 Stevie Nicks "Landslide" Creative Director II Volo "Nessun Dorma" Creative Director Pitbull & LunchMoney Lewis Creative Director "Greenlight" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 10 Omi "Cheerleader" Creative Director Rachel Platten "Fight Song" Creative Director Flo Rida & The Rockettes "I Creative Director Don't Like It I Love It" Yolanda Adams & The Harlem Creative Director Gospel Choir "I Want To Know What Love Is" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 9 Lenny Kravits Creative Director "Chamber/American Woman" Ed Sheeran "Don't" Creative Director Pitbull & The Rockettes Creative Director "Fireball" Cyndi Lauper "True Colors" Creative Director Jackie Evancho "Think Of Me" Creative Director Train "Drops Of Jupiter/Angel Creative Director In Blue Jeans" AMERICA'S -
The Facelift How American Idol Came up with a New Jury, Warmth and Emotion
19 May 2011 week 20 The facelift How American Idol came up with a new jury, warmth and emotion Luxembourg France RTL Group publishes new M6 enriches its corporate responsibility brochure I-Pad app Germany France RTL Interactive launches RTL Radio honours Clipfish Music young journalists the RTL Group intranet week 20 Cover: Montage with Jennifer Hudson, Jennifer Lopez and Rihanna (from left to right) who performed on American Idol during season 10. 2 the RTL Group intranet week 20 “Format is king” In the run-up to the American Idol finale, Backstage looks back on the anniversary season of the most watched series in the world’s biggest TV market. Steven Tyler United States - 19 May 2011 Many contestants who audition for American Idol tell moving and emotional stories. Perhaps the most touching of them was told by Chris Medina who performed Breakeven by The Scripts at the auditions in Chicago. He told the judges of his fiancée Juliana Ramos who had suffered a brain injury after a car accident that left her in a wheelchair – able to move only her left arm and little more. After Chris sang, he brought his fian- cée to the audition room at the judges’ request. While Randy Jackson and Jennifer Lopez intro- duced themselves, Steven Tyler shook her hand saying: “Hi, girl. I just heard your fiancée sing, and he’s so good.” He added in a warm, tender whisper: “That’s why he sings so good, because he sings to you.” The New York Times called the moment “a stellar embrace” and praised Tyler as “deeply practiced and deeply humane” and an “unalloyed genius”. -
Trabalho American Idol Versão Final
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXII Congresso de Ciências da Comunicação na Região Sudeste – Volta Redonda - RJ – 22 a 24/06/2017 Da televisão ao ciberespaço: uma análise inicial das fanpages do programa American Idol no Facebook.1 Eduardo MACEDO2 Katarina GADELHA3 Pablo LAIGNIER4 UNESA, Rio de Janeiro, RJ RESUMO O objetivo deste trabalho é iniciar uma análise dos desdobramentos interativos do reality show musical American Idol no ciberespaço, com um enforque específico nas fanpages relacionadas ao programa no Facebook. A primeira seção apresenta a importância do programa American Idol para o formato dos reality shows musicais na atualidade; a segunda seção descreve o esquema geral do programa e algumas características de suas quinze temporadas; a terceira seção discute como os reality shows participam de uma “sociedade do espetáculo”, ao mesmo tempo em que oferecem novas possibilidades de interação e atividade dos espectadores em decorrência da convergência midiática; a quarta seção efetua uma análise empírica das fanpages relacionadas ao programa no Facebook. PALAVRAS-CHAVE: Comunicação; Multimídia; Convergência; Reality Shows; American Idol. Introdução: Sobre o reality show musical American Idol Em 11 de junho de 2002, estreou na televisão americana o programa American Idol, cujo objetivo era determinar qual seria o melhor candidato na competição musical, apresentando ao público a nova voz estadunidense. Sobre o programa em questão, Monteiro (2014, p. 1) afirma: “A escolha é realizada por meio de uma hibridização entre o voto popular e as escolhas dos três juízes, que são experts da indústria musical, cultural, mercadológica e midiática, ou seja, são pessoas dotadas de conhecimentos específicos desse meio”. -
Simon Cowell's Compliments on Spectacular Performances On
LEARN Journal: Language Education and Acquisition Research Network (ISSN: 2630-0672 (Print) | ISSN: 2672-9431 (Online) Volume: 14, No: 2, July – December 2021 Language Institute, Thammasat University https://so04.tci-thaijo.org/index.php/LEARN/index “I’m Going to Remember this Audition for a Long, Long Time!”: Simon Cowell’s Compliments on Spectacular Performances on America’s Got Talent and Britain’s Got Talent Pattrawut Charoenroop [email protected], School of Language and Communication, National Institute of Development Administration, Thailand APA Citation: Charoenroop, P. (2021). “I’m going to remember this audition for a long, long time!”: Simon Cowell’s compliments on spectacular performances on America’s Got Talent and Britain’s Got Talent. LEARN Journal: Language Education and Acquisition Research Network, 14(2), 88-114. Received Abstract 24/11/2020 Received in Most studies on talent competition shows (e.g., Culpeper & revised form Holmes, 2013; Garces-Conejos Blitvich et al., 2013; Tang, 12/01/2021 2016) do not delve into the role of judges giving positive Accepted comments to contestants. This paper investigates Simon 08/02/2021 Cowell’s compliments given to Golden Buzzer winners on America’s Got Talent (henceforth AGT) and Britain’s Got Keywords Talent (henceforth BGT) between 2016 and 2020. Apart compliment; compliment from the studies on compliments being scarce, the existing strategies; talent coding schemes are not fine-grained. This paper improves competition the coding schemes. Moreover, previous studies on shows; pragmatic compliments (e.g., Chen & Rau, 2015; Lin, 2020) compared variation judges’ pragmatic variations cross-culturally, but none of them compared the pragmatic variations of an individual judge. -
Okmulgee Times OBITUARIES Wednesday, May 26, 2021
Severe weather possible for area Thursday Bid items approved during county session PATRICK FORD NEWS EDITOR Okmulgee County could see severe weather later this week, according to Okmulgee County Emergency Management Director Tim Craighton. PATRICK FORD | NEWS EDITOR During his report at Monday’s meeting of the Ok- mulgee County Board of Commissioners, Craighton Congratulations OHS Class of 2021 issued the warning. “Thursday could be a rough day for us, storm-wise,” Jarrett Mitchell, Okmulgee High School Senior Class representative, is at the 2021 Commencement Saturday evening at historic Harmon Field. congratulated by Asst. Principal David Dunlap, after receiving his diploma See additional photos from the event on page A8. Craighton said. The National Weather Service is calling for several thunderstorms and heavy rain potential. Due to all the moisture the area has already received, the added pre- cipitation could lead to a flood threat. The agency is also predicting additional storms late Man injured in I-40 motorcycle crash SEE WEATHER, PAGE A3 PATRICK FORD Sportster Motorcycle. of the crash, and helmets were not NEWS EDITOR The report stated the cycles were in use by either driver, the OHP An Okemah man was injured in the right lane on I-40 when they reported. Monday evening when two mo- collided in the same lane of traffic. The cause of the collision is un- Muscogee Nation torcycles collided on Interstate 40. Both vehicles overturned and slid der investigation by Trooper Wil- The Oklahoma Highway Patrol 177 feet before stopping. liam Landsheft of the Okmulgee reported the crash about 9:31 p.m. -
Download Complete Issue
Vol. 15 | No. 3 | Spring 2007 Lessons from the Other Side— What I Learned About Teaching Legal Writing by Teaching Professional Responsibility By Allison Martin Allison Martin is Clinical Associate Professor of Law at Indiana University School of Law in Indianapolis. It’s great to be a student again—the preparation for class, the butterflies if you get asked a question, the intellectual exchange of ideas—but, wait, I am the teacher! And I am not teaching one of my comfortable legal writing courses; I am teaching professional responsibility. Although being a student again and teaching a “casebook” course are two perspectives of legal education different from mine as a legal writing professor, I learned much about teaching legal writing from both. To teach professional responsibility for the first provide quality care to patients, law professors time, I had to become a student again—relearning should become students occasionally to remind old rules and studying new ones. Indeed, it had us of how to provide quality education to students. been 15 years since I had taken professional My first lesson was a reminder to be patient with responsibility in law school and passed the students. After immersing myself in professional Multistate Professional Responsibility Examination responsibility materials and taking wise advice (MPRE). The challenge made me a bit nervous. I from colleagues, I gained more confidence. I was wondered, what if I cannot master the material no expert in the field, however, often mastering well enough to be a good teacher? What if I cannot the material one class ahead of my students. -
Full-Year EBITA Exceeds €1 Billion, for the Third Consecutive Year Record Result from Mediengruppe RTL Deutschland Five New TV Channels Launched
week 9 / 26 February 2013 STRONG FINANCIALS IN 2012 Full-year EBITA exceeds €1 billion, for the third consecutive year Record result from Mediengruppe RTL Deutschland Five new TV channels launched United States United Kingdom Luxembourg Mel B to judge on FremantleMedia RTL Lëtzebuerg and America’s Got Talent Kids & Family to publish Maison Moderne host Aquabats DVD Luxembourg Media Awards week 9 / 26 February 2013 STRONG FINANCIALS IN 2012 Full-year EBITA exceeds €1 billion, for the third consecutive year Record result from Mediengruppe RTL Deutschland Five new TV channels launched United States United Kingdom Luxembourg Mel B to judge on FremantleMedia RTL Lëtzebuerg and America’s Got Talent Kids & Family to publish Maison Moderne host Aquabats DVD Luxembourg Media Awards Cover Anke Schäferkordt and Guillaume de Posch, Co-CEOs of RTL Group Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Mel B brings girl power to America’s Got Talent FremantleMedia North America p. 10 Destroying boredom and seeking justice for all FremantleMedia p. 11 “A clear focus on maintaining our leadership positions and delivering fi nancially” The best of RTL Group Luxembourgish p. 4–9 advertising RTL Lëtzebuerg p. 12 Big Picture p.13 SHORT NEWS p. 14 “A CLEAR FOCUS ON MAINTAINING OUR LEADERSHIP On 25 February 2012, POSITIONS AND RTL Group published its full-year results for the fiscal year 2012. Backstage DELIVERING asked Anke Schäferkordt and Guillaume de Posch, FINANCIALLY” Co-CEOs of RTL Group, about the company’s performance. -
An Analysis of Simon Cowell's Impolite
i AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 ii I4 1 m#e$ Fep rlw$ry*d qFE cd*E},eea:raq** {88rep prq r,tes rm wpsmd r*ppresff 'lqalreq ftrert ue8uupun -Emryu# *ex*e*ed #wF rE€ffi s#*@ s&H B*qfsw*F lg*# edes ffu*,t ryrc+pr4e *ep$ wp mry#r+ff'rp Iq Fdli{S qcsss *rpc$rsq a{ss ?S1gf*V:a r*sm r*$BrL pdnp*f ssry3:fftqrp tredsp Ifii FdF{S qe{rxu ErsT,€F rp s}e"{cra+ Efqedv 'e4e6nd .:e$ep rry mdhffiq -*HtrEixae rrrelry rssq+*q*iF ry il4 €*qysi! rl*l€pp @*ixryp slg*r$s1 Etr# Srre{;;ecwry "ss,a$ €rs-r* q+1* fis'S}l*,*Sp rEs}s sltrr}rp qer;# Sr*"{ p@e*d ne1s qsrurf e,{-mq pdep:atr {Epp }rrl pd1"rryg qssm mslcpry'edus uunqr}a8rmdeg ':ee6 8ms* *€x4 u*p ;ryq@._- s€Tq EtrF :s@# *,{-rsE ;ie€q q*fq}b. HIYOHd{Y SSIJ,IIWSY&d i$ts{ J_F{aT\fl. J.t}$ s*NryLrNE.ilt$ $.SI1{VJ"NU}qIfiIO} :eJ,ET&{I4trtr S*'ITtrT&O3 NOTIil$ "d* SISA?YNV NY :ppnf mBn*B isrq a,{Ec Eee{ *pdpqssr E*arq*E tery*ie,tx*pE sp$Bui ursus : lPmg tm:8c:6 ersrirsssgql{ IIeF FF*g rrflqI : *eeslt.ry$ ?r*fr{rIgn: HIdN dprng: ffir€h1 :e,tqs r{$ qrerrq rp nrffw1 rprrcp+q Euerl SY.LITYfi{I*IX{} I{YYJ,YAid}fi{d TYSI}S }SCLAfiATISN ST TIIE T}IESIS {}RIGINALIT}' tr, Ady, HFLS N* ISlliffi}4 Hereby decl*rc that the tffim paper e:rtitled: AN ANALYf,I$ *F $TMSI!{ C*WSLL'S TK.TP*LIT$ C*fi{*TXNT&&ISS S}q I*ET"ATF{'S GSY TALEI{T ?SI9: * PRAGMA?ICS APPRSA#H -. -
08-022208.Compressed.Pdf
"Are You Smarter Than ADrag Queen" ~~ y~ I QUALIFY EVERY TUESDAY ',C""'A..J.. .•~J.IA....• TO \NIN THE FINAL GRAND· JfflUfW -"'., PRIZE OF CSOO TWOSHOWS 'Q Drf'QItt. •••A.A'2 ~ NIGHTLY AT ,p "'iJ ~I 6:30 & 10 PM FINALS: 04/01 WIN $300 worth 01Softball Equipmenl* ...To get your Season startedl Mickey's Dallas Maniax Softball team is hosting a pre-season kick-off party starting at 9:00 pm. The team with the most guests and members present will ~....,,~receive a softball equipment package worth $300. RINDY JA[KSON'S MUSI[ [lUB He describes RandyJackson's Music Club, Vol. 1 as "a great way to announce my new label, hear from some great established and new artists, and share a little musical history," adding "in a way, it's autobiographical - it covers a lot of my life experience." That experience, of course, includes session and touring work with a who's who of popular music, 15 years as a major-label AftR executive and a sterling track record as a producer. Over the years, Jackson hasworked, in one capacity or another, with Aretha Franklin, Mariah Carey, Whitney Houston, Celine Dion, 'NSYNC,Madon- Edited by Jimmy R. Smith I na, Elton John, Bruce Springsteen, Bob Dylan, [email protected] Journey, Billy Joel, Herbie Hancock, Destiny's Child and countless others. RANDY JACKSON DRAns All-STAR TEAM OF ARTISTS FOR HIS , "After everything I've done, I wasn't dying to make a solo album," the tireless music maker NEW ALBUM - RANDY JACKSON'S MUSIC CLUB, VOL. 1 admits.