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An Analysis of Simon Cowell's Impolite

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An Analysis of Simon Cowell's Impolite i AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 ii I4 1 m#e$ Fep rlw$ry*d qFE cd*E},eea:raq** {88rep prq r,tes rm wpsmd r*ppresff 'lqalreq ftrert ue8uupun -Emryu# *ex*e*ed #wF rE€ffi s#*@ s&H B*qfsw*F lg*# edes ffu*,t ryrc+pr4e *ep$ wp mry#r+ff'rp Iq Fdli{S qcsss *rpc$rsq a{ss ?S1gf*V:a r*sm r*$BrL pdnp*f ssry3:fftqrp tredsp Ifii FdF{S qe{rxu ErsT,€F rp s}e"{cra+ Efqedv 'e4e6nd .:e$ep rry mdhffiq -*HtrEixae rrrelry rssq+*q*iF ry il4 €*qysi! rl*l€pp @*ixryp slg*r$s1 Etr# Srre{;;ecwry "ss,a$ €rs-r* q+1* fis'S}l*,*Sp rEs}s sltrr}rp qer;# Sr*"{ p@e*d ne1s qsrurf e,{-mq pdep:atr {Epp }rrl pd1"rryg qssm mslcpry'edus uunqr}a8rmdeg ':ee6 8ms* *€x4 u*p ;ryq@._- s€Tq EtrF :s@# *,{-rsE ;ie€q q*fq}b. HIYOHd{Y SSIJ,IIWSY&d i$ts{ J_F{aT\fl. J.t}$ s*NryLrNE.ilt$ $.SI1{VJ"NU}qIfiIO} :eJ,ET&{I4trtr S*'ITtrT&O3 NOTIil$ "d* SISA?YNV NY :ppnf mBn*B isrq a,{Ec Eee{ *pdpqssr E*arq*E tery*ie,tx*pE sp$Bui ursus : lPmg tm:8c:6 ersrirsssgql{ IIeF FF*g rrflqI : *eeslt.ry$ ?r*fr{rIgn: HIdN dprng: ffir€h1 :e,tqs r{$ qrerrq rp nrffw1 rprrcp+q Euerl SY.LITYfi{I*IX{} I{YYJ,YAid}fi{d TYSI}S }SCLAfiATISN ST TIIE T}IESIS {}RIGINALIT}' tr, Ady, HFLS N* ISlliffi}4 Hereby decl*rc that the tffim paper e:rtitled: AN ANALYf,I$ *F $TMSI!{ C*WSLL'S TK.TP*LIT$ C*fi{*TXNT&&ISS S}q I*ET"ATF{'S GSY TALEI{T ?SI9: * PRAGMA?ICS APPRSA#H -. is th* rml ***rrk nf,m3"s*lf asd I r*alixe t*at th*sis has:rsv€r beex published ic <itlrar m*dia haf*r*, p*rti*tl.; *r w*fir*l_v, *: tb* r:a*I$ *f miae *r *t&s*. B*twsr, 31s F*br::w3" 3*?S iv AN 4NAI.Y$I* $r SX*{{}N C$}rygLt'S EUr{}LI?E C*M&'EI{T4&.[ES {}H SftI'TAIN'S *{}T'?ALXF{? ?*tr$: F&{ilHAT}CS APPR$AC}i 'r*{95!s $ulpit*d ia krfkl Fulfi$meut *f *h* &ryx*futrhmts far the llegre* af $*ri*x* $xstr* By: Ardy r6rzt{x}24 Th* ttriasi* irss b*ex appr'*vr<i t* b* sub*riti*d **a th* iJ*** **; iadia:at*d b*t*x*' ]q{tI}N }*}4 4?5SX ABSTRAK Penelitian ini diinovasi berdasarkan aspek ketidaksopanan yang sering ditampilkan baik secara tertulis maupun lisan dalam kehidupan manusia. Media sosial dan informatif bahkan program televisi dilibatkan sebagai media untuk mengekspresikan ketidaksopanan. Ketidaksopanan yang ditunjukkan pada media- media tersebut memberikan dampak negatif melalui tindakan yang mengancam wajah yang memengaruhi pendengar. Fenomena ketidaksopanan juga terjadi pada acara pencarian bakat di televisi. Beberapa juri berkomitmen untuk menerapkan ketidaksopanan dalam mengomentari penampilan yang tidak memuaskan. Tujuan dari penelitian ini adalah untuk mengetahui strategi dan jenis ketidaksopanan yang diterapkan oleh Simon Cowell pada Britain's Got Talent 2019. Strategi ketidaksopanan yang dikemukakan oleh Culpeper (1996) menjelaskan lima strategi dalam menunjukkan ketidaksopanan. Selain itu, tipe ketidaksopanan dikembangkan untuk mengidentifikasi tujuan mengekspresikan sesuatu secara tidak sopan. Penelitian ini adalah penelitian kualitatif deskriptif dan menggunakan metode observasi non-partisipatif. Penelitian ini dianalisis dengan metode analisis identitas pragmatik dengan teknik menyamakan. Ditemukan bahwa Simon Cowell menerapkan semua strategi dan jenis ketidaksopanan. Strategi yang diterapkan adalah bald on record impoliteness, positive impoliteness, negative impoliteness, sarcasm atau mock politeness, dan withhold politeness. Jenis-jenis yang ditampilkan adalah affective impoliteness, coercive impoliteness, dan entertaining impoliteness. Strategi negative impoliteness adalah yang paling banyak diterapkan untuk menunjukkan serangan psikologi kepada pendengar. Tipe coercive impoliteness adalah yang paling banyak ditunjukkan untuk membuktikan kekuatan penataan yang diungkapkan oleh Simon Cowell. Kata Kunci: komentar Simon, strategi ketidaksopanan, tipe ketidaksopanan vi ABSTRACT This research was innovated based on impoliteness aspect which is often shown both written and oral in human life. Social and informative media even TV programs are involved as boards to express the impoliteness. The impoliteness shown on those media gave negative impact through the face-threatening act that influenced the hearers. Impoliteness phenomena also occurred on TV talent shows. Some judges committed to apply impoliteness while commenting the bad performance. The objectives of this research is to find out the strategies and types of impoliteness applied by Simon Cowell on Britain’s Got Talent 2019. Impoliteness strategies theorized by Culpeper (1996) explained the five strategies of showing impoliteness. Furthermore, impoliteness types were developed to identify the purpose of expressing something impolitely. This research was a descriptive qualitative research and applied observation method and non-participatory technique. It was analyzed by pragmatics identity analysis method and equalizing technique. It was found that Simon Cowell applied all the strategies and types of impoliteness. The strategies applied were bald on record impoliteness, positive impoliteness, negative impoliteness, sarcasm or mock politeness, and withhold politeness. The types shown were affective impoliteness, coercive impoliteness, and entertaining impoliteness. Negative impoliteness strategy were applied the most to show a psychology attack to the hearer. Coercive impoliteness were shown the most to prove a realignment power expressed by Simon Cowell. Key Words: impoliteness strategies, impoliteness types, Simon’s commentaries vii ACXNOWTE.DGS*TENT In *is grmt *pporm**y, f&crrsw&a wsuH like tsthmk to &dbwause of tk gr#rsr fuing giler, th remfu fiffiIIf fini*d ihr fui$ urd€r &e &lr.,A$Aaclysis af**no*rCoaetl'slwplit*Cw*x.entaries anSrir**r'sGdT$lent 2019: Pragmatics Apprwch on time- Ihis thesis is sub*nitted in partial ftlfillxest of th rydrero* for tk ryss of Swjam Sastra in English of ktera Bffi Uri\Frrsilfy- ?k resw*k wcuH like to expm tk &* ke grafi&r& to his p,ueu*s *fu alway* EBrE trppst rutr] ft6 fbis was fsally dffi" Ths $## *rdihl# also address to his thesis advisor, Mi. Ambalegin, S. Pd. M.Fd fer his suggestion, *otiwtisq d paSim*r is gr:idisg tbr rssar*futr to _$.dt* ths &rsis. Hs **s bmame ee reseer&'s brg pffffi ud role model i The rwrcher #eli{d tH t}ds thsi$ *s fu frs*r} F€rfsrss. Cemm€# ffid qrgg#*Er ryan5 be *setrl d a*Gq*e tn iryr*e rk tkis- Is &fu re&M, with att kurility, the rwsacher alsc rroa*ed to exBrers his sinwrely gratitude to: }. k. Nlrr EffiHusda S.Knm.,Ik{-SL sstkrectarofftrteraB#m Universrty ?. Rirky Tri A$grah Bal*i, SII."LdII. re &e dea sf Fffitry of Sacial Seiaes cd Humrritie$ 3. A*im*, S.g. h,{Fd. s M +f, Eng{i*& @c of }utera B#e Ur*vffiiry 4. All lecturers of Haglish Literaturo Department who has c+ntributed sa much ta *uc &air kno*'hdg& slggtsiorr' ad motirr*ion &rfug his study in fuera km$ Univrrsiry. Ery#ielly for he. AeimEL S.S., l.tlPd" as his &i* ketma iamm$iag tk *$ft prcgrcs 5. ffrs tk are a*rd ffity bebrd *id {Sri Af*ia} rfu *trrys sffi#r; ts tlrc thesis and study prsgres S. All hi$ *i*$ds who mr strdyfors at P$tsra B#m Uaiversity *rrd kwp sryeorfing em estbtr It{ay Sod ahip*y$ blcss t}+m with hqpinq$q- S*&rr SShu Ssdhr Batate, 33s F*br*xy ?*3{} a tlt TABLE OF CONTENTS Page COVER PAGE ................................................................................................... i TITLE PAGE .................................................................................................... ii SURAT PERNYATAAN ................................................................................. iii DECLARATION OF THE THESIS ORIGINALITY ................................... iv HALAMAN PENGESAHAN ........................................................................... v ABSTRAK ........................................................................................................ vi ABSTRACT ...................................................................................................... vii ACKNOWLEDGEMENT ............................................................................. viii TABLE OF CONTENTS ................................................................................. ix LIST OF FIGURE ........................................................................................... xi CHAPTER I INTRODUCTION 1.1 Background of the Research .......................................................................... 1 1.2 Identification of the Problem ......................................................................... 7 1.3 Limitation of the Problem ............................................................................. 8 1.4 Formulation of the Problem ........................................................................... 8 1.5 Objectives of the Research ............................................................................ 8 1.6 Significance of the Research ......................................................................... 9 1.7 Definition of Key Terms ............................................................................. 10 CHAPTER II REVIEW OF RELATED LITERATURE AND THEORETICAL FRAMEWORK 2.1 Pragmatics .................................................................................................. 11 2.1.1
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