DOCSLIB.ORG

Slate.Com Table of Contents Fighting Words Don't Let the Mullahs Run out the Clock

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Slate.com Table of Contents fighting words Don't Let the Mullahs Run Out the Clock foreigners ad report card Europe to America: We Surrender! What's Up, G? foreigners Advanced Search They Kill Journalists, Don't They? art foreigners Strike a Pose Witless Protection books gabfest Seven Habits of Truly Liberal People The Friendly Taliban Gabfest change-o-meter gaming Mountie Up I Was Told There Would Be No Math change-o-meter gaming Home Ec What's Killing the Video-Game Business? change-o-meter grieving Economic Empathy Tour '09 The Long Goodbye chatterbox human nature Kill the Carpetbagger The View From Above culturebox human nature Don't Worry About Conan Color ID culturebox jurisprudence Great Book, Bad Movie Reform School culturebox jurisprudence Top Yogi Welcome Back Khadr? day to day jurisprudence From Prada to Prison Textual Misconduct dear prudence moneybox The Fixated Fiance The Big Rich dispatches moneybox Paper Love: Inside the Holocaust Archives Public Relations Fiasco explainer my goodness Decapitation and the Muslim World Charity Begins at Home explainer number 1 Late Model The Hardest-Working Hand in Show Business explainer obit Sub Standard "What Are They So Scared Of? I'm Just a Little Old Lady." fashion other magazines Dispatches From Fashion Week The Joy of Stress fiction poem All Along, This Was What Was Supposed To Happen "The Sound That Wakes Me at Night, Thinking of It" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/116 politics today's papers Take the Money and Run No One Can Escape the Crisis politics today's papers Yes, We Can, Eh? Detroit Gets Back to Washington politics today's papers The Burris Doctrine So Long, Car Czar press box today's papers Not All Information Wants To Be Free Geithner Pitches Plan Across the Pond recycled today's papers Demetri Martin's Slate Diary Obama's Bill To Stimulate Nation slate v tv club The Patient Actor Friday Night Lights, Season 3 slate v war stories Dear Prudence: Engagement Ring Secret The Pakistan Problem sports nut well-traveled Deep in the Glute of Texas Men at Work: Artisans of Old Japan technology How To Go to Harvard for Free technology In Search of Microsoft Geniuses ad report card What's Up, G? television The mystifying, abysmal new ads for Gatorade. Eurosports By John Swansburg Monday, February 16, 2009, at 9:35 AM ET the audio book club The Audio Book Club on Rabbit, Run The spot: "What's G?" asks a disembodied voice. The voice, the best policy familiar to hip-hop fans as that of rapper Lil Wayne, proceeds to The $500,000 Limit Is Not Enough explain that "G" is "gifted," "glorious," "golden," and also "the emblem of a warrior." As he speaks, a series of athletes, shot in the green lantern black and white, scroll across the screen. Several are instantly The Green Hereafter recognizable (Muhammad Ali, Derek Jeter); others are harder to place. The last individuals to appear on screen are a troupe of the oscars masked dancers. A large "G" appears on screen. "That's G," the The 2009 Academy Awards voice concludes. the oscars Let's Talk Oscars (Click here to view an alternate version of the ad.) the oscars In case you are still confused, the G in this ad stands for Captain Charisma "Gatorade." The ad first aired Jan. 1 during the Rose Bowl. No indication was given as to what it was advertising, leaving today's business press viewers to ponder the possibilities. It wasn't until the Super Bowl The "Cricket Tycoon" Nabbed that Gatorade officially revealed that G is the new face of its product. The monthlong mystery was designed to generate buzz today's papers California Lives! (For Now) for a major rebranding effort, now under way. Pick up a bottle of Gatorade Frost Glacier Freeze (i.e., blue) and you'll notice the today's papers familiar "Gatorade" logo has been pushed aside by a large, A Helping Hand for (Some) Homeowners stylized G. Several products have also been renamed. If, like me, your Gatorade purchases tend to occur in the aftermath of a Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 2/116 dehydrating night of drinking irresponsibly, rest assured—the Gatorade, unceremoniously dropped the rapper Ludacris as a reason you can't find the Gatorade Fierce isn't because you're spokesman after Bill O'Reilly made a fuss about his bawdy still drunk. Gatorade Fierce is now called Gatorade Bring It. lyrics. The Lil Wayne songbook makes Luda's seem quaint by comparison. Wayne once recorded an extended apostrophe to the Sarah Robb O'Hagan, Gatorade's chief marketing officer, female sex organ in which he compared his love of cunnilingus explained to me that the idea behind the new look and the new to Cookie Monster's love of cookies. ad campaign is to make the brand feel more contemporary and to appeal to the next generation of electrolyte drinkers. Do the ads I'm not so easily scandalized as O'Reilly, and if he'd been used pull this off? differently, Wayne might have been a brave, inspired choice. (To see how a Wayne cameo can be used to great effect, see this You certainly can't accuse them of skimping on the casting recent Nike ad.) But Gatorade wanted him only for his voice, in budget. Gatorade has always used athletes as spokespeople, but the hope it would prick the ears of his young fans. Gatorade's it's never assembled so large or diverse an ensemble as this. O'Hagan told me the rapper had no input on the wording of the Pretty much every corner of the sports world is represented: ads, and it shows. The script reads like the minutes of a late- basketball (Dwyane Wade), baseball (Jeter), tennis (Serena afternoon brainstorming session at Gatorade HQ: What are some Williams), golf (Tiger Woods). g-words we associate with our brand? Shout 'em out people. Gutsy. That's good. Glorious. Nice one, Renee. Emblem of a warrior. Hmm … doesn't begin with "g," but that's all right! If But these athletes aren't working out, drinking Gatorade, and sweating blue, as they would in a Gatorade spot of yore. Nearly only Gatorade had furnished Wayne with some cough syrup, a all of them are wearing street clothes. The effect is to add blunt, and a bag of gummy bears and let him riff on what G is. another layer of mystery to the ad: Who are these people? It's easy to recognize three-time NASCAR champion Jimmie Squandering the talents of Lil Wayne is bad enough, but Johnson when he's wearing his fire suit. Put him in something Gatorade also hired Spike Lee—who's created great sports ads more flammable and he's harder to make out. before, for Nike—without getting much to show for it. The look and feel of the G ads feels borrowed from will.i.am's "Yes We Can" video—unnamed celebrities filmed in black and white In some ways, this guessing game works to Gatorade's against a black backdrop. Lee's direction fails to unify what in advantage. Even if you don't care what G stands for, the ad the end feels like a hodgepodge. It's as if Gatorade execs had tickles your curiosity: "Is that Picabo Street?" you can't help but ask yourself. "I think that's Picabo Street." Before you know it, thrown everything they'd read was cool these days into a pot and you're running up Gatorade's YouTube numbers. Yet the stirred. Viral campaign: check. Hip-hop dance crew: check. Lil Wayne: check. Barack Obama: check. diversity of the cast is also confusing. Who's that cocky little kid who shows up after Muhammad Ali? And for the love of god, who are those homicidal maniacs doing that freaky dance This undisciplined approach is particularly surprising given the routine? source. Gatorade ads haven't always been pathbreaking works of invention, but they've gotten their point across. You have to admire the simplicity of the "Be like Mike" campaign—does a They are, respectively, Chaz Ortiz, a 14-year-old skateboarding pitch get more straightforward than that? Even the more recent phenom, and the Jabbawockeez, a hip-hop dance crew that ads featuring athletes sweating Gatorade, while somewhat gross, favors Jason-style hockey masks. No knock on skateboarding or were memorable and appealed to the product's core consumer: hip-hop dance, but do these guys belong in the same commercial as Bill Russell? athletes. Gatorade has recently lost some market share to Coca-Cola's Ortiz and the Jabbawockeez stick out as a sop to a younger Powerade, but I blame vitaminwater for having inspired generation. So does the casting of Lil Wayne, who never appears Gatorade's muddled approach in this campaign. Vitaminwater, on camera but whose croak is unmistakable. There's no gainsaying Wayne's popularity. Critics love him. The pop charts also owned by Coca-Cola, has gone after the sports crowd by signing up fan-favorite athletes to star in quirky commercials. love him. The Recording Academy loves him. He also happens But it's also found flavored-water drinkers in places Gatorade to be a sports nut. He blogs on ESPN.com, recently made a guest st hadn't thought to look: It's courted health-conscious bohemians appearance on ESPN's 1 and 10, and has a tattoo of the ESPN by spiking its beverages with guarana and taurine; it's appealed logo on his forearm.
Recommended publications
  • Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE Mcgonigal

    Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE Mcgonigal

    Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE McGONIGAL THE PENGUIN PRESS New York 2011 ADVANCE PRAISE FOR Reality Is Broken “Forget everything you know, or think you know, about online gaming. Like a blast of fresh air, Reality Is Broken blows away the tired stereotypes and reminds us that the human instinct to play can be harnessed for the greater good. With a stirring blend of energy, wisdom, and idealism, Jane McGonigal shows us how to start saving the world one game at a time.” —Carl Honoré, author of In Praise of Slowness and Under Pressure “Reality Is Broken is the most eye-opening book I read this year. With awe-inspiring ex­ pertise, clarity of thought, and engrossing writing style, Jane McGonigal cleanly exploded every misconception I’ve ever had about games and gaming. If you thought that games are for kids, that games are squandered time, or that games are dangerously isolating, addictive, unproductive, and escapist, you are in for a giant surprise!” —Sonja Lyubomirsky, Ph.D., professor of psychology at the University of California, Riverside, and author of The How of Happiness: A Scientific Approach to Getting the Life You Want “Reality Is Broken will both stimulate your brain and stir your soul. Once you read this remarkable book, you’ll never look at games—or yourself—quite the same way.” —Daniel H. Pink, author of Drive and A Whole New Mind “The path to becoming happier, improving your business, and saving the world might be one and the same: understanding how the world’s best games work.
  • INVENTORY BALANCES Can Purchase, Can Sell, Items with Qty on Hand, Current Balances, Inventory Unit of Measure

    INVENTORY BALANCES Can Purchase, Can Sell, Items with Qty on Hand, Current Balances, Inventory Unit of Measure

    INVENTORY BALANCES Can Purchase, Can Sell, Items With Qty On Hand, Current Balances, Inventory Unit of Measure NAME SKU ON HAND "Corky" Keychains -8 14th Star B72 DIPA 16oz Can 2 14th Star B72 DIPA 16oz Can 4pk 23752 11 14th Star Maple Breakfast Stout 16oz Can 7 14th Star Maple Breakfast Stout 16oz Can 4pk 23740 6 14th Star Tribute DIPA 16oz Can 3 14th Star Tribute DIPA 16oz Can 4pk 23738 11 21ST Amendment Brew Free Blood Orange 12oz Can 6pk Box 57056 4 21ST Amendment Hell Or High Watermelon 12oz Can 2 21ST Amendment Hell Or High Watermelon 12oz Can 6pk 57044 1 21ST Amendment Tasty IPA 12oz Can 6pk 57066 3 3 Musketeers 1.92oz. pk 14 5 Gum Peppermint Cobalt 8 5 Gum Sour Strawberry Flood 3 5 Gum Spearmint Rain 799741 8 5 Hour Energy Extra Strength Blue Raspberry 7 5 Hour Energy Extra Strength Grape 3 5 Hour Energy Extra Strength Pink Lemonade 12 50S Project McLaren Vale Malbec 750ml Bottle 34409 3 6 Bottle Wood Box With Bottle Opener \124 4 603 Brewery Airhorn Double IPA 16oz Can 4pk 61120 -1 603 Brewery Call Me Dragon Double IPA 16oz Can 4pk 61121 2 603 Brewery Exhibition IPA 1/6 LOG 61156 2 603 Brewery Granite Stout 16oz Can -4 603 Brewery Granite Stout 16oz Can 4pk 61088 3 603 Brewery IPA 16oz Can 4pk 61172 6 603 Brewery Knuckle-Puck IPA 16oz Can 4pk 61160 1 603 Brewery Margarita Gose 16oz Can 5 603 Brewery Margarita Gose 16oz Can 4pk 61130 1 603 Brewery On The Vine Series Sangria Fruited Sour Ale 16oz 1 Can 603 Brewery One More Time Stout 16oz Can -3 603 Brewery One More Time Stout 16oz Can 4pk 61126 1 603 Brewery Scenic IPA 12oz Can
  • Trabalho American Idol Versão Final

    Trabalho American Idol Versão Final

    Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXII Congresso de Ciências da Comunicação na Região Sudeste – Volta Redonda - RJ – 22 a 24/06/2017 Da televisão ao ciberespaço: uma análise inicial das fanpages do programa American Idol no Facebook.1 Eduardo MACEDO2 Katarina GADELHA3 Pablo LAIGNIER4 UNESA, Rio de Janeiro, RJ RESUMO O objetivo deste trabalho é iniciar uma análise dos desdobramentos interativos do reality show musical American Idol no ciberespaço, com um enforque específico nas fanpages relacionadas ao programa no Facebook. A primeira seção apresenta a importância do programa American Idol para o formato dos reality shows musicais na atualidade; a segunda seção descreve o esquema geral do programa e algumas características de suas quinze temporadas; a terceira seção discute como os reality shows participam de uma “sociedade do espetáculo”, ao mesmo tempo em que oferecem novas possibilidades de interação e atividade dos espectadores em decorrência da convergência midiática; a quarta seção efetua uma análise empírica das fanpages relacionadas ao programa no Facebook. PALAVRAS-CHAVE: Comunicação; Multimídia; Convergência; Reality Shows; American Idol. Introdução: Sobre o reality show musical American Idol Em 11 de junho de 2002, estreou na televisão americana o programa American Idol, cujo objetivo era determinar qual seria o melhor candidato na competição musical, apresentando ao público a nova voz estadunidense. Sobre o programa em questão, Monteiro (2014, p. 1) afirma: “A escolha é realizada por meio de uma hibridização entre o voto popular e as escolhas dos três juízes, que são experts da indústria musical, cultural, mercadológica e midiática, ou seja, são pessoas dotadas de conhecimentos específicos desse meio”.
  • Simon Cowell's Compliments on Spectacular Performances On

    Simon Cowell's Compliments on Spectacular Performances On

    LEARN Journal: Language Education and Acquisition Research Network (ISSN: 2630-0672 (Print) | ISSN: 2672-9431 (Online) Volume: 14, No: 2, July – December 2021 Language Institute, Thammasat University https://so04.tci-thaijo.org/index.php/LEARN/index “I’m Going to Remember this Audition for a Long, Long Time!”: Simon Cowell’s Compliments on Spectacular Performances on America’s Got Talent and Britain’s Got Talent Pattrawut Charoenroop [email protected], School of Language and Communication, National Institute of Development Administration, Thailand APA Citation: Charoenroop, P. (2021). “I’m going to remember this audition for a long, long time!”: Simon Cowell’s compliments on spectacular performances on America’s Got Talent and Britain’s Got Talent. LEARN Journal: Language Education and Acquisition Research Network, 14(2), 88-114. Received Abstract 24/11/2020 Received in Most studies on talent competition shows (e.g., Culpeper & revised form Holmes, 2013; Garces-Conejos Blitvich et al., 2013; Tang, 12/01/2021 2016) do not delve into the role of judges giving positive Accepted comments to contestants. This paper investigates Simon 08/02/2021 Cowell’s compliments given to Golden Buzzer winners on America’s Got Talent (henceforth AGT) and Britain’s Got Keywords Talent (henceforth BGT) between 2016 and 2020. Apart compliment; compliment from the studies on compliments being scarce, the existing strategies; talent coding schemes are not fine-grained. This paper improves competition the coding schemes. Moreover, previous studies on shows; pragmatic compliments (e.g., Chen & Rau, 2015; Lin, 2020) compared variation judges’ pragmatic variations cross-culturally, but none of them compared the pragmatic variations of an individual judge.
  • The New York Times 2014 Innovation Report

    The New York Times 2014 Innovation Report

    Innovation March 24, 2014 Executive Summary Innovation March 24, 2014 2 Executive Summary Introduction and Flipboard often get more traffic from Times journalism than we do. The New York Times is winning at journalism. Of all In contrast, over the last year The Times has the challenges facing a media company in the digi- watched readership fall significantly. Not only is the tal age, producing great journalism is the hardest. audience on our website shrinking but our audience Our daily report is deep, broad, smart and engaging on our smartphone apps has dipped, an extremely — and we’ve got a huge lead over the competition. worrying sign on a growing platform. At the same time, we are falling behind in a sec- Our core mission remains producing the world’s ond critical area: the art and science of getting our best journalism. But with the endless upheaval journalism to readers. We have always cared about in technology, reader habits and the entire busi- the reach and impact of our work, but we haven’t ness model, The Times needs to pursue smart new done enough to crack that code in the digital era. strategies for growing our audience. The urgency is This is where our competitors are pushing ahead only growing because digital media is getting more of us. The Washington Post and The Wall Street crowded, better funded and far more innovative. Journal have announced aggressive moves in re- The first section of this report explores in detail cent months to remake themselves for this age. First the need for the newsroom to take the lead in get- Look Media and Vox Media are creating newsrooms ting more readers to spend more time reading more custom-built for digital.
  • Google Overview Created by Phil Wane

    Google Overview Created by Phil Wane

    Google Overview Created by Phil Wane PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 30 Nov 2010 15:03:55 UTC Contents Articles Google 1 Criticism of Google 20 AdWords 33 AdSense 39 List of Google products 44 Blogger (service) 60 Google Earth 64 YouTube 85 Web search engine 99 User:Moonglum/ITEC30011 105 References Article Sources and Contributors 106 Image Sources, Licenses and Contributors 112 Article Licenses License 114 Google 1 Google [1] [2] Type Public (NASDAQ: GOOG , FWB: GGQ1 ) Industry Internet, Computer software [3] [4] Founded Menlo Park, California (September 4, 1998) Founder(s) Sergey M. Brin Lawrence E. Page Headquarters 1600 Amphitheatre Parkway, Mountain View, California, United States Area served Worldwide Key people Eric E. Schmidt (Chairman & CEO) Sergey M. Brin (Technology President) Lawrence E. Page (Products President) Products See list of Google products. [5] [6] Revenue US$23.651 billion (2009) [5] [6] Operating income US$8.312 billion (2009) [5] [6] Profit US$6.520 billion (2009) [5] [6] Total assets US$40.497 billion (2009) [6] Total equity US$36.004 billion (2009) [7] Employees 23,331 (2010) Subsidiaries YouTube, DoubleClick, On2 Technologies, GrandCentral, Picnik, Aardvark, AdMob [8] Website Google.com Google Inc. is a multinational public corporation invested in Internet search, cloud computing, and advertising technologies. Google hosts and develops a number of Internet-based services and products,[9] and generates profit primarily from advertising through its AdWords program.[5] [10] The company was founded by Larry Page and Sergey Brin, often dubbed the "Google Guys",[11] [12] [13] while the two were attending Stanford University as Ph.D.
  • Download Complete Issue

    Download Complete Issue

    Vol. 15 | No. 3 | Spring 2007 Lessons from the Other Side— What I Learned About Teaching Legal Writing by Teaching Professional Responsibility By Allison Martin Allison Martin is Clinical Associate Professor of Law at Indiana University School of Law in Indianapolis. It’s great to be a student again—the preparation for class, the butterflies if you get asked a question, the intellectual exchange of ideas—but, wait, I am the teacher! And I am not teaching one of my comfortable legal writing courses; I am teaching professional responsibility. Although being a student again and teaching a “casebook” course are two perspectives of legal education different from mine as a legal writing professor, I learned much about teaching legal writing from both. To teach professional responsibility for the first provide quality care to patients, law professors time, I had to become a student again—relearning should become students occasionally to remind old rules and studying new ones. Indeed, it had us of how to provide quality education to students. been 15 years since I had taken professional My first lesson was a reminder to be patient with responsibility in law school and passed the students. After immersing myself in professional Multistate Professional Responsibility Examination responsibility materials and taking wise advice (MPRE). The challenge made me a bit nervous. I from colleagues, I gained more confidence. I was wondered, what if I cannot master the material no expert in the field, however, often mastering well enough to be a good teacher? What if I cannot the material one class ahead of my students.
  • Trigger Happy: Videogames and the Entertainment Revolution

    Trigger Happy: Videogames and the Entertainment Revolution

    Free your purchased eBook form adhesion DRM*! * DRM = Digtal Rights Management Trigger Happy VIDEOGAMES AND THE ENTERTAINMENT REVOLUTION by Steven Poole Contents ACKNOWLEDGMENTS............................................ 8 1 RESISTANCE IS FUTILE ......................................10 Our virtual history....................................................10 Pixel generation .......................................................13 Meme machines .......................................................18 The shock of the new ...............................................28 2 THE ORIGIN OF SPECIES ....................................35 Beginnings ...............................................................35 Art types...................................................................45 Happiness is a warm gun .........................................46 In my mind and in my car ........................................51 Might as well jump ..................................................56 Sometimes you kick.................................................61 Heaven in here .........................................................66 Two tribes ................................................................69 Running up that hill .................................................72 It’s a kind of magic ..................................................75 We can work it out...................................................79 Family fortunes ........................................................82 3 UNREAL CITIES ....................................................85
  • Overview Not Confine the Discussion in This Report to Those Specific Issues Within the Commission’S Regulatory Jurisdiction

    Overview Not Confine the Discussion in This Report to Those Specific Issues Within the Commission’S Regulatory Jurisdiction

    television, cable and satellite media outlets operate. Accordingly, we do Overview not confine the discussion in this report to those specific issues within the Commission’s regulatory jurisdiction. Instead, we describe below 1 MG Siegler, Eric Schmidt: Every 2 Days We Create As Much Information a set of inter-related changes in the media landscape that provide the As We Did Up to 2003, TECH CRUNCH, Aug 4, 2010, http://techcrunch. background for future FCC decision-making, as well as assessments by com/2010/08/04/schmidt-data/. other policymakers beyond the FCC. 2 Company History, THomsoN REUTERS (Company History), http://thom- 10 Founders’ Constitution, James Madison, Report on the Virginia Resolu- sonreuters.com/about/company_history/#1890_1790 (last visited Feb. tions, http://press-pubs.uchicago.edu/founders/documents/amendI_ 8, 2011). speechs24.html (last visited Feb. 7, 2011). 3 Company History. Reuter also used carrier pigeons to bridge the gap in 11 Advertising Expenditures, NEwspapER AssoC. OF AM. (last updated Mar. the telegraph line then existing between Aachen and Brussels. Reuters 2010), http://www.naa.org/TrendsandNumbers/Advertising-Expendi- Group PLC, http://www.fundinguniverse.com/company-histories/ tures.aspx. Reuters-Group-PLC-Company-History.html (last visited Feb. 8, 2011). 12 “Newspapers: News Investment” in PEW RESEARCH CTR.’S PRoj. foR 4 Reuters Group PLC (Reuters Group), http://www.fundinguniverse.com/ EXCELLENCE IN JOURNALISM, THE StatE OF THE NEws MEDIA 2010 (PEW, company-histories/Reuters-Group-PLC-Company-History.html (last StatE OF NEws MEDIA 2010), http://stateofthemedia.org/2010/newspa- visited Feb. 8, 2011). pers-summary-essay/news-investment/.
  • Full-Year EBITA Exceeds €1 Billion, for the Third Consecutive Year Record Result from Mediengruppe RTL Deutschland Five New TV Channels Launched

    Full-Year EBITA Exceeds €1 Billion, for the Third Consecutive Year Record Result from Mediengruppe RTL Deutschland Five New TV Channels Launched

    week 9 / 26 February 2013 STRONG FINANCIALS IN 2012 Full-year EBITA exceeds €1 billion, for the third consecutive year Record result from Mediengruppe RTL Deutschland Five new TV channels launched United States United Kingdom Luxembourg Mel B to judge on FremantleMedia RTL Lëtzebuerg and America’s Got Talent Kids & Family to publish Maison Moderne host Aquabats DVD Luxembourg Media Awards week 9 / 26 February 2013 STRONG FINANCIALS IN 2012 Full-year EBITA exceeds €1 billion, for the third consecutive year Record result from Mediengruppe RTL Deutschland Five new TV channels launched United States United Kingdom Luxembourg Mel B to judge on FremantleMedia RTL Lëtzebuerg and America’s Got Talent Kids & Family to publish Maison Moderne host Aquabats DVD Luxembourg Media Awards Cover Anke Schäferkordt and Guillaume de Posch, Co-CEOs of RTL Group Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Mel B brings girl power to America’s Got Talent FremantleMedia North America p. 10 Destroying boredom and seeking justice for all FremantleMedia p. 11 “A clear focus on maintaining our leadership positions and delivering fi nancially” The best of RTL Group Luxembourgish p. 4–9 advertising RTL Lëtzebuerg p. 12 Big Picture p.13 SHORT NEWS p. 14 “A CLEAR FOCUS ON MAINTAINING OUR LEADERSHIP On 25 February 2012, POSITIONS AND RTL Group published its full-year results for the fiscal year 2012. Backstage DELIVERING asked Anke Schäferkordt and Guillaume de Posch, FINANCIALLY” Co-CEOs of RTL Group, about the company’s performance.
  • An Analysis of Simon Cowell's Impolite

    An Analysis of Simon Cowell's Impolite

    i AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 ii I4 1 m#e$ Fep rlw$ry*d qFE cd*E},eea:raq** {88rep prq r,tes rm wpsmd r*ppresff 'lqalreq ftrert ue8uupun -Emryu# *ex*e*ed #wF rE€ffi s#*@ s&H B*qfsw*F lg*# edes ffu*,t ryrc+pr4e *ep$ wp mry#r+ff'rp Iq Fdli{S qcsss *rpc$rsq a{ss ?S1gf*V:a r*sm r*$BrL pdnp*f ssry3:fftqrp tredsp Ifii FdF{S qe{rxu ErsT,€F rp s}e"{cra+ Efqedv 'e4e6nd .:e$ep rry mdhffiq -*HtrEixae rrrelry rssq+*q*iF ry il4 €*qysi! rl*l€pp @*ixryp slg*r$s1 Etr# Srre{;;ecwry "ss,a$ €rs-r* q+1* fis'S}l*,*Sp rEs}s sltrr}rp qer;# Sr*"{ p@e*d ne1s qsrurf e,{-mq pdep:atr {Epp }rrl pd1"rryg qssm mslcpry'edus uunqr}a8rmdeg ':ee6 8ms* *€x4 u*p ;ryq@._- s€Tq EtrF :s@# *,{-rsE ;ie€q q*fq}b. HIYOHd{Y SSIJ,IIWSY&d i$ts{ J_F{aT\fl. J.t}$ s*NryLrNE.ilt$ $.SI1{VJ"NU}qIfiIO} :eJ,ET&{I4trtr S*'ITtrT&O3 NOTIil$ "d* SISA?YNV NY :ppnf mBn*B isrq a,{Ec Eee{ *pdpqssr E*arq*E tery*ie,tx*pE sp$Bui ursus : lPmg tm:8c:6 ersrirsssgql{ IIeF FF*g rrflqI : *eeslt.ry$ ?r*fr{rIgn: HIdN dprng: ffir€h1 :e,tqs r{$ qrerrq rp nrffw1 rprrcp+q Euerl SY.LITYfi{I*IX{} I{YYJ,YAid}fi{d TYSI}S }SCLAfiATISN ST TIIE T}IESIS {}RIGINALIT}' tr, Ady, HFLS N* ISlliffi}4 Hereby decl*rc that the tffim paper e:rtitled: AN ANALYf,I$ *F $TMSI!{ C*WSLL'S TK.TP*LIT$ C*fi{*TXNT&&ISS S}q I*ET"ATF{'S GSY TALEI{T ?SI9: * PRAGMA?ICS APPRSA#H -.
  • Simultaneous Disintegration of Outlet Glaciers in Porpoise Bay (Wilkes Land), 2 East Antarctica, and the Long-Term Speed-Up of Holmes Glacier

    Simultaneous Disintegration of Outlet Glaciers in Porpoise Bay (Wilkes Land), 2 East Antarctica, and the Long-Term Speed-Up of Holmes Glacier

    The Cryosphere Discuss., doi:10.5194/tc-2016-151, 2016 Manuscript under review for journal The Cryosphere Published: 14 June 2016 c Author(s) 2016. CC-BY 3.0 License. 1 Title: Simultaneous disintegration of outlet glaciers in Porpoise Bay (Wilkes Land), 2 East Antarctica, and the long-term speed-up of Holmes Glacier. 3 Authors: B.W.J. Miles*, C. R. Stokes, S.S.R. Jamieson 4 Affiliation: Department of Geography, Durham University, Science Site, South Road, Durham, DH1 3LE, 5 UK 6 *Correspondence to: [email protected] 7 8 Abstract: The floating ice shelves and glacier tongues which fringe the Antarctic 9 continent are important because they help buttress ice flow from the ice sheet interior. 10 Dynamic feedbacks associated with glacier calving have the potential to reduce 11 buttressing and subsequently increase ice flow into the ocean. However, there are few 12 high temporal resolution studies on glacier calving, especially in East Antarctica. Here 13 we use remote sensing to investigate monthly glacier terminus change across six marine- 14 terminating outlet glaciers in Porpoise Bay (-76°S, 128°E), Wilkes Land (East 15 Antarctica), between November 2002 and March 2012. This reveals a large 16 simultaneous calving event in January 2007, resulting in a total of ~2,900 km2 of ice 17 being removed from glacier tongues. Our observations suggest that sea-ice must be 18 removed from glacier termini for any form of calving to take place, and we link this 19 major calving event to a rapid break-up of the multi-year sea-ice which usually occupies 20 Porpoise Bay.