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EU Brochure Digital EN.Indd
WHERE ITALIAN FIDENZA VILLAGE CONNECT STYLE REIGNS Add style to your holiday with a day of shopping at Fidenza Village. Located in the heart of Italy in the beautiful Emilia Download the free Village app. Romagna region just one hour drive from Milan, Bologna and the Lake Garda, Fidenza Village is home to more than Connect with us on Facebook, Twitter and Instagram. 100 boutiques of Italian and international brands offering savings of up to 70% on the recommended retail price. Free Wi-Fi. THE BOUTIQUES Alviero Martini 1A Classe · Angelico · Armani Asics · Aspesi · Baldinini · Barlumeria · Belstaff Beretta · Blumarine · Boggi · Braccialini Brooks Brothers · Ca’ Puccino · Calef · Calvin Klein Calvin Klein Collection · Calvin Klein Underwear Camper · Carlo Pazolini · Cesare Paciotti Class Roberto Cavalli · Coach · Coccinelle · Columbia Colombo · Corso Roma · Desigual · Diesel Dirk Bikkembergs · Dolce & Gabbana · Duvetica Elena Mirò · Elisabetta Franchi · Ermenegildo Zegna SHOP & EARN Etro · Facis · Ferrari Store · Fossil · Fratelli Rossetti Frette · Furla · Gallo · Guess · Gutteridge · Hackett Earn miles whenever you shop at Fidenza Village with our airline Lagostina - Home & Cook · Hostaria Delle Terre Verdiane partners. Ask the Fidenza Village Tourist Information Centre for more information and to convert your shopping into miles. Hugo Boss · Illy · Hour Passion · Ixos Malloni · Jeckerson La Perla · Lacoste · Les Copains · Levi’s · Lindt · Loewe For every Euro you spend while shopping Malìparmi · Marni · Massimo Rebecchi · Michael Kors in Fidenza Village, one award mile will Missoni · Modus Profumerie · Napapijri · Ottica Avanzi be credited to your Miles & More mileage account. You can also spend your Miles & More award miles on the Fidenza Village O bag · Pal Zileri · Patrizia Pepe · Paul Smith · Pinko Gift Card. -
CONTACT: Robin Mesger the Lippin Group 323/965-1990 FOR
CONTACT: Robin Mesger The Lippin Group 323/965-1990 FOR IMMEDIATE RELEASE September 14, 2002 2002 PRIMETIME EMMY AWARDS The Academy of Television Arts & Sciences (ATAS) tonight (Saturday, September 14, 2002) presented Emmys in 61 categories for programs and individual achievements at the 54th Annual Emmy Awards Presentation at the Shrine Auditorium. Included among the presentations were Emmy Awards for the following previously announced categories: Outstanding Achievement in Animation and Outstanding Voice-Over Performance. ATAS Chairman & CEO Bryce Zabel presided over the awards ceremony assisted by a lineup of major television stars as presenters. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Programs Individuals Total HBO 0 16 16 NBC 1 14 15 ABC 0 5 5 A&E 1 4 5 FOX 1 4 5 CBS 1 3 4 DISC 1 3 4 UPN 0 2 2 TNT 0 2 2 MTV 1 0 1 NICK 1 0 1 PBS 1 0 1 SHO 0 1 1 WB 0 1 1 Emmys in 27 other categories will be presented at the 2002 Primetime Emmy Awards telecast on Sunday, September 22, 2002, 8:00 p.m. – conclusion, ET/PT) over the NBC Television Network at the Shrine Auditorium. A complete list of all awards presented tonight is attached, The final page of the attached list includes a recap of all programs with multiple awards. For further information, see www.emmys.tv. To receive TV Academy news releases via electronic mail, please address your request to [email protected] or [email protected]. -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
The 100 Most Renowned Luxury Brands and Their Presence in Europe's Metropolitan Centres
Glitter and glamour shining brightly The 100 most renowned luxury brands and their presence in Europe’s metropolitan centres Advance • Luxury shopping streets Europe • July 2011 2 Worldwide luxury market has emerged stronger from the financial crisis The global market for luxury goods has emerged from the financial uses images of diligent craftsmen and companies seek to add crafts crisis significantly faster than expected. The likes of Burberry, Gucci firms with long traditions to their portfolios. At the same time, the Group, Hermès, LVMH, Polo Ralph Lauren, Prada and Richemont east-bound shift of manufacturing activities, which was in full swing have recently reported double-digit sales growth or even record an- before the financial crisis, has slowed down significantly. nual sales, which has also reflected favourably on their share prices. Companies’ own store networks have played a significant role in all Rising requirements in the areas of marketing and logistics these success stories, with their retail operations typically growing March saw the launch of Mr Porter, the new men’s fashion portal of ahead of their other divisions. Most recently business has mainly Net-a-Porter, the world’s leading e-commerce seller of luxury goods. been driven by Asia. With the exception of Japan, this is where the Yoox most recently reported a continuing rise in its sales figures. All luxury brands have recorded the highest growth rates. In particular major luxury labels have considerably expanded the online shopping luxury fashion makers have greatly benefited from the booming Chi- offerings on their websites and feature them prominently in their nese market. -
BED BANK County Is Declared a Disaster Area in Wake of Hurricane
Weather ~" Distribution Fair today; high about 70. BED BANK Today Cloudy tonight, low 60. Chance of rain tomorrow; high, 60s. 16,250 MONDAY THROUGH TttlDAY-EST. Wl See weather and tides page 2, 35 C P E E K VOL. 83, NO. 53 Iisucd Dally, Monday through Friday, entered as Second Clasi Matter RED BANK, N. J., THURSDAY, SEPTEMBER 15, 1960 7c PER COPY R Y S, F R PAGE ONE at the Post OHlce at Red Bank. N. J., under the Act of March 3, 1879. Soviet Attack County Is Declared On Dag Poses A Disaster Area In Crisis for UN Wake of Hurricane UNITED NATIONS, N. Y. (AP)-.The United Nations faced a major crisis today as a result of a slashing Soviet attack on Secre- tary General Dag Hammarskjold and his Congo policies. Officials Inspect Damage, A wide-open break was threatened virtually on the eve ol Soviet Premier Nikita S. Khrushchev's appearance here. The Western powers, led by Ethel Plan U.S., State Aid Bills the United States, prepared to rally to Hammarskjold's sup- Three major developments took place yesterday AF Finds in the aftermath of Hurricane Donna. port in another round of Se- •Is. New curity Council meetings begin- Rep. James C. Auchincloss toured scenes of storm ning this morning on the cha- destruction in the Bayshore, and announced that Mon- otic Congo situation. Missing The Soviet attack, more bitter Threat mouth County has been declared a disaster area, along than any ever made by a big with Atlantic, Cape May and Ocean Counties. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
A Digital Textile Printer to Aid in the Product Development Process
FROM CONCEPT TO CREATION: A DIGITAL TEXTILE PRINTER TO AID IN THE PRODUCT DEVELOPMENT PROCESS Dr. Sherry Schofield Dr. Jessica Ridgway Retail, Merchandising and Product Development – College of Human Sciences PROJECT DESCRIPTION The proposed funding from the Student Technology Fee will be used to purchase a wide- format digital ink-jet fabric printer which will provide students the unique opportunity to print their own developed creative ideas using this cutting edge textile printing technology. Our goal with this project is to further integrate current industry technologies into the Retail, Merchandising, and Product Development (RMPD) course curriculum. Within the textile and apparel industry, when a new product is being developed, often the designer is forced to use the available prints that were designed by someone else. This process can limit the designer’s ability to create a truly unique product or garment and to the designer is not able to design from initial concept to final product. Today’s technology is changing this process; with the introduction of digital textile printers, designers can take part in the entire product development process starting with textile design. With the incorporation of a digital printer and the accompanying software into the RMPD textile lab, our students will have the ability to experience a similar concept to product process with the creation of his or her own sample fabric, which could ultimately result in new and unique products. Furthermore, the use of a digital textile printer affords students the ability to incorporate technology into the product development process. This not only emulates current industry practices, but also allows for further exploration in product development. -
Rhyming Dictionary
Merriam-Webster's Rhyming Dictionary Merriam-Webster, Incorporated Springfield, Massachusetts A GENUINE MERRIAM-WEBSTER The name Webster alone is no guarantee of excellence. It is used by a number of publishers and may serve mainly to mislead an unwary buyer. Merriam-Webster™ is the name you should look for when you consider the purchase of dictionaries or other fine reference books. It carries the reputation of a company that has been publishing since 1831 and is your assurance of quality and authority. Copyright © 2002 by Merriam-Webster, Incorporated Library of Congress Cataloging-in-Publication Data Merriam-Webster's rhyming dictionary, p. cm. ISBN 0-87779-632-7 1. English language-Rhyme-Dictionaries. I. Title: Rhyming dictionary. II. Merriam-Webster, Inc. PE1519 .M47 2002 423'.l-dc21 2001052192 All rights reserved. No part of this book covered by the copyrights hereon may be reproduced or copied in any form or by any means—graphic, electronic, or mechanical, including photocopying, taping, or information storage and retrieval systems—without written permission of the publisher. Printed and bound in the United States of America 234RRD/H05040302 Explanatory Notes MERRIAM-WEBSTER's RHYMING DICTIONARY is a listing of words grouped according to the way they rhyme. The words are drawn from Merriam- Webster's Collegiate Dictionary. Though many uncommon words can be found here, many highly technical or obscure words have been omitted, as have words whose only meanings are vulgar or offensive. Rhyming sound Words in this book are gathered into entries on the basis of their rhyming sound. The rhyming sound is the last part of the word, from the vowel sound in the last stressed syllable to the end of the word. -
Forty Shades of Blue
Sundance Film Festival – 2005 Grand Jury Prize Berlin Film Festival/Panorama 2005 FORTY SHADES OF BLUE By Ira Sachs “Atmospheric and haunting… Forty Shades of Blue is a movie that seeps under your skin” David Ansen, Newsweek SALES CONTACT FORTY SHADES OF BLUE Cast Alan ............................................................................................Rip Torn Laura .................................................................................... Dina Korzun Michael ........................................................................... Darren Burrows Lonni.................................................................................. Paprika Steen Duigan ...................................................................................... Red West Celia ...................................................................................Jenny O’Hara Shel .................................................................................. Jerry Chipman Sam ........................................................................... Andrew Henderson April...........................................................................Emily McKenna Cox Cindy .......................................................................................Liz Morton Betty................................................................................Joanne Pankow Filmmakers Director .................................................................................... Ira Sachs Screenwriters ................................................ Michael -
Style Over Substance? Fashion, Spectacle and Narrative in Contemporary US Television
Style over substance? Fashion, spectacle and narrative in contemporary US television Helen Warner University of East Anglia Previous scholarship on fashion and film has debated the aesthetic role played by onscreen costume. Yet there has been little exploration of fashion and its use in television. Existing work on fashion in onscreen media has approached the debate from a textual perspective, and such work has been informed by the longstanding assumption that fashion acts primarily as ‘spectacle’, disrupting the economy of narrative flow. This article seeks to challenge this assumption by arguing that previous work is limited by the wider conceptual and methodological problems of purely textual approaches. Using CW’s Gossip Girl as a case study, the author suggests that a mixed- method approach to the study of costume (using both textual analysis and reception studies) provides a more productive foundation upon which to begin to examine the function of onscreen fashion in contemporary US television. Such an approach may have particular importance in understanding how costume in ‘fashion-forward’ television can be best understood if one steps beyond the text to explore the sense-making of viewers, the intentions of costume designers and the relationship between viewers, the shows and the wider fashion market. An article about the US network CW’s Gossip Girl (2007–) recently appeared in the fashion and style section of The New York Times. The article claimed that the show ‘has always been more than a television series about its overt sub- ject, the social machinations of Manhattan private-school students. It has also presented a cavalcade of fashion’ (La Ferla, 2008). -
P R O G R a M
DIANE PERNET & LE CENTRE POMPIDOU PRÉSENTENT A SHADED VIEW ON FASHION FILM FESTIVAL INTERNATIONAL DU FILM DE MODE - 8E ÉDITION - DU 2 AU 6 DÉCEMBRE 2015 PROGRAMME EN COLLABORATION AVEC A SHADED VIEW JURY & PRIX ON FASHION FILM Comme chaque année, FESTIVAL INTERNATIONAL DU FILM DE MODE 8 E EDITIOn – DU 2 au 6 DÉCEMBRE 2015 un jury de prescripteurs internationaux des arts et des médias remet des Prix aux meilleurs films. A Shaded View On Fashion Film – le Festival International LISTE DES PRIX LE JURY D’ASVOFF8 du Film de Mode - fondé par la journaliste et icône Diane Pernet – avait déjà marqué les esprits en 2014 en recevant GRAND PRIX PRÉSIDENT DU JURY l'une des figures de la mode belge, le créateur Dries Van Noten. ASVOFF Jean Paul Gaultier - Couturier e Pour sa 8 Edition du 2 au 6 décembre au Centre Pompidou, PARTICIPANTS MEILLEURE DIRECTION ARTISTIQUE la manifestation franchit un cap symbolique supplémentaire Emmanuel Asmar - Avocat d'affaires MEILLEUR ACTEUR/ACTRICE avec l’un des couturiers français les plus emblématiques Dimitri Chamblas - Directeur artistique 3e Scène Opéra de Paris MEILLEUR STYLISME de l'Histoire de la Mode : Jean Paul Gaultier. Lyne Cohen Solal - Journaliste et femme politique Ce dernier présidera le jury de la compétition de courts-métrages MEILLEURE BANDE SONORE Eric Daman - Costume Designer de mode. Il lui sera également dédié une séance Carte Blanche MEILLEUR FILM PUBLICITAIRE Andrew Davis - Creative Director Wonderland + Rollacoaster animée par la journaliste et critique Elisabeth Quin. MEILLEUR TALENT EMERGENT Marc Happel - Costume Director NYC Ballet Dominique Jakob - Jakob+MacFarlane architectes PRIX SPÉCIAUX Stephen Jones - Modiste ASVOFF proposera par ailleurs 80 courts métrages en compétition PRIX BEAUTÉ doté par Shu Uemura Butheina Kazim - CINÉMA Akil incarnant le meilleur des productions de l’année.