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Jury Report Johannes Vermeer Award 2017
Iris van Herpen Johannes Vermeer Award Winner 2017 The jury’s report The Johannes Vermeer Award is the Dutch government’s prize for the arts; its aim is to celebrate and encourage artistic talent. Since 2009, this prestigious award has been presented to an artist working in the Netherlands who has made a contribution of exceptional importance to art and society. In order to select the winner, the Minister of Education, Culture and Science is assisted by an independent jury, which conducts an extensive assessment of every corner of the art world, and also ensures that all the different branches of the arts are addressed proportionately. The jury also takes account of the stage in their career which potential prize winners have reached. The Johannes Vermeer Award is intended for those who have already produced a distinctive and established oeuvre, and from whom great things continue to be expected. In other words, the prize winner’s artistic career is in full swing. For the irst time in the history of the prize, this year’s edition has gone to an artist who worKs in the world of fashion. At the age of 33, designer Iris van Herpen is the youngest prize winner yet, although she already has gained so much experience and acclaim that she is an established part of today’s national and international fashion scene. Over the last ten years, she has rapidly established her own renowned label, producing contemporary collections which are about so much more than just clothes. Her work has redeined the boundaries of fashion. -
Designed Fashion Identity
Designed Fashion Identity The concept of contemporary women Author : Emily van Gent Supervisor: Dr. M.H. Groot MA Thesis: Arts & Culture Specialization: Design Words: 17.017 Date: 3-8-2015 Content Introduction p. 3 Chapter I .I Theoretical frame: Third Wave Feminism p. 4 Chapter II.I How women are represented in two case studies of 2014-15. p. 11 Chapter II.II Case Study Music Video Beyoncé/ Björk p. 15 Chapter II.III Case Study TV Series USA/Scandinavia p. 26 Chapter III.I Daily Fashion and Popular Culture p. 34 Chapter IV.I Advertisement and the Sexual Identity p. 36 Chapter IV.II The Identity of Designs : Feminism p. 43 Chapter IV.III The Identity of Designs : Blurring Gender p. 44 Chapter V.I: The Biocouture, Interfaces and Technology p. 47 Conclusion p. 54 References: Literature p. 56 Online Sources p. 57 2 Introduction Feminism and the female identity are topics that recently appear all around us in the news.. Questions about what it means to be feminist today raised among us. Women protest groups call for attention to discuss their position in society. The methods to do so are interesting and somehow problematic. Such as in the case of ‘Femen’, who use their bodies to battle sexism. The angelic appearance and the rough message they deliver is very provocative and seems to fit in with the way women are objectified. However they also do this to themselves in a way. It is hard to decide what to think of women who are so explicit about being a feminist and at the same time do everything to – in a way- offend women. -
High Museum of Art Premieres North American Tour of Iris Van Herpen’S Innovative Haute Couture Designs
FOR IMMEDIATE RELEASE HIGH MUSEUM OF ART PREMIERES NORTH AMERICAN TOUR OF IRIS VAN HERPEN’S INNOVATIVE HAUTE COUTURE DESIGNS Major exhibition to feature recent works, including imaginative sculptural designs crafted using 3D-printing technology ATLANTA, Nov. 5, 2015 – The High Museum of Art is the first U.S. museum to present a major exhibition of work by visionary Dutch fashion designer Iris van Herpen, a cutting-edge artist inspired by diverse influences in the arts, sciences, music and philosophy. Marking the High’s first presentation of fashion design, “Iris van Herpen: Transforming Fashion” features one-of-a-kind haute couture—acclaimed for its combination of traditional craftsmanship and futuristic, innovative techniques—and includes some of the world’s first examples of 3D-printed fashion. The exhibition is co-organized with the Groninger Museum (the Netherlands) and debuts at the High, where it will be on view from Nov. 7, 2015, through May 15, 2016, before continuing on a North American tour. “Iris van Herpen’s work is an incredible fusion of artistic expression, craftsmanship and creativity,” said Sarah Schleuning, curator of decorative arts and design at the High. “The marriage of traditional, handcrafted designs and 21st-century technology makes her work innovative, dynamic and a signifier of a bold, new future for fashion design. With this presentation, the High continues to champion the outstanding visionaries who design the world around us.” Iris van Herpen has garnered international acclaim for her couture designs, which interweave traditional handwork with groundbreaking 3D-printing technology, computer modeling and engraving constructed in collaboration Iris van Herpen (Dutch, born with architects, engineers and digital design specialists. -
Andam Announces Its 2014 Finalists
ANDAM Founded in 1989 by Nathalie Dufour, under the initiative of the French ministry of Culture and the DEFI, ANDAM (National Association for the Development of the Fashion Arts) seeks, FASHION AWARD in the words of its president M. Pierre Bergé, “to identify and support, through its awards, the emerging talents of 2014 contemporary designers and assure the role of Paris as a key fashion capital.” After reviewing the applications received this year, the 25 members of the 2014 judges panel have selected the ANDAM finalists of ANDAM’s 25th edition. “I am thrilled to be presenting this year new selection of talents. Thanks to ANNOUNCES the ANDAM Fashion Award, one of them is bound to become a French company. This brand will become an ITS 2014 official actor of the prestigious Paris fashion scene, participating to its international leadership.” FINALISTS says Nathalie Dufour, director of ANDAM. Thanks to the generous support of its thirteen private partners, the ANDAM Fashion Award will be able to grant this year’ two winners a total of 325K euros.($445K) The 2014 ANDAM Fashion Award partners are: Fashion GPS, Pierre Bergé Yves Saint Laurent Foundation, Galeries Lafayette, Hudson’s Bay Company, Kering, Longchamp, LVMH, MAC Cosmetics, OTB, Swarovski, thecorner.com, Tomorrow London Ltd, the house of Yves Saint Laurent. The 2014 ANDAM Fashion Award will offer two different prizes : -The ANDAM Fashion Award («major award») of 250K euros ($342K) -The ANDAM First Collections Prize, of 75K euros ($103K) The winners for both prizes will be elected by the 25 members of the judges panel on July 3rd 2014. -
Lost Horizon and Head Shop at Exile Gallery's Summer Camp Series
GOOGLE MY SITE « Missoni F/W 10-11 (HD) film by Kenneth Anger, 2010 | Main | "Just for Kennedy" exhibit at Maison Franco Litrico in Rome, Part 2. By Glenn Belverio » Subscribe in a reader MONDAY, 02 AUGUST 2010 LOST HORIZON AND HEAD SHOP AT EXILE Enter your email address: GALLERY'S SUMMER CAMP SERIES Delivered by FeedBurner ASVOFF ARCHIVES August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 More... Installation view of Head Shop Exile is one of Berlin's most exciting young galleries - founded by Christian Siekmeier in 2008, and now run in partnership with Robin John Berwing, it has offered a steady exhibition schedule since its inception, along with an ambitious 'Summer Camp' program, a series of group shows cum happenings that offer a spirited alternative to the typical art opening. For their latest, Exile invited NY-based artist and publisher (of the cult magazine, Straight To Hell) ,Billy Miller, to put together two concurrent shows. One, titled 'Lost Horizon', is inspired by the iconic novel and film of the same name, explores American Western archetypes through the lens of loss, while the second, 'Head Shop', owes its conceptual roots to legendary bohemian boutiques like London's Granny Takes a Trip, offering a crowded 'selling floor' full of work that explores the rich possibilities of the mind. FASHION FICTION CATEGORIES Architecture & Design Art art_events ASVOFF - A Shaded View On Fashion Film festival automobiles blogs Books Commentary on life AD SPACE commercials Current Affairs dance LINKS FOR LIFE DP_history Links for Life DP_press Installation view of Head Shop DPTV Walking through Head Shop felt like a conceptual carnival, A SHADED VIEW with an overflow of color and unconventional education CHANNEL representations and forms. -
Table of Contents
TABLE OF CONTENTS A most exquisite man by Joonas Taul produced by Kerdi Oengo – Animation – Estonia A summer place by Alexandra Matheou produced by Marios Petrondas & Alexandra Matheou – Fiction – Cyprus Au nom de mon père by Justine Louis produced by Joao Vinhas – Fiction – Belgium Beau Monde by Hans Vannetelbosch produced by Bea Catteeuw & Roxanne Sarkozi – Fiction – Belgium Branka by Mate Ugrin produced by Tena Gojić – Fiction – Croatia E6-D7 by Eno Swinnen produced by Brecht Van Elslande – Animation – Belgium Elena by Birutė Sodeikaitė produced by Delphine Schmit & Agnė Adomėnė – Animation – Lituania Gloria by Iza Cracco produced by Annemie Degryse – Animation – Belgium Klingert’s Diving Suit by Artur Wyrzykowski produced by Artur Wyrzykowski & Alicja Grawon-Jaksik– Animation – Poland/Estonia L’effet Carson by Richard Gérard produced by Pierre-Yves Le Cunff – Fiction – Belgium Look by Nuno Amorin produced by Vanessa Ventura & Nuno Amorim – Animation - Portugal Milk by Dusan Zoric & Matija Gluscevic produced by Carna Vucinic – Fiction – Serbia Night Shift by Eddy Schwartz & Yordan Petkov produced by Eddy Schwartz – Fiction – Bulgaria On Track by Valdilen Vierny produced by Kévin Rousseau – Fiction – France Polina by Arthur Lecouturier produced by Isabelle Truc – Fiction – Belgium Shams by Pauline Beugnies produced by Laurence Buelens – Fiction – Belgium Stephanie by Leonardo Van Dijl produced by Ilse Schooneknaep & Roxanne Sarkozi – Fiction – Belgium Tara and the Blue by Pol Ponsarnau produced by Linda Dedkova – Fiction – Germany/Spain -
CONTACT: Robin Mesger the Lippin Group 323/965-1990 FOR
CONTACT: Robin Mesger The Lippin Group 323/965-1990 FOR IMMEDIATE RELEASE September 14, 2002 2002 PRIMETIME EMMY AWARDS The Academy of Television Arts & Sciences (ATAS) tonight (Saturday, September 14, 2002) presented Emmys in 61 categories for programs and individual achievements at the 54th Annual Emmy Awards Presentation at the Shrine Auditorium. Included among the presentations were Emmy Awards for the following previously announced categories: Outstanding Achievement in Animation and Outstanding Voice-Over Performance. ATAS Chairman & CEO Bryce Zabel presided over the awards ceremony assisted by a lineup of major television stars as presenters. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Programs Individuals Total HBO 0 16 16 NBC 1 14 15 ABC 0 5 5 A&E 1 4 5 FOX 1 4 5 CBS 1 3 4 DISC 1 3 4 UPN 0 2 2 TNT 0 2 2 MTV 1 0 1 NICK 1 0 1 PBS 1 0 1 SHO 0 1 1 WB 0 1 1 Emmys in 27 other categories will be presented at the 2002 Primetime Emmy Awards telecast on Sunday, September 22, 2002, 8:00 p.m. – conclusion, ET/PT) over the NBC Television Network at the Shrine Auditorium. A complete list of all awards presented tonight is attached, The final page of the attached list includes a recap of all programs with multiple awards. For further information, see www.emmys.tv. To receive TV Academy news releases via electronic mail, please address your request to [email protected] or [email protected]. -
KARINE LAVAL Born on January 26, 1971 In
KARINE LAVAL Born on January 26, 1971 in Meudon-la-Forêt (Paris, France) 39 Ainslie Street, Brooklyn, New York 11211 (USA) USA: +1 646 266 1554 France: +33 (0)6 77 25 44 52 [email protected] www.karinelaval.com Solo Exhibitions 2013 Altered States, Bonni Benrubi Gallery, New York (USA). 2012 Reverse - John Cage’s Silence Remix, video installation with music and sound performance intervention, New York Center for Art and Media Studies (NYCAMS), New York (USA), March 30th, 2012. 2011 Karine Laval, Peter Marino Architect, New York (USA). Inferno, video installation, NP Contemporary Art Center, New York (USA). Mise en Abyme, Bonni Benrubi Gallery, New York (USA). 2008 Leisure, Tomas Maier Gallery, Miami (USA). New Work by Karine Laval, Crane Kalman Gallery, Brighton (UK). 2007 Leisure, Bonni Benrubi gallery, New York (USA). 2006 The Pool, Crane Kalman Gallery, Brighton (UK). 2005 The Pool, Next Door galleria, Rome (Italy). Histoires d’Eau, M+B Gallery, Los Angeles (USA). The Pool, Lodz Foto Festiwal, Lodz (Poland). Histoires d’Eau, Bonni Benrubi gallery, New York (USA). 2004 The Pool, Mas de la Chapelle, Rencontres Internationales de la Photographie, Arles (France). Parcours Saint Germain, Le Bon Marché, Paris (France). Visual and sound installation. Nattgalleriet, Sorlandet Art Museum, Kristiansand (Norway). Nattgalleriet (The Night Gallery) is a multimedia installation of the series The Pool, projected onto the outside wall of the museum at night. The Pool, French Cultural Center, Oslo (Norway). 2003 The Pool, Cappellini, Paris (France). The Pool, Det 11. Bud, Oslo (Norway). Group Exhibitions 2013 PopRally: Abstract Currents, Museum of Modern Art (MoMA), New York (USA), an interactive video event in conjunction with the exhibitions Inventing Abstraction, 1910-1925 and Abstract Generation: Now in Print. -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
THE-MARK-HOTEL-ASVOFF-March-19
March 19, 2014 The Mark Hotel in New York By Glenn Belverio and Diane Pernet Dear Shaded Viewers, One can't imagine a better place to hang up one's mantilla after a long day of fashion film organizing and hosting. The Mark on New York's Upper East Side, just an Akoya pearl's throw from Central Park, is "New York's most boldly lavish hotel." It certainly lives up to that claim. Three nights in a cavernous suite, complete with two bathrooms and a well-appointed living room, with a show-stopping Jean-Georges restaurant only an elevator ride away, is the sort of relaxing respite one needs amidst the hustle and bustle of this often unforgiving city. The Mark is housed, as it has always been, in this beautiful 1927 landmark building. But as is a luxury hotelier's wont, the inside has been transformed with a design aesthetic that is at once soothingly modern and brazenly futuristic. http://ashadedviewonfashion.com/blog/mark-hotel-new-york-glenn-belverio-and-diane-pernet ASVOFF producer-at-large David Herman also stayed at The Mark. Hailing from Paris, it was David's first visit to NYC--and he told me everything lived up to his expectations (!) The Mark's interiors were conceived by renowned French designer Jacques Grange. (His rather impressive client list includes Yves Saint Laurent, Valentino, Karl Lagerfeld and Caroline, Princess of Monaco.) Known for his striking modernity and theatrical flair, Grange has created public spaces for The Mark that engage and delight. Not only did he oversee and design the furnishings, Grange also collaborated with Parisian design gallerist Pierre Passebon to comission a host of objets d'art, furniture and light fixtures, specially created for the hotel by renowned artists and artisans, including Ron Arad, Vladimir Kagan, Mattia Bonetti and Paul Mathieu. -
Nigeria Academy Looks to Spread Ballet Among Lagos Poor
12 Established 1961 Wednesday, July 8, 2020 Lifestyle Features A student of the Leap of Dance Academy, Precious Duru, performs a dance routine in Okelola street in Ajangbadi. Students stretch during rehearsals at the Leap of Dance Academy in Ajangbadi, Lagos.—AFP photos A student of the Leap of Dance Academy, Olamide Olawale, performs a dance routine. Nigeria academy looks to spread ballet among Lagos poor small group of Nigerian girls and boys wearing “We want to make sure to show them that this is leotards and leggings limber up in a spare room not a bad dance—ballet is a very disciplined, forward Aat a run-down primary school with patches of dance that is very important in the growth of a child.” damp on the walls. They launch into pirouettes and Now after several years of training and effort the A student of the Leap of Dance Academy, Olamide arabesques but have to make do without music. Today, dancers have gained more acceptance. And when they Olawale, performs a dance routine. the stereo is not working, because there is no electrici- practice their moves outside around the area they now ty. This is Leap of Dance Academy—a ballet school draw admiring—if sometimes still confused—glances. in a poor district of sprawling megacity Lagos that Ballet has provided an inspiration and window onto aims to bring classical dance to underprivileged chil- unknown cultures for 15-year-old student Olamide dren in Africa’s most populous nation. The school is the Olawole. She has even begun thinking of becoming a brainchild of self-taught ballet aficionado Daniel Ajala, dance teacher herself. -
Extraits Iris Van Herpen + Daniel Widrig
Iris van Herpen — e travail de la jeune créatrice néerlandaise Iris van Herpen (1984) est tout à fait Lexceptionnel dans le monde de la Haute Couture. Diplômée de l’ArtEZ Hogeschool voor de kunsten d’Arnhem en 2006, elle crée sa propre marque en 2007 après avoir débuté chez Alexander McQueen, à Londres. Très rapidement (dès 2009), elle reçoit ses premiers Dutch Media, Design et Fashion Awards et gagne une notoriété internationale lorsque la Chambre Syndicale de la Haute Couture parisienne lui ouvre officiellement ses portes en juillet 2011 pour la collection Capriole. En 2012, c’est au tour du Groninger Museum de lui consacrer une exposition. Conjuguant savoir-faire artisanal de haut niveau et techniques numériques de pointe (impression 3D), Iris van Herpen propose des robes radicalement nouvelles aux volumes étranges qui évoquent des univers organiques complexes. Le choix qu’elle fait de matériaux innovants – plastique à effet optique, gaze métallique, résine, cuir, polyamide, plexiglas – et leur traitement sophistiqué, engendrent des « objets » oniriques qui s’éloignent délibérément du vêtement et transforment les silhouettes en insectes, en végétaux ou autres structures vivantes, attirantes ou repoussantes. Cette exploration au cœur de la matière et de sa mise en œuvre, conduite par la créatrice au travers de multiples collaborations – notamment avec les architectes Daniel Widrig, Isaie Bloch, Neri Oxman, Julia CRISTALLIZATION, 2010 Koerner ou encore Philip Beesley –, débouche sur une nouvelle conception de l’ornement, (COLLABORATION DANIEL WIDRIG) — de la lumière et du mouvement qui animent de l’intérieur chaque tenue. L’inspiration naît au départ d’une structure, d’un matériau ou d’associations d’idées et non pas d’une forme décidée a priori.