Alejandro Jodorowsky
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The 25Th Bath Film Festival
The 25th Bath Film Festival 3 – 13 Dec 2015 bathfilmfestival.org.uk The F-Rating was launched at Bath Film Festival 2014 to massive international attention. The F stands for feminist and is used to highlight films directed and/or written by women and/or with significant female characters on screen in their own right. This year we are thrilled to welcome Pukka Herbs as the official sponsors of the F-Rating 2015 Expect to see, and possibly sample, Pukka treats at F-Rated screenings - just look for the rating’s logo on the film pages. Do please show your support by coming to see the films and drinking lots of what we believe are the best herbal teas on sale! Hello & Welcome Welcome to the 25th Bath Film Festival, we have got a fantastic programme of previews, F-Rated delights, docs, shorts and awards, so dive in and Find Your Film! Holly Tarquini, Executive Director Contents Find Your Film 4 – 5 About the 25th Bath Film Festival 7 Festival Team Recommends 8 – 9 Find Your F-Rated Film 10 – 11 Find Your Film by Feel 12 – 13 IMDb Awards 15 Anniversary T-Shirts and Hoodies 17 Our Sponsors 18 – 19 Map and Bookings 20 – 21 All the Films 22 - 41 Registered Office: 2nd Floor, Abbey Chambers, Kingston Parade, Bath BA1 1LY 01225 463 458 [email protected] Bath Box Office 01225 463 362 /BathFilmFestival @bathfilm #FindYourFilm Registered in the UK no. 3400371 Registered Charity no. 1080952 /BathFilmFestival @BathFilm 3 Find Your Film EvEnT vEnUE Start PAgE EvEnT vEnUE Start PAgE Thursday 3 December Sunday 6 December Room Odeon 19.00 22 Tocando -
Lost Horizon and Head Shop at Exile Gallery's Summer Camp Series
GOOGLE MY SITE « Missoni F/W 10-11 (HD) film by Kenneth Anger, 2010 | Main | "Just for Kennedy" exhibit at Maison Franco Litrico in Rome, Part 2. By Glenn Belverio » Subscribe in a reader MONDAY, 02 AUGUST 2010 LOST HORIZON AND HEAD SHOP AT EXILE Enter your email address: GALLERY'S SUMMER CAMP SERIES Delivered by FeedBurner ASVOFF ARCHIVES August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 More... Installation view of Head Shop Exile is one of Berlin's most exciting young galleries - founded by Christian Siekmeier in 2008, and now run in partnership with Robin John Berwing, it has offered a steady exhibition schedule since its inception, along with an ambitious 'Summer Camp' program, a series of group shows cum happenings that offer a spirited alternative to the typical art opening. For their latest, Exile invited NY-based artist and publisher (of the cult magazine, Straight To Hell) ,Billy Miller, to put together two concurrent shows. One, titled 'Lost Horizon', is inspired by the iconic novel and film of the same name, explores American Western archetypes through the lens of loss, while the second, 'Head Shop', owes its conceptual roots to legendary bohemian boutiques like London's Granny Takes a Trip, offering a crowded 'selling floor' full of work that explores the rich possibilities of the mind. FASHION FICTION CATEGORIES Architecture & Design Art art_events ASVOFF - A Shaded View On Fashion Film festival automobiles blogs Books Commentary on life AD SPACE commercials Current Affairs dance LINKS FOR LIFE DP_history Links for Life DP_press Installation view of Head Shop DPTV Walking through Head Shop felt like a conceptual carnival, A SHADED VIEW with an overflow of color and unconventional education CHANNEL representations and forms. -
Table of Contents
TABLE OF CONTENTS A most exquisite man by Joonas Taul produced by Kerdi Oengo – Animation – Estonia A summer place by Alexandra Matheou produced by Marios Petrondas & Alexandra Matheou – Fiction – Cyprus Au nom de mon père by Justine Louis produced by Joao Vinhas – Fiction – Belgium Beau Monde by Hans Vannetelbosch produced by Bea Catteeuw & Roxanne Sarkozi – Fiction – Belgium Branka by Mate Ugrin produced by Tena Gojić – Fiction – Croatia E6-D7 by Eno Swinnen produced by Brecht Van Elslande – Animation – Belgium Elena by Birutė Sodeikaitė produced by Delphine Schmit & Agnė Adomėnė – Animation – Lituania Gloria by Iza Cracco produced by Annemie Degryse – Animation – Belgium Klingert’s Diving Suit by Artur Wyrzykowski produced by Artur Wyrzykowski & Alicja Grawon-Jaksik– Animation – Poland/Estonia L’effet Carson by Richard Gérard produced by Pierre-Yves Le Cunff – Fiction – Belgium Look by Nuno Amorin produced by Vanessa Ventura & Nuno Amorim – Animation - Portugal Milk by Dusan Zoric & Matija Gluscevic produced by Carna Vucinic – Fiction – Serbia Night Shift by Eddy Schwartz & Yordan Petkov produced by Eddy Schwartz – Fiction – Bulgaria On Track by Valdilen Vierny produced by Kévin Rousseau – Fiction – France Polina by Arthur Lecouturier produced by Isabelle Truc – Fiction – Belgium Shams by Pauline Beugnies produced by Laurence Buelens – Fiction – Belgium Stephanie by Leonardo Van Dijl produced by Ilse Schooneknaep & Roxanne Sarkozi – Fiction – Belgium Tara and the Blue by Pol Ponsarnau produced by Linda Dedkova – Fiction – Germany/Spain -
KARINE LAVAL Born on January 26, 1971 In
KARINE LAVAL Born on January 26, 1971 in Meudon-la-Forêt (Paris, France) 39 Ainslie Street, Brooklyn, New York 11211 (USA) USA: +1 646 266 1554 France: +33 (0)6 77 25 44 52 [email protected] www.karinelaval.com Solo Exhibitions 2013 Altered States, Bonni Benrubi Gallery, New York (USA). 2012 Reverse - John Cage’s Silence Remix, video installation with music and sound performance intervention, New York Center for Art and Media Studies (NYCAMS), New York (USA), March 30th, 2012. 2011 Karine Laval, Peter Marino Architect, New York (USA). Inferno, video installation, NP Contemporary Art Center, New York (USA). Mise en Abyme, Bonni Benrubi Gallery, New York (USA). 2008 Leisure, Tomas Maier Gallery, Miami (USA). New Work by Karine Laval, Crane Kalman Gallery, Brighton (UK). 2007 Leisure, Bonni Benrubi gallery, New York (USA). 2006 The Pool, Crane Kalman Gallery, Brighton (UK). 2005 The Pool, Next Door galleria, Rome (Italy). Histoires d’Eau, M+B Gallery, Los Angeles (USA). The Pool, Lodz Foto Festiwal, Lodz (Poland). Histoires d’Eau, Bonni Benrubi gallery, New York (USA). 2004 The Pool, Mas de la Chapelle, Rencontres Internationales de la Photographie, Arles (France). Parcours Saint Germain, Le Bon Marché, Paris (France). Visual and sound installation. Nattgalleriet, Sorlandet Art Museum, Kristiansand (Norway). Nattgalleriet (The Night Gallery) is a multimedia installation of the series The Pool, projected onto the outside wall of the museum at night. The Pool, French Cultural Center, Oslo (Norway). 2003 The Pool, Cappellini, Paris (France). The Pool, Det 11. Bud, Oslo (Norway). Group Exhibitions 2013 PopRally: Abstract Currents, Museum of Modern Art (MoMA), New York (USA), an interactive video event in conjunction with the exhibitions Inventing Abstraction, 1910-1925 and Abstract Generation: Now in Print. -
Licenses Presentation the Incal by A
Licenses Presentation The Incal by A. Jodorowsky and Moebius The story In a world of cruelty and decadence, John Difool, a measly low class licensed private detective, becomes the unwilling pawn in a cosmic plan to save the universe. From strange encounters to mystical experiences, he has no idea what his adventures have in store for him. 2 Key Points • A masterpiece which has influenced new generations of French comics (The Metabarons, The Technopriests, Megalex). • A cinematic reference (inspired the screenplay for The Fifth Element by Luc Besson) • A science fiction classic created by Moebius, an internationally acclaimed artist of comics (Arzach, Blueberry) and movie (Alien, Abyss) • A jubilant critique of modern-day society’s faults and flaws • Mythical writer Jodorowsky, a prolific film director of EL Topo, the Holy Mountain, The Dance of Reality and Endless Poetry Books Vol. 1 - The Black Incal (1981) Vol. 2 - The Luminous Incal (1982) Vol. 3 - What Lies Beneath (1983) Vol. 4 - What Is Above (1985) Vol. 5 - The Fifth Essence (Part I) (1988) Vol. 6 - The Fifth Essence (Part II) (1988) Deconstructing the Incal (2016) by J. Annestay & C. Quillien More than three million copies sold ! 4 Press The Incal was one of the 6 comic books chosen to be sold along with the French daily newspaper Libération during the summer of 2006 50,000 copies printed 5 Foreign Editions The Incal has been published in 27 foreign languages: English Greek Norwegian German Dutch Russian Spanish (ARG) Hungarian Serbian Spanish (SPA) Islandic Slovenian Catalan Italian Danish Brazilian Croatian Finnish Korean Macedonian Swedish Chinese Polish Czech Japanese Portuguese Turkish More than 500,000 albums and 40,000 omnibuses sold abroad 6 Merchandising • Figurines (Démons et Merveilles) • Mugs • T-shirts (Narrow Escape) • Laminium Lightning (Défense d’Afficher) • Tarot cards (Le Diouris) • Board Games (Why not Animation and Interactive) Spin offs Before the Incal by A. -
Alejandro Jodorowsky
Alejandro Jodorowsky Filmmaker, writer, mime, master of tarot, psychomagician, Alejandro Jodorowsky is an artist whose robust sense of living is matched only by the exceptional breadth of his creative practice. Author of dozens of books – from philosophy to poetry – and, with the French artist Moebius, the highly praised L’incal series of graphic novels, Jodorowsky’s works are marked by a great generosity as well as a remarkable ability to provoke. His first film, Fando y Lis (1967), shocked its audience into a riot when it premiered at the Acapulco Film Festival and was subsequently banned in Mexico. His following two films, El Topo (1970) and The Holy Mountain (1973) – beloved and supported by John Lennon – became immediate cult classics, initiating in the United States the “midnight movie” phenomenon in which his films would play for years. Jodorowsky’s recent film, The Dance of Reality (2013) – based on his 2001 autobiography – is a surreal exploration of the dream territories and traumas of his childhood. “The story of my life,” he writes, “is a constant effort to expand the imagination and its limitations, to capture its therapeutic and transformative potential.” Alejandro and I met at his apartment in Paris the evening after his 85th birthday. In his office, surrounded by walls of books and esoteric objects, we discussed his films, his influences, chance and intention, gravity and reality. Photography by Interview by Giasco Michael Bertoli Nardone MICHAEL NARDONE — For The Dance of Reality, you returned to your of scissors, another time all cups. Often it was clothes, and, yes, oc- homeland to shoot a deeply autobiographical work, yet it’s one that uses that casionally, women’s underwear. -
THE-MARK-HOTEL-ASVOFF-March-19
March 19, 2014 The Mark Hotel in New York By Glenn Belverio and Diane Pernet Dear Shaded Viewers, One can't imagine a better place to hang up one's mantilla after a long day of fashion film organizing and hosting. The Mark on New York's Upper East Side, just an Akoya pearl's throw from Central Park, is "New York's most boldly lavish hotel." It certainly lives up to that claim. Three nights in a cavernous suite, complete with two bathrooms and a well-appointed living room, with a show-stopping Jean-Georges restaurant only an elevator ride away, is the sort of relaxing respite one needs amidst the hustle and bustle of this often unforgiving city. The Mark is housed, as it has always been, in this beautiful 1927 landmark building. But as is a luxury hotelier's wont, the inside has been transformed with a design aesthetic that is at once soothingly modern and brazenly futuristic. http://ashadedviewonfashion.com/blog/mark-hotel-new-york-glenn-belverio-and-diane-pernet ASVOFF producer-at-large David Herman also stayed at The Mark. Hailing from Paris, it was David's first visit to NYC--and he told me everything lived up to his expectations (!) The Mark's interiors were conceived by renowned French designer Jacques Grange. (His rather impressive client list includes Yves Saint Laurent, Valentino, Karl Lagerfeld and Caroline, Princess of Monaco.) Known for his striking modernity and theatrical flair, Grange has created public spaces for The Mark that engage and delight. Not only did he oversee and design the furnishings, Grange also collaborated with Parisian design gallerist Pierre Passebon to comission a host of objets d'art, furniture and light fixtures, specially created for the hotel by renowned artists and artisans, including Ron Arad, Vladimir Kagan, Mattia Bonetti and Paul Mathieu. -
Nigeria Academy Looks to Spread Ballet Among Lagos Poor
12 Established 1961 Wednesday, July 8, 2020 Lifestyle Features A student of the Leap of Dance Academy, Precious Duru, performs a dance routine in Okelola street in Ajangbadi. Students stretch during rehearsals at the Leap of Dance Academy in Ajangbadi, Lagos.—AFP photos A student of the Leap of Dance Academy, Olamide Olawale, performs a dance routine. Nigeria academy looks to spread ballet among Lagos poor small group of Nigerian girls and boys wearing “We want to make sure to show them that this is leotards and leggings limber up in a spare room not a bad dance—ballet is a very disciplined, forward Aat a run-down primary school with patches of dance that is very important in the growth of a child.” damp on the walls. They launch into pirouettes and Now after several years of training and effort the A student of the Leap of Dance Academy, Olamide arabesques but have to make do without music. Today, dancers have gained more acceptance. And when they Olawale, performs a dance routine. the stereo is not working, because there is no electrici- practice their moves outside around the area they now ty. This is Leap of Dance Academy—a ballet school draw admiring—if sometimes still confused—glances. in a poor district of sprawling megacity Lagos that Ballet has provided an inspiration and window onto aims to bring classical dance to underprivileged chil- unknown cultures for 15-year-old student Olamide dren in Africa’s most populous nation. The school is the Olawole. She has even begun thinking of becoming a brainchild of self-taught ballet aficionado Daniel Ajala, dance teacher herself. -
ALEJANDRO JODOROWSKY // TESZÁR DÁVID Latban? Ilyen Időtávlatból Valószí- Nűleg Ezt Már Soha Nem Tudjuk Meg
Latin-amerikai legendák Latin-amerikai legendák l atin-amerikai legendák Latin-amerikai legendák is. Mi az igazság az esettel kapcso- ALEJANDRO JODOROWSKY // TESZÁR DÁVID latban? Ilyen időtávlatból valószí- nűleg ezt már soha nem tudjuk meg. Mi az igazság Jodorowsky titokza- tos, szürreális-szimbolikus, nehe- zen megragadható fi lmművészetével kapcsolatban? Ennek megválaszo- lásához nagy segítséget nyújtanak MOZITERÁPIA az elmúlt tíz évben angol nyelven is megjelent önéletrajzi írásai és a saját pszichospirituális rendszereit (pszichomágia, metagenealógia) rész- letesen kifejtő kötetei. JODOROWSKY, AZ EGYKORI BOTRÁNYHŐS ÉS ELLENKULTURÁLIS PROVOKÁTOR EGYÜTTÉRZŐ, BÖLCS TANÍTÓVÁ SZELÍDÜLT. AZ ELME ÚTJA Jodorowsky színházi és mozgásművé- gy amerikai turista meglátott egy gia világában is otthonosan mozgó szeti (pantomim) háttérrel vágott bele kéregető mexikói kisfi út a temp- chilei művész munkásságáról, a ve- a fi lmkészítésbe, debütáló nagyjáték- „Elom kapujánál, odament hozzá, zetőség azonban egy Jodorowskyval fi lmje, aFando és Lis (Fando y Lis, 1968) és a következőt mondta: – Adok neked készült 1972-es interjúra hivatkozva ezeket a forrásokat igyekszik integrálni egy dollárt, ha megmondod, hol van az utolsó pillanatban lemondta az inkább kevesebb, mint több sikerrel. A Isten. – A kisfi ú habozás nélkül így fe- eseménysorozatot. A New York Times szürrealizmus és a Pánik művészeti lelt: – Adok Önnek két dollárt, ha meg- által is közölt hír szerint az interjú- mozgalom (Arrabal, Topor, Jodorowsky) mondja, hol nincs Isten.” (Alejandro ban -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
El Museo Del Barrio Announces Spring Exhibition Lineup
FOR IMMEDIATE RELEASE EL MUSEO DEL BARRIO ANNOUNCES SPRING EXHIBITION LINEUP: Lucio Fontana: Spatial Environment (1968) January 23 - April 21, 2019 JODOROWSKY February 28 - May 12, 2019 NEW YORK, NY, December 4, 2018 – El Museo del Barrio is pleased to announce its spring exhibition schedule, as it ushers in its 50th anniversary celebration in 2019. From January 23 to April 21, 2019, the lineup begins with Lucio Fontana: Spatial Environment (1968), an environmental installation by the Argentine-born artist, to coincide with The Met Breur exhibition, Lucio Fontana: On the Threshold. This is followed by JODOROWSKY, the first US museum survey dedicated to artist and filmmaker Alejandro Jodorowsky. Organized by Guest Curator María Inés Rodríguez, JODOROWSKY will be on view from February 28 to May 12, 2019. Lucio Fontana: Spatial Environment (1968) January 23 - April 21, 2019 El Museo del Barrio will display a reconstruction of artist Lucio Fontana’s 1968 Ambiente Spaziale [Spatial Environment]. First created in the late 1940s in relation to the artist’s innovative Spatialism movement, Fontana’s Ambienti Spaziali are labyrinthine, total environments that viewers enter and navigate. Built with the guidance of the Fondazione Lucio Fontana, the all-white Ambiente spaziale (1968) at El Museo will follow the exact specifications of the artist’s final work in the series, originally conceived and presented at Documenta 4 in Kassel, Germany shortly before Fontana’s death. The installation coincides with The Met Breur exhibition, Lucio Fontana: On the Threshold, curated by Metropolitan Museum Estrellita B. Brodsky Curator Iria Candela. About Lucio Fontana Argentine born Lucio Fontana (b. -
Coverage of the Market 2014 with 251 Articles En
Coverage of the market 2014 with 251 articles on http://www.filmfestivals.com/blog/cannes_market_dailies Couverture en français avec 54 articles Sur http://www.filmfestivals.com/fr/blog/cannes_market_dailies "HAPPY" video moments from Cannes Film Festival 2014 HAPPPY video moments from Cannes fim Festival and Cannes Market 2014 Le Festival du Film 2014 comme vous ne l'avez jamais vu ... Merci à tous les services et à toutes celles et ceux qui ont bien voulu y participer . Que du BONHEUR !!!!! By Caroline Daumoinx ... 13.11.2014 | Cannes Market Dailies's blog | 'MARACANÁ': The Football Legend' (2014) by Sebastián Bednarik MARACANAZO: THE FOOTBALL LEGEND (MARACANÁ) They say that in Brazil the second most important thing to breathing is futebol (aka 'soccer'). 2014 sees the World Cup of soccer hosted in Brazil for the first time since 1950. It is easy to see by the contagious passion that all 32 competing teams display as they vie to the death in hopes of winning the cup, and the grand scale of work the Brazilians have put into pulling off a successful FIFA competition, just how important this spo... 05.07.2014 | Cannes Market Dailies's blog | Cape Town’s premier dining and lifestyle venue Shimmy Beach Club launched a global pop up tourin Cannes South Africa’s premiere venue hosted The Expendables 3 premiere in Cannes with stunning performances by London’s The Girly Show This year Cape Town’s premier dining and lifestyle venue Shimmy Beach Club launches a global pop up tour with its exclusive grand opening at The Cannes Film Festival on May 18.