Alejandro Jodorowsky
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The 25Th Bath Film Festival
The 25th Bath Film Festival 3 – 13 Dec 2015 bathfilmfestival.org.uk The F-Rating was launched at Bath Film Festival 2014 to massive international attention. The F stands for feminist and is used to highlight films directed and/or written by women and/or with significant female characters on screen in their own right. This year we are thrilled to welcome Pukka Herbs as the official sponsors of the F-Rating 2015 Expect to see, and possibly sample, Pukka treats at F-Rated screenings - just look for the rating’s logo on the film pages. Do please show your support by coming to see the films and drinking lots of what we believe are the best herbal teas on sale! Hello & Welcome Welcome to the 25th Bath Film Festival, we have got a fantastic programme of previews, F-Rated delights, docs, shorts and awards, so dive in and Find Your Film! Holly Tarquini, Executive Director Contents Find Your Film 4 – 5 About the 25th Bath Film Festival 7 Festival Team Recommends 8 – 9 Find Your F-Rated Film 10 – 11 Find Your Film by Feel 12 – 13 IMDb Awards 15 Anniversary T-Shirts and Hoodies 17 Our Sponsors 18 – 19 Map and Bookings 20 – 21 All the Films 22 - 41 Registered Office: 2nd Floor, Abbey Chambers, Kingston Parade, Bath BA1 1LY 01225 463 458 [email protected] Bath Box Office 01225 463 362 /BathFilmFestival @bathfilm #FindYourFilm Registered in the UK no. 3400371 Registered Charity no. 1080952 /BathFilmFestival @BathFilm 3 Find Your Film EvEnT vEnUE Start PAgE EvEnT vEnUE Start PAgE Thursday 3 December Sunday 6 December Room Odeon 19.00 22 Tocando -
Jodorowsky Rétrospective 30 Septembre – 9 Octobre
ALEJANDRO JODOROWSKY RÉTROSPECTIVE 30 SEPTEMBRE – 9 OCTOBRE La Montagne sacrée 56 CINÉMA SANS FIN Artiste protéiforme et iconoclaste, Jodorowsky aura passé sa vie à transgresser les règles de l’art pour trouver l’illumination. Ses expérimentations poétiques le mènent du théâtre d’avant-garde au cinéma underground et psychédélique, de la bande-dessinée de science-fiction à la cartomancie. Il croise sur sa route aussi bien les surréalistes, que Moebius et le mime Marceau, Topor et Arrabal. Chacun de ses films est une expérience spirituelle et sensorielle unique : western baroque (El Topo), drame psychanalytique (Santa Sangre), SF métaphysique (La Montagne sacrée), fantasy utopique (Dune)... L’œuvre anticonformiste, fascinante et visuellement renversante d’un gourou-cinéaste. À travers ses films mais aussi ses scénarios de bande dessinée (en particulier pour Mœbius) ou sa pratique du tarot, Jodorowsky est considéré comme un mystique, voir un mage. Il est vrai que la majorité de ses films retracent des parcours initiatiques : celui de Fando et Lis vers la cité mythique de Tar à travers un paysage d’apoca- JODOROWSKY ALEJANDRO lypse, celui des neuf élus gravissant la montagne sacrée, celui d’El Topo, le pisto- lero devenu un idiot visionnaire, ou celui de Jaime dans La Danza de la realidad qui traverse les cercles du communisme, du fascisme et du christianisme. L’initiation ne vise cependant qu’à un retour au monde matériel : il faut toujours quitter la grotte, redescendre de la montagne, brûler ses idoles et combattre ses propres rêves de puissance. Pour le cinéaste qui vagabonda entre le Chili, la France et le Mexique, il importe de saisir la vie dans toute sa chair, surtout si elle est crue et sanglante, et c’est dans des espaces à ciel ouvert qu’il fait naître ses visions. -
“War of the Worlds Special!” Summer 2011
“WAR OF THE WORLDS SPECIAL!” SUMMER 2011 ® WPS36587 WORLD'S FOREMOST ADULT ILLUSTRATED MAGAZINE RETAILER: DISPLAY UNTIL JULY 25, 2011 SUMMER 2011 $6.95 HM0811_C001.indd 1 5/3/11 2:38 PM www.wotw-goliath.com © 2011 Tripod Entertainment Sdn Bhd. All rights reserved. HM0811_C004_WotW.indd 4 4/29/11 11:04 AM 08/11 HM0811_C002-P001_Zenescope-Ad.indd 3 4/29/11 10:56 AM war of the worlds special summER 2011 VOlumE 35 • nO. 5 COVER BY studiO ClimB 5 Gallery on War of the Worlds 9 st. PEtERsBuRg stORY: JOE PEaRsOn, sCRiPt: daVid aBRamOWitz & gaVin YaP, lEttERing: REmY "Eisu" mOkhtaR, aRt: PuPPEtEER lEE 25 lEgaCY WRitER: Chi-REn ChOOng, aRt: WankOk lEOng 59 diVinE Wind aRt BY kROmOsOmlaB, COlOR BY maYalOCa, WRittEn BY lEOn tan 73 thE Oath WRitER: JOE PEaRsOn, aRtist: Oh Wang Jing, lEttERER: ChEng ChEE siOng, COlORist: POPia 100 thE PatiEnt WRitER: gaVin YaP, aRt: REmY "Eisu" mOkhtaR, COlORs: ammaR "gECkO" Jamal 113 thE CaPtain sCRiPt: na'a muRad & gaVin YaP, aRt: slaium 9. st. PEtERsBuRg publisher & editor-in-chief warehouse manager kEVin Eastman JOhn maRtin vice president/executive director web development hOWaRd JuROFskY Right anglE, inC. managing editor translators dEBRa YanOVER miguEl guERRa, designers miChaEl giORdani, andRiJ BORYs assOCiatEs & JaCinthE lEClERC customer service manager website FiOna RussEll WWW.hEaVYmEtal.COm 413-527-7481 advertising assistant to the publisher hEaVY mEtal PamEla aRVanEtEs (516) 594-2130 Heavy Metal is published nine times per year by Metal Mammoth, Inc. Retailer Display Allowances: A retailer display allowance is authorized to all retailers with an existing Heavy Metal Authorization agreement. -
A Paródia Do Drama Shakespeariano Como Evolução Das Histórias Em Quadrinhos
LEONARDO VINICIUS MACEDO PEREIRA AI DE TI, YORICK BROWN: A PARÓDIA DO DRAMA SHAKESPEARIANO COMO EVOLUÇÃO DAS HISTÓRIAS EM QUADRINHOS Dissertação apresentada à Universidade Federal de Viçosa, como parte das exigências do Programa de Pós-Graduação em Letras, para obtenção do título de Magister Scientiae. VIÇOSA MINAS GERAIS – BRASIL 2015 Ficha catalográfica preparada pela Biblioteca Central da Universidade Federal de Viçosa - Câmpus Viçosa T Pereira, Leonardo Vinícius Macedo, 1981- P434a Ai de ti, Yorick Brown : a paródia do drama shakespeariano 2015 como evolução das histórias em quadrinhos / Leonardo Vinícius Macedo Pereira. – Viçosa, MG, 2015. viii, 124f. : il. (algumas color.) ; 29 cm. Inclui anexos. Orientador: Sirlei Santos Dudalski. Dissertação (mestrado) - Universidade Federal de Viçosa. Referências bibliográficas: f.105-115. 1. Literatura comparada. 2. Literatura - Adaptação. 3. Histórias em quadrinhos. 4. Paródia. 5. Shakespeare, William,1564-1616 . I. Universidade Federal de Viçosa. Departamento de Letras. Programa de Pós-graduação em Letras. II. Título. CDD 22. ed. 809 LEONARDO VINICIUS MACEDO PEREIRA AI DE TI, YORICK BROWN: A PARÓDIA DO DRAMA SHAKESPEARIANO COMO EVOLUÇÃO DAS HISTÓRIAS EM QUADRINHOS Dissertação apresentada à Universidade Federal de Viçosa, como parte das exigências do Programa de Pós-Graduação em Letras, para obtenção do título de Magister Scientiae. APROVADA: 13 de março de 2015. __________________________ __________________________ Fulvio Torres Flores Nilson Adauto Guimarães da Silva ____________________________ -
The Roxie Conjures Four Films from the Foremost Psychomagical Movie-Making Master Surrealist
To celebrate the release of ENDLESS POETRY... Alejandro Jodorowsky Retro! FriDAY, July 14 & SatURDAY, July 15 the Roxie conjures four films from the foremost psychomagical movie-making master surrealist. Co-presented by MiDNiTES FOR MANiACS & Spoke Art, who will be selling limited-edition posters for EL TOPO & THE HOLY MOUNTAIN! EL TOPO (1970) 35mm FANDO y LIS (1968) DCP Jodorowsky’s legendary, notorious cult hit Considered lost for over 30 years, essentially created the genre of the mid- Jodorowsky’s visionary first feature night movie — a spectacle so stunning and blends blended surreal beauty and sav- bizarre that normal hours couldn’t contain age imagery to fashion this bizarre tale it. Jodorowsky’s aesthetically outrageous of corrupted innocence, sadomasochistic provocation will unspool here a 35mm love, and unattainable paradise. 96 mins. version of a restoration overseen THE HOLY MOUNTAIN (1973) 35mm by the director. 124 Mins. The follow to EL TOPO, Jodorowsky’s 3rd film is a much loved flood of sacrilegious imagery, existential symbolism and outrageous violence. This pristine 35mm restoration, done in collaboration with the filmmaker, returns Jodorowsky’s most visually extravagant film to all it’s trippysplendor. 113 mins. SANTA SANGRE The (1989) DCP This garish Oedipal fantasy, scripted by Jodorowsky & Claudio Psychomagical Argento (brother of Dario), resonates with all the disturbing power of a Series Pass clammy nightmare filtered through may still be available. the hallucinatory lens of 1960s psy- Only $40.00! chedelia., straddling a strange hinter- land between the visually ravishing Buy Now, or suffer forever the art film and highbrow horror movie. negative emotions that we inherit from our parents! 123 mins.. -
Licenses Presentation the Incal by A
Licenses Presentation The Incal by A. Jodorowsky and Moebius The story In a world of cruelty and decadence, John Difool, a measly low class licensed private detective, becomes the unwilling pawn in a cosmic plan to save the universe. From strange encounters to mystical experiences, he has no idea what his adventures have in store for him. 2 Key Points • A masterpiece which has influenced new generations of French comics (The Metabarons, The Technopriests, Megalex). • A cinematic reference (inspired the screenplay for The Fifth Element by Luc Besson) • A science fiction classic created by Moebius, an internationally acclaimed artist of comics (Arzach, Blueberry) and movie (Alien, Abyss) • A jubilant critique of modern-day society’s faults and flaws • Mythical writer Jodorowsky, a prolific film director of EL Topo, the Holy Mountain, The Dance of Reality and Endless Poetry Books Vol. 1 - The Black Incal (1981) Vol. 2 - The Luminous Incal (1982) Vol. 3 - What Lies Beneath (1983) Vol. 4 - What Is Above (1985) Vol. 5 - The Fifth Essence (Part I) (1988) Vol. 6 - The Fifth Essence (Part II) (1988) Deconstructing the Incal (2016) by J. Annestay & C. Quillien More than three million copies sold ! 4 Press The Incal was one of the 6 comic books chosen to be sold along with the French daily newspaper Libération during the summer of 2006 50,000 copies printed 5 Foreign Editions The Incal has been published in 27 foreign languages: English Greek Norwegian German Dutch Russian Spanish (ARG) Hungarian Serbian Spanish (SPA) Islandic Slovenian Catalan Italian Danish Brazilian Croatian Finnish Korean Macedonian Swedish Chinese Polish Czech Japanese Portuguese Turkish More than 500,000 albums and 40,000 omnibuses sold abroad 6 Merchandising • Figurines (Démons et Merveilles) • Mugs • T-shirts (Narrow Escape) • Laminium Lightning (Défense d’Afficher) • Tarot cards (Le Diouris) • Board Games (Why not Animation and Interactive) Spin offs Before the Incal by A. -
ALEJANDRO JODOROWSKY // TESZÁR DÁVID Latban? Ilyen Időtávlatból Valószí- Nűleg Ezt Már Soha Nem Tudjuk Meg
Latin-amerikai legendák Latin-amerikai legendák l atin-amerikai legendák Latin-amerikai legendák is. Mi az igazság az esettel kapcso- ALEJANDRO JODOROWSKY // TESZÁR DÁVID latban? Ilyen időtávlatból valószí- nűleg ezt már soha nem tudjuk meg. Mi az igazság Jodorowsky titokza- tos, szürreális-szimbolikus, nehe- zen megragadható fi lmművészetével kapcsolatban? Ennek megválaszo- lásához nagy segítséget nyújtanak MOZITERÁPIA az elmúlt tíz évben angol nyelven is megjelent önéletrajzi írásai és a saját pszichospirituális rendszereit (pszichomágia, metagenealógia) rész- letesen kifejtő kötetei. JODOROWSKY, AZ EGYKORI BOTRÁNYHŐS ÉS ELLENKULTURÁLIS PROVOKÁTOR EGYÜTTÉRZŐ, BÖLCS TANÍTÓVÁ SZELÍDÜLT. AZ ELME ÚTJA Jodorowsky színházi és mozgásművé- gy amerikai turista meglátott egy gia világában is otthonosan mozgó szeti (pantomim) háttérrel vágott bele kéregető mexikói kisfi út a temp- chilei művész munkásságáról, a ve- a fi lmkészítésbe, debütáló nagyjáték- „Elom kapujánál, odament hozzá, zetőség azonban egy Jodorowskyval fi lmje, aFando és Lis (Fando y Lis, 1968) és a következőt mondta: – Adok neked készült 1972-es interjúra hivatkozva ezeket a forrásokat igyekszik integrálni egy dollárt, ha megmondod, hol van az utolsó pillanatban lemondta az inkább kevesebb, mint több sikerrel. A Isten. – A kisfi ú habozás nélkül így fe- eseménysorozatot. A New York Times szürrealizmus és a Pánik művészeti lelt: – Adok Önnek két dollárt, ha meg- által is közölt hír szerint az interjú- mozgalom (Arrabal, Topor, Jodorowsky) mondja, hol nincs Isten.” (Alejandro ban -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
El Museo Del Barrio Announces Spring Exhibition Lineup
FOR IMMEDIATE RELEASE EL MUSEO DEL BARRIO ANNOUNCES SPRING EXHIBITION LINEUP: Lucio Fontana: Spatial Environment (1968) January 23 - April 21, 2019 JODOROWSKY February 28 - May 12, 2019 NEW YORK, NY, December 4, 2018 – El Museo del Barrio is pleased to announce its spring exhibition schedule, as it ushers in its 50th anniversary celebration in 2019. From January 23 to April 21, 2019, the lineup begins with Lucio Fontana: Spatial Environment (1968), an environmental installation by the Argentine-born artist, to coincide with The Met Breur exhibition, Lucio Fontana: On the Threshold. This is followed by JODOROWSKY, the first US museum survey dedicated to artist and filmmaker Alejandro Jodorowsky. Organized by Guest Curator María Inés Rodríguez, JODOROWSKY will be on view from February 28 to May 12, 2019. Lucio Fontana: Spatial Environment (1968) January 23 - April 21, 2019 El Museo del Barrio will display a reconstruction of artist Lucio Fontana’s 1968 Ambiente Spaziale [Spatial Environment]. First created in the late 1940s in relation to the artist’s innovative Spatialism movement, Fontana’s Ambienti Spaziali are labyrinthine, total environments that viewers enter and navigate. Built with the guidance of the Fondazione Lucio Fontana, the all-white Ambiente spaziale (1968) at El Museo will follow the exact specifications of the artist’s final work in the series, originally conceived and presented at Documenta 4 in Kassel, Germany shortly before Fontana’s death. The installation coincides with The Met Breur exhibition, Lucio Fontana: On the Threshold, curated by Metropolitan Museum Estrellita B. Brodsky Curator Iria Candela. About Lucio Fontana Argentine born Lucio Fontana (b. -
CULT CÍNEMA: a CRITICAL SYMPOSIUM Featuring Joe Bob Briggs, J
CULT CÍNEMA: A CRITICAL SYMPOSIUM Featuring Joe Bob Briggs, J. Hoberman, Damien Love, Tim Lucas, Danny Peary, Jeffrey Sconce and Peter Stanfield As the marginal goes mainstream^ critical connoisseurs debate the frenzied life, near death, and rejuvenation of cult cinema Oit of us know someone who can't get between the cttit ftlm and the marketplace. View- through a day without qiiotiitg from ing the phenomenon of cult film through the lens Joe Bob Briggs M Twin'Peaks: Fire Walk With Me, of the fan elicits questions about what distinguish- 1) Ihe cull film is taken from a pool of Casablanca, Dracula or some other coiiiptihively es cult interest from the more getierat category of movies your mama told you not to watch. So worshipped movie. Other people tire of hearitig cinephilia; differences between the opportunities you start with rebel filmmakers, and then them intone. "Eeelectrkity!," "Routtd up the usual for cult fans now atui cult fans Ixukin tlie day ofpre- within that pool iuspects, " or "I rtcver drink... witte, " but the}' per- home-viewing technologies; and the motives and cul- you have filmmak- severate and we screen them out. At what point, tural roles of the cult fan. ers rebelling against however, does this hid of behavior cease to seem Viewing the cult film in terms of its definition the rebels. A small cpiaintty quasipathotogical and begirt to call to us as an object, our contributors have confronted handful of those are as a sipiiftctmt spectacle? Is it a matter of the questions about cult esthetics: whether they are so quirky and/or ferocity of their ardor? Or their numbers? WoitM distinctly different from the esthetics of main- fetishistlc that they },000 people attending a Star Trek convention stream film; the independence of cult creators; attract a loyal fol- wearing Mr. -
Rethinking Spirituality in the Films of Alejandro Jodorowsky Adam Breckenridge New England Institute of Technology, [email protected]
Journal of Religion & Film Volume 19 Article 2 Issue 2 Fall 2015 10-1-2015 A Path Less Traveled: Rethinking Spirituality in the Films of Alejandro Jodorowsky Adam Breckenridge New England Institute of Technology, [email protected] Recommended Citation Breckenridge, Adam (2015) "A Path Less Traveled: Rethinking Spirituality in the Films of Alejandro Jodorowsky," Journal of Religion & Film: Vol. 19 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol19/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. A Path Less Traveled: Rethinking Spirituality in the Films of Alejandro Jodorowsky Abstract This essay seeks to add to the scholarship around the films of Alejandro Jodorowsky by looking at how Jodorowsky challenge to mainstream religion and spirituality in two of his major films: El Topo and The Holy Mountain. I situate both these films within their cultural context and, working with Slavoj Zizek’s idea of the sadistic trap, explore how they challenge not only mainstream religious beliefs but countercultural ones as well. By doing so, I hope to cast some light on what makes the subversive nature of his films so valuable and to provide some guidance to two films that can be quite overwhelming to try to understand. Keywords Alejandro Jodorowsky, El Topo, The oH ly Mountain, Slavoj Zizek, Counterculture Author Notes Adam Breckenridge is an assistant professor of technical writing at the New England Institute of Technology, where he specializes in both professional and technical communication and film studies. -
Dance of Realitylh
The Dance of Reality Contact: A Psychomagical Autobiography Manzanita Carpenter, Publicist [email protected] Alejandro Jodorowsky 802.767.3174 x135 ISBN: 978-1-62055-281-0, June 2014 Also available as an ebook Paperback: $24.95, 456 pages, 6 x 9 Imprint: Park Street Press FOR IMMEDIATE RELEASE Legendary Director of El Topo Returns with Critically Acclaimed Dance of Reality “…The Dance of Reality, a trippy but big-hearted reimagining of the young Alejandro’s unhappy childhood in a Chilean town…” New York Times Magazine “An autobiographical work by an octogenarian, The Dance of Reality begs to be read as a culminating work…” Los Angeles Times “His films El Topo and The Holy Mountain were trippy, perverse, and blasphemous.” Wall Street Journal Alejandro Jodorowsky, one of the most creative and enigmatic filmmakers of our time, has been worshipped by cult movie goers since the release of his films El Topo and The Holy Mountain in the 1970s. Now at 85, the “father of the midnight movie” is back after a 23-year hiatus with his seventh film, The Dance of Reality, which premiered at both the 2013 Cannes Film Festival and the 2014 SXSW Film Festival. Distributed by Abkco Films, The Dance of Reality opens in select theaters in New York and California on May 23, 2014, with wider distribution this summer. Coordinating with the theatrical release, Inner Traditions of Rochester, Vermont, will publish Dance of Reality in paperback on June 2, 2014. Inner Traditions’ director of sales and marketing John Hays says, “It’s a privilege to publish Dance of Reality for Jodorowsky’s English-speaking fans and an honor to play even a small role in getting Jodorowsky’s story out.” The deeply personal film and book “tie-in” tell the story of Jodorowsky’s alienated childhood in Chile.