Caring for Your Textile Heirlooms Marjorie M
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Know Your Body Know Your Style
KNOW YOUR BODY KNOW YOUR STYLE Our bodies are classified according to certain specific types of silhouettes. You will learn about your body type, the clothes that favor each silhouette and those that should definitely be avoided. Your body shape may have traits of two types of silhouettes. Stand in front of a full-length mirror in your underwear and carefully study your body shape. Regardless of whether you are slim or plump, your body will tend to predominantly conform to one of the body types described below. Knowing your silhouette, you will be able to know what type of outfits that will make you look great, and which ones you should avoid as they throw the shape of your body off balance. 2020 Playfication Learning, LLC © PagePage 1 of 1 8 of 8 HOURGLASS SHAPE This type of female figure is typically considered the perfect figure because it is the most proportionate. It is the most versatile body shape and practically everything that women with this figure wear looks good on them. However, you should avoid falling into exaggerations that unbalance your body. You have an hourglass figure, when your shoulders and hips measure the same, and your waist is narrower. You have a balanced and symmetrical body. Clothes that lengthen your body will accentuate your figure and make you look great. What to wear: 1. Wrap dresses and “A” shaped skirts 2. Dresses with a defined waist and knee-length skirts highlighting your curves 3. Solid colors 4. Two-piece dresses 5. Shirt dresses with a waist belt 6. -
Stocking Templates (On Page 4 – 9) at 100% Scale
www.fabriceditions.com Follow us here to see more exciting projects and ideas. STOCKING #mycreateit Finished Size: 10 in x 21 in (25.4 cm x 53.34 cm) Supplies Needed • 1 Yard Fabric Cut (36 in x 42 in / 91.44 cm x 106.68 cm) • Iron-On Appliqué • Coordinating thread • Removable marker • Tape • Scissors • Basic sewing supplies • Sewing machine • Iron, pressing surface and press cloth *Project made with these items from: (items sold separately) 588584189 – CI-FQ22-HOLWHM2 FQ22 HOLIDAY CHECK BLK 595341839 – CI-APPL22-TRUCK APPLIQUE TRUCK Before You Begin Read all instructions before beginning project. Before cutting, press fabrics with a dry iron on cotton setting. Use a ¼ in (3.81 mm) seam allowance and sew fabrics with right sides together (RST). Print the Stocking Templates (on page 4 – 9) at 100% scale. Cut and tape together. Follow manufacturer‘s instructions for appliqué. Cutting 1. Fold the 1 yard cut of fabric RST, matching selvage edges. Position Stocking pattern on fabric as shown in Diagram A. Trace around pattern, pin and cut out matching pairs, leaving pairs layered for sewing. One pair will be the Stocking Front and Lining while the other pair will be the Stocking Back and Lining. Dia. A 42 in (106.68 cm) Fold RST 36 in = = (91.44 cm) Fold Black Check Cut 2 - Stocking templates © 2021 Fabric Editions, Inc. page 1 2. From the scraps of the Black Check, cut a 1 ½ in x 6 in (3.81 cm x 15.24 cm) strip for a Dia. B Hanging Loop (Dia B). -
Care Labelling Guide
Care Labelling Guide This chart is for guidance only and should be read in conjunction with the ACCC Care labelling for Clothing Guide which specifies the mandatory standards for care labelling based on the Australian/New Zealand Standard (AS/NZS) 1957:1998, Textiles—Care labelling with variations and additions made by Consumer Protection Notice No. 25 of 2010. In Australia, care instructions must be permanently attached to articles, be written in English, and be appropriate for the care of the article. Additional symbols may be used to clarify the instructions but symbols alone are not sufficient. As a minimum, laundering instructions include (in order) four symbols: washing, bleaching, drying, and ironing. Drycleaning instructions include one symbol. Professional Wet Cleaning symbols are included for information only as they are not currently recognised in Australia. Washing The washtub symbol tells you how the garment should be washed. The number inside the washtub is the maximum wash temperature. A bar underneath the washtub indicates that the garment should have mild treatment or washed using the Permanent Press setting. Two lines underneath the washtub indicate gentle or delicate treatment. Normal Permanent Press Delicate / Gentle Hand Wash 95°c 70°c 60°c 50°c 40°c 30°c Do Not Wring Do Not Wash Bleaching The triangle symbol gives information about whether it is safe to bleach the garment. Any Bleach (when Only non-chlorine Do Not Bleach needed) bleach (when needed) Drying Tumble Dry - Cycles Normal Permanent Press Delicate / Gentle Do not tumble dry © 2013, Drycleaning Institute of Australia Limited Tumble Dry - Settings Any Heat High Medium Low No Heat / Air Line Dry - Hang to dry Drip Dry Dry Flat In the shade Do not dry Ironing The Iron symbol provides information on how the garment should be ironed. -
Curtains and Draperies
Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec to accent the character of furnishings tion. They must know about the archi in the room. -
All Hands Are Enjoined to Spin : Textile Production in Seventeenth-Century Massachusetts." (1996)
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1996 All hands are enjoined to spin : textile production in seventeenth- century Massachusetts. Susan M. Ouellette University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Ouellette, Susan M., "All hands are enjoined to spin : textile production in seventeenth-century Massachusetts." (1996). Doctoral Dissertations 1896 - February 2014. 1224. https://scholarworks.umass.edu/dissertations_1/1224 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMASS/AMHERST c c: 315DLDb0133T[] i !3 ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS A Dissertation Presented by SUSAN M. OUELLETTE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 1996 History ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS A Dissertation Presented by SUSAN M. OUELLETTE Approved as to style and content by: So Barry/ J . Levy^/ Chair c konJL WI_ Xa LaaAj Gerald McFarland, Member Neal Salisbury, Member Patricia Warner, Member Bruce Laurie, Department Head History (^Copyright by Susan Poland Ouellette 1996 All Rights Reserved ABSTRACT ALL HANDS ARE ENJOINED TO SPIN: TEXTILE PRODUCTION IN SEVENTEENTH-CENTURY MASSACHUSETTS FEBRUARY 1996 SUSAN M. OUELLETTE, B.A., STATE UNIVERSITY OF NEW YORK PLATTSBURGH M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Barry J. -
The Chief's Gorilla Guide for Looking Good in Uniform
The Chief’s Gorilla Guide For Looking Good In Uniform By Chief Master Sergeant Robert D. Chiafos CHIEF, IOWA CIVIL AIR PATROL ACADEMY Camp Dodge, IA 3rd Edition (Revised) January 2007 The Commander’s Responsibility Each commander needs to acknowledge and accept responsibility for the appearance of all individuals under their command. Every military unit has a uniform culture. Left undirected, and on their own, members of the unit will collectively and unconsciously set a standard for wearing the uniform. Once established, that standard will perpetuate itself. As new members come in they will observe the standard, and dress down or up to match it. In any unit where uniforms are not inspected regularly, or where the leadership fails to immediately confront individual violators; the standard will plummet like water seeking its lowest level. This is a serious breach of military discipline and the worst kind of leadership! Sadly, in some units, the senior members are the greatest offenders. No matter how bad the current standard is in your unit, it can be turned around. First, the commander must meet standards, if you don’t - correct it! You cannot conduct an inspection, or correct infractions, when the offenders look better than you do. Next, demand compliance from your Cadet Programs Officer, and all cadet officers and NCOs. When infractions are observed, use the chain of command to immediately confront and correct violations. When repeated correction fails, revoke the privilege of wearing the Air Force Uniform. Openly reprimand offenders and reward those who exceed the standards. Uniform inspections must be the first order of business at any CAP meeting, gathering, or other event. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Laundry Solutions
GIRBAU INC. WASHER-EXTRACTORS CONTINUOUS LAUNDRY SOLUTIONS WASHING SYSTEMS FOR HOSPITALITY LAUNDRIES DRYING TUMBLERS LAUNDRY SYSTEMS DESIGNED SPECIFICALLY FOR ALL SEGMENTS IRONING SYSTEMS OF THE HOSPITALITY INDUSTRY FEEDERS, FOLDERS & STACKERS THE TOTAL LAUNDRY SOLUTION FOR COMPLETE HOSPITALITY SATISFACTION At Continental Girbau Inc., we work to perfectly fit laundry equipment to the unique production, space, labor, workflow and energy needs of our clients in the hospitality industry. Our expansive product offering, including Continental Girbau and Girbau Industrial washing, drying, linen handling and ironing systems, work seamlessly together for the ultimate in reduced energy and labor costs, bolstered productivity, unmatched programmability, superior durability and ease-of-use. YOUR PRODUCTION NEEDS MATTER. We work closely with your hotel to deliver the perfect equipment mix — matching your unique needs completely. Our proven and dependable, high-performance lines of laundry equipment include the super high-volume TBS-50 Continuous Batch Washing System; high-, mid- and low-volume washer-extractors in 20- to 255-pound capacities; complementing stacked and single-pocket dryers; feeders; as well as ironing systems, folders, and stackers. GOING ‘GREEN’ MAKES GOOD BUSINESS SENSE. Thanks to our high-performance laundry equipment, water reclamation systems and ozone technologies, hotels and resorts reduce utility and labor costs, elevate green marketability and appeal, and bolster laundry productivity and quality. No wonder our laundry products qualify for Leadership in Energy and Environmental Design (LEED) credits, which can contribute to LEED certification! GUEST LAUNDRY SOLUTIONS FOR HAPPY GUESTS. Our small-load commercial laundry solutions are perfect for guest laundries. Choose from three powerhouse brands — Continental, LG and Econ-O — for proven durability, quiet operation, superior efficiency and ease-of-use. -
Textile Technology Strands and Standards
STRANDS AND STANDARDS TEXTILE TECHNOLOGY Course Description This course will focus on the importance of textiles in society. Students will explore how textiles are produced and how appropriate performance characteristics are incorporated into materials and products with a focus on sports and outdoor products. This course examines the global impact of the textile industry including production and care. Intended Grade Level 11-12 Units of Credit .5 Core Code 00.00.00.00.000 Concurrent Enrollment Core Code 00.00.00.13.000 Prerequisite Sports and Outdoor Design 2 OR Sewing Construction and Textiles 2 Skill Certification Test Number 354 Test Weight 0.0 License Type CTE and/or Secondary Education 6-12 Required Endorsement(s) Endorsement 1 Family & Consumer Sciences Endorsement 2 Fashion Design/Apparel/Merchandising Endorsement 3 N/A ADA Compliant: July 2020 TEXTILE TECHNOLOGY STRAND 1 Students will explore the characteristics of natural (cotton, hemp, linen, silk, wool) and manufactured fibers (aramid, lyocell, nylon, olefin, polyester, spandex) in the sports and outdoor industry. *Performance Skills for this strand included below. Standard 1 Review basic characteristics of natural and manufactured fibers (see prerequisite courses) Standard 2 Investigate the physical properties of natural and manufactured fibers. • Fiber structure • Length – Staple or filament fibers influences Strength and hand • Diameter – Thickness of the fiber influences stiffness, wrinkle resistance and transparency • Shape – Cross-sectional shape impacts luster, bulk, body, texture, soiling and hand • Surface contour - the outer surface of the fiber • Crimp - refers to the waves, bends, twists, and coils • Hand – How the fiber feels • Cover – The ability of a fiber to hide/protect what is beneath Standard 3 Performance properties of natural and manufactured fibers. -
Laundering, Drying, Ironing, Pressing Or Folding Textile Articles
CPC - D06F - 2020.02 D06F LAUNDERING, DRYING, IRONING, PRESSING OR FOLDING TEXTILE ARTICLES Definition statement This place covers: • Domestic or laundry dry-cleaning apparatuses using volatile solvents; • Domestic, laundry or tailors' ironing or other hot-pressing of clothes, linen or other textile articles; • Controlling or regulating domestic laundry dryers (cf. D06F 58/30). The Indexing Codes D06F 2101/00 - D06F 2101/20 cover user input for the control of domestic laundry washing machines, washer-dryers or laundry dryers. The Indexing Codes D06F 2103/00 - D06F 2103/70 cover parameters monitored or detected for the control of domestic laundry washing machines, washer-dryers or laundry dryers. The Indexing Codes D06F 2105/00 - D06F 2105/62 cover systems or parameters controlled or affected by the control systems of washing machines, washer-dryers or laundry dryers. Relationships with other classification places This subclass does not cover treatment of textiles by purely chemical means, which is covered by subclasses D06L and D06M. Apparatuses for wringing, washing, dry cleaning, ironing or other hot-pressing of textiles in manufacturing operations are covered by D06B and D06C. A document should be classified in D06F if: • It mainly relates to the treatment of home textiles, the treatment of other kinds of textiles should generally be classified somewhere else. • It generally (but not always) relates to a domestic appliance for treating a textile article (the machine may however be coin-operated). Exceptions to the rule at point (II) above are: D06F 31/00, D06F 43/00,,D06F 47/00, D06F 58/12, D06F 67/04, D06F 71/00, D06F 89/00 , D06F 93/00, D06F 95/00 as well as their subgroups. -
Week 3 the Woollen & Worsted Industries to 1780
Week 3 Dr Frances Richardson frances.richardson@conted. The woollen & ox.ac.uk https://open.conted.ox.ac.uk /series/manufactures- worsted industries industrial-revolution to 1780 Week 2 takeaways • Proto-industrialization theories give us some useful concepts for studying specific pre-factory manufacturing industries • More a framework than a predictive model • Artisan systems did not necessarily develop into putting-out systems • Proto-industry contained the seeds of its own demise • Although factory industrialization often grew out of proto-industry in the same area, some areas de-industrialized and industry spread to new areas • Other factors needed to explain changes, including marketing, industrial relations, and local politics Week 3 outline • Processes in woollen and worsted hand manufacture • Outline history – changing fashions, home demand and exports Wool comber • Organization of the industry in the West Country, Norwich and Yorkshire • How organisation and marketing affected success • How well different regions responded to changing fashion and demand Woollen cloth • Used carded, short-staple wool • Traditional from medieval period, predominated in Tudor exports • Types of cloth - broadcloth, kersey (lighter, less heavily fulled) • Export cloth high and medium quality – limited demand growth • Wool was sorted, willeyed, carded, spun, woven, fulled, finished – could involve raising nap, shearing, pressing, dyeing Broadcloth suit, 1705, VAM Worsted • Used combed, long-staple wool Lincoln longwool sheep • More suited to the Saxony