August-September 2016 August 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
African Roots Latino Soul
African Roots Latino Soul African Roots Latino Soul Recommended for ages 6 to 12 Grades 1-6 A Reproducible Learning Guide for Educators This guide is designed to help educators prepare for, enjoy, and discuss African Roots Latino Soul It contains background, discussion questions and activities appropriate for ages 6 to 12. Programs Are Made Possible, In Part, By Generous Gifts From: D.C. Commission on the Arts & Humanities DC Public Schools The Nora Roberts Foundation Philip L. Graham Fund PNC Foundation Smithsonian Women's Committee Smithsonian Youth Access Grants Program Sommer Endowment Discovery Theater ● P.O. Box 23293, Washington, DC ● www.discoverytheater.org Like us on Facebook ● Instagram: SmithsonianDiscoveryTheater ● Twitter: Smithsonian Kids African Roots Latino Soul 2 ABOUT THE PRODUCTION The museum theater production African Roots/Latino Soul began as an exciting partnership between Discovery Theater and more than 30 DC public school students under the guidance of Young Playwrights’ Theater (YPT). Students in grades 4-7 at MacFarland Middle School and grades 10-12 at Bell Multicultural School (many of whom come from, or have parents who come from, Africa, Central and South America, and the Caribbean) drew on their experiences and imaginations, working in small groups to compose monologues, dialogues, scenes, poems, and songs. Their writings became the basis of African Roots/Latino Soul. Funded by the Smithsonian Latino Center, African Roots/Latino Soul is the second Discovery Theater production to be written by students, with the guidance of some highly talented teaching artists. The first was Retratos: Portraits of our World, developed the methods of engagements in partnership with YPT and the Smithsonian National Portrait Gallery, in conjunction with the traveling exhibition Retratos: 2,000 Years of Latin American Portraits. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Exhibit 1: Declaration of Cameron R. Azari
Case 5:16-cv-10444-JEL-MKM ECF No. 1794-3, PageID.64336 Filed 05/27/21 Page 1 of 125 Exhibit 1 Case 5:16-cv-10444-JEL-MKM ECF No. 1794-3, PageID.64337 Filed 05/27/21 Page 2 of 125 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION ________________________________ In re FLINT WATER CASES Civil Action No. 5:16-cv-10444-JEL- MKM (consolidated) Hon. Judith E. Levy Mag. Mona K. Majzoub _________________________________ DECLARATION OF CAMERON R. AZARI, ESQ. ON IMPLEMENTATION AND ADEQUACY OF SETTLEMENT NOTICE PLAN I, Cameron Azari, declare as follows: 1. My name is Cameron R. Azari, Esq. I have personal knowledge of the matters set forth herein, and I believe them to be true and correct. 2. I am a nationally recognized expert in the field of legal notice, and I have served as an expert in hundreds of federal and state cases involving class action notice plans. 3. I am a Senior Vice President with Epiq Class Action & Claims Solutions, Inc. (“Epiq”) and the Director of Legal Notice for Hilsoft Notifications (“Hilsoft”); a firm that specializes in designing, developing, analyzing and implementing large-scale legal notification plans. Hilsoft is a business unit of Epiq. 4. This declaration will describe the implementation of the Settlement Notice Plan (“Notice Plan”) for the Settlement in In re Flint Water Cases, Civil Action No. 5:16-cv-10444-JEL- MKM (consolidated) in the United States District Court for the Eastern District of Michigan. I previously executed my Declaration of Cameron R. Azari, Esq. -
MO JAY RADIO . and Orchestra; Chausson, Curtain: Gounod, "Romeo
Slog In HI Ft: Liszt, "Les1 rang Interlude: "Aloha" Preludes"; Haydn, Syna-, with-the King Sisters. phony No. 102; Rodrigo, Concerto d'Ete for Violin10:00 p.m. ICBM. (105.1). Gold MO JAY RADIO . and Orchestra; Chausson, Curtain: Gounod, "Romeo . and Juliette" excerpts. MONDAY.A111LY27. 1977 7:00 a.m. IgtHtf (94.7), Paul4:00 p.m...KHCA_(10541,_MusIo Poeme for Violiipcj Or. 1100 p.m. KNOB (97.0). Act Portraits: Berlioz, "Sum---c-strar;-11e-ellicift-n-TQUAtc10:30-p.m.-KBIQ (1043), Exotic Lebec: Vocals a Audrey RUC KFI KHJ 920 ICPOL - 1540 Rhone: Music of Paul let No. 12. Sounds: "Exotic Dreams," Morris. Weston. nier Nights";DeJibes, Azama.-- KALI - 1430 KFOX - 1280KIEV. 870 KPOP 1020 "Sylvia.", 8:00 p.m. KCBH (98.7), Con- 11:30 p.m. KPFK , (00.7), Mod. KBIG-740 11:00 p.m. KPFK (90.7). Mod. KFWB 980KLAC 570 ° 7:00 a.m. KNOB (97.9). Java5:90.p.m. ERH111 (94.7), Strict- certo: Handel, Organ Con. ern Jazz Scene: With Philp %MA 1490; Ktrizw.,.1130 With Jazz: "Swingin' Lov- em Jazz: Gerry Mulligan ip Elwood in weekly so gpAy .1580 . KGER, 1390KI6PC ly Dixie: Artistry of Bob certo No. 14;Paganini, 710 .KINIZ .1400 ers," Frank Sinatra. ViolinConcerto No.4: Quartette. ries. 1190KGFJ - 1230 KNX 1070 MOW - 1600 Scobey and the Dukes of Chausson, Symphony In KEZY'KFAC1/-'1330 KGIL 1260, MAC 1560 KXLA 1110 8:00 a.m. KCBH (98.7), Inter- lude: Offenbach, "Grand Dixieland. B Fla t:Rachmaninoff, 5:00 p.m. KPFK (90.7); Pro. -
Shirley Temple Black
9/5/2016 NATAS / "Off Camera" / March 2014 March 2014 Editor's Note Dedicated to Shirley Temple Black... In the 1930s, she was the little shining star that our great nation needed to pull itself out of the throes of the Great Depression. Americans flocked to the movies to be cheered up by the little girl with the golden corkscrew curls and bubbly, effervescent personality. But, as we all know, Shirley Temple was not a "little star". By the time she was 3 years old, she was making movies in Hollywood. Very soon after that, Little Miss Miracle would become Hollywood's most-famous child star ever -- a big star that shined brightly for the rest of her life. With her passing last month at the age of 85, it is a very sad time for the San Francisco/Northern California Chapter of the National Academy of Television Arts and Sciences. Shirley Temple Black was a longtime San Francisco Bay Area resident who was a dedicated, wonderfully-involved member and supporter of our Chapter for five decades. Nearly 20 years ago, our Chapter inducted her into the Silver Circle to recognize her many significant contributions to the television industry. In addition to the world claiming her as its own during the height of her movie career, we are proud to say that Shirley was one of us in the Chapter, our most famous member ever. We at Off Camera are dedicating this month's issue to Shirley's memory. In this issue, you can read about her career as an actress and U.S. -
TV Formats in Europe
TV Formats in Europe Given the prolonged advertising recession and the fact that several major titles have peaked, the TV formats market in Europe is showing remarkable resilience. The value created by the top 100 formats was $2,931 million in 2013 for 84 European channels across the 16 territories and 21 distributors, according to the TV Formats in Europe report. The 2013 figure was 3.3% down on the 2012 total, but up on 2011. The number of hours broadcast reached 28,386 in 2013, nearly the same as 2012. The UK is the TV formats leader in Europe – just ahead of France. The value created by formats for UK broadcasters was $600 million in 2013, down from $677 million in 2012. France recorded $599 million in 2013, up from $547 million in 2012. The UK, France, Germany and Italy accounted for 72% of Europe’s total value created in 2013. The top 10 broadcasters accounted for two-thirds of the total value created in Europe for 2013 – which means that the remaining third was shared by 74 channels. France’s TF1 ($332 million) led the pack again, followed by Italy’s Rai 1 and the UK’s BBC1. The total number of hours broadcast in Europe for the 100 formats was 28,386 in 2013; very close to 2012. The UK was the leader again, despite its 2013 total (3,935) being considerably lower than in 2012 (4,623). Romania took third place, having added 645 hours to its total in 2013. Published in March 2014, this 146-page, PDF-delivered report covers 100 major formats on 84 channels across 16 European territories; with extensive comparison tables. -
GAME BOOK Games Bring Laughter, Excitement, Energy and Trust Into a Team
GAME BOOK Games bring laughter, excitement, energy and trust into a team. Here are more than 400 games designed to do just that at YOKE Club. GAME Just some help with leading games. 1. Make it exciting for the kids. DON’T be fake with your enthusiasm, but create an atmosphere of fun and excitement. 2. PARTICIPATE in the activities. The kids want you to interact with them. If you are not leading a game, you should be participating in it. 3. Give directions without sounding like you are. Use positive statements instead of negative ones. (“Don’t put your hand in the candle wax!” “Only the wicks go into the hot candle wax.”) 4. Use other YOKE Folk to act out right and wrong ways of completing a task. Have the kids repeat the rules in shorthand versions or with one word for each rule. 5. Start with excitement! Have the most energetic, fun games at the beginning then decrease the energy level to lead to a more serious atmosphere for the Talk. 6. Change things up. The games in Club in a Box are mixed up and not repeated. Don’t play the same games week after week. 7. Always have a backup plan or extra games. Sometimes it rains on parades; have other games to add if time passes slowly or if the weather proves to be troublesome. 2 GAME No Supplies Needed: Alphabet Game Little Sally Walker Tag: Dancing Freeze Tag Anatomy Monster Walk Tag: Duck Duck Goose Back-to-Back Mother, May I? Tag: Elbow Bedlam Murder Wink Tag: Everybody’s It Birdie on the Wire Name that Tune Tag: Follow Birthday Shuffle Pangaea Tag: Fox/Hound Box the Leader Poor Kitty Tag: -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4 -
Conclusion: Popular Music, Aesthetic Value, and Materiality
CONCLUSION: POPULAR MUSIC, AESTHETIC VALUE, AND MATERIALITY Popular music has been accused of being formulaic, homogeneous, man- ufactured, trite, vulgar, trivial, ephemeral, and so on. These condemna- tions have roots in aspects of the Western aesthetic tradition, especially its modernist and expressivist branches, according to which great art innovates, breaks and re-makes the rules, expresses the artist’s personal vision or unique emotions, or all these. Popular music has its defenders. But they have tended to appeal to the same inherited aesthetic criteria, defending some branches of popular music at the expense of others― valorising its artistic, expressive, innovative, or authentic branches against mere ‘pop’. These evaluations are problematic, because they presuppose all along a set of criteria that are slanted against the popular fi eld. We therefore need new frameworks for the evaluation of popular music. These frameworks need to enable us to evaluate pieces of popular music by the standards proper to this particular cultural form―to judge how well these pieces work as popular music, not how successfully they rise above the popular condition. To devise such frameworks we need an account of popular music’s standard features and of the further organising qualities and typical val- ues to which these features give rise. Popular music normally has four layers of sound―melody, chords, bass, and percussion―and each layer is normally made up of repetitions of short elements, these repeti- tions being aligned temporally with one another, with whole sections of repeated material then being repeated in turn to constitute song sections. © The Author(s) 2016 249 A. -
Musicians Mobilize for a Fair Contract
AFM LOCAL 47 October 2019 online #BandTogether Musicians Mobilize for a Fair Contract SWEETWATER CAREER PATHWAYS 50 Years After Woodstock Mentorship Program Expands to New Districts online - Official monthly electronic magazine of the ISSN: 2379-1322 American Federation of Musicians Local 47 - Publisher: Editor: Gary Lasley AFM Local 47 Managing Editor/Layout/ 3220 Winona Ave. Graphics: Linda A. Rapka Burbank CA 91504 Advertising Manager: 323.462.2161 Dan Walding www.afm47.org AFM LOCAL 47 EXECUTIVE BOARD & COMMITTEES Titled Officers Fair Employment Practices President John Acosta Committee Vice President Rick Baptist Ray Brown, Beverly Dahlke-Smith Secretary/Treasurer Gary Lasley Grievance Committee Trustees Ray Brown, Lesa Terry Judy Chilnick, Dylan Hart, Bonnie Janofsky Hearing Representative Lydia Reinebach Directors P. Blake Cooper, Pam Gates, Legislative Committee John Lofton, Phil O’Connor, Lisa Haley, Tawnee Lillo, Bill Reichenbach, Vivian Wolf Jason Poss, Lydia Reinebach, Brooke Wharton Hearing Board Allen Savedoff, chair Orientation Committee Alan Estes, Jon Kurnick, John Acosta, Rick Baptist, Jeff Lass, Norman Ludwin, Gary Lasley Helen Nightengale, Marc Sazer Relief Committee Delegates to AFM Convention Gary Lasley, Kevin Brandon, John Acosta, Rick Baptist, Ed Vodicka, Vivian Wolf Pam Gates, Bonnie Janofsky, Gary Lasley, Lydia Reinebach Salary Review Board Gabriel Golden, Stephen Green, 1st Alternate Delegate Kris Mettala, Lydia Reinebach, Phil O’Connor Paul Sternhagen 2nd Alternate Delegate Wage Scale Committee Norman Ludwin Judy Chilnick, P. Blake Cooper, Michael Davis, Phil O’Connor, Election Board Danielle Ondarza Mark Zimoski, chair Stephen Green, Mike Deutsch, Officers Emeritus Scott Higgins, Kris Mettala, Serena Kay Williams, Paul Sternhagen, Nick Stone Secretary/Treasurer Hal Espinosa, President Vince Trombetta, President Contents Navigate back to Contents by tapping the “O” Overture Online / Vol. -
Finding Aid to the Historymakers ® Video Oral History with Hamilton Cloud, II
Finding Aid to The HistoryMakers ® Video Oral History with Hamilton Cloud, II Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Cloud, Hamilton S., 1952- Title: The HistoryMakers® Video Oral History Interview with Hamilton Cloud, II, Dates: April 29, 2011 and April 30, 2011 Bulk Dates: 2011 Physical 13 uncompressed MOV digital video files (6:06:10). Description: Abstract: Talent agent and television producer Hamilton Cloud, II (1952 - ) produced the NAACP Image Awards from 1987 to 2000. In 1987, the Image Awards were broadcast on a national television network for the first time. Cloud has worked with a number of other companies, including NBC, Playboy Entertainment Group, and QDE. Cloud was interviewed by The HistoryMakers® on April 29, 2011 and April 30, 2011, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2011_036 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Television producer and talent agent Hamilton Cloud, II, was born on November 30, 1952, in Los Angeles, California. His father, Hamilton Cloud, Sr. was one of a few African Americans trained at the Northwestern University Dental School at the time of his graduation. Cloud grew up in Los Angeles but pursued his education at Yale University, where he earned his B.A. degree for his studies in “Communications: Mass Media and Black America,” a concentration that he “Communications: Mass Media and Black America,” a concentration that he originated. Working with radio programs in Los Angeles for fifteen years, Cloud established himself within the media industry.