MO JAY RADIO . and Orchestra; Chausson, Curtain: Gounod, "Romeo
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NAME AFFILIATION MUSIC Arcos, Betto KPFK, Latin Music Expert
SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION MUSIC Arcos, Betto KPFK, latin music expert Barnes, Micah Bentley, Jason KCRW music program host; SM Downs, LeRoy KJAZ Eliel, Ruth Colburn Foundation Fernandez, Paul SM Music Center Fleischmann, Martin Music producer Franzen, Dale Performing arts producer Gallegos, Geoff "Double G" Jazz arranger/player/music director Gross, Allen Robert Artistic Director/Conductor, SM Symphony Guerrero, Tony Tony Guerrero Quartet Jain, Susan Pertel Producer, Chinese cultural expert Jones, O-Lan Composer, producer Karlin, Jan Levine, Iris Dr. Vox Femina Marshall, Anindo Director, Adaawe Maynard, Denise KJAZ Mosiman, Marnie singer Pourafar, Pirayeh Musician, teacher Pourmehdi, Houman Musician, teacher Cal Arts, Lian Ensemble Roden , Steve (also Visual Art) Visual artist/sound composer (Glow 2010) Scott, Patrick Artistic Director, Jacaranda music series, SM Smith, Dr. James SM College Sullivan, Cary Producer/Afro Funke Night Club PERFORMANCE ART Davidson, Lloyd Keegan & Lloyd Fabb, Rochelle Performance artist Fleck, John Performance Artist Froot, Dan Performance artist Gaitan, Maria Elena Performance Artist, Musician, Linguist, Educator Hartman, Lauren Crazy Space Kearns, Michael Writer/performer Keegan, Tom Keegan & Lloyd Kuida, Jennifer Great Leap Kuiland-Nazario, Marcus Curator, Performance artist Malpede, John LAPD Marcotte, Kendis Former Director, Virginia Avenue Project Miller, Tim Performance Artist/ Former Director Highways Palacios, Monica Performance artist Sakamoto, Michael Performance artist Werner, Nicole Dance, performance, theater Wong, Kristina SANTA MONICA ARTS COMMISSION JURY POOL Updated 12/12/2014 NAME AFFILIATION Woodbury, Heather Performance artist Zaloom, Paul Performance artist THEATER Abatemarco, Tony Skylight Theater Almos, Carolyn Loyola, Burglers of Hamm Almos, Matt Playwright, producer, Disney Corp. -
African Roots Latino Soul
African Roots Latino Soul African Roots Latino Soul Recommended for ages 6 to 12 Grades 1-6 A Reproducible Learning Guide for Educators This guide is designed to help educators prepare for, enjoy, and discuss African Roots Latino Soul It contains background, discussion questions and activities appropriate for ages 6 to 12. Programs Are Made Possible, In Part, By Generous Gifts From: D.C. Commission on the Arts & Humanities DC Public Schools The Nora Roberts Foundation Philip L. Graham Fund PNC Foundation Smithsonian Women's Committee Smithsonian Youth Access Grants Program Sommer Endowment Discovery Theater ● P.O. Box 23293, Washington, DC ● www.discoverytheater.org Like us on Facebook ● Instagram: SmithsonianDiscoveryTheater ● Twitter: Smithsonian Kids African Roots Latino Soul 2 ABOUT THE PRODUCTION The museum theater production African Roots/Latino Soul began as an exciting partnership between Discovery Theater and more than 30 DC public school students under the guidance of Young Playwrights’ Theater (YPT). Students in grades 4-7 at MacFarland Middle School and grades 10-12 at Bell Multicultural School (many of whom come from, or have parents who come from, Africa, Central and South America, and the Caribbean) drew on their experiences and imaginations, working in small groups to compose monologues, dialogues, scenes, poems, and songs. Their writings became the basis of African Roots/Latino Soul. Funded by the Smithsonian Latino Center, African Roots/Latino Soul is the second Discovery Theater production to be written by students, with the guidance of some highly talented teaching artists. The first was Retratos: Portraits of our World, developed the methods of engagements in partnership with YPT and the Smithsonian National Portrait Gallery, in conjunction with the traveling exhibition Retratos: 2,000 Years of Latin American Portraits. -
Media Contacts List
CONSOLIDATED MEDIA CONTACT LIST (updated 10/04/12) GENERAL AUDIENCE / SANTA MONICA MEDIA FOR SANTA MONICA EMPLOYEES Argonaut Big Blue Buzz Canyon News WaveLengths Daily Breeze e-Desk (employee intranet) KCRW-FM LAist COLLEGE & H.S. NEWSPAPERS LA Weekly Corsair Los Angeles Times CALIFORNIA SAMOHI The Malibu Times Malibu Surfside News L.A. AREA TV STATIONS The Observer Newspaper KABC KCAL Santa Monica Blue Pacific (formerly Santa KCBS KCOP Monica Bay Week) KMEX KNBC Santa Monica Daily Press KTLA KTTV Santa Monica Mirror KVEA KWHY Santa Monica Patch CNN KOCE Santa Monica Star KRCA KDOC Santa Monica Sun KSCI Surfsantamonica.com L.A. AREA RADIO STATIONS TARGETED AUDIENCE AP Broadcast CNN Radio Business Santa Monica KABC-AM KCRW La Opinion KFI KFWB L.A. Weekly KNX KPCC SOCAL.COM KPFK KRLA METRO NETWORK NEWS CITY OF SANTA MONICA OUTLETS Administration & Planning Services, CCS WIRE SERVICES Downtown Santa Monica, Inc. Associated Press Big Blue Bus News City News Service City Council Office Reuters America City Website Community Events Calendar UPI CityTV/Santa Monica Update Cultural Affairs OTHER / MEDIA Department Civil Engineering, Public Works American City and County Magazine Farmers Markets Governing Magazine Fire Department Los Angeles Business Journal Homeless Services, CCS Human Services Nation’s Cities Weekly Housing & Economic Development PM (Public Management Magazine) Office of Emergency Management Senders Communication Group Office of Pier Management Western City Magazine Office of Sustainability Rent Control News Resource Recovery & Recycling, Public Works SeaScape Street Department Maintenance, Public Works Sustainable Works 1 GENERAL AUDIENCE / SANTA MONICA MEDIA Argonaut Weekly--Thursday 5355 McConnell Ave. Los Angeles, CA 90066-7025 310/822-1629, FAX 310/823-0616 (news room/press releases) General FAX 310/822-2089 David Comden, Publisher, [email protected] Vince Echavaria, Editor, [email protected] Canyon News 9437 Santa Monica Blvd. -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Laura Dickinson
CURRICULUM VITAE Laura Dickinson (202) 994-0376 (T) [email protected] EDUCATION Yale Law School, J.D., 1996 Journals: Co-Editor-in-Chief, Yale Journal of Law and the Humanities; Editor, Yale Law Journal Award: Khosla Memorial Fund for Human Dignity Prize for active engagement in advancing the values of human dignity in the international arena Activities: Teaching Assistant to Professor Harold Hongju Koh, Civil Procedure; Student Director, Lowenstein International Human Rights Clinic Harvard College, A.B., Social Studies, 1992 Honors: Magna Cum Laude; Phi Beta Kappa Awards: Hoopes Prize for senior honors thesis; Harvard College Scholarship for academic achievement; Harvard National Scholar. Activities: Editorials Editor, Harvard Crimson; Chair, Phillips Brooks House Committee for Economic Change; Editor, Harvard Political Review ACADEMIC POSITIONS 2011 – present The George Washington University Law School Oswald Symister Colclough Research Professor of Law; Co‐Director, National Security Law Program 2008 – 2011 Sandra Day O’Connor College of Law, Arizona State University Foundation Professor of Law; Director of the University’s Center for Law and Global Affairs 2001 – 2008 University of Connecticut School of Law Professor (2006-2008); Associate Professor (2001-2006) 2006 – 2007 Princeton University, Program in Law & Public Affairs Visiting Professor and Visiting Research Scholar JUDICIAL CLERKSHIPS 1997 – 1998 United States Supreme Court, Washington, DC Law Clerk to Justice Harry A. Blackmun. Also performed full law clerk duties for Justice Stephen G. Breyer. 1996 – 1997 U.S. Court of Appeals for the Ninth Circuit, Pasadena, CA Law Clerk to Judge Dorothy W. Nelson OTHER WORK EXPERIENCE 2014 – present New America Foundation, Washington, DC Future of War Fellow Prepare reports, papers and presentations on legal issues arising from new techniques and methods of warfare. -
DA-05-2541A2.Pdf
LICENSEE ID # CALL SIGN LICENSEE NAME LICENSEE CITY STATE 5282 KIYU-AM Big River Broadcasting Corp Galena AK 43937 KKGO-AM Mt. Wilson FM Broadcasters Inc. Beverly Hills CA 35047 KLBM-AM Pacific Empire Radio Group La Grande OR 71211 KLIC-AM Media Ministries, Inc. Monroe LA 35107 KMA-AM KMA Broadcasting, LP Shenandoah IA 2910 KMYT-FM Clear Channel Broadcasting Licenses, Inc. Temecula CA 35289 KNBA-FM Koahnic Broadcast Corp. Anchorage AK 48974 KNIM-FM Nodaway Broadcasting Corp. Maryville MO 26892 KNTB-AM FTP Corporation Lakewood WA 37454 KNWI-FM Northwestern College Osceola IA 27077 KOHU-AM West-End Radio, LLC Hermiston OR 51128 KOLW-FM Capstar TX Limited Partnership Basin City WA 48674 KOPN-FM New Wave Corp. Columbia MO 34424 KOST-FM AM/FM Broadcasting Licenses, LLC Los Angeles CA 866 KOXR-AM Lazer Broadcasting Corporation Oxnard CA 22975 KPAY-AM Deer Creek Broadcasting, LLC Chico CA 51252 KPFK-FM Pacifica Foundation, Inc. Los Angeles CA 37153 KPOD-FM KPOD, LLC Crescent City CA 25515 KPRG-FM Guam Educational Radio Foundation Agana GU 60854 KPXP-FM Sorensen Pacific Broadcasting, Inc. Garapan/Saipan MP 19791 KQCS-FM Cumulus Licensing, LLC Bettendorf IA 90769 KQHR-FM KBPS Public Radio Foundation Hood River OR 5268 KQYX-AM Petracom of Joplin, LLC Joplin MO 29196 KRBT-AM Iron Range Broadcasting, Inc. Eveleth MN 30121 KRFO-AM Cumulus Licensing LLC Owatonna MN 72475 KSLM-AM Entercom Portland License, LLC Salem OR 5989 KSPT-AM Blue Sky Broadcasting Sandpoint ID 49016 KSYB-AM Amistad Communications, Inc. Shreveprot LA 73627 KTRF-AM Iowa City Broadcasting Co., Inc. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
2019 Public Participation Plan
metro.net/publicparticipationplan Public Participation Plan October 2019 Executive Summary The Los Angeles County Metropolitan Transportation Authority (Metro) considers all who reside, work and travel within LA County to be stakeholders of the agency Residents, institutions, locally situated businesses, community- based organizations, religious leaders and the elected offi c ials who represent them are particularly important in relation to public participation planning and outreach Communications with the public is a continuum of involvement concerning service, fare changes, studies and initiatives, short- and long- range planning documents, environmental studies, project planning and construction, and transit safety education This Public Participation Plan (Plan) has been assembled to capture the methods, innovations and measurements of the agency’s commitment to meet and exceed the prescribed requirements of the U S Department of Transportation (USDOT), including Federal Transit Administration (FTA) Circulars C 4702 1B citing recipients’ responsibilities to Limited English Profic ient persons, FTA Circular C 4703 1, guiding recipients on integrating principles of Environmental Justice into the transportation decision-making process, and Federal Highway Administration’s (FHWA) Title VI program The Plan is also consistent with Title VI, (non-discrimination regulations) of the Civil Rights Act of 1964, Section 162(a) of the Federal-Aid Highway Act of 1973 and The Age Discrimination Act of 1975 Every three years, Metro updates the Public -
Exhibit 1: Declaration of Cameron R. Azari
Case 5:16-cv-10444-JEL-MKM ECF No. 1794-3, PageID.64336 Filed 05/27/21 Page 1 of 125 Exhibit 1 Case 5:16-cv-10444-JEL-MKM ECF No. 1794-3, PageID.64337 Filed 05/27/21 Page 2 of 125 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION ________________________________ In re FLINT WATER CASES Civil Action No. 5:16-cv-10444-JEL- MKM (consolidated) Hon. Judith E. Levy Mag. Mona K. Majzoub _________________________________ DECLARATION OF CAMERON R. AZARI, ESQ. ON IMPLEMENTATION AND ADEQUACY OF SETTLEMENT NOTICE PLAN I, Cameron Azari, declare as follows: 1. My name is Cameron R. Azari, Esq. I have personal knowledge of the matters set forth herein, and I believe them to be true and correct. 2. I am a nationally recognized expert in the field of legal notice, and I have served as an expert in hundreds of federal and state cases involving class action notice plans. 3. I am a Senior Vice President with Epiq Class Action & Claims Solutions, Inc. (“Epiq”) and the Director of Legal Notice for Hilsoft Notifications (“Hilsoft”); a firm that specializes in designing, developing, analyzing and implementing large-scale legal notification plans. Hilsoft is a business unit of Epiq. 4. This declaration will describe the implementation of the Settlement Notice Plan (“Notice Plan”) for the Settlement in In re Flint Water Cases, Civil Action No. 5:16-cv-10444-JEL- MKM (consolidated) in the United States District Court for the Eastern District of Michigan. I previously executed my Declaration of Cameron R. Azari, Esq. -
Agenda Metro Sustainability Council
Friday, December 14, 2018 @ 9:00 –11:00 am Agenda Metro Sustainability Council LA Metro HQ William Mulholland 15th Floor One Gateway Plaza Los Angeles, CA Agenda a. Welcome/Introductions: Chair (5 min) Meetings ARC Update Vacant Seat Nominations Update b. Approval of Minutes: Chair (5 min) c. CAAP Workshop Introduction: Evan Rosenberg (10 min) d. CAAP Breakout Sessions (55 min) e. Breakout Sessions Recap (15 min) f. DRAFT EV Implementation Strategy: Andrew Quinn (10 min) g. Action Items Log: Aaron (2 min) Sustainab ilityCouncil FY19 DRAFTM e e tingsArc AsofDe ce m b e r5,2018 M e e ting Ag e nd a Topics Outcom e s Se ptem b e r21,2018 *Ne w M e troRole *Bylawsa m e nd e d toreflectnew M e trorole *M otion57Progress *Allparticipantslea ve m e e ting witha Upd a te b a sic und e rstand ing ofMe tro’s currentprogressrelated toM otion57 Octob e r12,2018 *Introd uce Clima te Action *Allparticipantslea ve m e e ting witha Plan(CAAP) Upd a te topic b a sic und e rstand ing ofMe tro’s currentpractice srelated toCAAP,as we lla sb e stpractice sinthisfield (related totransportationprojects), a nd cha llenge srelated tothistopic. *Directionprovide d from the Council toM e trostaffond e veloping initial recomm e nd a tionsonCAAP upd a te; a d d itionalinforma tionnee d s ide ntified *OralUpd a te onLRTP *Allparticipantslea ve m e e ting witha Outrea ch a nd Activities b a sic und e rstand ing ofthe LRTP d e velopm e ntprogressa nd provide fee d b a ck a spartofthe outrea ch e ffort. -
Festival Handbook
This booklet was inspired by and written for participants in the Festival Encouragement Project (FEP), a program co-created in 2003 by the Center for Cultural Innovation and supported by a grant from the City of Los Angeles Department of Cultural Affairs (LADCA). The goal of 2 the FEP is to build the strength and capacity of selected outdoor cultural celebrations produced in L.A. that serve residents and tourists. Book Photography: Aaron Paley Book Design: Peter Walberg Published by the Center for Cultural Innovation TABLE OF CONTENTS Artists shown on the following pages: INTRODUCTION Judith Luther Wilder Cover Dragonfly by Lili Noden’s Dragon Knights ONE Festivals: Their Meaning and Impact in the City of Angels Page 2 Titus Levi, PhD. Jason Samuels Smith, Anybody Can Get It TWO Page 4 A Brief Historical Overview of Selected Festivals in Los Angeles- 1890-2005 Nathan Stein Aaron Paley Page 6 THREE Tracy Lee Stum Madonnara, Street painter Why? An Introduction to Producing a Festival Hope Tschopik Schneider Page 7 Saaris African Foods FOUR Santa Monica Festival 2002 Choosing Place: What Makes a Good Festival Site? Page 9 Maya Gingery Procession, streamers by Celebration Arts Holiday Stroll in Palisades Park, FIVE Santa Monica Timelines & Workplans Page 11 Aaron Paley Body Tjak, created by I Wayan Dibia and Keith Terry SIX Santa Monica Festival 2002 The Business Side of Festivals Sumi Sevilla Haru Page 12 Ricardo Lemvo and Makina Loca on stage at POW WOW SEVEN Grand Avenue Party 2004 Public Relations Advice for Festival Producers