DOCSLIB.ORG

Change the Law, Why Don't You Babe?1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Change the Law, Why Don't You Babe?1 CHANGE THE LAW, WHY DON’T YOU BABE?1 FAVORITE OLDIES IMMIGRATION LAW & POLICY LYRICS with selections from “All Rights Reserved,” a 1996 songbook sequel to “Immact Verses” (1992), by Lory Diana Rosenberg including new lyrics from 1998, 2000, 2002, 2004,2005 (original lyrics provided in some songs only) 1“You Just Keep Me Hangin’ On” [“Set me free, why don’t cha babe?”], sung by the Supremes, song by Brian Holland/Lamont Dozier/Edward Holland, Jr. 1 WHO’LL CHANGE THE LAW (To “Who’ll Stop the Rain” John Fogarty) WHO’LL STOP THE RAIN Credence Clearwater Revival (by John Fogarty) Long as I remember The law keeps coming down Long as I remember Families deported The rain been coming down. Removal all around Clouds of myst'ry pouring Errors in decisions Confusion on the ground. Thousands that I saw Good men through the ages, And I wonder still I wonder Trying to find the sun; Who’ll change the law? And I wonder, Still I wonder, Lawyers out in Portland, Who'll stop the rain. Boston and Harlingen Represent the poor folk I went down Virginia, Who have no place to run Seeking shelter from the storm. When they seek asylum Caught up in the fable, No one believes their claims I watched the tower grow. And I wonder, still I wonder Five year plans and new deals, Who’ll change this game Wrapped in golden chains. And I wonder, Heard they’re now detaining Still I wonder All those the law denies Who'll stop the rain. Soon they’ll close the borders Nine-eleven (9/11) justifies Heard the singers playing, Still I keep on writing, How we cheered for more. Finish every brief The crowd had rushed together, And I wonder, still I wonder Trying to keep warm. Who’ll grant relief? Still the rain kept pouring, Falling on my ears. Some say we can change things And I wonder, That new law can evolve Still I wonder Though immigration’s broken Who'll stop the rain. It can get fixed with “SOLVE”2 I sure am one to hope so Cause we can’t take much more And I wonder still I wonder Who’ll change the law? © 2004. All rights reserved. The Siren and Lory Diana Rosenberg, IDEA Consultations 2 A 2004 legislative initiative. 2 CRIME OF VIOLENCE 2004 SOUNDS OF SILENCE [To Sounds of Silence, by Simon and Garfunkel by Paul Simon (1966) Hello, darkness my old friend The law has retrogressed again Hello darkness my old friend, I've come to talk with you again. Doesn’t matter when the crime occurred Because a vision softly creeping Aggravated felony will be inferred Left it's seeds while I was sleeping And enforcement over liberty will reign And the vision that was planted in my brain Once again, Still remains Especially, with a crime of violence Within the sounds of silence. They picked my friend up last July In restless dreams I walked alone, Probation said she should come by Narrow streets of cobble stone. Jailed a mom who never would use force 'Neath the halo of a street lamp, Someone told her she should plead, of course I turned my collar to the cold and damp, Then I heard that a crime without mens rea, When my eyes were stabbed, by the flash of a Neon light, That split the night Down Florida way And touched the sounds of silence. Had been called another crime of violence And in the naked light I saw And after researching I saw Ten thousand people, maybe more. The overbreadth that taints this law People talking without speaking, Covers almost every type offense People hearing without listening, Doesn’t make a single bit of sense- People writing songs that voices never shared, Not just elements, but probabilities And no one dared Make de-por-tees Disturb the sounds of silence. Of those convicted of a crime of violence "Fools!" said I, "you do not know, Silence like a cancer grows. “Fools!” said I, “she didn’t know, Hear my words that I might teach you, Removal seems ex post fac-to Take my arms that I might reach you." Back in ‘95 she had a few But my words like silent raindrops fell... Called her ex and made a threat or two And echoed in the wells of silence. Though her words would never harm a hair, (no one cared) And the people bowed and prayed They believed, it was a crime of violence To the neon gods they made. And the sign flashed out its warning, Because Congress bowed and prayed, In the words that it was forming, And by hysteria was swayed. And the sign said, "The words of the prophets are written on the subway walls And tenement halls." So the law deports without regard And whispered in the sounds of silence. To whether separation makes life hard, And the law means removal from your family in the States. Yes, that’s your fate Especially, for a crime of violence. © 2004, 1998. All rights reserved. The Siren and Lory Diana Rosenberg, IDEA Consultations 3 ITS GONNA HURT SOMEONE KEEP ME HANGIN’ON (to “You Keep Me Hangin' On,” by the Supremes Brian Holland/Lamont Dozier/EdwardHolland, Jr. Amend the bill why don't you babe Strike out that clause, why don't you babe Set me free, why don’t cha babe We really don't need it Get out my life, why don’t cha babe It's just gonna hurt some-one ’cause you don’t really love me We really don't need it You just keep me hangin’ on It's just gonna hurt some-one You don’t really need me But you keep me hangin’ on You keep sayin' we need these laws To keep our borders wide and free Then you go and build a fence Why do you keep a coming around And jail all the refugees Playing with my heart? Why do you push them outside Why don’t you get out of my life When our country's built on immigrant pride? And let me make a new start? Let me get over you Amend the bill why don't you babe The way you’ve gotten over me Strike out that clause why don't you babe We really don't need it Set me free, why don’t cha babe It's just gonna hurt some-one Let me be, why don’t cha babe Now we really don't need it it's just gonna hurt some-one ’cause you don’t really love me You just keep me hangin’ on You keep on cutting the ways Now you don’t really want me That refugees and fam'lies can stay You just keep me hangin’ on But how can you wipe out relief When ending it only bring their families grief? You say although we broke up (And there's nothin' we can do about it!) You still wanna be just friends But how can we still be friends Wo-oooo-ooo When seeing you only breaks my heart again Amend the bill why don't you babe Strike out that clause why don't you babe And there ain’t nothing I can do about it Amend the bill why don't you babe Strike out that clause why don't you babe Woo, set me free, why don’t cha babe Woo, get out my life, why don’t cha babe You keep claimin’ that those crim’nals abound Set me free, why don’t cha babe And we don't need their type around Get out my life, why don’t cha babe But take a look and you will see Legal residents who have fa-amilies You claim you still care for me Why delete section 212(c)- When it's only discretion-ar-y? Hey! But your heart and soul needs to be free Why don't we be more fair about it Now that you’ve got your freedom A-and let them be? You wanna still hold on to me Why don't you be more even handed You don’t want me for yourself And reta-ain relief? So let me find somebody else hey! Go on - strike out, strike out that clause and retain relief. Why don’t you be a man about it And set me free Now you don’t care a thing about me (c) 1996. All rights reserved. The Siren and Lory You’re just using me Diana Rosenberg, IDEA Consultations. (Note: Its 2005 Go on, get out, get out of my life and we are still fighting same issues) And let me sleep at night 4 9/11 Lament— With Justice Denied (to Bob Dylan’s, “With God On Our Side” Oh, my name it means nothing, SECRET It won’t be released. (to “Do You Want to Know a Secret,” Beatles) Been held incognito, For over 10 weeks They came to my home, and Listen, They took me aside All the evidence is secret Now I sit in this jail cell, Under law its classified, With justice denied Whoa-oh-oh Well, I came as a student, Sorry, But then I was wed, You’re a terrorist my friend, I dropped out of school, and You’ve got nothing to defend, Was working instead Whoa-oh-oh My wife filed the papers, You will be removed! But they said we lied. Whoa–oh-oh-oh-oh So now they detain me, With justice denied (Break) We can’t allow you to review our file; We could redact it but it takes a whi-i-ile, Now they say its because of The terrorist threat Listen, Since I am from Yemen, All the evidence is secret They say I’m suspect Under law its classified, If I had some contact, Whoa-oh-oh Gave someone a ride I’ll be held with no bail, and Sorry, With justice denied You’re a terrorist my friend, You’ve got nothing to defend, Well, they claim they can do this Whoa-oh-oh Because we’re at war You will be removed! They rewrote the statute and Whoa–oh-oh-oh-oh They changed the law I’ll be here forever, (c) 2000 All rights reserved.
Load more

Recommended publications
  • Community Services Report 2009-2010
    Community Services Report 2009-2010 ach year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities Einto a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION Taylor Swift and Miley Cyrus and their signed guitar that was sold at a The GRAMMY Foundation was established GRAMMY® Charity Online Auctions. by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. OUR EDUCATION PROGRAMS Under the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. GRAMMY® CAREER DAY GRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals.
    [Show full text]
  • World Digipak Comp B.Indd
    MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output.
    [Show full text]
  • View Playbill
    MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.
    [Show full text]
  • At the OLD GLOBE THEATRE JULY 2009 Welcome
    performances at the OLD GLOBE THEATRE JULY 2009 Welcome Dear Friends, UPCOMING Welcome to the world premiere of The First Wives Club - A New Musical. The birth of a musical is always a reason to celebrate, and THE MYSTERY OF with the talent that is assembled IRMA VEP for this production, it is much July 31 - Sep. 6, 2009 more than that. Some of today's The Old Globe Arena Stage at most sought-after artists have the James S. Copley joined forces to bring us this Auditorium, exciting production. The creative San Diego Museum of Art team, comprised of inter- nationally renowned director ❖❖❖ Francesca Zambello, Tony Award®-winning book writer Rupert Holmes and music and SAMMY lyric Motown legends Brian Holland, Lamont Dozier and Eddie Holland, Sep. 17 - Nov. 1, 2009 is just about unbeatable. Starting out with a hugely popular movie (and Old Globe Theatre book) is both an amazing opportunity and a serious challenge. How do we now make this story work for the stage? Theatre is a vastly different ❖❖❖ art form than film and the wisest creators work to bring us something new and fresh. They use the convention of the imaginary "fourth wall" to breathe new life into well-known stories. Bringing an innovative twist T H E SAVA N N A H to a familiar story, a surprising new voice to a known character — these DISPUTATION are some of the key elements in the creation of this show, and you are Sep. 26 - Nov. 1, 2009 the first ones to see the journey from the creators’ vision to the The Old Globe Arena Stage at production fully-realized and on stage.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with James Ingram
    Finding Aid to The HistoryMakers ® Video Oral History with James Ingram Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ingram, James Title: The HistoryMakers® Video Oral History Interview with James Ingram, Dates: September 25, 2007 Bulk Dates: 2007 Physical 7 Betacame SP videocasettes (3:13:53). Description: Abstract: Musician, songwriter, and R & B singer James Ingram (1952 - ) was a multiple Grammy Award winner. Some of Ingram's hit songs included "Just Once," "Yah Mo B There;" he also co- wrote Michael Jackson's "P.Y.T." Ingram was interviewed by The HistoryMakers® on September 25, 2007, in Washington, District of Columbia. This collection is comprised of the original video footage of the interview. Identification: A2007_272 Language: The interview and records are in English. Biographical Note by The HistoryMakers® R&B vocalist James Ingram was born on February 16, 1952, in Akron, Ohio to Alistine and Henry Ingram. Ingram was interested in music at an early age and became a self-taught musician, inspired by his musical idol, jazz organist Jimmy Smith. In the 1970s, Ingram began performing in the Akron band Revelation Funk under leader John Birkett and alongside Bernard Lawson, Sr. The group opened for the Ohio Players and performed with a variety of other Akron funk bands, including Axis and the Silky Vincent Group. In 1973, when Ingram was seventeen years old, the group traveled to Los Angeles, California, hoping to find further opportunities to perform. Although the group met with some success, recording the track “Time is on Our Side” for the soundtrack to the film Dolemite, the band was unable to sustain itself, and the group returned to Ohio.
    [Show full text]
  • Honor Roll 2006
    i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Otis Clayborn Williams
    Finding Aid to The HistoryMakers ® Video Oral History with Otis Clayborn Williams Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Williams, Otis Title: The HistoryMakers® Video Oral History Interview with Otis Clayborn Williams, Dates: April 1, 2008 and September 16, 2008 Bulk Dates: 2008 Physical 7 Betacame SP videocasettes (3:25:04). Description: Abstract: Singer Otis Clayborn Williams (1941 - ) was an original member of the Motown Records R & B group, The Temptations. Williams was interviewed by The HistoryMakers® on April 1, 2008 and September 16, 2008, in Los Angeles, California and West Hollywood, California. This collection is comprised of the original video footage of the interview. Identification: A2008_068 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Baritone vocalist and member of the legendary R&B group The Temptations, Otis Clayborn Williams was born on October 30, 1941 in Texarkana, Texas to Hazel Louise Williams and the elder Otis Miles. At the age of ten, Williams and his mother relocated to Detroit, Michigan, and he began using his mother’s last name. In 1955, Williams attended Detroit’s Northwestern High School where he became classmates with future-Temptations Melvin Franklin and Richard Street. As an adolescent, Williams became interested in music and joined with fellow classmates to form singing groups such as Otis Williams and the Siberians, The El Domingoes and The Distants. As a member of The Distants, Williams sang baritone alongside Melvin Franklin and Al Bryant and was the co-writer of the group’s hit song “Come On.” However, his fame with The Distants became short lived once the group received an offer from the president of Motown Records, Berry Gordy.
    [Show full text]
  • Phil Collins the Singles Mp3, Flac, Wma
    Phil Collins The Singles mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Singles Country: Europe Released: 2018 Style: Pop Rock, Ballad MP3 version RAR size: 1252 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1714 mb Rating: 4.9 Votes: 442 Other Formats: VOX AHX AIFF AU ASF MP1 RA Tracklist Hide Credits A1 In The Air Tonight 5:35 A2 I Missed Again 3:44 You Can't Hurry Love A3 2:54 Written-By – Holland-Dozier-Holland A4 Against All Odds 3:26 Easy Lover A5 5:03 Written-By – Nathan East, Phil Collins, Philip Bailey B1 Sussudio 4:23 B2 One More Night 4:48 Separate Lives B3 4:08 Written-By – Stephen Bishop A Groovy Kind Of Love B4 3:30 Written-By – Carole Bayer, Toni Wine Two Hearts B5 3:24 Written-By – Lamont Dozier, Phil Collins C1 Another Day In Paradise 5:23 C2 I Wish It Would Rain Down 5:28 Something Happened On The Way To Heaven C3 4:51 Written-By – Daryl Stuermer, Phil Collins C4 Do You Remember? 4:36 D1 Both Sides Of The Story 6:42 D2 Dance Into The Light 4:23 True Colors D3 4:34 Written-By – Steinberg & Kelly Can't Stop Loving You D4 4:16 Written-By – Billy Nicholls (Love Is Like A) Heatwave D5 2:52 Written-By – Holland-Dozier-Holland Companies, etc. Phonographic Copyright (p) – Philip Collins Ltd. Copyright (c) – Philip Collins Ltd. Licensed To – Rhino Entertainment Company Record Company – Warner Music Group Credits Remastered By – Miles Showell, Nick Davis Written-By – Phil Collins Notes Made in the EU - Gatefold sleeve Barcode and Other Identifiers Barcode: 603497860272 Other versions Category Artist
    [Show full text]
  • The Heart of Rock and Soul by Dave Marsh
    The Heart of Rock and Soul by Dave Marsh 4 REACH OUT I'LL BE THERE, The Four Tops Produced by Brian Holland and Lamont Dozier; written by Brian Holland, Lamont Dozier, and Eddie Holland Motown 1098 1966 Billboard: #1 (2 weeks) The shibboleth is that pop music -- from jazz to soul to punk -- is better off as a purely expressive vehicle in which feeling overwhelms thinking. But that's a dangerously sentimental delusion. The fact is, working in a strictly defined, even formulaic context, Holland-Dozier-Holland and Levi Stubbs came up with a record that is a match for anything in the history of rock and roll. It was in part the restrictions of Motown and Top 40 pop which made it possible, by establishing the tension that the producers and performers worked against. "Reach Out" is perhaps the truest single of all: Motown has released "Reach Out" dozens of times, on every medium from singles to CDs, but not one of the remasterings comes close to the sheer sonic crunch of the seven-inch 45. (Not just the Motown "map label" original; even reissued singles will put away any LP track or even the digitalized CD.) Unfortunately, in the squinched-up versions most often available, most of the things that make this the greatest Holland-Dozier-Holland record are missing. The sheer size of the sound, its physical impact; the wild echo that makes the countermelody carried by the flute exotic and eerie; equalization that polarizes voice and drums; the producers' use of what must have been about half of the Detroit Symphony as an adjunct rhythm section; whatever the hell it is that establishes the clip-clap rhythm in the intro.
    [Show full text]
  • 2017 Program
    Honoring the Class of 2017 UNIVERSITY OF MICHIGAN Spring Commencement April 29, 2017 | Michigan Stadium Honoring the Class of 2017 SPRING COMMENCEMENT UNIVERSITY OF MICHIGAN April 29, 2017 10:00 a.m. This program includes a list of the candidates for degrees to be granted upon completion of formal requirements. Candidates for graduate degrees are recommended jointly by the Executive Board of the Horace H. Rackham School of Graduate Studies and the faculty of the school or college awarding the degree. Following the School of Graduate Studies, schools are listed in order of their founding. Candidates within those schools are listed by degree then by specialization, if applicable. Horace H. Rackham School of Graduate Studies .....................................................................................................26 College of Literature, Science, and the Arts ..............................................................................................................36 Medical School .........................................................................................................................................................55 Law School ..............................................................................................................................................................57 School of Dentistry ..................................................................................................................................................59 College of Pharmacy ................................................................................................................................................60
    [Show full text]
  • Holland, Dozier and Holland 1990.Pdf
    NON ■ Fm E R S H-D-H'S GREATEST HITS “Baby Love*’ The Supremes; 1944 “ Coni See About Me” : The Supremes; 1964 g Can't Help Myself/’ The four Tops; 1965. “Where Did Oor Love Go?” ; The Supremes; 1964 ; “Heach Out I’ll Be There” he Supremes' "Stop! In the Name of Love" and "You The Tour Tops; 1944 Can't Hurry Love." The Four Tops' "Reach Out I'll Be “ Ton Can’t H'urry Love” There." Marvin Gaye's "How Sweet It Is to Be Loved by The Supremes; 1946 You." Martha and the Vandellas' "Heat Wave." “Back in My Arms Again” Each of these songs was written by the team of Brian The Supremes; I96S Holland, Lamont Dozier and Eddie Holland, and according “ I Hear a Symphony” '/ to BMI statistics, each has been broadcast or performed more The.Supremes,vl 94 S than 1 million times. If Holland, Dozier and Holland's output “Stop! Intre Name of Love” g | had begun and ended with these five songs, their words and melo­ . The Suprêmes; 1965 dies would still resound today. But these acknowledged classics are “ Too Keep Me Hangin; On” only the tip of a creative peak that began to take shape three decades ago. fi The Supremes; 1946 , The brothers Brian and Edward Holland and their partner, Lamont Dozier, were “The Happening” bom and raised in Detroit, and the music of their youth was elegant black pop, The Supremes; 1967 big-band jazz and Southern gospel. "Around my house, we heard a lot of Nat Cole, Billy Eckstine, Count Basie, Ellington," says Brian overshadowed superlative H-D-H productions “L ove Is Here and Now for artists like Kim Weston ("Helpless") and the Tou’re Gone” Holland today The Hollands' relationship with The Supremes; 1967 Berry Gotdy dated to 1958 - when the soon-to- Isley Brothers ("This Old Heart of Mine").
    [Show full text]
  • Holland-Dozier-Holland Someone Had to Write All the Soul Hits
    Richard Hopkins, Producing Artistic Director Please do not take the Cabaret Book. You may download a complete copy at: www.floridastudiotheatre.org Jordan Craig, Andrew Mauney, Luke Minx, and Ryan Connolly. Photo by Maria Lyle. Maria by Photo Connolly. Ryan and Minx, Luke Mauney, Andrew Craig, Jordan Table of Contents What is Cabaret?, page 3 A brief history of the artform. A Brief History of Soul Music, pages 4-5 Learn about how the artists of the era took the music industry by storm. Music Milestones, pages 6-7 Learn about the major events that occured throughout history with Rhythm and Blues groups as well as solo artists of the genre. Throughout the Eras, pages 8-12 Some of the top recording solo artists and groups during the 60s and 70s. Jordan Craig. Photo by Maria Lyle. 2 What is Cabaret? It began in Paris on November 18, 1881, the year in which the first and most famous cabaret of all, the Chat Noir (Black Cat), was established. Paris, during what the French like to call the Belle Epoque, was the cultural capital of Europe; the mecca of the arts to which admirers and young hopefuls flocked from one end of Europe to the other, and indeed from still farther away. If something caught on in Paris, the immense reputation of the city as the source of fashion and innovation ensured its rapid diffusion across the continent and beyond. Besides giving rise to many cabarets in Paris itself, in its own time and after it became history, the Chat Noir also inspired the introduction of cabaret in major cities throughout Europe in the late nineteenth and early twentieth centuries.
    [Show full text]