Georgia Ranks 18Th Among Best European Countries for Business 2020

Total Page:16

File Type:pdf, Size:1020Kb

Georgia Ranks 18Th Among Best European Countries for Business 2020 Issue no: 1228/219 • FEBRUARY 18 - 20, 2020 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Weekly Entrepreneurial News @entrepreneur.ge NEWS PAGE 2 Real Estate Market Oct-Dec 2019 Market Highlights ISET PAGE 4 Re|Bank – New Retail Banking Service in Georgia aimed at Maximum Customer Comfort BUSINESS PAGE 5 FOCUS CENN Launches Green ON EURONEWS GEORGIA Scholarship for Young Check out our exclusive Climate Activists interview with Euronews BUSINESS PAGE 9 CEO, Michael Peters PAGE 13 Registered Crime up 9.8% in Georgia Georgia Ranks 18th among Best BUSINESS PAGE 11 Georgian PM Summarizes European Countries for Business 2020 Munich Security Conference POLITICS PAGE 14 BY TEA MARIAMIDZE Premiere of Gaetano eorgia has taken 18th place in the list of the best European Donizetti’s L'Elisir d'Amore Countries for Doing Business in 2020, the latest report of the European Chamber (EuCham) reads. – a Co-production of 3 The annual report includes 46 countries and is based on the average of two indicators: the Ease of Doing Business European Theaters G(EoDB) score of the World Bank (WB) and the Corruption Perception Index score of Transparency International (TI). CULTURE PAGE 15 Prepared for Georgia Today Business by Markets Asof14ͲFebͲ2020 Image source: expat.com STOCKS Price w/w m/m BONDS Price w/w m/m Despite the position in the Top 20 countries with the best business BankofGeorgia(BGEOLN) GBP17.93 +11,5% +10,0% GEOROG04/21 104.85(YTM2.57%) +0,3% +0,4% GeorgiaCapital(CGEOLN) GBP8.16 +5,7% Ͳ8,2% GEORG04/21 105.47(YTM2.02%) Ͳ0,1% Ͳ0,0% opportunities, Georgia’s score this year, 70, is a worsened indicator com- GHG(GHGLN) GBP1.28 +4,1% +2,8% GRAIL07/22 110.11(YTM3.32%) +0,1% +0,0% pared to the 2019 ranking, where Georgia had 71 points and was in 16th TBCBankGroup(TBCGLN) GBP13.32 +6,6% +5,7% GEBGG07/23 106.55(YTM3.94%) +0,3% +0,5% place. COMMODITIES Price w/w m/m CURRENCIES Price w/w m/m CrudeOil,Brent(US$/bbl) 57,32 +5,2% Ͳ11,1% GEL/USD 2,8645 +0,2% Ͳ0,3% However, Georgia has kept its position as leader in the region with its GoldSpot(US$/OZ) 1584,06 +0,9% +2,4% GEL/EUR 3,1031 Ͳ0,8% Ͳ3,1% economic environment. According to the report, Armenia takes 33rd GEL/GBP 3,7371 +1,5% Ͳ0,1% INDICES Price w/w m/m GEL/CHF 2,9175 Ͳ0,1% Ͳ1,9% place with 58 points, followed by Turkey in 35rd place and 58 points. FTSE100 7409,13 Ͳ0,8% Ͳ2,8% GEL/RUB 0,0449 +0,2% Ͳ4,1% Azerbaijan is ranked 41st with 53 points, and Russia showed the lowest FTSE250 21790,08 +1,4% +0,2% GEL/TRY 0,4730 Ͳ0,4% Ͳ3,2% DAX 13744,21 +1,7% +2,1% GEL/AZN 1,6894 +0,3% Ͳ0,1% rank in the region at 43rd with 53 points in total. DOWJONES 29398,08 +1,0% +1,6% GEL/AMD 0,0060 ͲͲ NASDAQ 9731,18 +2,2% +5,2% GEL/UAH 0,1171 +0,6% Ͳ3,4% Georgia left behind such countries as Portugal (19th place), Latvia (21st), MSCIEMEE 186,25 +0,6% Ͳ6,1% EUR/USD 0,9233 +1,1% +2,7% Poland (67th), Italy (63rd), Belarus (29th), Hungary (31st), Greece (34th), MSCIEM 1106,30 +1,3% Ͳ3,3% GBP/USD 0,7665 Ͳ1,2% Ͳ0,2% SP500 3380,16 +1,6% +3,0% CHF/USD 0,9823 +0,5% +1,5% Kazakhstan (39th) and Ukraine (50th). MSCIFM 2663,13 Ͳ1,2% Ͳ3,7% RUB/USD 63,5540 Ͳ0,9% +3,4% GTIndex(GEL) 1582,68 ͲͲTRY/USD 6,0587 +0,7% +3,0% Continued on page 5 GTIndex(USD) 1208,13 ͲͲAZN/USD 1,6980 ͲͲ GEORGIA TODAY 2 NEWS FEBRUARY 18 - 20, 2020 Acclaimed Filmmaker Giorgi Shengelaia @entrepreneur.ge Gamarjoba! I’m the Editor-in-Chief of the Georgian edition of Entrepreneur magazine and I’m here to share the top weekly Dies Aged 82 Entrepreneurial news with you: Cinematography Institute. From 1962 he Young Composer’ took part in the 36th BY ELENE DZEBISASHVILI worked at the Georgian Film Studio. Berlin International Film Festival, win- Emocia is a brand that offers beautiful Shengelaia comes from a family of fi lm- ning the Silver Bear for Best Director. accessories made from natural stone, wood makers. His older brother Eldar Shenge- Shengelaia has left us with some very and leather for women, men and children. eorgia’s cherished film laia directed some of the best classics of distinctive works- His fi rst fi lm ‘Alaver- Founder Tamar Abuladze recalls that when director and Rustaveli Prize Georgian comedy; their father, Nikoloz doba’ (1963) is an art drama that takes as she decided to start up her own business, Laureate Giorgi Shengelaia Shengelaia, was the father of Georgian its subject matter the novel of the same she spent nights making accessories. Emocia has been online for fi ve months has passed away at the age silent fi lm; their mother, Nato Vachnadze, name by Guram Rcheulishvili; Shenge- now, but because of the increasing demand of 82. performed leading roles in many of laia’s ‘Pirosmani’ (1969) is a biographical and Tamar’s wish to develop her business, GBorn on May 11, 1937, Shengelaia gradu- Nikoloz’s fi lms. art-drama fi lm about cherished Georgian the team behind Emocia is planning to go ated from the Directing Faculty of the Union Shengelaia’s fi lm ‘The Journey of A primitivist painter Niko Pirosmani. beyond the online platform. HOUSER is a legal expertise center offering consulting services to those looking to become property owners. The founder of the company is Tazo Chakhunashvili. Clients tell the company’s Former Georgian President qualifi ed personnel which property they are interested in and an active investigation is begun into the background of the building, its safety architecturally and its legal status. Alerting clients to any risks, and giving out Returns to Active Politics recommendations and advice, is what HOUSER The former president explained that candidate in May 2013 and he won the is there for. BY ANA DUMBADZE "Georgia is currently under threat of October 2013 presidential election with Women in Wine Expo losing the support of Western partners 62% of votes. (WIWE) works to unite and being governed by Russian author- With Margvelashvili's election, a new winemaking women ormer Georgian President ities." constitution came into effect, signifi cantly worldwide, aiming to Giorgi Margvelashvili has Margvelashvili, who became President curtailing the president's powers in favor break through the gender decided to return to active of Georgia with the support of GD, also of the Prime Minister and the Parliament. stereotypes in the industry. politics. added that he is not interested in the Shortly thereafter, Margvelashvili's rela- Women from different "By choosing authoritarian- reactions of his former team members tions with Ivanishvili and the ruling continents will meet at Fism, Georgian Dream crossed red lines. regarding his return to active politics, Georgian Dream party leadership sig- Lopota Lake in May to No democracy, no national unity, no as "it does not matter what moves they nifi cantly spoiled. help create a future in which gender difference western path,” he wrote on Twitter, add- make, they can't stop me." During his tenure, Margvelashvili was won’t play a role in the ing that he “will serve the mission of Georgian academic and politician Giorgi critical of the Georgian Dream's con- winemaking industry. Many more will join via the web. In Georgia, the biggest Georgia’s western choice with his friends Margvelashvili was the fourth President solidation of power. He was the fi rst speaker will be Karen MacNeil, author of the book “The Wine Bible.” WIWE is and the Georgian people.” of Georgia, in offi ce from 17 November president in Georgia's history not to seek the fi rst initiative of its kind in Europe, with participants from the USA, Canada, As he has claimed recently, he "had no 2013 to 16 December 2018. reelection for a second term. the UK, France, Spain, Italy, Hungary, Greece, Turkey, Armenia, Lebanon, South moral right to watch the recent develop- In October 2012, he became a member As Bidzina Ivanishvili claimed, the Africa, Nigeria, and Georgia. ments remotely anymore, as his former of the newly formed cabinet of Bidzina former president "showed different char- Follow the Entrepreneur Georgia Instagram page to get the latest updates from team members, the ruling party Georgian Ivanishvili, the leader of the Georgian acteristics and attitudes," which alleg- Georgian Entrepreneurs. For doing business with Georgian Entrepreneurs, write us on Dream representatives, created an Dream party. Margvelashvili was named edly laid the foundation for the confron- [email protected] unprecedented danger for the country." by the GD coalition as its presidential tation and disagreement between them. GEORGIA TODAY FEBRUARY 18 - 20, 2020 NEWS 3 Mike Pompeo: Russia Has Seized Crimea, Parts of Eastern Ukraine, Georgia BY ANA DUMBADZE uring his speech at the Munich Security Confer- ence, US Secretary of State Economy Minister on Georgia Mike Pompeo spotlighted the Russian occupation of Being ITB Berlin Host Country DGeorgia along with other important issues. and at the same time very old-fashioned BY ANA DUMBADZE "More than 30 years since the fall of tourist markets, where we have reached the wall, countries that don’t respect and exceeded 9,300,000 visitors in last sovereignty still threaten us. Some nations few years, which is three times more still desire empire.
Recommended publications
  • Catalogo Giornate Del Cinema Muto 2011
    Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A.
    [Show full text]
  • Saqartvelos Inteleqtualuri Sakutrebis Erovnuli Centris Saqpatentis Perioduli Gamocema Saqartvelo Gamodis Sam Tvesiiertxel © Saqpatenti, 2014
    gazafxuli SPRING #7 2014 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY dabeWdilia saqpatentis poligrafiaSi PRINTED AT SAKPATENTI PUBLISHING HOUSE mis.: 0179, Tbilisi, nino ramiSvilis q. 31 ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 tel.: (+995 32) 291-71-82 TEL.: (+995 32) 291-71-82 www.sakpatenti.org.ge [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Dear Reader, 26 April is the World Intellectual Property Day. The World Intellectual Property Organization (WIPO) celebrates this date since 2001 and every year defines the theme and slogan of the day. This year the World Intellectual Property Day is dedicated to cinematography Zvirfaso mkiTxvelo, and, respectively, to the people working in this field, 26 aprili inteleqtualuri sakuTrebis msoflio who indeed deserve universal admiration by their work. dRea. am dRes inteleqtualuri sakuTrebis msof­ And the slogan Movies – A Global Passion, selected by lio organizacia (ismo) 2001 wlidan aRniSnavs da WIPO for this day, is very accurate. yovelwliurad gansazRvravs masTan dakavSirebul Cinematography has always been a sensitive and re­ Tematikasa da slogans. wels es dRe mieZRvna kine­ levant issue for Georgia. At the Georgian Film Archives matografias da, Sesabamisad, am sferoSi moRvawe ada­ numerous films are preserved which have gained mianebs, romlebic Tavisi SemoqmedebiT marTlac sa­ international recognition as the best directing, acting, yovelTao aRtacebas iwveven. Zalian zustia am dRisTvis SerCeuli sloganic _ „kino _ sayovelTao aRtaceba“. artistic or musical works. It is extremely important that kinematografiis Tema yovelTvis Zalian mgrZno­ this high standard of Georgian cinematography was biare da aqtualuri iyo saqarTvelosTvis.
    [Show full text]
  • Table of Contents
    THE ROADS DEPARTMENT OF THE MINISTRY OF REGIONAL DEVELOPMENT AND INFRASTRUCTURE IN GEORGIA INTERNATIONAL BANK FOR RECONSTRUCTION AND DEVELOPMENT Kakheti Regional Roads Improvement Project (KRRIP) (P117152) SLRP III Preparation of Feasibility Study and Bidding Documents for Design- and-Build Contract for Rehabilitation of Bypass of Bakurtsikhe-Gurjaani Road Section under Kakheti Regional Roads Improvement ProjectKRRIP/CS/QCBS-03 Addendum to the Resettlement Action Plan The Roads Department of the Ministry of Regional Development and Infrastructure of Georgia Preparation of Feasibility Study and Bidding Documentation for Design- and-Build Contract for Rehabilitation of Bypass Bakurtsikhe-Gurjaani Road Section under Kakheti Regional Roads Improvement Project KRRIP/CS/QCBS-03 Resettlement Action Plan Addendum Kakheti Regional Roads Improvement Project KRRIP / P117152 SLRP III August 2016 CURRENCY EQUIVALENTS (as of 29 August 2015) Currency Unit – Lari (GEL) $1.00 = GEL 2. 29 ABBREVIATIONS ACS – Acquisition and Compensation Scheme CSC – Construction Supervision Consultant AH – Affected Household AP – Affected Person CBO – Community Based Organization DGPS Differential Global Positioning System DMS – Detailed Measurement Survey RDRD – Road Development and Resettlement Division GoG – Government of Georgia GRCE – Grievance Redress Committee GRCN - Grievance Redress Commission IA – Implementing Agency IFI - International Financial Institution IP – Indigenous Peoples EMA – External Monitoring Agency km – Kilometre LAR – Land Acquisition and Resettlement
    [Show full text]
  • Modifications of Women's Representations in 1920S Georgian
    TBILISI STATE UNIVERSITY, FACULTY OF SOCIAL AND POLITICAL SCIENCES, INTERNATIONAL PHD PROGRAM IN GENDER STUDIES Modifications of Women’s Representations in 1920s Georgian Soviet Silent Films Orientalisation, Agency, Class Salome Tsopurashvili Academic Supervisor Professor Denise J. Youngblood, PhD. Department of History University of Vermont Tbilisi 2016 Contents Acknowledgements ....................................................................................................................................... 1 Abstract ......................................................................................................................................................... 2 Chapter I-Introduction .................................................................................................................................. 3 Statement of the problem and the limitations ......................................................................................... 3 Historical Context ...................................................................................................................................... 4 Literature Review ...................................................................................................................................... 9 The Aim of the Project ............................................................................................................................ 20 Methodological Framework ...................................................................................................................
    [Show full text]
  • Acta Polono- Ruthenica XXIV/4
    UNIWERSYTET WARMIŃSKO-MAZURSKI W OLSZTYNIE UNIVERSITY OF WARMIA AND MAZURY IN OLSZTYN Acta Polono- Ruthenica XXIV/4 WYDAWNICTWO UNIWERSYTETU WARMIŃSKO-MAZURSKIEGO OLSZTYN 2019 Kolegium redakcyjne Iwona Anna NDiaye (redaktor naczelna), Joanna Orzechowska (sekretarz) Rada Naukowa Ludmiła Babienko (Uralski Uniwersytet Federalny im. Pierwszego Prezydenta Rosji Borysa Jelcyna w Jekaterynburgu, Rosja), Nikołaj Barysznikow (Piatigorski Uniwersytet Państwowy, Rosja), Irina Biełobrowcewa (Uniwersytet Talliński, Estonia), Michaela Böhmig (Uniwersytet Neapolitański im. Fryderyka II, Włochy), Jolanta Brzykcy (Uniwersytet Mikołaja Kopernika w Toruniu, Polska), Indira Dzagania (Suchumski Uniwersytet Państwowy w Tbilisi, Gruzja), Elda Garetto (Uniwersytet w Mediolanie, Włochy), Svetlana Garziano (Uniwersytet Jean Moulin Lyon III w Lyonie, Francja), Frank Göbler (Uniwersytet Johannesa Gutenberga w Moguncji, Niemcy), Natalia Gordijenko (Białoruskie Państwowe Archiwum-Muzeum Literatury i Sztuki, Białoruś), Tatiana Kiriłłowa (Astrachański Państwowy Uniwersytet Medyczny, Rosja), Marina Kolesnikowa (Północno- -Kaukaski Uniwersytet Federalny w Stawropolu, Rosja), Galina Krasnoszczekowa (Południowy Uniwersytet Federalny w Taganrogu, Rosja), Wadim Krysko (Instytut Języka Rosyjskiego im. W.W. Winogradowa Rosyjskiej Akademii Nauk w Moskwie, Rosja), Andrzej Ksenicz (Uniwersytet Zielonogórski, Polska), Czesław Lachur (Uniwersytet Opolski, Polska), Natalia Lichina (Bałtycki Uniwersytet Federalny im. Immanuela Kanta w Kaliningradzie, Rosja), Pewieł Ławriniec (Uniwersytet
    [Show full text]
  • CCF Catalogue 20-21
    რედაქტორები: მანანა სურაძე, ნათია კანთელაძე, ნენო ქავთარაძე დიზაინი: ალექსი კახნიაშვილი კორექტორი: ქეთევან კიკნაძე თარჯიმანი: მაია გვიტიძე გარეკანზე: კადრი დეა კულუმბეგაშვილის ფილმიდან „დასაწყისი“ ამ ნიშნით აღნიშნულია საქართველოს კინემატოგრაფიის ეროვნული ცენტრის ფინანსური მხარდაჭერით გადაღებული ფილმები Editors: Manana Suradze, Natia Kanteladze, Neno Kavtaradze Design: Alex Kakhniashvili Editing: Ketevan Kiknadze Translator: Maia Gvitidze Cover: Still from the film “Beginning” by Dea Kulumbegashvili Films financially supported by Georgian National Film Center are marked with this symbol ISBN 978-9941-8-3005-1 სრულმეტრაჟიანი მხატვრული ფილმები 05 FULL-LENGTH FEATURE FILMS მოკლემეტრაჟიანი მხატვრული ფილმები 15 SHORT FEATURE FILMS დოკუმენტური ფილმები 31 DOCUMENTARY FILMS ანიმაციური ფილმები 47 ANIMATED FILMS ფილმები წარმოების პროცესში 55 FILMS IN PRODUCTION აღდგენილი მემკვიდრეობა 119 Restored Heritage სრულმეტრაჟიანი მხატვრული ფილმები FULL-LENGTH FEATURE films სრულმეტრაჟიანი მხატვრული ფილმები FULL-LENGTH FEATURE films დასაწყისი Beginning 120 წთ | 120 Min. სცენარის ავტორები: დეა Screenplay: Dea Kulumbegashvili, კულუმბეგაშვილი, რატი ონელი Rati Oneli რეჟისორი: დეა კულუმბეგაშვილი Director: Dea Kulumbegashvili კო-პროდიუსერები: სტივენ დარტი და Co Producers: Steven Dart, Gaytan გაეტან რუსსო Russo აღმასრულებელი პროდიუსერი: Executive Producer: Carlos კარლოს რეიგადას Reygadas კომპოზიტორი: ნიკოლას ჯაარ Composer: Nikolas Jaar ოპერატორი: არსენ ხაჩატურიანი DOP: Arsen Khachaturian მსახიობები: ია სუხიტაშვილი, კახა Cast: Ia Sukhitashvili, Kakha კინწურაშვილი, რატი
    [Show full text]
  • Adaptation and Other Demons VOL
    ESSAY Adaptation and Other Demons VOL. 60 (DECEMBER 2015) BY AKA MORCHILADZE Georgian writer, historian and screenwriter Aka Morchiladze examines the phenomenon of literary adaptations in the Soviet Union, and in Georgia in particular. Recounting the history of “screen versions”, as they were known, from under Stalin to the advent of television and the Khrushchev period, Morchiladze shows how aesthetic trends were spurred by force and by convenience. In conclusion, Morchiladze shares some of his personal memories and thoughts on the craft of screenwriting, which he associates with a writer’s worldly existence… The Soviet World Classics We, the former citizens of one-sixth of the world, spent our Soviet childhood and adolescence watching adaptations. Whether we wanted to or not, we had no choice because adaptations were all around – on TV and in cinemas. In the USSR, they were called ‘screen versions’. Adaptations may have constituted a major part of the Soviet film industry. I’m sure Jack London would have been utterly surprised to see an invention such as television, and to discover that practically every family in the USSR had one. In fact, Soviet citizens watched such a number of screen versions of his novels that in a more advanced country it would have been possible to create a separate channel for them, though they were different in genre and of varying quality. This is, of course, an exaggeration, but London would certainly have been stunned to find out that his first screen adaptation was a Russian film made in 1919. Most adaptations were made for the big screen, but there was a specific genre in the USSR called the TV mini-series.
    [Show full text]
  • S Pirosmani (1969) VOL
    REVIEW Lost Giorgi Shengelaia’s Pirosmani (1969) VOL. 1 (JANUARY 2011) BY KONSTANTY KUZMA A man leaves his home-town to take his life into his own hands. The plot is well-known and has often been put on screen, especially in the Soviet Union (e. g. the Soviet classic Mimino by Giorgi Danelia), and yet Giorgi Shengelaia’s Pirosmani is a movie whose originality in many ways lives up to the idiosyncrasy of its protagonist. The film about naïve painter Pirosmani was one of Shengelaia’s earlier movies but is nevertheless widely considered among his most important works. Nikoloz Pirosmani was a Georgian painter active around the turn of the 20th century and is considered an important representative of naïve art. However, like many artists growing up on the countryside, he was discovered very late and lived a big part of his life in poverty. In Pirosmani, Shengelaia shows the audience the tragic tale of a man who does not find his place in society. At the same time, it is also a movie told through images. In short episodes that are introduced by paintings of Pirosmani, we follow the protagonist (played by Avtandil Varazi) walking down from one end of the frame to the other, searching for a place where he is welcome. The protagonist manifests his talent by painting out walls, letterings or paintings that ornament the many restaurants of Tbilissi, Georgia’s capital. The world that Shengelaia depicts in his movie is over- shadowed by a strong feeling of melancholy. In spite of the fact that most scenes are set in restaurants, wine cellars and at feasts, the audience is exposed to a sad and desolate world that lacks true communication.
    [Show full text]
  • Familiar Strangers: the Georgian Diaspora in the Soviet Union
    Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Stephan Astourian Professor Victoria E. Bonnell Professor Victoria Frede Professor Leslie P. Peirce Spring 2011 Familiar Strangers: The Georgian Diaspora in the Soviet Union © 2011 By Erik Rattazzi Scott Abstract Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair The experience of the Georgian diaspora in the Soviet Union is a story of the paradoxes of Soviet empire. On the one hand, the arrival of the Red Army in Tbilisi in 1921 brought Georgia’s brief period of independence to an abrupt end. On the other hand, membership in the newly-constituted Soviet Union opened up new opportunities for Georgians and other ethnic minority groups. Such opportunities were seized upon most effectively by an internal Georgian diaspora within the Soviet Union, a small but highly mobile and visible community. The Georgians, who traveled to Moscow from the periphery of the Soviet empire, could be seen at the center of Soviet life at every stage of Soviet history. Georgians headed the state that built socialism, provided the food and entertainment when Soviet citizens desired new forms of consumption and leisure, dominated the burgeoning second economy, and were among the first to seek an exit from the Soviet Union amidst the rising nationalism that accompanied its demise.
    [Show full text]
  • Scott, Familiar Strangers (Formatted for Electronic Submission)
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Familiar Strangers: The Georgian Diaspora in the Soviet Union Permalink https://escholarship.org/uc/item/9pd9r68h Author Scott, Erik Rattazzi Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Stephan Astourian Professor Victoria E. Bonnell Professor Victoria Frede Professor Leslie P. Peirce Spring 2011 Familiar Strangers: The Georgian Diaspora in the Soviet Union © 2011 By Erik Rattazzi Scott Abstract Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair The experience of the Georgian diaspora in the Soviet Union is a story of the paradoxes of Soviet empire. On the one hand, the arrival of the Red Army in Tbilisi in 1921 brought Georgia’s brief period of independence to an abrupt end. On the other hand, membership in the newly-constituted Soviet Union opened up new opportunities for Georgians and other ethnic minority groups. Such opportunities were seized upon most effectively by an internal Georgian diaspora within the Soviet Union, a small but highly mobile and visible community. The Georgians, who traveled to Moscow from the periphery of the Soviet empire, could be seen at the center of Soviet life at every stage of Soviet history.
    [Show full text]
  • Catálogo Acolhe Várias Normas Ortográficas
    18º doclisboa doclisboa #18 Índice ⁄ Contents 006 Mensagem da Direcção / 295 ‘O Cinema Georgiano é um Message from the Direction Fenómeno Inteiramente 013 Mensagem da Apordoc / Único.’ Uma Cena Message from Apordoc Cinematográfica com 014 Sobre a Apordoc / História ou o Cinema About Apordoc Georgiano no Processo de 015 Mensagens dos Parceiros / Emancipação / ‘Georgian Messages from the Partners Film Is a Completely Unique Phenomenon.’ A Film Scene Filmes / Films with History, or Georgian Cinema in the Emancipation 021 Sessões de Abertura e Loop Encerramento / Opening 310 A urgência pela justiça and Closing Sessions e a luta pela igualdade / 027 Deslocações / Movements The urgency for justice 057 Espaços da Intimidade / and the fight for equality Spaces of Intimacy 081 Ficaram Tantas Histórias 315 Projecto Educativo / por contar / So Many Stories Education Project Left Untold 103 Arquivos do Presente / 319 Nebulae Archives of the Time Being 127 De onde venho, para onde 322 País Convidado / vou / Where I’m Coming Invited Country From, Where I’m Going To 344 Estado da Arte / 151 Retrospectiva A Viagem State of the Art Permanente – O Cinema 348 Seminário de Realização / Inquieto da Geórgia / Film-making Seminar Permanent Travel – 354 Constelações / Georgia’s Restless Constellations Cinema Retrospective 380 Consultoria / Consulting 215 Corpo de Trabalho / 392 Videoteca / Video Library Body of Work 393 Arché 243 Cinema de Urgência / Cinema of Urgency 411 Actividades Paralelas / 251 Verdes Anos / Green Years Parallel Activities 271 Prémio Fernando
    [Show full text]
  • Caucasus Journal of Social Sciences
    aucasus Journal C of social sciences Volume 11 2018 Politics and International Relations Education History and Anthropology Humanities Law and Art Public Health and Psychology Business and Economics ISSN 1512-3677 www.ug.edu.ge Caucasus Journal of Social Sciences Volume 11 Issue 1 The University of Georgia Publishing House Tbilisi 2018 UDC(uak) 908 (479) (06) k144 Printed at The University of Georgia. Tbilisi, Georgia. Copyright © 2018. All rights reserved by the University of Georgia. Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage. No responsibility for the views expressed by authors in the Caucasus Journal of Social Sciences is assumed by the editors or the publisher. Caucasus Journal of Social Sciences The University of Georgia. Georgia, Tbilisi, 0175. M. Kostava Street 77, Building IV. Tel: (+995 32) 255 22 22 Email: [email protected] Copyright © 2018 Caucasus Journal of Social Sciences ISSN 1512-3677 Caucasus Journal of Social Sciences Editor-in-Chief Jeremiah Paul Johnson Managing Editor Julieta Andguladze Board of Editors Abuladze Konstantine Tbilisi Teaching University “Gorgasali” Alasania Giuli The University of Georgia Blauvelt Timothy American Councils Carper Mark The University of Alaska Anchorage Davies Janette Oxford University Dzebisashvili Lasha The University of Georgia Ghudushauri Tinatin The University of Georgia Gvelesiani Mariam The University of Georgia
    [Show full text]