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The Bronze Age in Europe : Gods, Heroes and Treasures Pdf, Epub, Ebook
THE BRONZE AGE IN EUROPE : GODS, HEROES AND TREASURES PDF, EPUB, EBOOK Jean-Pierre Mohen | 160 pages | 27 Nov 2000 | Thames & Hudson Ltd | 9780500301012 | English | London, United Kingdom The Bronze Age in Europe : Gods, Heroes and Treasures PDF Book One was gushing with milk, one with wine, while the third flowed with fragrant oil; and the fourth ran with water, which grew warm at the setting of the Pleiads, and in turn at their rising bubbled forth from the hollow rock, cold as crystal. In the myth of Perseus , the hero is dispatched on an apparent suicide mission by evil King Polydectes to kill and gain the head of the only mortal Gorgon, Medusa, whose gaze turned men to stone. Crippled Hephaistos is led back to his mother Hera on Olympos by the god Dionysos, riding on an ass. However, one must be careful in how one interprets the idea of the spirits of the dead living in an 'underground' realm: Evidence from all of these cultures seems to suggest that this realm also had a reflected parallel existence to our own, and was also connected to the visible heavens and the concept of the far islands and shores of the world-river, called Okeanos by the Greeks…. Another site of equal pagan importance also lays claim to this, however: The Hill of Uisneach , visible from Croghan across the sprawling boglands of Allen:. One must not forget that the Caucasus and Asia Minor was a historic homeland of metalcraft and weapon-crafting, as well as horsemanship. An ice age is a period of colder global temperatures and recurring glacial expansion capable of lasting hundreds of millions of years. -
Memory and Monuments at the Hill of Tara
Memory and Monuments at the Hill of Tara Memory and Monuments at the Hill of Tara Erin McDonald This article focuses on the prehistoric monuments located at the ‘royal’ site of Tara in Meath, Ireland, and their significance throughout Irish prehistory. Many of the monuments built during later prehistory respect and avoid earlier constructions, suggesting a cultural memory of the site that lasted from the Neolithic into the Early Medieval period. Understanding the chronology of the various monuments is necessary for deciphering the palimpsest that makes up the landscape of Tara. Based on the reuse, placement and types of monuments at the Hill of Tara, it may be possible to speculate on the motivations and intentions of the prehistoric peoples who lived in the area. Institute for European and Mediterranean Archaeology 55 Erin McDonald This article focuses on the prehistoric and the work of the Discovery Programme, early historic monuments located at the relatively little was known about the ‘royal’ site of the Hill of Tara in County archaeology of Tara. Seán Ó Ríordáin Meath, Ireland, and the significance of the carried out excavations of Duma na nGiall monuments throughout and after the main and Ráith na Senad, but died before he period of prehistoric activity at Tara. The could publish his findings.6 In recent years, Hill of Tara is one of the four ‘royal’ sites Ó Ríordáin’s notes have been compiled from the Late Bronze Age and Iron Age into site reports and excavated material was in Ireland, and appears to have played an utilized for radiocarbon dating.7 important role in ritual and ceremonial activity, more so than the other ‘royal’ sites; medieval literature suggests that Tara had a crucial role in the inauguration of Irish kings.1 Many of the monuments built on the Hill of Tara during the later prehistoric period respect or incorporate earlier monuments, suggesting a cultural memory of the importance of the Hill of Tara that lasted from the Neolithic to the Early Medieval Period. -
A Few Words from the Editor Welcome to Our Winter Issue of Irish Roots
Irish Roots 2015 Number 4 Irish Roots A few words from the editor Welcome to our Winter issue of Irish Roots. Where Issue No 4 2015 ISSN 0791-6329 on earth did that year disappear to? As the 1916 commemorations get ready to rumble CONTENTS we mark this centenary year with a new series by Sean Murphy who presents family histories of leaders of the 1916 Easter Rising, page 6. We 4 News introduce another fascinating series featuring sacred sites of Ireland and we begin with a visit to the Hill of Uisneach in County Westmeath, a place of great significance in 5 And Another Thing the history and folklore of Ireland, page 8. Patrick Roycroft fuses genealogy and geology on page 16 and Judith Eccles Wight helps to keep you on track with researching your railroad ancestors 6 1916 Leaders Family Histories in the US, page 22. We remember the Cullen brothers who journeyed from the small townland of Ballynastockan in Co. Wicklow to Minneapolis, US, 8 Sacred Sites Of Ireland bringing with them their remarkable stone cutting skills, their legacy lives on in beautiful sculptures to this day and for generations to come, page 24. Staying in Co. Wicklow we share the story of how the lost WW1 medals of a young 10 Tracing Your Roscommon Ancestors soldier were finally reunited with his granddaughter many years later, page 30. Our regular features include, ‘And another Thing’ with Steven Smyrl on the saga of the release of the Irish 1926 census, page 5. James Ryan helps us to 12 ACE Summer Schools trace our Roscommon ancestors, page 10 and Claire Santry keeps us posted with all the latest in Irish genealogy, page 18. -
The Song of the Silver Branch: Healing the Human-Nature Relationship in the Irish Druidic Tradition
The Song of the Silver Branch: Healing the Human-Nature Relationship in the Irish Druidic Tradition Jason Kirkey Naropa University Interdisciplinary Studies November 29th, 2007 Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know. —John Keats1 To be human, when being human is a habit we have broken, that is a wonder. —John Moriarty2 At the Hill of Tara in the sacred center of Ireland a man could be seen walking across the fields toward the great hall, the seat of the high king. Not any man was this, but Lúgh. He came because the Fomorian people made war with the Tuatha Dé Danann, two tribes of people living in Ireland. A war between dark and light. A war between two people experiencing the world in two opposing ways. The Tuatha Dé, content to live with nature, ruled only though the sovereignty of the land. The Fomorians, not so content, were possessed with Súil Milldagach, the destructive eye which eradicated anything it looked upon, were intent on ravaging the land. Lúgh approached the doorkeeper at the great hall who was instructed not to let any man pass the gates who did not possess an art. Not only possessing of an art, but one which was not already possessed by someone within the hall. The doorkeeper told this to Lúgh who replied, “Question me doorkeeper, I am a warrior.” But there was a warrior at Tara already. “Question me doorkeeper, I am a smith,” but there was already a smith. “Question me doorkeeper,” said Lúgh again, “I am a poet,” and again the doorkeeper replied that there was a poet at Tara already. -
Cathair Crobh Dearg: from Ancient Beliefs to the Rounds 2017
Estudios Irlandeses, Special Issue 12.2, 2017, pp. 8-31 ____________________________________________________________________________________________ AEDEI Cathair Crobh Dearg: From Ancient Beliefs to the Rounds 2017 Frédéric Armao University of Toulon, France Copyright (c) 2017 by Frédéric Armao. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This paper will study the case of the stone enclosure of Cathair Crobh Dearg, Co. Kerry (also referred to as the City) and Dá Chích Anann (or the Paps of Anu), the twin mountains that can be seen from the enclosure. The site is mentioned in ancient mythological texts as well as more modern accounts in connection with the Irish festival of Bealtaine, in early May. The author relied on archaeological evidence, an analysis of ancient documents, a number of manuscripts from the Irish National Folklore Collection, as well as personal visits to the site in order to try and understand the nature, and possibly origin, of both contemporary rituals and ancient beliefs. Key Words. Folklore, Mythology, Bealtaine, Cathair Crobh Dearg, Paps of Anu, Holy Well. Resumen. En este artículo se investiga el recinto de piedra de Cathair Crobh Deargh, en el Condado de Kerry (también conocido como “The City”) y Dá Chích Anann (o “The Paps of Anu”), las montañas gemelas que se distinguen desde dicho emplazamiento. El lugar se menciona en antiguos textos mitológicos así como en escritos más recientes en relación con la festividad irlandesa de Bealtaine, que se celebra a principios de mayo. -
A Walk Around Ireland - County by County
A walk around Ireland - County by County This article can do little justice to the beauty and splendor that is Ireland. As we ramble around the country we will briefly mention the places that are of little acclaim - but should not be missed, to the more widely recognized locations you will find in any travel guide. These are the spots this writer has visited and will visit again, but in no way meant to suggest as the best or worst places spend a while. Ireland consists of four provinces: Leinster , Munster, Connacht and Ulster. This is Leinster - Cúige Laighean. Dublin City Co. Dublin, the largest city in Ireland, founded by the Vikings over 1,500 years ago. Being the political and commercial capital of Ireland, you will find the Presidential Residence in the Phoenix Park - the largest city park in Europe, over 1750 acres, within the city limits. Here also are many of the offices for governmental affairs, Trinity College – with the Book of Kells and Brian Boro’s harp, the General Post Office – G.P.O., a key site from the 1916 rising and and a host of museums, theaters and home to Ireland’s most famous export Guinness – at St. James Gate, where you will be able to sample the freshest pint of Guinness on the planet. Pub life is one of Ireland’s attractions and you will find an endless selection of locations to visit – but perhaps start at the “Brazenhead” one of Ireland’s oldest, licensed in 1666 but said to date from the 1300’s. -
The Navel of Ireland: a Sacred Geography
SYNOPSIS The Navel of Ireland A Sacred Geography Toby D. Griffen When we think about Ireland, we generally imagine the ancient land of the Celts. Ireland, however, goes back much further in history, and it is also somewhat problematic to make a division in time between the Irish of the great stone monuments and the people of the Heroic Age of Cúchulainn. By-and-large, the people were the same, and those we think of as Celts simply adopted and adapted the beliefs brought in by the Gaels, grafting them onto the religious traditions that had developed in the Ages of Stone. Indeed, everything comes from the stone — in particular, the Stone of Uisneach, believed to be at the very center of Ireland. At least, this was the ritual center of Ireland, the center of the sacred geography. In the comparative, anthropological approach to religion, we call such a center the omphalos ‘the navel’, for it is here that the sacred land of Ireland was born. Of course, the Irish can do nothing in a simple, one-dimensional way. When we take in the panorama of the sacred geography of Ireland from the navel stone of Uisneach — the Stone of Divisions — we see it all in three dimensions: the vertical divisions, the circular divisions, and divisions of the four cardinal points. The Vertical Divisions Like all such navels in the world’s religions, Uisneach represents the point at which heaven, earth, and the underworld meet. This is the Irish equivalent to the rocks of Bethel, where Jacob saw in a dream the angels ascending and descending the ladder to heaven; and it corresponds as well to the holy stone of Ka’aba in Mecca, which fell from heaven, opening up a line of communication. -
Irish Studies Round the World - 2013
Estudios Irlandeses , Number 9, 2014, pp. 178-207 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD - 2013 Patricia A. Lynch (ed.) Copyright (c) 2014 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Reflections on Irish Writing in 2013 by Patricia A. Lynch .......................................................................................................... 179 Viewpoints . Theoretical Perspectives on Irish Visual Texts (2013) by Claire Bracken and Emma Radley (eds.) Irene Gilsenan Nordin......................................................................................................... 185 Irish Myth, Lore and Legend on Film / Reimagining Ireland – Volume 27 (2013) by Dawn Duncan Beatriz Kopschitz Bastos ................................................................................................... 188 Up the Republic! : Towards a New Ireland (2012) by Fintan O’Toole (ed.) Alfred Markey .................................................................................................................... 190 Ireland Through European Eyes: Western Europe, the EEC, and Ireland 1945-1973 (2013) by Mervyn O’Driscoll, Dermot Keogh, Jerome aan de Wiel (eds.) Edward Moxon-Browne..................................................................................................... 193 The Otherworld : Music & Song from -
Tentative List Submission Format Annex 2
Tentative List Submission Format Annex 2 TENTATIVE LIST SUBMISSION FORMAT STATE PARTY: Ireland Submission prepared by: DATE OF SUBMISSION: 31 March 2010 Name: Brian Lucas E-mail:[email protected] Address: Built Heritage and Architectural Policy Section, Fax: 053 91 17603 Department of the Environment, Heritage & Local Government, Telephone: 053 91 17500 Newtown Road, Wexford NAME OF PROPERTY: The Royal Sites of Ireland: Cashel, Dún Ailinne, Hill of Uisneach, Rathcroghan Complex, and Tara Complex State, Province or Region: Counties Tipperary, Kildare, Westmeath, Roscommon, and Meath. Latitude and Longitude: 52° 31' 17.0394" North; 7° 53' 16.08" West (Cashel), 53° 7' 2.64" North; 6° 45' 50.0394" West (Dún Ailinne), 53° 29' 16.44" North; 7° 31' 43.3194" West (Hill of Uisneach), 53° 46' 46.1994" North; 8° 15' 18.36" West (Rathcroghan Complex), 53° 35' 9.24" North; 6° 33' 42.12" West (Tara Complex). DESCRIPTION: The Royal sites grouped here were all sites of major royal inauguration, ceremony and assembly, representing each of the four Irish provinces: Ulster, Leinster, Munster and Connaught, as well as the region of Meath. Navan Fort* is portrayed as the royal site for the kings of Ulster; Dún Ailinne for the kings of Leinster; Cashel for the kings of Munster and Rathcroghan for the kings of Connaught. Tara was the seat of the kings of Meath and the seat of the Irish high kings. In addition the Hill of Uisneach is traditionally the epicenter (navel) of Ireland, where the five provinces met. The sites are strongly linked to myth and legend and are associated with the transformation of Ireland from paganism to Christianity and Saint Patrick. -
Magazine a REVIEW of the ARTS in LAOIS, LONGFORD, OFFALY and WESTMEATH SPRING/SUMMER 2016 • ISSUE 25
Issue 25 Midland Arts v3:Layout 1 7/3/16 09:46 Page 37 Midlands andCulture ArtsMagazine A REVIEW OF THE ARTS IN LAOIS, LONGFORD, OFFALY AND WESTMEATH SPRING/SUMMER 2016 • ISSUE 25 THE WRITTEN WORD MUSIC & DANCE THEATRE & FILM VISUAL ARTS FREE Issue 25 Midland Arts v3:Layout 1 7/3/16 09:27 Page 2 MidlandsArts andCultureMagazine Easter Camps in Laois ...........................................Page 2 Down Windmill Lane ..............................................Page 3 1916 at Dunamaise EASTER Longford Expressions.............................................Page 4 Book Launch Dunamaise ART CAMPS Westmeath 1916 • Industrial to Musical ............Page 5 Laois Youth Theatre • Longford Community TV...Page 6 presented by Faithful Rising.........................................................Page 7 Laois Arts Office A Word from Filmaker Calvin ......................................................Page 8 the Editor Sing Fest – the Choral Countdown Looking for some creative It’s been a dark, damp winter but Brave Giants • Music Generation Laois...............Page 9 finally there is a glimmer of light. The Caper Trail • Bealtaine/Culture Night 2016 .....Page 10 fun for children and young dawns are brighter and as they say High Street Move • Bressie’s Lust for Life ........Page 11 people over the Easter “there is a stretch in the evenings” … it is also a time to consider outdoor Ray Murphy ..........................................................Page 12 break…Places are filling activities and getting out and about Backstage returns to the All Ireland circuit .................13 up fast and enjoying all there is to see and John Ennis Midlandia experience in the midlands. Tullamore Academy Choir ..................................Page 14 Arts and Craft for Ages 6-9years. Artist, In this month’s issue our regular Paul Gurney • A Nation’s Voice Wendy Wright will host fun, creative contributor Manchán Magan waxes Luan Kingerlee.....................................................Page 15 arts and craft workshops. -
Joyce at Tara: the True Version of the Norman Invasion (Perhaps) by Bruce Stewart
Joyce at Tara: The True Version of the Norman Invasion (Perhaps) by Bruce Stewart A paper given at IASIL Leiden, 1993; published as Joyce at Tara”, in Troubled Histories, Troubled Fictions, ed. C. C. Barfoot, Theo D'Haen, et al. [Costerus NS 101] (Amsterdam: Editions Rodopi B.V. 1995), pp.61-94. ‘ ... that the blazings of their ouldmouldy gods may attend to them we pray ... (Finnegans Wake, p.382). At the end of A Portrait of the Artist, James Joyce makes Stephen say, ‘the shortest way to Tara was via Holyhead.’ [AP232]. This was a fitting epigram for an Irish artist going forth into exile to forge the conscience of his race.1 It also turned out to be a promise which Joyce fulfilled with surprising punctiliousness when he laid the cornerstone of his last work precisely at Tara—the ancient seat of the High Kings of Gaelic Ireland. The First Fragment of Finnegans Wake, as ‘King Roderick O’Conor’ is known—though strictly fragment is inaccurate since nothing had been broken— deals in general with a pattern of cultural disruption typical of Irish colonial history, and in particular with the downfall of Ruaidhrí O Conor, ‘the paramount chief polemarch and ... last pre-eminent high king of all Ireland’ [380.12-21], who submitted to Henry II in 1172, abdicated by the Treaty of Windsor in 1183, and died in 1196. In it, Joyce examines the impact of the Norman invasion from which the whole narrative of Anglo-Irish history flows in a kind of exitus et reditus between 1171 and 1921. -
Places to See in Ireland
Ancient Ireland Tourism Places to See in Ireland Ancient Ireland Tourism Midhe The royal province of Midhe has incorrectly been associated with the combined counties of Meath and Westmeath. Primarily, because it is considered the seat of the Irish high kings, the Ard Ri. But Midhe is not a physical place but a concept of the here and now, the present point in time and place in space where the sacred feminine of the earth connects to the universal divine. Today, we can still experience the sacred connection of Midhe at the Hill of Uisneach in modern day County Westmeath. Located on the Athlone Road between Mullingar and Athlone, the Hill of Uisneach remains today much as it has been from a time we have long forgotten. It is here at Uisneach, residence of the High Kings where we find the Horse Temple of the Dagda, of the Tuatha de Dannan. At this place, modern Ireland gained her name, Éire in in her native tongue. For it is here that the goddess Eríu, one sister of the trinity, met the Milesians, the modern day Celts at the Catstone, known as the Stone of Divisions. As it has been documented in “The Conquests of The Sons of Mil,” Eríu said to the advancing armies: “Yours will be the island forever…A gift to me, O sons of Mil …, that my name be upon this island!” “It will be its chief name forever, said Amergin” To this day, Eríu rests under the Catsone, Aill na Mirean, and from this point we encounter Midhe reaching to the heavens as her sister and part of the trinity, Banba, reaches out to the universal divine.