Megalithic Ireland Megalithic Monuments
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The Flyleaf, 1988
RICE UNIVERSITY FONPREN LIBRARY Founded under the charter of the univer- sity dated May 18, 1891, the library was Board of Directors, 1988-1989 established in 1913. Its present facility was dedicated November 4, 1949, and rededi- cated in 1969 after a substantial addition, Officers both made possible by gifts of Ella F. Fondren, her children, and the Fondren Foundation and Trust as a tribute to Mr. Edgar O. Lovett II, President Walter William Fondren. The library re- Mrs. Frank B. Davis, Vice-President, Membership corded its half-millionth volume in 1965; Mr. David S. Elder, Vice-President, Programs its one millionth volume was celebrated Mrs. John L Margrave, Vice-President, Special Event April 22, 1979. Mr. J. Richard Luna, Treasurer Ms. Tommie Lu Maulsby, Secretary Mr. David D. Itz, Immediate Past President Dr. Samuel M. Carrington, Jr., University Librarian (ex- officio) THE FRIENDS OF FONDREN LIBRARY Dr. Neal F. Line, Provost and Vice-President (ex- officio) Chairman of the University the Library The Fnends of Fondren Library was found- Committee on ed in 1950 as an association of library sup- (ex-officio) porters interested in increasing and making Mrs. Elizabeth D. Charles, Executive Director (ex- better known the resources of the Fondren officio) Library at Rice University. The Friends, through members' contributions and spon- sorship of a memorial and honor gift pro- Members at Large gram, secure gifts and bequests and provide funds for the purchase of rare books, manuscripts, and other materials which Mrs. D. Allshouse could not otherwise be acquired by the J. library. Mr. John B. -
Pottery Technology As a Revealer of Cultural And
Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis (3100–1600 BC, Western Switzerland) Eve Derenne, Vincent Ard, Marie Besse To cite this version: Eve Derenne, Vincent Ard, Marie Besse. Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis (3100–1600 BC, Western Switzerland). Journal of Anthropological Archaeology, Elsevier, 2020, 58, pp.101170. 10.1016/j.jaa.2020.101170. hal-03051558 HAL Id: hal-03051558 https://hal.archives-ouvertes.fr/hal-03051558 Submitted on 10 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Journal of Anthropological Archaeology 58 (2020) 101170 Contents lists available at ScienceDirect Journal of Anthropological Archaeology journal homepage: www.elsevier.com/locate/jaa Pottery technology as a revealer of cultural and symbolic shifts: Funerary and ritual practices in the Sion ‘Petit-Chasseur’ megalithic necropolis T (3100–1600 BC, -
The Celtic Encyclopedia, Volume II
7+( &(/7,& (1&<&/23(',$ 92/80( ,, . T H E C E L T I C E N C Y C L O P E D I A © HARRY MOUNTAIN VOLUME II UPUBLISH.COM 1998 Parkland, Florida, USA The Celtic Encyclopedia © 1997 Harry Mountain Individuals are encouraged to use the information in this book for discussion and scholarly research. The contents may be stored electronically or in hardcopy. However, the contents of this book may not be republished or redistributed in any form or format without the prior written permission of Harry Mountain. This is version 1.0 (1998) It is advisable to keep proof of purchase for future use. Harry Mountain can be reached via e-mail: [email protected] postal: Harry Mountain Apartado 2021, 3810 Aveiro, PORTUGAL Internet: http://www.CeltSite.com UPUBLISH.COM 1998 UPUBLISH.COM is a division of Dissertation.com ISBN: 1-58112-889-4 (set) ISBN: 1-58112-890-8 (vol. I) ISBN: 1-58112-891-6 (vol. II) ISBN: 1-58112-892-4 (vol. III) ISBN: 1-58112-893-2 (vol. IV) ISBN: 1-58112-894-0 (vol. V) Library of Congress Cataloging-in-Publication Data Mountain, Harry, 1947– The Celtic encyclopedia / Harry Mountain. – Version 1.0 p. 1392 cm. Includes bibliographical references ISBN 1-58112-889-4 (set). -– ISBN 1-58112-890-8 (v. 1). -- ISBN 1-58112-891-6 (v. 2). –- ISBN 1-58112-892-4 (v. 3). –- ISBN 1-58112-893-2 (v. 4). –- ISBN 1-58112-894-0 (v. 5). Celts—Encyclopedias. I. Title. D70.M67 1998-06-28 909’.04916—dc21 98-20788 CIP The Celtic Encyclopedia is dedicated to Rosemary who made all things possible . -
Irish Children's Literature and the Poetics of Memory, 1892-2016
Irish Children’s Literature and the Poetics of Memory, 1892-2016 A Thesis submitted to the School of English at the University of Dublin, Trinity College, for the Degree of Doctor of Philosophy. February 2019 Rebecca Ann Long I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. _________________________________ Rebecca Long February 2019 TABLE OF CONTENTS SUMMARY………………………………………………………………………………..i ACKNOWLEDGEMENTS……………………………………………………………....iii INTRODUCTION………………………………………………………………………....4 CHAPTER ONE: RETRIEVING……………………………………………………………………………29 CHAPTER TWO: RE- TELLING……………………………………………………………………………...…64 CHAPTER THREE: REMEMBERING……………………………………………………………………....106 CHAPTER FOUR: RE- IMAGINING………………………………………………………………………........158 CONCLUSION…………………………………………………………………..……..210 WORKS CITED………………………….…………………………………………………….....226 Summary This thesis explores the recurring patterns of Irish mythological narratives that influence literature produced for children in Ireland following the Celtic Revival and into the twenty- first century. A selection of children’s books published between 1892 and 2016 are discussed with the aim of demonstrating the development of a pattern of retrieving, re-telling, remembering and re-imagining myths -
TBEX FAM Press Tour Preview: PRE-TBEX FAM
TBEX FAM Press Tour Preview: PRE-TBEX FAM Region: North-West Dates: Depart for Donegal on Saturday, 28th September and return to Dublin on Tuesday, 01st October Duration: 3 full days’ tour plus travel time A Voyage through from the Northerly tip of the Wild Atlantic Way through the scenic wilderness of Donegal and into Sligo known as ‘The Land of Heart’s Desire,’ Iconic cliffs, spectacular, heart-stopping coastline, rich Gaelic culture &’ craic’, surfers’ heaven and then ‘catch-cook’ your own supper (Seriously!) Picture it. A dazzling three-hundred kilometre indented coastline, mysterious stone forts, unspoiled, rugged countryside, miles and miles of beaches and quiet untravelled roads, Donegal, in the remote North West corner, has a different vibe to the rest of Ireland. People connect with its distinctive culture and gentle charm and savour its remote, unspoiled and off-the-beaten track location. A change in tempo and it’s off to Sligo for a full-on day of activity. W.B. Yeats calls Sligo ‘The Land of heart’s desire’ –and it certainly is full of surprises with its untamed beauty and wealth of archaeology. Are you up for a bracing hike to the top of Benbulben Mountain, then some seaweed therapy to re-energise, a seafood feast and a bit of gentle exercise to unwind? Great, let’s get going then… Travel day – Saturday, 28th September Pick-up in Dublin city at 12:30 and Dublin airport at 13:00 & Travel to Donegal: Late lunch in Tankardstown House in Slane, Co. and continue to Donegal Early evening Dinner and Overnight in An Grianan Hotel, Burt, Inishowen Day One – Sunday, 29th September Welcome to Spectacular Inishowen, the largest peninsula in Ireland. -
Inishowen Portfolio
Visiting Burt to Buncrana Page | 1 Contents Introduction - ......................................................................................................................................... 3 Geography & Key Physical Features ................................................................................................... 3 Geology/Soils ...................................................................................................................................... 4 Ecology/Wildlife ................................................................................................................................. 5 Flora and Fauna .................................................................................................................................. 6 Agriculture and Forestry .................................................................................................................... 6 Fishing/ Angling & Maritime Heritage................................................................................................ 7 Historical Sites .................................................................................................................................... 8 Folklore/Myths ................................................................................................................................. 12 Burt Castle Legend ........................................................................................................................ 12 Derivation of Irish Place Names & Locations .................................................................................. -
Aengus Mac Og and Aine
An offering is made for the Outdwellers and is laid beyond the perimeter of the ritual space prior to claiming and hallowing. Claiming and Hallowing Beltaine Solitary Ritual Outdwellers Dark Dwellers beyond the fire’s light. Bringers of primal chaos; those who will never know peace. You who harmonize not with our songs & praise; Those who’s whispers are but cries and screams. You may have held this place in the past. You may hold this place in the future. But for now, take what has been laid beyond the fire’s light And trouble me not this night! Spirits of the Land From this crossroads between Earth and Sky Among those that dwell in this plane, I call out to the spirits of this land. To you, who whisper and watch, as I have erected my Nemeton before you. This night I call to you spirits of this land and ask for the use of this place for my worship. Deities of past and present peoples; Guardians and protectors of this ground; May 2005 Those of you in tune with my purpose; I invite you to share in my celebration. An offering is made to the Spirits of the Land. 2 Spirits of this land, accept my offering! At the Bile, saying: 3 X 3 the bell tolls or drum beats, saying: May these words be heard: As a child of the Earth Mother and Sky Father, In the forest, glen and glade I come before my hearth to be one with the Kindred. By fur, fin and feather That I may worship according to the ways of old. -
September 2017 N°17
ISSN 2499-1341 EXPRESSION quarterly e-journal of atelier in cooperation with uispp-cisenp. international scientific commission on the intellectual and spiritual expressions of non-literate peoples N°17 September 2017 CULT SITES AND ART Anthropomorphic face on the entrance slab of a circular ceremonial structure from Har Karkom, Negev desert, Israel (Pre-pottery Neolithic site BK 608). EDITORIAL NOTES accompany them. What echoes accompanied CULT SITES the paintings in the prehistoric caves? What performances, if any, were taking place in front AND ART of the decorated rock surfaces? The visual art stresses myths, mythical beings Walking along a narrow trail, on the edge of and/or historical facts, which are related to the a steep valley in the middle of a deep forest, cult and to the sanctity of the site. It is the visual we suddenly heard noises of human presen- memory that justifes the function of the site. ce, voices that were neither speeches nor son- Was it the same in prehistoric times? In front of gs, something in between. We reached a cave where a number of people were assembled in rock art sites, in the Camonica Valley, Italy, or a corner and an old bearded man was standing in Kakadu in Arnhem Land, Australia, or in the on an upper step of the rock talking ... perhaps Drakensberg caves, South Africa, or in the Al- talking, perhaps declaiming, perhaps singing, tamira cave, Spain, the presence of prehistoric but not to the people below. He was talking or art awakens a sense of sacredness, we feel that performing or praying in front of a white rock these were and are special places but .. -
How to Tell a Cromlech from a Quoit ©
How to tell a cromlech from a quoit © As you might have guessed from the title, this article looks at different types of Neolithic or early Bronze Age megaliths and burial mounds, with particular reference to some well-known examples in the UK. It’s also a quick overview of some of the terms used when describing certain types of megaliths, standing stones and tombs. The definitions below serve to illustrate that there is little general agreement over what we could classify as burial mounds. Burial mounds, cairns, tumuli and barrows can all refer to man- made hills of earth or stone, are located globally and may include all types of standing stones. A barrow is a mound of earth that covers a burial. Sometimes, burials were dug into the original ground surface, but some are found placed in the mound itself. The term, barrow, can be used for British burial mounds of any period. However, round barrows can be dated to either the Early Bronze Age or the Saxon period before the conversion to Christianity, whereas long barrows are usually Neolithic in origin. So, what is a megalith? A megalith is a large stone structure or a group of standing stones - the term, megalith means great stone, from two Greek words, megas (meaning: great) and lithos (meaning: stone). However, the general meaning of megaliths includes any structure composed of large stones, which include tombs and circular standing structures. Such structures have been found in Europe, Asia, Africa, Australia, North and South America and may have had religious significance. Megaliths tend to be put into two general categories, ie dolmens or menhirs. -
The Contested Isle: the Hibernian Tribunal
The Contested Isle Credits AUTHORS: Mark Lawford, Christian Jensen Romer, Matt Ryan, AUTHOR BIOGRAPHIES Mark Shirley DEVELOPMENT, EDITING, & PROJECT MANAGEMENT: David Chart Mark Lawford lives, works, and writes for Ars Magica in East- PROOFREADING, LAYOUT & ART DIRECTION: Cam Banks bourne, England. He’s also working on some original fiction, PROOFREADING ASSISTANCE: Jessica Banks & Michelle Nephew so please do wish him luck. He is very grateful to his fellow PUBLISHER: John Nephew author Matt Ryan for helping realize his aim of writing for COVER ILLUSTRATION: Christian St. Pierre a Tribunal book. CARTOGRAPHY: Matt Ryan Christian Jensen Romer is an unlikely candidate to write about INTERIOR ART: Jason Cole, Jenna Fowler, Christian St. Pierre, Ireland, being a Dane living in England. His passion for Irish Gabriel Verdon history and the medieval saints however led this to be his ADDITIONAL ART: Celtic Design. Mineola, NY: Dover Publications, favorite Ars Magica project to date, and he hopes you find as Inc., 2007. much joy in it as he did. He would like to dedicate his part of ARS MAGICA FIFTH EDITION TRADE DRESS: J. Scott Reeves this book to the memory of Christina Jones, who taught him PUBLISHER’S SPECIAL THANKS: Jerry Corrick & the gang at the the little Irish he knows and told him tales of her homeland. Source. Matt Ryan works in a university library in upstate New York. His forefathers were early participants in the Irish diaspora FIRST ROUND PLAYTESTERS: Jason Brennan, Justin Brennan, Elisha and his family has been in the States for several generations. Campbell, Robert Major; Leon Bullock, Peter Ryan, Chris He visited Ireland in 2001, during which time he swam in Barrett, John A Edge; Eirik Bull, Karl Trygve Kalleberg, Hel- the cove on Cape Clear Island, where he would later place ge Furuseth, André Neergaard, Sigurd Lund; Donna Giltrap, the covenant Cliffheart. -
County Carlow Published by the OPW Was Our Main Reference Source
Lecture to Old Carlow Society February 2000 1 Joseph.M.Feeley. Dunleckney, Bagenalstown, Co Carlow. 2nd Edition 2/05 Lecture to Old Carlow Society February 2000 2 Carlow Dolmens Introduction; Our interest in this topic began in 1995 when I began to do research on possible patterns to the siting of dolmens in Co Carlow and neighbouring counties. This research conducted from maps ended in failure. During the summer of 1996 my good friend and partner in crime Roger Jones suggested looking for solar alignments. We checked out all known dolmens in sight of the Mount Leinster Range . The only site to have both a clear view of the mountain range and with the proper alignment angle is at Ballynasillog just north of Borris. Establishing that it monitored two important solar events in early Spring and late Autumn meant getting up in the dark for nearly two years to check this out fully. One reason why it took so long was that Roger wanted to get the perfect photo of the sun rising in the Sculloge Gap. Glad to say that he eventually got his picture. The second phase began last September when I was asked by your chairman to give this lecture. Such a request concentrated my mind wonderfully and I returned to my original quest of finding a pattern in the siting of dolmens. The Inventory of Archaeological Sites in County Carlow published by the OPW was our main reference source. In addition the Discovery Series Maps (published by the Ordnance Survey of Ireland) and the Geological Survey maps were regularly consulted. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic.