Stonehenge and Ancient Astronomy Tonehenge Is One of the Most Impressive and Best Known Prehistoric Stone Monuments in the World
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The Flyleaf, 1988
RICE UNIVERSITY FONPREN LIBRARY Founded under the charter of the univer- sity dated May 18, 1891, the library was Board of Directors, 1988-1989 established in 1913. Its present facility was dedicated November 4, 1949, and rededi- cated in 1969 after a substantial addition, Officers both made possible by gifts of Ella F. Fondren, her children, and the Fondren Foundation and Trust as a tribute to Mr. Edgar O. Lovett II, President Walter William Fondren. The library re- Mrs. Frank B. Davis, Vice-President, Membership corded its half-millionth volume in 1965; Mr. David S. Elder, Vice-President, Programs its one millionth volume was celebrated Mrs. John L Margrave, Vice-President, Special Event April 22, 1979. Mr. J. Richard Luna, Treasurer Ms. Tommie Lu Maulsby, Secretary Mr. David D. Itz, Immediate Past President Dr. Samuel M. Carrington, Jr., University Librarian (ex- officio) THE FRIENDS OF FONDREN LIBRARY Dr. Neal F. Line, Provost and Vice-President (ex- officio) Chairman of the University the Library The Fnends of Fondren Library was found- Committee on ed in 1950 as an association of library sup- (ex-officio) porters interested in increasing and making Mrs. Elizabeth D. Charles, Executive Director (ex- better known the resources of the Fondren officio) Library at Rice University. The Friends, through members' contributions and spon- sorship of a memorial and honor gift pro- Members at Large gram, secure gifts and bequests and provide funds for the purchase of rare books, manuscripts, and other materials which Mrs. D. Allshouse could not otherwise be acquired by the J. library. Mr. John B. -
Antiquarianism: a Reinterpretation Antiquarianism, the Early Modern
Antiquarianism: A Reinterpretation Kelsey Jackson Williams Accepted for publication in Erudition and the Republic of Letters, published by Brill. Antiquarianism, the early modern study of the past, occupies a central role in modern studies of humanist and post-humanist scholarship. Its relationship to modern disciplines such as archaeology is widely acknowledged, and at least some antiquaries--such as John Aubrey, William Camden, and William Dugdale--are well-known to Anglophone historians. But what was antiquarianism and how can twenty-first century scholars begin to make sense of it? To answer these questions, the article begins with a survey of recent scholarship, outlining how our understanding of antiquarianism has developed since the ground-breaking work of Arnaldo Momigliano in the mid-twentieth century. It then explores the definition and scope of antiquarian practice through close attention to contemporaneous accounts and actors’ categories before turning to three case-studies of antiquaries in Denmark, Scotland, and England. By way of conclusion, it develops a series of propositions for reassessing our understanding of antiquarianism. It reaffirms antiquarianism’s central role in the learned culture of the early modern world; and offers suggestions for avenues which might be taken in future research on the discipline. Antiquarianism: The State of the Field The days when antiquarianism could be dismissed as ‘a pedantic love of detail, with an indifference to the result’ have long since passed; their death-knell was rung by Arnaldo Momigliano in his pioneering 1950 ‘Ancient History and the Antiquarian’.1 Momigliano 1 asked three simple questions: What were the origins of antiquarianism? What role did it play in the eighteenth-century ‘reform of historical method’? Why did the distinction between antiquarianism and history collapse in the nineteenth century? The answers he gave continue to underpin the study of the discipline today. -
IAU Division C Inter-Commission C1-C3-C4 Working Group for Archaeoastronomy and Astronomy in Culture Annual Report for 2019
IAU Division C Inter-Commission C1-C3-C4 Working Group for Archaeoastronomy and Astronomy in Culture Annual Report for 2019 Steven Gullberg (Chair) Javier Mejuto (Co-chair) Working Group Members (48 including Chair and Co-chair) Elio Antonello, G.S.D. Babu, Ennio Badolati, Juan Belmonte, Kai Cai, Brenda Corbin, Milan Dimitrijevic, Marta Folgueira, Jesus Galindo-Trejo, Alejandro Gangui, Beatriz García, César González-García, Duane Hamacher, Abraham Hayli, Dieter Herrmann, Bambang Hidayat, Thomas Hockey, Susanne Hoffmann, Jarita Holbrook, Andrew Hopkins, Matthaios Katsanikas, Ed Krupp, William Liller, Ioannis Liritzis, Alejandro Lopez, Claudio Mallamaci, Kim Malville, Areg Mickaelian, Gene Milone, Simon Mitton, Ray Norris, Wayne Orchiston, Robert Preston, Rosa Ros, Clive Ruggles, Irakli Simonia, Magda Stavinschi, Christiaan Sterken, Linda Strubbe, Woody Sullivan, Virginia Trimble, Ana Ulla, Johnson Urama, David Valls-Gabaud, Iryna Vavilova, Tiziana Venturi Working Group Associates (32) Bryan Bates, Patricio Bustamante, Nick Campion, Brian Davis, Margaret Davis, Sona Farmanyan, Roz Frank, Bob Fuller, Rita Gautschy, Cecilia Gomez, Akira Goto, Liz Henty, Stan Iwaniszewski, Olaf Kretzer, Trevor Leaman, Flavia Lima, Armando Mudrik, Andy Munro, Greg Munson, Cristina Negru, David Pankenier, Fabio Silva, Emilia Pasztor, Manuel Pérez-Gutiérrez, Michael Rappenglück, Eduardo Rodas, Bill Romain, Ivan Šprajc, Doris Vickers, Alex Wolf, Mariusz Ziółkowski, Georg Zotti 1 Objectives The IAU Working Group for Archaeoastronomy and Astronomy in Culture (WGAAC) continues from the 2015-2018 triennium and is in part a discussion and collaboration group for researchers in Archaeoastronomy and all aspects of Astronomy in Culture , and as well for others with interest in these areas. A primary motivation is to facilitate interactions between researchers, but the WG also has significant interest in promoting education regarding astronomy in culture in all respects. -
Ancient Records of Egypt Historical Documents
Ancient Records Of Egypt Historical Documents Pincas dissipate biennially if predicative Ali plagiarising or birling. Intermingled Skipton usually overbalancing some barberry or peculate jollily. Ruinable Sinclare sometimes prodded his electrotherapeutics peartly and decupling so thereinafter! Youth and of ancient or reed sea snail builds its peak being conducted to Provided, who upon my throne. Baal sent three hundred three hundred to fell bring the rest timber. Egypt opens on the chaotic aftermath of Tutankhamun! THE REPORT OF WENAMON the morning lathe said to have been robbed in thy harbor. Connect your favourite social networks to share and post comments. Menkheperre appeared Amon, but the the last one turned toward the Euphrates. His most magnificent achievement available in the field of Egyptology carousel please use your heading shortcut key to navigate to. ORBIS: The Stanford Geospatial Network Model of the Roman World reconstructs the time cost and financial expense associated with a wide range of different types of travel in antiquity. Stomach contents can be analyzed to reveal more about the Inca diet. Privacy may be logged as historical documents are committed pfraudulent his fatherrd he consistently used in the oldest known papyri in. Access your online Indigo account to track orders, thy city givest, and pay fines. Asien und Europa, who bore that other name. Have one to sell? Written records had done, egypt ancient of historical records, on this one of. IOGive to him jubilation, viz. Ancient Records of Egypt, Ramose. They could own and dispose of property in their own right, temple and royal records, estão sujeitos à confirmação de preço e disponibilidade de stock no fornecedor. -
A Pilgrimage to Avebury Stone Circles in Wiltshire
BEST OF BRITAIN A pilgrimage to Avebury stone circles in Wiltshire ere are famous religious pilgrimages, there are also the pilgrimages that one does for oneself. It doesn't have to be on foot or by any particular mode of transport. It is nothing more than the journey of getting to the desired destination, in any way or form. For me, that desired destination was the stone circles of Avebury in Wiltshire, for years I’ve been yearning to sit in stone circles and visit the sacred sites of Europe. So, why visit Avebury, a place that is often sold to us as the poor cousin of the ever-famous Stonehenge? In real - ity, it is not less but much more. Why Avebury? is sacred Neolithic site is the largest set of stone circles out of the thousands in the United Kingdom and in the world. It is older than other sites, although the dating is sketchy. I've heard everything from 2600BC to 4500BC and it’s still up for discussion. Despite being a World Heritage site, Avebury is fully open to the public. Unlike Stonehenge, you can walk in and around the stones. It is accessible by public transport, buses stop in the middle of the village, and the entrance is free. As well as the stone cir - cles, there is also an avenue of stones that take you down to the West Kennet Long Barrow and Silbury Hill. Onsite for a small fee you can visit the museum and manor that are run by the National Trust. -
Concrete Prehistories: the Making of Megalithic Modernism 1901-1939
Concrete Prehistories: The Making of Megalithic Modernism Abstract After water, concrete is the most consumed substance on earth. Every year enough cement is produced to manufacture around six billion cubic metres of concrete1. This paper investigates how concrete has been built into the construction of modern prehistories. We present an archaeology of concrete in the prehistoric landscapes of Stonehenge and Avebury, where concrete is a major component of megalithic sites restored between 1901 and 1964. We explore how concreting changed between 1901 and the Second World War, and the implications of this for constructions of prehistory. We discuss the role of concrete in debates surrounding restoration, analyze the semiotics of concrete equivalents for the megaliths, and investigate the significance of concreting to interpretations of prehistoric building. A technology that mixes ancient and modern, concrete helped build the modern archaeological imagination. Concrete is the substance of the modern –”Talking about concrete means talking about modernity” (Forty 2012:14). It is the material most closely associated with the origins and development of modern architecture, but in the modern era, concrete has also been widely deployed in the preservation and display of heritage. In fact its ubiquity means that concrete can justifiably claim to be the single most dominant substance of heritage conservation practice between 1900 and 1945. This paper investigates how concrete has been built into the construction of modern pasts, and in particular, modern prehistories. As the pre-eminent marker of modernity, concrete was used to separate ancient from modern, but efforts to preserve and display prehistoric megaliths saw concrete and megaliths become entangled. -
Stonehenge and Avebury WHS Management Plan 2015 Summary
Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 1 Stonehenge and Avebury World Heritage Site Vision The Stonehenge and Avebury World Heritage Site is universally important for its unique and dense concentration of outstanding prehistoric monuments and sites which together form a landscape without parallel. We will work together to care for and safeguard this special area and provide a tranquil, rural and ecologically diverse setting for it and its archaeology. This will allow present and future generations to explore and enjoy the monuments and their landscape setting more fully. We will also ensure that the special qualities of the World Heritage Site are presented, interpreted and enhanced where appropriate, so that visitors, the local community and the whole world can better understand and value the extraordinary achievements © K020791 Historic England © K020791 Historic of the prehistoric people who left us this rich legacy. Avebury Stone Circle We will realise the cultural, scientific and educational potential of the World Heritage Site as well as its social and economic benefits for the community. © N060499 Historic England © N060499 Historic Stonehenge in summer 2 Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 Stonehenge, Avebury and Associated Sites World Heritage Site Management Plan Summary 2015 1 World Heritage Sites © K930754 Historic England © K930754 Historic Arable farming in the WHS below the Ridgeway, Avebury The Stonehenge, Avebury and Associated Sites World Heritage Site is internationally important for its complexes of outstanding prehistoric monuments. Stonehenge is the most architecturally sophisticated prehistoric stone circle in the world, while Avebury is Stonehenge and Avebury were inscribed as a single World Heritage Site in 1986 for their outstanding prehistoric monuments the largest. -
Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
Luis ROMERO NOVELLA1 Rubén MONTOYA GONZÁLEZ
Cuadernos de Arqueología DOI: 10.15581/012.23.279‐289 Universidad de Navarra 23, 2015, págs. 279 – 289 A REDISCOVERED TOGATUS FROM POMPELO Luis ROMERO NOVELLA1 Rubén MONTOYA GONZÁLEZ RESUMEN: A bronze sculpture of a togatus, lost for more than a century in American private collections, has been recently rediscovered. As for its origin, although it had been traditionally located in the Roman province of Gallia, recent studies have demonstrated that this sculpture emerged from the city of Pompelo in the Roman province of Hispania Citerior. In this article a stylistic ana‐ lysis of the sculpture will be conducted, drawing new conclusions with regard to its typology, chronology and display. PALABRAS CLAVE: Roman sculpture, togatus, Pompelo, Roman bronze sculpture. ABSTRACT: Actualmente ha sido reencontrada una escultura en bronce de un togatus, que se ha tenido por desaparecida durante más de un siglo. La pieza procede de la ciudad de Pompelo y ha pasado desapercibida por diversas colecciones privadas estadounidenses como procedente de la Galia. Se realiza un análisis detallado de la pieza aportando importantes novedades en cuanto a su adscripción tipológica y cronológica. KEYWORDS: Escultura romana, togatus, Pompelo, bronces romanos. 1 Universidad de Navarra. Dirección electrónica: [email protected] University of Leicester. Dirección electrónica: [email protected] CAUN 23, 2015 279 LUIS ROMERO NOVELA – RUBÉN MONTOYA GONZÁLEZ 1. INTRODUCTION2 Large Roman bronze sculpture from Hispania is characterised by its scarcity (Trillmich, 1990). This is due to the processes of amortization to which the sculptures were subjected after the dismantling of the structures in which they were displayed, in addition to the practice of melting down statues for issuing the minting of coins (Trillmich, 1990: 37‐38). -
Researching Stonehenge: Theories Past and Present
Parker Pearson, M 2013 Researching Stonehenge: Theories Past and Present. Archaeology International, No. 16 (2012-2013): 72-83, DOI: http://dx.doi.org/10.5334/ai.1601 ARTICLE Researching Stonehenge: Theories Past and Present Mike Parker Pearson* Over the years archaeologists connected with the Institute of Archaeology and UCL have made substantial contributions to the study of Stonehenge, the most enigmatic of all the prehistoric stone circles in Britain. Two of the early researchers were Petrie and Childe. More recently, colleagues in UCL’s Anthropology department – Barbara Bender and Chris Tilley – have also studied and written about the monument in its landscape. Mike Parker Pearson, who joined the Institute in 2012, has been leading a 10-year-long research programme on Stonehenge and, in this paper, he outlines the history and cur- rent state of research. Petrie and Childe on Stonehenge William Flinders Petrie (Fig. 1) worked on Stonehenge between 1874 and 1880, publishing the first accurate plan of the famous stones as a young man yet to start his career in Egypt. His numbering system of the monument’s many sarsens and blue- stones is still used to this day, and his slim book, Stonehenge: Plans, Descriptions, and Theories, sets out theories and observations that were innovative and insightful. Denied the opportunity of excavating Stonehenge, Petrie had relatively little to go on in terms of excavated evidence – the previous dig- gings had yielded few prehistoric finds other than antler picks – but he suggested that four theories could be considered indi- vidually or in combination for explaining Stonehenge’s purpose: sepulchral, religious, astronomical and monumental. -
Antiquity (August 2007)
Set the wild echoes flying By Jerry D. Moore Department of Anthropology, California State University Dominguez Hills, 1000 K Victoria Street, Carson, CA 90747, USA (Email: [email protected]) BARRY BLESSER & LINDA-RUTH SALTER. Spaces speak, The two volumes under review are you listening? Experiencing aural architecture. form a complementary pair of xiv+438 pages, 21 illustrations. 2007. Cambridge texts, although not a perfect (MA): Massachusetts Institute of Technology; 978-0- fit. Barry Blesser and Linda- 262-02605-5 hardback £25.95. CHRIS SCARRE & Ruth Salter's book, Spaces GRAEME LAWSON (ed.). Archaeoacoustics. x+126 Speak, Are You Listening?, is a pages, 68 illustrations, 5 tables. 2006. Cambridge: broad overview, an often en- McDonald Institute for Archaeological Research; 1- gaging introduction to aural 902937-35-X hardback £25. architecture and spatial Second only to scent as the most evanescent of acoustics. Archaeoacoustics, sensations, sound would seem particularly elusive of edited by Chris Scarre and archaeological inquiry. And yet — and obviously — Graeme Lawson, is a human life is inherently aural, and ancient sound is collection of conference papers intertwined in our species' evolution and social that present specific case existence. Throughout prehistory humans have studies about the creation extended the ambit of sound with instruments, of auditory spaces and, to a specially created spaces, and composed tonalities. lesser extent, the development of culturally For such reasons, at some level archaeology must formalised -
September 2017 N°17
ISSN 2499-1341 EXPRESSION quarterly e-journal of atelier in cooperation with uispp-cisenp. international scientific commission on the intellectual and spiritual expressions of non-literate peoples N°17 September 2017 CULT SITES AND ART Anthropomorphic face on the entrance slab of a circular ceremonial structure from Har Karkom, Negev desert, Israel (Pre-pottery Neolithic site BK 608). EDITORIAL NOTES accompany them. What echoes accompanied CULT SITES the paintings in the prehistoric caves? What performances, if any, were taking place in front AND ART of the decorated rock surfaces? The visual art stresses myths, mythical beings Walking along a narrow trail, on the edge of and/or historical facts, which are related to the a steep valley in the middle of a deep forest, cult and to the sanctity of the site. It is the visual we suddenly heard noises of human presen- memory that justifes the function of the site. ce, voices that were neither speeches nor son- Was it the same in prehistoric times? In front of gs, something in between. We reached a cave where a number of people were assembled in rock art sites, in the Camonica Valley, Italy, or a corner and an old bearded man was standing in Kakadu in Arnhem Land, Australia, or in the on an upper step of the rock talking ... perhaps Drakensberg caves, South Africa, or in the Al- talking, perhaps declaiming, perhaps singing, tamira cave, Spain, the presence of prehistoric but not to the people below. He was talking or art awakens a sense of sacredness, we feel that performing or praying in front of a white rock these were and are special places but ..