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The German North Sea Ports' Absorption Into Imperial Germany, 1866–1914
From Unification to Integration: The German North Sea Ports' absorption into Imperial Germany, 1866–1914 Henning Kuhlmann Submitted for the award of Master of Philosophy in History Cardiff University 2016 Summary This thesis concentrates on the economic integration of three principal German North Sea ports – Emden, Bremen and Hamburg – into the Bismarckian nation- state. Prior to the outbreak of the First World War, Emden, Hamburg and Bremen handled a major share of the German Empire’s total overseas trade. However, at the time of the foundation of the Kaiserreich, the cities’ roles within the Empire and the new German nation-state were not yet fully defined. Initially, Hamburg and Bremen insisted upon their traditional role as independent city-states and remained outside the Empire’s customs union. Emden, meanwhile, had welcomed outright annexation by Prussia in 1866. After centuries of economic stagnation, the city had great difficulties competing with Hamburg and Bremen and was hoping for Prussian support. This thesis examines how it was possible to integrate these port cities on an economic and on an underlying level of civic mentalities and local identities. Existing studies have often overlooked the importance that Bismarck attributed to the cultural or indeed the ideological re-alignment of Hamburg and Bremen. Therefore, this study will look at the way the people of Hamburg and Bremen traditionally defined their (liberal) identity and the way this changed during the 1870s and 1880s. It will also investigate the role of the acquisition of colonies during the process of Hamburg and Bremen’s accession. In Hamburg in particular, the agreement to join the customs union had a significant impact on the merchants’ stance on colonialism. -
Bremen Und Die Kunst in Der Kolonialzeit
DER BLINDE FLECK BREMEN UND DIE KUNST IN DER KOLONIALZEIT THE BLIND SPOT BREMEN, COLONIALISM AND ART EDITED BY JULIA BINTER ©2017byKunsthalle Bremen –Der Kunstverein in Bremen www.kunsthalle-bremen.de ©2017byDietrich Reimer Verlag GmbH, Berlin www.reimer-mann-verlag.de Funded by the International MuseumFellowship program of the German Federal Cultural Foundaition In cooperation with Afrika-Netzwerk Bremen e.V. Bibliographic Information of the German National Library Deutsche Nationalbibliothek holds arecordofthis publication in the Deutsche Nationalbibliografie; detailed bibliographical data can be found under: http://dnb.d-nb.de. All rightsreserved. No partofthis book maybereprintedorrepro- ducedorutilised in any form or by any electronic, mechanical or other means, nowknown or hereafter invented, including photocopying and recording, or in any information storage or retrievalsystem, without permission in writing from the publishers. ISBN 978-3-496-01592-5 With contributions by Julia Binter Anna Brus Anujah Fernando Anna Greve HewLocke YvetteMutumba Ngozi Schommers Vivan Sundaram Translations from German and English by Daniel Stevens Lenders Nolde-Stiftung Seebüll Sammlung Vivanund Navina Sundaram Sammlung Karl H. Knauf,Berlin Übersee-Museum Bremen Deutsches Schifffahrtsmuseum Bremerhaven Museum für Völkerkunde Hamburg Focke-Museum Landesmuseum für Kunst und Kulturgeschichte Schulmuseum Bremen Landesfilmarchiv Bremen Intro Ⅰ Kawanabe Kyōsai, The Lazy one in the Middle, n. d., monochrome woodcut, Outro Ⅰ Kunsthalle Bremen – Artist unknown, -
ENG Flyer Bearbeitet Quer Spalten
Adalbert (two semicircular windows and a round one, ……………………………………………………………………………. Museum of Christian art and Romanesque, second half of the 11th century, partly 3 The front-room of the first floor is dedicated to the the history of the church of Bremen restored). history and significance of the Bremen bishopric from www.dommuseum-bremen.de its foundation in 787 to its disintegration in 1648. As a ……………………………………………………………………………. Now we are in a Romanesque room of the 13th matter of course, only some selected items could be century. The fresco painting was discovered under emphasized e.g. Bremen bishops as missionaries and dirty plaster layers during the last reconstructions. saints (Willehad, Ansgar, Rimbert and Unni); Adalbert WELCOME TO After careful uncovering, consolidation and as a politician and Archbishop; Bremen as a center of THE DOM-MUSEUM! restoration four pictures can be recognized among rich mission for Northern Europe (“Rome of the North”); ornaments of tendrils and inserted heads of angels. In music of the early Middle Ages in Bremen; documents the entrance bay Christ’s Baptism in the Jordan; in the and seals of Bremen bishops; history of the Cathedral Highlights center, on opposite sides, in fragments only, the parish after the Reformation. • Historical textiles (mitre etc.) soldiers quarreling for the coat, and the Descent from • Crook of Limoges the Cross; on the narrower wall of the room the It is understandable that the attention of the visitors is • Bremen – „Rome of the North“ presentation of Christ in the mandorla, called Maiestas attracted by the silver goods exhibited in the center; • Voluntary commitment as a living tradition Domini. -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................ -
Allfatherparadox Preview.Pdf
VIKINGVERSE: The All Father Paradox Outland Entertainment | www.outlandentertainment.com Founder/Creative Director: Jeremy D. Mohler Editor-in-Chief: Alana Joli Abbott Publisher: Melanie R. Meadors Senior Editor: Gwendolyn Nix The characters and events portrayed in this book are fictitious or fictitious recreations of actual historical persons. Any similarity to real persons, living or dead, is coincidental and not intended by the authors unless otherwise specified. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. Published by Outland Entertainment 5601 NW 25th Street Topeka KS, 66618 ISBN: 978-1-947659-52-0 Worldwide Rights Created in the United States of America Editor: Shannon Page Cover Illustration: Jeremy D. Mohler Cover Design and Interior Layout: STK•Kreations For my wife, who has Thiassi’s Eyes EXEGESIS I GOSFORTH, ENGLAND 2017 ELL, YOU TOOK YOUR TIME!” e roaring complaint was so unexpected that Churchwarden WMichaels dropped his freshly printed parish circulars. e gale swept them up and chased them across the churchyard, pink sheets apping between the moss-bound tombstones, like confetti at a gi- ant’s wedding. “Jesus!” Michaels scrabbled on the worn slate oor, preferring to salvage his photocopies over his dignity. ere was little hope of either. e coastal winds were merciless in winter and howled at the churchwarden in derision. He gave up and watched the last of his newsletters wing their way across the countryside to roost in far- distant hedgerows. -
Bart Holterman the Fish Lands
Bart Holterman The Fish Lands Bart Holterman The Fish Lands German trade with Iceland, Shetland and the Faroe Islands in the late 15th and 16th Century ISBN 978-3-11-065165-2 e-ISBN (PDF) 978-3-11-065557-5 e-ISBN (EPUB) 978-3-11-065182-9 DOI https://10.1515/9783110655575 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020936382 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Bart Holterman, published by Walter de Gruyter GmbH, Berlin/Boston. The book is published with open access at www.degruyter.com. Cover Image: Olaus Magnus’ Carta Marina (1539), Section A, Iceland Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Preface The current work was defended as a PhD thesis at the Faculty of Humanities of the University of Hamburg in 2019. The supervisors were Jürgen Sarnowsky (University of Hamburg) as primary and Carsten Jahnke (University of Copenhagen) as secondary. The work you are reading now is a slightly revised version of this thesis, with minor points added or corrected, and an updated bibliography. However, the publication of this book marks only the end of a process that was set in course long before I started to work on the subject. At an interdisciplin- ary conference about the medieval North Atlantic trade in Avaldsnes, Norway, in 2013, the idea came up that it would be good if someone would compile an exten- sive overview of the German trade with the North Atlantic, based on historical written sources. -
Opus 54. Eiermann, Wash, D
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Opus 69 Rathaus Bremen With an introduction by Georg Skalecki and photographs by Christian Richters. 72 pp. with ca. 70 illus., 280 x 300 mm, hard- cover, German/ English ISBN 978-3-932565-69-4 Euro 39.00, sfr 64.00, £ 29.90, US $ 59.00, $A 72.00 The town hall in Bremen with its associated Roland statue in the market square in front of the building make up a UNESCO World Heritage site and thus count as outstanding examples of architec- tural and cultural history. The Bremen town hall is an ideal image of this building type that is so important for European and Western history. It is almost a textbook example of the medieval and early modern town hall. The building dates from 1405 to 1410 and has not been fundamentally altered since. The only exception is that it was carefully continued between 1595 and 1614, when it acquired an extended figurative façade decoration based on the forms of the Weser Renaissance that were current at the time. This underlined the Hanseatic city’s claims to immediacy as a free imperial city. The Distributors figurative decoration is almost encyclopaedic in its scope, showing the period’s striving for humanistic education in the form of iconog- Brockhaus Commission raphy with a wide-ranging political and religious spectrum of alle- Kreidlerstraße 9 gorical themes. D-70806 Kornwestheim The old town hall has remained almost untouched to the pre- Germany sent day. -
Karin Kneffel Biography
G A G O S I A N Karin Kneffel Biography Born in 1957 in Marl, Germany. Education: 1977–81 Studied German literature and philosophy at the Westphalian Wilhelm University, Münster, Germany and at the Comprehensive University of Duisburg, Germany. 1981–87 Studied at the Düsseldorf Art Academy with Johannes Brus, Norbert Tadeusz and Gerhard Richter. Master student of Gerhard Richter. 1998 Visiting Professor at the University of the Arts, Bremen, Germany. 2000 Visiting Professor at the Iceland Academy of the Arts, Reykjavik, Iceland. 2000–08 Professor at the University of the Arts, Bremen, Germany. 2008 Professor at the Academy of Fine Arts, Munich, Germany. Solo Exhibitions: 2020 Karin Kneffel. Museum Frieder Burda, Baden-Baden, Germany. 2019 Karin Kneffel: Still. Kunsthalle Bremen, Bremen, Germany. 2016 Karin Kneffel: New Works. Gagosian Gallery, Beverly Hills, CA. 2015 Karin Kneffel: Works on Papers. Kunsthalle Bremerhaven, Germany. Karin Kneffel: Fallstudien. Kathe Kollwitz Museum, Cologne, Germany. 2014 Pavilion. Barcelona Pavilion, Barcelona, Spain. Karin Kneffel. Museo De Arte Contemporáneo, La Coruña, Spain. 2013 Butter never crossed my mind. Schönewald Fine Arts, Düsseldorf, Germany. 2012 Karin Kneffel. Gagosian Gallery, New York, NY. Karin Kneffel. Fred Jahn Gallery, Munich, Germany. 2010 Kunsthalle Tübingen, Baden-Württemberg, Germany. 2009 Karin Kneffel. Haus Esters, Krefeld, Germany. 2008 Karin Kneffel. Gallery Klaus Gerrit Friese, Stuttgart, Germany. Karin Kneffel. Barbara Mathes Gallery, New York, NY. Karin Kneffel. Municipal Gallery, Offenburg, Germany. Karin Kneffel. Kunst-Station Sankt Peter, Cologne, Germany. 2007 Karin Kneffel. Edition Staeck, Heidelberg, Germany. Karin Kneffel. Barbara Mathes Gallery, New York, NY. 2006 Karin Kneffel. Ulmer Museum, Ulm, Germany. Seduction and Distance. -
Brahms, Requiem
Saturday 6 December, 2014 at 7.00pm HANDEL: MESSIAH Lesley-Jane Rogers soprano Louise Mott mezzo soprano Matthew Minter tenor Andrew Kidd bass Music for Awhile Orchestra (on period instruments) Matthew Owens conductor Saturday 28 March, 2015 at 7.00pm ELGAR: THE KINGDOM Jane Irwin soprano Kathryn Rudge mezzo soprano Peter Auty tenor David Kempster baritone Southern Sinfonia Matthew Owens conductor Saturday 2 May, 2015 from 9.30am to 6.00pm Come & Sing Day with Matthew Owens J. S. BACH: LUTHERAN MASS IN F, BWV 253 HANDEL: MESSIAH HIGHLIGHTS in the Methodist Church, Wells 2 Johannes Brahms Alto Rhapsody Ein Deutsches Requiem Ralph Vaughan Williams The Lark Ascending ________________________________________________ Katherine Broderick soprano Rachael Lloyd mezzo soprano Darren Jeffery baritone violin Thomas Kemp ________________________________________________ Wells Cathedral Oratorio Society Chorus ________________________________________________ Southern Sinfonia Alexander Hohenthal leader ________________________________________________ Matthew Owens conductor ________________________________________________ This concert takes place in the Cathedral by kind permission of the Chapter of Wells Cathedral. The use of mobile telephones, photography, or recording of any kind is forbidden except by express permission of the Chapter. Printed music supplied by Somerset Libraries, Arts, & Information Wells Cathedral Oratorio Society is affiliated to Making Music. 3 Part One Rhapsody for Contralto Solo, Chorus and Orchestra (Op. 53) (1869) Johannes -
Bremen Group Experiences 2021
BREMEN GROUP EXPERIENCES 2021 2 DISCOVER AUTHENTIC BREMEN: The complete programme. From a single source. We offer you a carefree package for your group trips. Professional advice at all times and the best possible service. You’re in good hands with us! +49 (0)421 30 800 10 [email protected] https://www.bremen-tourism.de/Group-offers QUALITY MARQUE BREMEN TOURIST INFORMATION HAS BEEN AWARDED THE SERVICEQUALITÄT DEUTSCHLAND QUALITY MARQUE. The Bremer Touristik-Zentrale is a brand of WFB Wirtschaftsförderung Bremen GmbH Bremen of WFB Wirtschaftsförderung is a brand Touristik-Zentrale The Bremer 3 JOIN US IN BREMEN! EXPERIENCES Bremen is a great place for groups. There is so much to see and do. We will be happy to help you choose. From advice to organisation, we are here to support you. PACKAGES Our carefully planned packages take all the stress out of organising group travel. You can cancel up to eight days before arrival free of charge, giving you complete flexibility. We can also add extra activities to our packages on request to make your Bremen experience complete! Free cancellation up to 8 eight days before arrival. HOTELS Are you looking for hotels for large and small groups in Bremen? Our experts will be happy to advise you. We look forward to hearing from you – by phone or email. Information on disabled access: 1 Main entrance fully accessible 2 Bedrooms: accessible to a great extent 3 WC difficult access limited access 80 4 AS TIME GOES BY € 110 Explore the highlights of Bremen’s historical centre on GUIDED WALKING TOUR OF THE CITY CENTER foot and learn about the city’s history. -
Energiewirtschaft Im Nordwesten Energy Industry in North-West Germany Überarbeitete Auflage / Revised Edition 2015
Energiewirtschaft im Nordwesten Energy industry in North-West Germany überarbeitete Auflage / revised edition 2015 Mit umfassendem Unternehmensverzeichnis With comprehensive business directory Energiewirtschaft im Nordwesten Energy industry in North-West Germany überarbeitete Auflage / revised edition 2015 2 INHALT I CONTENTS 8 46 VORWORT FOREWORD Der Nordwesten als Motor der Energiewende 4 Schnelle Notfallhilfe auf hoher See 58 The Northwest as a driver of change in the Rapid emergency assistance on the high seas energy turnaround Olaf Lies Niedersächsischer Minister für Wirtschaft, Arbeit und Verkehr INTERVIEW Minister for Economics, Labour and Transport in Lower Saxony Offshore als tragende Säule der Energieversorgung 64 Offshore as a mainstay in providing energy ENERGIEWIRTSCHAFT IM NORDWESTEN Andreas Wagner Geschäftsführer Stiftung Offshore-Windenergie ENERGY INDUSTRY IN THE NORTH-WEST Managing Director at Foundation Offshore Wind Energy Frischer Wind von oben links 8 A fresh breeze from top left ENERGIE UNTER DER ERDE UNDERGROUND ENERGY Die Suche nach dem Konsens 22 Energie von ganz tief unten 66 Searching for consensus Energy from the depths PORTRÄT DER REGION Schwarzes Gold aus grüner Landschaft 70 PORTRAIT OF THE REGION Black gold from a green landscape Eine Region voller Energie 26 A region brimming with energy GEOTHERMIE – WÄRME AUS DER ERDE GEOTHERMAL ENERGY – HEAT FROM THE EARTH ONSHORE-WINDENERGIE Die Superlative der Erdwärme 76 ONSHORE WIND ENERGY Superlative system for heat from beneath the ground Wechselnde Winde 38 Changing -
Historic Organs of Belgium May 15-26, 2018 12 Days with J
historic organs of BELGIUM May 15-26, 2018 12 Days with J. Michael Barone historic organs of GERMANY May 22-June 4, 2019 14 Days with J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from Mr. & Mrs. Wesley C. Dudley, grants from Walter McCarthy, Clara Ueland, and the Greystone Foundation, the Art and Martha Kaemmer Fund of the HRK Foundation, and Jan Kirchner on behalf of her family foun- dation, by the contributions of listeners to American Public Media stations nationwide, and by the thirty member organizations of the Associated Pipe Organ Builders of America, APOBA, represent- ing the designers and creators of pipe organs heard throughout the country and around the world, with information at www.apoba.com. See and hear Pipedreams on the Internet 24-7 at www.pipedreams.org. A complete booklet pdf with the tour itinerary can be accessed online at www.pipedreams.org/tour Table of Contents Welcome Letter Page 2 Bios of Hosts and Organists Page 3-7 The Thuringian Organ Scene Page 8-9 Alphabetical List of Organ Builders Page 10-15 Organ Observations Page 16-18 Tour Itinerary Page 19-22 Tour Members Playing the Organs Page 23 Organ Sites Page 24-116 Rooming List Page 117 Traveler Profiles Page 118-122 Hotel List Page 123-124 Map Inside Back Cover Thanks to the following people for their valuable assistance in creating this tour: Tim Schmutzler Valerie Bartl, Cynthia Jorgenson, Kristin Sullivan, Janet Tollund, and Tom Witt of Accolades International Tours for the Arts in Minneapolis.