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Assessment of Heavy Metal Pollution in Surface Soils of Urban Parks in Beijing, China
Chemosphere 60 (2005) 542–551 www.elsevier.com/locate/chemosphere Assessment of heavy metal pollution in surface soils of urban parks in Beijing, China Tong-Bin Chen a,*, Yuan-Ming Zheng a, Mei Lei a, Ze-Chun Huang a, Hong-Tao Wu a, Huang Chen a, Ke-Ke Fan b,KeYuc, Xiao Wu b, Qin-Zheng Tian b a Center for Environmental Remediation, Institute of Geographic Sciences and Natural Resources Research, Chinese Academy of Sciences, 11A Datun Road, Beijing 100101, PR China b Middle School Affiliated to People’s University of China, Beijing 100081, PR China c Computing Laboratory, Oxford University, Parks Road, Oxford OX1 3QD, UK Received 29 March 2004; received in revised form 23 December 2004; accepted 24 December 2004 Available online 10 February 2005 Abstract Assessing the concentration of potentially harmful heavy metals in the soil of urban parks is imperative in order to evaluate the potential risks to residents and tourists. To date, little research on soil pollution in ChinaÕs urban parks has been conducted. To identify the concentrations and sources of heavy metals, and to assess the soil environmental qua- lity, samples were collected from 30 urban parks located in the city of Beijing. Subsequently, the concentrations of Cu, Ni, Pb and Zn in the samples were analyzed. The investigation revealed that the accumulations of Cu and Pb were read- ily apparent in the soils. The integrated pollution index (IPI) of these four metals ranged from 0.97 to 9.21, with the highest IPI in the densely populated historic center district (HCD). Using multivariate statistic approaches (principal components analysis and hierarchical cluster analysis), two factors controlling the heavy metal variability were obtained, which accounted for nearly 80% of the total variance. -
THE DON... FLOWS QUIETLY Synergetic Novel
М. V. Golitsyna THE DON... FLOWS QUIETLY Synergetic novel 1 Dedicated to my father, Vasiliy Ivanovich Golitsyn, and all defenders of the Fatherland 2 «...The land, with which you were starving together - you can’t ever forget! » All Right! V. Mayakovsky "We are marching through a storm of bullets, making sure that at death we’ll be reincarnated as steamboats, written lines, and other things that never fade." To comrade Nette, a steamboat and a man. V. Mayakovsky 3 III level of consciousness (thoughts): It’s the Tikhiy Don fast sleeper train, and no wonder, there are no tickets… OK, what about other trains?! Well, Moscow... "is the nastiest little hole of all the towns of Russia. I was all but starved there, to say nothing of having a narrow escape of being..." and so on through the text.., bу and large, as my father liked to quote... II level of consciousness (feelings): My father... Won’t I fulfill his last request?! Or maybe I continue doing stupid things?! - But I have already learned... and now I know for sure that I'd rather regret the things I've done than regret the things I haven't done! III level of consciousness (thoughts): Most likely, I will be able to get the earth... But will I be able to return home? After all, the border may be closed any moment during the holidays... For them, 1 May is not a holiday, to say nothing about Victory Day, the holiday... of the "invaders"... And it was not only my father who used to tell.. -
Nameless Art in the Mao Era
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2017 Nameless Art in the Mao Era Tianchu Gao College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Gao, Tianchu, "Nameless Art in the Mao Era" (2017). Undergraduate Honors Theses. Paper 1091. https://scholarworks.wm.edu/honorstheses/1091 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Nameless Art in the Mao Era A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Department of Art and Art History from The College of William and Mary by Tianchu (Jane) Gao 高天楚 Accepted for ___________________________________ (Honors, Non-Honors) ________________________________________ Xin Wu, Director ________________________________________ Sibel Zandi-Sayek ________________________________________ Charles Palermo ________________________________________ Michael Gibbs Hill Williamsburg, VA May 2, 2017 ABSTRACT This research project focuses on the first generation of No Name (wuming 無名), an underground art group in the Cultural Revolution which secretly practiced art countering the official Socialist Realism because of its non-realist visual language and art-for-art’s-sake philosophy. These artists took advantage of their worker status to learn and practice art legitimately in the Mass Art System of the time. They developed their particular style and vision of art from their amateur art training, forbidden visual and textual sources in the underground cultural sphere, and official theoretical debates on art. -
180226 the Firemaker
The Firemaker China Thrillers, #1 by Peter May, 1951– Published: 1999 J J J J J I I I I I Table of Contents Dedication Prologue & Chapter 1 … thru … Chapter 14 Epilogue Acknowledgements * * * * * This book is a work of fiction. Names, characters, businesses, organizations, places and events are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental. J J J J J I I I I I For my parents ‘Be not deceived; God is not mocked: for whatsoever a man soweth, that shall he also reap .’ —Galations 6:7 Prologue The laughter of the children peals through the early morning quiet like bells ringing for the dead. Hair straight, dark and club-cut, bobs above the frilled white and pink of the girls’ blouses as they run along Ritan Park’s dusty paths in the gloomy green Beijing dawn. Their dark oriental eyes burn with the fire of youth. So much life and innocence a breath away from that first encounter with death, and the taint of immortality that will stain their lives for ever. Their mother had asked the baby-sitter, a dull country girl, to take the twins to the park early, before kindergarten. A treat in the cool of the morning, before the sun would rise and bleach all colour and substance from the day. An old man in Mao pyjamas and white gloves practises t’ai chi among the trees, slow-motion graceful, arms outstretched, one leg so slowly lifting, exerting a control of his body that he has never had of his life. -
Antiques & Fine
Antiques & Fine Art Tuesday 6th October 2015 Antiques & Fine Art Tuesday 6th October 2015 at 10.00am Index Viewing times Glass & Ceramics 1-253 Thursday 1st October 10am-4pm Collectors 254-600 Friday 2nd October 10am-4pm Toys 601-657 Box Lots 658-720 Saturday 3rd October 11am-4pm Paintings 721-844 Monday 5th October 10am-4pm Clocks 845-890 Tuesday 6th October 8:30am-10am Furniture 891-943 Private consignment from Please note the auction will be held in our downstairs saleroom and so Birmingham Nautical Club 944-1033 all viewing will fi nish at start of sale Contact the Antiques & Fine Art department on 0121 212 2131 Kevin Jackson Mark Huddleston MA (Hons) Jennifer Reid Antiques & Fine Art Antiques & Fine Art Administrator & Junior Specialist and Auctioneer Specialist and Auctioneer Cataloguer [email protected] [email protected] [email protected] Featured lots Lot 398 Lot 1009 (front cover) (back cover) Augusta House | 19 Augusta Street | Birmingham B18 6JA | Tel 0121 212 2131 | [email protected] | www.fellows.co.uk Company No. 09264165 General Information Why Buy? Why Sell? COMPETITIVE buyer’s premium HIGH PRICES consistently achieved LIVE online bidding FLEXIBLE commission rates FULLY illustrated catalogue FREE valuations with no obligation to consign EASY to use, functional website RAPID turnaround for your goods ACCURATE condition reports TARGETED advertising to a global audience SPECIALISTS on hand to offer advice SUPERIOR quality catalogues FULLY integrated website Follow Us On... Forthcoming Auctions Thursday 8th October Jewellery facebook.com/fellowsauctions fellowsauctions Thursday 15th October Antique & Modern Jewellery Thursday 22nd October @fellowsauctions youtube.com/fellows1876 Jewellery Tuesday 27th October The Watch Sale pinterest.com/fellowsauctions Monday 2 November Vintage Jewellery & Accessories Further Information Additional Images Telephone Bidding is available Live Bidding and Condition Reports if you cannot attend an auction. -
Impact of Climate Variability on Flowering Phenology and Its Implications for the Schedule of Blossom Festivals
Article Impact of Climate Variability on Flowering Phenology and Its Implications for the Schedule of Blossom Festivals Lu Wang, Zhizhong Ning, Huanjiong Wang * and Quansheng Ge * Key Laboratory of Land Surface Pattern and Simulation, Institute of Geographic Sciences and Natural Resources Research, Chinese Academy of Sciences, 11A, Datun Road, Chaoyang District, Beijing 100101, China; [email protected] (L.W.); [email protected] (Z.N.) * Correspondence: [email protected] (H.W.); [email protected] (Q.G.); Tel.: +86-10-6488-9831 (H.W.); +86-10-6488-9499 (Q.G.) Received: 24 May 2017; Accepted: 25 June 2017; Published: 27 June 2017 Abstract: Many tourism destinations characterized by spring blossom festivals (e.g., cherry blossom festival) became increasingly popular around the world. Usually, spring blossom festivals should be planned within the flowering period of specific ornamental plants. In the context of climate and phenological change, whether the administrators of tourism destinations had perceived and responded to the flowering phenological variability is still unknown. Using the data of climate, blossom festival dates (BFD) of three tourist attractions, and first flowering dates (FFD) of specific species in Beijing, China, we analyzed the flowering phenological response to temperature and the impact of FFDs on BFDs from 1989 to 2016. It was shown that the flowering time of ornamental plants varied significantly among years in response to temperature variability. The administrators of Beijing Botanical Garden and Yuyuantan Park determined peach BFD and cherry BFD based on their experience rather than FFD of corresponding plants. Therefore, the mismatch between BFD and FFD occurred frequently at these two locations. -
Cold War Introductory Work Welcome to the Summer Work for History a Level
Cold War Introductory Work Welcome to the summer work for History A Level. This sheet will guide you on how you can complete your summer work and where you can create your notes. If you find this a successful place to create your notes you can continue to work here during your A level and have it all in one place! SWAY LINK: This link will take you to all the work and allow you to scroll through information on your phone and click links taking you to articles, videos and readings https://sway.office.com/HG9aPBB1thInas6O?ref=Link This sheet will guide you on setting up a Notebook online and creating tabs. In each tab we would like you to complete some research to help develop your background understanding to the course. If you cannot access/create a Onenote book then feel free to use Word or PPT and then transfer the notes across when you start. All resources will be available in the appendix at the end of this document Organising your work on Onenote Firstly, create a new Onenote notebook by opening the program and then click Create THREE New Sections and rename them KEY WORDS, FACTFILES, KEY DATES Create FOUR more New Sections and change the tab colour to yellow and rename them INTRODUCTION, 1 – ORIGINS OF THE COLD WAR, 2 – WIDENING THE COLD WAR and 3 – GLOBAL WAR Secondly, under the KEY DATES tab for the first page change the title to Before 1945. You will use this page to create a timeline of events including images. -
1 0 Ye Chen Internet+City Tourism Big Data Report
Tecent Tourism 2017“Internet+City Tourism”Big Data Report Ye Chen Ph.D 1 The development of China tourism is keeping pace with the world • According to a report from UNWTO, the combined contribution of tourism on China GDP is 11%, the combined contribution of tourism on China employment is beyond 10%, which is close to the world average level. • Tourism industry has become the new engine of China economy growth. 10% 7% Source:UNWTO Tourism Highlights 2016 2 “Internet+City Tourism”Big Data Report: An overview of China cities' toursim development • The characteristics of China city tourism. • The characteristics of China cities' tourists. • In the big data era, what do we use to monitor the tourism flow between cities and to better serve tourism management. 3 1 Dual structure of China city tourism Overview of China city tourism 2 The tourism of three metropolitan 1 areas in China 3 A breakthrough of Destination- oriented Tourism in cities 4 1 Dual structure of China city tourism: Urban tourism is predominant in volume • The domestic travelers are 2.54 billion in first half year of 2017, in which 1.76 billion are urban travelers, accounting for 69.3% of the total number, and the rural travelers are 0.78 billion, accounting for 30.74% of the total number. • The domestic tourism receipts is 2170 billion RMB, in which urban travelers' consumption is 1710 billion RMB, accounting for 78.8% of the total consumption, and rural travelers' consumption is 460 billion RMB, accounting for 21.2% of the total consumption. 21,20% 30,74% 69,26% 78,80% Urban travelers Rural travelers Urban travelers's expenditure Rural travelers's expenditure Domestic travelers' number in China Domestic travelers' consumption in China Data source: China National Tourism Data Center 5 2 Three big city tourism areas in China: Important destinations and tourist-source market • Beijing-tianjin-hebei region, Yangtze river delta and pearl river delta metropolitan areas are political, economic, technological and cultural centers of China and they are the developed tourism Beijing- industry areas as well. -
“We're Nostalgic but We're Not Crazy”: Retrofitting the Past in Russia
“We’re nostalgic but we’re not crazy”: Retrofitting the Past in Russia SERGUEI ALEX. OUSHAKINE As far as my memory’s concerned, I know a particular word exists, except that it has lost meaning. I don’t understand it as I did before I was wounded. ... So I have to limit myself to words that “feel” familiar to me, that have some definite meaning for me. These are the only ones that I bother with when I try to think or talk to people. Lev Zasetsky, a patient suffering from aphasia. On New Year’s Eve, we’ll sit in front of a Sony TV, drinking Absolut vodka as we watch Russian films and sing Russian songs. ... Of course, the film is a remake shot in 35-millimeter Kodak and cost millions of American dollars. We’re nostalgic but we’re not crazy. Leonid Parfyonov, a TV producer (1995). In the scholarship on cultural changes in postsocialist countries it has become a cliché to single out nostalgia as an increasingly prominent symbolic practice through which the legacy of the previous period makes itself visible. Scholars from the Balkans are talking about Yugonostalgia and its fascination with “the successes of the golden Yugoslav national teams and clubs, personalities and elements of political life.”1 In a similar fashion, cultural critics of the (former) German Democratic Republic draw attention to the phenomenon of Ostalgia centered on Ostprodukte, the items of daily consumption from the socialist time, that are available again in the eastern part of Germany.2 Often perceived as a reaction to the recent I want to thank Kim Lane Scheppele, Clemena Antonova, Dmitry Bychkov, Elena Gapova, Helena Goscilo, Nadezhda Mishustina, Maya Nadkarni, Stephen Norris, Kevin Platt, Nancy Ries, and the two anonymous reviewers from The Russian Review for their helpful comments and suggestions on earlier drafts of this article. -
And Post-Soviet Literature and Culture
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture Pavel Khazanov University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Eastern European Studies Commons, English Language and Literature Commons, European History Commons, and the European Languages and Societies Commons Recommended Citation Khazanov, Pavel, "Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture" (2017). Publicly Accessible Penn Dissertations. 2894. https://repository.upenn.edu/edissertations/2894 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2894 For more information, please contact [email protected]. Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture Abstract The return of Tsarist buildings, narratives and symbols has been a prominent facet of social life in post- Soviet Russia. My dissertation aims to explain this phenomenon and its meaning by tracking contemporary Russia’s cultural memory of the Imperial era. By close-reading both popular and influential cultural texts, as well as analyzing their conditions of production and reception, I show how three generations of Russian cultural elites from the 1950s until today have used Russia’s past to fight present- day political battles, and outline how the cultural memory of the Imperial epoch continues to inform post- Soviet Russian leaders and their mainstream detractors. Chapters One and Two situate the origin of Russian culture’s current engagement with the pre-Revolutionary era in the social dynamic following Stalin’s death in 1953. -
It's Gift Season!
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White Movement Played an Important Role in the Russian History of the XX Century
ALEXANDER FEDOROV The White Movement Image in the Mirror of the Russian and Western Screen FEDOROV, A. THE WHITE MOVEMENT IMAGE IN THE MIRROR OF THE RUSSIAN AND WESTERN SCREEN. MOSCOW: ICO “INFORMATION FOR ALL”. 2016. 88 P. COPYRIGHT © 2016 BY ALEXANDER FEDOROV [email protected] ALL RIGHT RESERVED. 10 9 8 7 6 5 4 2 1 FEDOROV, ALEXANDER. 1954-. THE WHITE MOVEMENT IMAGE IN THE MIRROR OF THE RUSSIAN AND WESTERN SCREEN /ALEXANDER FEDOROV. INCLUDES BIBLIOGRAPHICAL REFERENCES. 1. WHITE MOVEMENT. 2. CIVIL WAR. 3. FILM STUDIES. 4. CINEMA. 5. FILM. 6. MASS MEDIA. 7. SCREEN. 8. IDEOLOGY. 9. ENEMY. 10. USSR. 11. RUSSIA. 12. MEDIA LITERACY. 13. MEDIA STUDIES. 14. FILM STUDY. 15. WESTERN CINEMA. What is the White Movement image in the mirror of the Soviet, Russian and Western screen? What about the main stereotypes? The author of this book tries to analyze the films’ trends and ideology. 2 Contents Introduction 4 1. The image of the White movement in the Soviet feature cinema 8 (1931-1991) 1.1. The image of the White movement in the Soviet films of 1931-1955 8 1.2 The image of the White movement in the Soviet cinema of 1956-1989 21 2. The image of the White movement in the Russian feature cinema 45 at the present stage (1992-2015) 2.1. The image of the White movement in the Russian cinema 45 of the 1990s - 2000s 3. The image of the White movement in the Western feature cinema 56 (1931-2015) 3.1. The image of the White movement in the Western feature cinema 56 of the 1930s - 1940s 3.2.